Louis ARAGON (Missak MANOUCHIAN)
Le roman inachevé [L'affiche rouge]
Gallimard|Paris 1956|14 x 19.50 cm|broché
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- Jean-Louis BORY
Ma moitié d'orange
Julliard|Paris 1972|10.50 x 21 cm|brochéFirst edition on ordinary paper.
Handsome copy.
Fine autograph inscription signed by Jean-Louis Bory to Christian Giudicelli: "Pour Christian Giudicelli, presse-moi ! tu verras comme je suis sucré... Amicalement. JLouis Bory" ["For Christian Giudicelli, squeeze me! you'll see how sweet I am... Cordially. JLouis Bory"].Sold - COLLECTIF, Antoni TÀPIES
Derrière le miroir N°175 : Tapies
Maeght éditeur|Barcelona 1968|28 x 38 cm|en feuillesFirst edition.
Tears with losses to the spine.
Text by Pierre Volboudt.
This issue is illustrated with 8 lithographs by Antoni Tàpies.
Dated and signed presentation inscription by Antoni Tàpies, in French, to his friend Georges Raillard, former director of the Institut Français in Barcelona and a leading authority on Tàpies's work, and to his wife Alice.Sold - Antoine BOURDELLE, Georges LEPAPE
Traité d'enluminure d'art au pochoir
Aux éditions de l'Ibis|Paris 1925|25 x 33 cm|en feuilles sous chemise et étui(COLLECTIVE WORK) Antoine BOURDELLE illustrated by Auguste RODIN
& Jean SAUDÉ & Georges LEPAPE & Marguerite BEAUZEE-REYNAUD
& Géo DORIVAL & SEM & BRUNETTA & BENEDICTUS & HALOUZE
Traité d'enluminure d'art au pochoir
Aux éditions de l'Ibis | Paris 1925 | 25 x 33 cm | loose leves under custom chemise and slipcaseFirst edition, one of 440 numbered copies, the only printing after 60 copies with supplements, our copy signed by the author on the justification page.
Notes by Antoine Bourdelle, Sem and Lucien Descaves.
Illustrated with 18 in-text pochoir illustrations and 14 demonstrative figures in black and...Sold - Maurice DRUON, Michel GOURLIER
Tistou les pouces verts
Editions G.P.|Paris 1970|14.50 x 20.50 cm|reliure de l'éditeurSold - Carlo RIM
Dessin original au feutre noir et rehaussé aux crayons de couleurs bleu, jaune représentant son proche ami Tristan Bernard fumant une cigarette en costume de plage
s. l. 1934|16 x 23.50 cm|une feuilleSold - Sold
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- Maurice RAYNAL
Les Maîtres du Cubisme. Juan Gris
Editions de L'Effort Moderne|Paris 1920|25.50 x 32.50 cm|en feuilles sous chemise à lacetsFirst edition printed in 100 numbered copies on laid paper, this copy for Léonce Rosenberg.
Work illustrated with 20 reproductions of cubist works by Juan Gris.
Dampstains to chemise boards, corners slightly bumped, tears and lacks to inner chemise flaps.
Handsome and rare copy.Sold - Eduardo CHILLIDA
Carte de voeux de la Galerie Maeght pour l'année 1969
Galerie Maeght|Paris 1969|25.40 x 17.50 cm|autreGreetings card from the Galerie Maeght for the year 1969
Galerie Maeght, Paris 1969, 25.4 x 17.5 cm, other
Greetings card from the Galerie Maeght for the year 1969. On one separated leaf of fine vellum, an original woodcut by Eduardo Chillida.
A beautiful copy despite some shading on the outside, without any damage whatsoever to the print.Sold - Sold
- Mélinée MANOUCHIAN
Manouchian suivi de Frank Cassenti explique "L'affiche rouge"
Les Editeurs Français Réunis|Paris 1977|13 x 21.50 cm|brochéSold - Fernand LÉGER, Blaise CENDRARS
Le paysage dans l'oeuvre de Léger[The Landscape in Léger's Work]
Galerie Louis Carré|Paris 1956|17 x 26.50 cm|brochéFirst edition printed with 750 numbered copies on Arches Velin and planned for the exhibition of Léger's works organised at the Louis Carré gallery from 19 November to 31 December 1954, for which the catalogue has been published only two years after the retrospective.
Work illustrated with original lithographs by Fernand Léger: 6 unpaged colour plates, two of which are double pages, 5 black and white unpaged plates and 10 within the text.
