Some "tirages de tête" (most limited deluxe issues)

First edition printed on laid paper.
Bound in half dark green morocco with corners, smooth spines faded and decorated with gilt cartouches embellished with gilt romantic arabesques, marbled paper boards, marbled endpapers and pastedowns, top edges gilt, contemporary romantic bindings signed by Koehler.
Some occasional light foxing of no consequence.
A handsomely bound copy.

First edition published anonymously and printed in 500 numbered copies on laid paper.
Half bronze calf binding, spine with five raised bands decorated with gilt and black fillets, gilt sun and crown at foot of spine, some rubbing and a light dampstain to joints, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, marbled edges.
Work illustrated with a frontispiece.

Edition printed small number on rod.
Signed autograph Arthur Desjardins Achilles Madame Charles Buloz.
Rare copy and pleasant.

First edition, one of 15 numbered copies on Holland paper, the only deluxe copies.
Preface by Maurice Barrès.
Work illustrated with a portrait of the author by Paul Jobert as frontispiece as well as 107 pen drawings by Charles-Emile Carlègle
Small lacks to head of spine, light adhesive paper stains to heads and feet of endpapers, otherwise handsome full-margined copy.

First edition, one of the few copies on Holland paper which he is no mention, only large papers.
Bound in black morocco half, back with five nerves, golden tail date marbled paper plates, guards and contreplats of handmade paper, wrappers and back preserved and bound in, gilded head, elegant contemporary binding signed Creuzevault.
Tribute autograph dated and signed by the author.
Rare and enjoyable copy all beautifully set margins.

first edition published anonymously, one of 15 copies hors commerce numbered on Japan, our specially printed for Professor Albert Robin.
Binding half morocco Chocolate corners, back with four nerves, nets gilded framing of marbled paper plates, guards and contreplats of handmade paper, gilded head on witnesses, wrappers and back preserved and bound in, elegant binding signed Marot-Rodde.
Very nice autograph signed full-page Sacha Ricas Professor Robin: "... my best friend Professor Robin who not only perpetuates human life, but still afraid to revive the ghosts since it is through her magnetic presence qu'Arthénice must have awakened from a lethargy of more than two hundred fifty years ... "
About Gabriele d'Annunzio, Marguerite Audoux, Maurice Barres, Pierre Louÿs, Remy de Gourmont, Octave Mirbeau ...
Pleasant beautifully drawn copy.

Edition presented with revised and corrected commentary, one of the rare copies printed on China paper.
Full navy morocco binding, spine with five raised bands set with gilt dots decorated with gilt double compartments enhanced with gilt typographical motifs, gilt friezes at head and foot, gilt roulettes on headcaps, triple gilt fillet frame on covers, marbled endpapers and pastedowns, gilt dentelle frame on pastedowns, all edges gilt, double gilt fillets on leading edges, superb contemporary binding signed by Hardy.
Some foxing.
Handsome copy established in a perfect full morocco binding signed by Hardy.

First edition, one of 25 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First edition, one of 15 numbered copies on Hollande, tirage de tête.
A very good copy.

First edition, one of 12 numbered copies on China paper, deluxe issue with 12 copies on Japan paper.
Bound in half tawny calf, smooth spine, boards, endpapers and pastedowns of moiré paper, covers and spine preserved, top edge gilt, handsome contemporary unsigned binding.
Handsome copy elegantly bound.

First edition, one of 57 numbered copies on vélin d'Arches paper, the tirage de tête.
A very good copy.

First edition, one of 22 numbered copies on vélin d'Arches paper, the only large paper copies.
A very good copy.

First edition in French, one of 26 numbered copies on vélin chiffon paper, the only large paper copies.
A very good copy.

First edition, one of 47 numbered copies on vélin pur chiffon, the only large paper copies.
A very good copy.

First edition, one of 17 numbered copies on Hollande paper, the tirage de tête.
A very good copy.

First edition, one of 20 numbered copies on Hollande paper, the tirage de tête.
A very good copy.

First edition of the French translation, one of 20 numbered copies on Hollande, tirage de tête.
A very good copy.

Second edition published the same year as the first edition, one of 45 numbered copies on Hollande, tirage de tête.
A very good copy.

First edition, one of 20 numbered copies on Hollande, tirage de tête.
A good copy with good margins.

First edition, one of 20 numbered copies on Japan paper, the only deluxe copies.
Letters written by George Sand among others.
A small lack at head of spine, handsome copy with full margins.

Editions de Minuit, Paris 1981, 14x19,5cm, original wrappers.
First edition, one of 114 numbered copies on alfa mousse, this one of 15 hors commerce (advance) copies.
Signed and inscribed by Samuel Beckett to a friend.
A very good copy.

First edition, one of 55 copies on light blue vélin, the only large paper copies.
A very good copy with good margins.

First edition, one of 40 numbered copies on pur fil, the only large paper copies.
A very good copy.

First edition for "L'homme aux valises", one of 20 numbered copies on Hollande, tirage de tête.
A very attractive copy.

First edition, one of 23 numbered copies on Hollande paper, the tirage de tête
A fine, unsophisticated copy.

First edition, one of 40 numbered copies on Arches laid paper, deluxe copy.
First cover illustrated with a stamped vignette after Aubrey Beardsley.
Handsome copy.

First edition, one of 25 numbered copies on vélin d'Arches, the only large paper copies.
Spine and lower cover slightly and marginally sunned, not serious, a very good copy.

First edition, one of 28 numbered copies on pur fil, ours bearing No. 1, deluxe copy.
Small tears with tiny marginal lacks on covers, a lack at foot of spine at the level of deckled edges, first endpaper partially and lightly shadowed.
A full-margined copy.

First edition, one of 37 numbered copies on vergé Ingres de Lana, the only large paper copies.
A very attractive copy.

First edition, one of 50 numbered copies on Hollande paper, the tirage de tête.
Elegant half cherry-red morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, gilt date to foot, marbled endpapers and pastedowns, covers and spine preserved (spine sunned with filled-in lack at head), top edge gilt.
Rare autograph inscription dated and signed by Gustave Le Rouge to Monsieur Crottet.
Iconography.
A very good copy in