A beautiful copy despite slight rubbing to the caps.Sold - Honoré DAUMIER
Lithographie originale en noir et blanc - Les bas bleus - "-Madame, comment trouvez-vous cette cigarette?..."
Chez Aubert|Paris s. d. [1844]|25.20 x 33.20 cm|une feuilleSold - Honoré DAUMIER
Lithographie originale en noir et blanc - Les bas-bleus - "Dis donc...mon mari..."
Chez Aubert|Paris s. d. [1844]|24.90 x 30.90 cm|une feuilleSold - Ernest GUILLOT
Eléments d'ornementation pour l'enluminure. [Ensemble] Ornementation des manuscrits au Moyen-age
Librairie Renouard|Paris 1880 (S.d.)|21.70 x 14.80 cm|reliéSold - Jules VERNE
Le Rayon vert
Hetzel|Paris 1906|18 x 27.30 cm|reliéNew edition adorned with 44 drawings by L. Benett and a map. It is only in 1907 that the insert illustrations appeared for this title. Catalogue BC in-fine.
Publisher's board with “a Steamer” on a gilt badge.
Spine very lightly faded, gold on the interior of the badge on the first board a little faded, two lower corners flattened. A loose section, a corner piece missing skillfully filled on the title page and a marginal restoration of the paper on page 33.
Le Rayon vert (The Green Ray) is a sentimental novel inspired by the Scottish legend of the eponymous phenomenon: it allows those who have observed it to see clearly in their hearts as well as in those of others.Sold - Joséphine BAKER, André RIVOLLET
Une vie de toutes les couleurs - Souvenirs présentés par André Rivollet
B. Arthaud|Grenoble 1935|14.50 x 19.50 cm|brochéSold - Georges CLEMENCEAU
Claude Monet. Les NymphéasThe Water Lilies
Plon|Paris 1928|14 x 19 cm|relié[The Water Lilies]Plon | Paris 1928 | 14 x 19 cm | boundThe first edition, on alfa paper.
Modern Bradel binding of marbled light brown paper boards.
With 8 heliogravures, preserving its original publisher's insert.
Autograph inscription signed by Georges Clémenceau to the composer and Prix de Rome Alfred Bruneau and his wife.Sold - Sold
- Lawrence DURRELL
"dear and pretty chapeau jaune [...] phone-moi veux-tu ?"Signed autograph postcard addressed to Jani Brun
Sommières 20 juin1968|14.60 x 10.20 cm|une carte postaleSigned autograph postcard from Lawrence Durrell addressed to Jani Brun, written in black felt-tip pen, on the verso of a photograph topped with the humorous caption "Finies les vacances !! Les blés sont fauchés / Les vacanciers aussi !!" ["The holidays are over!! The wheat is cut / The vacationers too!!"]
The writer attempts to see his young French lover between two trips: "Dear and pretty chapeau jaune. je suis au mazet vendredi mais chez moi le soir. Vendredi je suis seul. phone-moi veux-tu ? si possible ? Car je m'en vais à Paris dimanche soir pour trois jours mais j'attends un coup de téléphone de là bas pour décider" ["Dear and pretty yellow hat. I'm at the mazet Friday but...Sold - NÂZIM HIKMET, Jean PICART LE DOUX
Paris, ma rose...
Pierre Jean Oswald|Paris 1961|14 x 19 cm|brochéFirst edition on current paper of the French translation and the presentation prepared by Charles Dobzynski.
Rare and pleasant copy decorated with illustrations by Jean Picart Le Doux.
Very rare autograph shipment dated and signed by Nazim Hikmet to Mrs. Pierette Girard.Sold - Marc CHAGALL
[Aaron rencontre Moïse] Then the Lorde sayde unto Aaron "Goe meets Moses in the wildernesse". And he went and met him in the mount of God and kissed him (Le seigneur dit à Aaron: Va dans le désert. Aaron partit et le rencontra sur la montagne de Dieu et il l'embrassa) - The Story of Exodus
Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuilleOriginal lithograph in color, one of the 15 prints printed on Imperial Japanese paper and reserved for the artist and his collaborators, only draw with 20 other Japan and 250 Arches paper. Unsigned proof, like all the events of this series, except the frontispiece.
Superb test on Japan made especially for The Story of Exodus published in 1966, Chagall realized the 24 inset lithographs printed by Mourlot.
Fernand Mourlot, undoubtedly the best artisan lithographer of the XXth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions...Sold - [Lawrence DURRELL] Oscar EPFS
Deux gouaches originales recto-verso signées offertes à son amante françaiseTwo original double-sided gouaches signed, presented to his French lover
1968|66 x 47.40 cm|une feuilleTwo original double-sided gouaches signed, presented to his French lover
1968 | 66 x 47.4cm | single sheet
Original double-sided gouaches on thick paper, signed and dated 1968, bearing an autograph inscription.
Skillfull repairs.
Exceptional original double-sided gouache in a medium unique to Durrell, signed with his artist's pseudonym and given to his French lover: «for Janine Brun Oscar Epfs 1968».
The first, abstract, composition by Durrell has a scene on the verso of a scene of Classical inspiration, recalling his ever-present interest in archeology and the ruins of the glorious past of his dear Greece.
The two gouaches...Sold - [Lawrence DURRELL] Oscar EPFS
Original drawing in ink, pencil and felt-tip pen with an autograph inscription signed to his French lover
1969, dessin 1963|31.90 x 47.60 cm|une feuilleAn original drawing signed and dated 1963, on thick paper, with an autograph inscription from the artist at the bottom dated 1969.
An exceptional original ink, pencil, and felt-tip color drawing by Lawrence Durrell, signed with his artist's pseudonym of '[Oscar] Epfs 1963'».
This work was given to his French lover Janine Brun in 1969 and has an exceptional inscription «My dear Buttons. I have asked my friend Oscar Epfs to give me a small drawing for your studio. Here it is. I hope it gives you Happy memories of Paris and meetings with Miller! Your devoted Laurence Durrell / Sommières / 1969.»
This work is steeped in his long years in Greece and...Sold - Olivier DEBRÉ, Emmanuel PERNOUD
Olivier Debré. Les estampes et les livres illustrés 1945-1991
Publications de la Sorbonne|Paris 1993|21.50 x 29.50 cm|reliure de l'éditeurFirst edition.
Publisher's binding in full red cardboard, smooth back,
Signed autograph of Olivier Debré Anne (Frélaut) enriched with a large original drawing green, blue and red.
Our copy is also enriched with an autograph dedication signed by Emmanuel Pernoud to Anne Rélaut: "... this catalog where she will find herself in known terrain ..."
Pleasant illustrated copy of reproductions of works by Olivier Debré.Sold - Louise HERVIEU
La rose de sang ou le printemps de la jeune Hérodote
Pierre Cailler|Genève [Geneva] 1953|12.50 x 19.50 cm|brochéSold - Jan VAN BROCK
Costumes parisiens. Tailleur de duvetyn rouge bordé de renard rouge (pl.120, Journal des Dames et des Modes, 1913 n°53)
S. n.|Paris 1913|14 x 22.50 cm|une feuilleoriginal print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn in 1279 copies making it, for the...Sold - Bernard BOUTET DE MONVEL
Costumes parisiens. Manteau de velours violet garni de renard naturel. Tailleur de drap vert verre (pl.38, Journal des Dames et des Modes, 1912 n°19)
S. n.|Paris 1912|14 x 22.50 cm|une feuilleoriginal print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 copies making it, for the...Sold - Jan VAN BROCK
Costumes parisiens. Tailleur de duvetyn rouge bordé de renard rouge (pl.120, Journal des Dames et des Modes, 1913 n°53)
S. n.|Paris 1913|14 x 22.50 cm|une feuilleoriginal print in color, printed on laid paper, signed lower right of the board.
One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
The review was drawn to 1279 copies making it, for the...Sold - Marc CHAGALL
[Le baton changé en serpent] He cast the rodde on the ground, and it was turned into a serpent, and Moses fled from it. (Il jeta la tige à terre, et elle devint un serpent. Moïse fuyait devant lui.) - The Story of Exodus
Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuilleOriginal color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.
Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...Sold - Marc CHAGALL
[Les Plaies d'Egypte] Then Moses stretched foorth his hande towarde heaven, and there was a blacke darkenesse in all the land of Egypt. (Moïse étendit sa main vers le ciel; et il y eut d'épaisses ténèbres dans tout le pays d'Egypte) - The Story of Exodus
Léon Amiel|Paris, • New-York [New York] 1966|36 x 49.50 cm|2|une feuilleOriginal color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.
Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...Sold - Romain GARY
Les couleurs du jour
Gallimard|Paris 1952|14.50 x 21 cm|brochéFirst edition, one of 80 numbered copies on pur fil paper, the only large paper copies.
A fine copy.Sold - Pierre MOURGUE (MARTIAL & ARMAND)
Le Rideau d'argent. Tailleur, de Martial et Armand (pl.19, La Gazette du Bon ton, 1922 n°3)
Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuilleOriginal color print, printed on vergé paper, signed in the plate.
An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.
A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...Sold - Francisco Javier GOSE
Les Premières Roses - Costume Tailleur pour le matin (pl.2, La Gazette du Bon ton, 1912-1913 n°5)
Lucien Vogel éditeur|Paris Mars 1913|19 x 24.50 cm|une feuilleOriginal color print, printed on vergé paper, signed in the plate.
An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.
A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...Sold - Gino SEVERINI, Paul FORT
Naufrage sous l'arc-en-ciel
Armand Jules Klein|Paris s. d. [1937]|19.50 x 29.50 cm|brochéFirst edition hors commerce, one of 300 numbered copies on Arches paper, the only printing with 30 on Japan paper.
Fine autograph inscription dated and signed by Paul Fort to Léon Gaudin: "Ce naufrage de poète sous le faible symbole d'espérance que peut être un arc-en-ciel... avec le bien cordial souvenir d'un vieux trouvère de notre France" ["This shipwreck of a poet under the feeble symbol of hope that a rainbow can be... with the most cordial remembrance of an old troubadour of our France"].
Work illustrated with a frontispiece and tailpiece by Gino Severini.
Handsome copy.Sold - Sold
- Polydorus VERGILIUS
Les livres de Polydore Vergil d'Urbin, des inventeurs des choses[On Discovery]
Benoist Rigaud|à Lyon 1576|11.30 x 8.50 cm|reliéThe work was placed on the Index and reissued in 1575 in an expurgated version. The first French translation appears to have been published in 1527, according to a copy held at the University of Glasgow, although another source gives 1528 as the date of the first French edition in Latin by Robert Estienne. Rare, like all editions. Not listed in the BnF or in French library catalogues (with the exception of a 1586 Lyon edition), nor in many other library holdings. Brunet gives 1499 as the original date, V, 1135. Le Grégoire cites 1571 for the first edition...
Bound in full brick paper-covered boards, late 18th or early 19th century; title in ink faded and illegible.Sold - Philippe CHABANEIX
Couleur du temps perdu
Les Amis d'Edouard|Paris 1925|13 x 16.50 cm|brochéFirst edition, one of 188 numbered copies, ours one of the 50 hors commerce and unnumbered copies bearing the author's manuscript notation: "un des cinquante exemplaires d'auteur non numérotés" below the justification page.
Inscribed by Philippe Chabaneix.
Additionally, our copy is enriched with the author's visiting card on which he has specified his address in his hand.
Spine and boards marginally faded, some worming to the rear board.€50 - ANONYME
Iconographie de la faïence, dictionnaire illustré de planches reproduisant en couleurs la note dominante des principales fabriques, le nom des artistes céramistes et les localités où ils ont travaillé; enfin, les marques qui se rencontrent le plus ordinairement sous les faïences de tous les pays et les font mieux reconnaître
Lib. Dorbon ainé|Paris s. d.|14 x 18.50 cm|reliure de l'éditeurFirst edition.
Publisher's full vellum-style cardboard binding, small lacks to head and foot of spine, corners bumped and edges rubbed, rear board rubbed, pleasant interior condition.
Work illustrated with 13 unpublished colored drawings by Mareschal.
Light dampstain to foot of some pages.
Rare.€200 - J.A. CLUZEAU
Les tables de la couleur
Mercure de France|Paris 1920|14.50 x 22.50 cm|brochéFirst edition published in a small number of copies of this offprint from the February 15, 1920 issue of Mercure de France.€40 - PHILIBERT
Rouges, bleus et blancs ou les représentants du peuple devant les électeurs, satire politique
Chez Martinon|Paris 1849|16 x 24 cm|brochéFirst edition.
A dampstain affecting all leaves, small marginal tears without loss affecting the covers.
Rare.€80 - Sold
- Anatole FRANCE
La société historique d'Auteuil et de Passy
Calmann-Lévy|Paris 1894|12 x 19 cm|brochéFirst edition for which there were no large paper copies.
A very good copy.Unavailable Le scarabée. Cahier de lettres et d'art. N°17, troisième année
Le scarabée|Paris Avril 1919|14.50 x 23 cm|brochéUnavailableL'heure nouvelle N°1
Aux éditions du sagittaire|Paris 1945|15.50 x 22.50 cm|brochéSold- G. MARCEL
Sur un almanach xylographique à l'usage des marins bretons
Institut géographique de Paris|Paris 1900|17 x 25 cm|brochéUnavailable - Sold
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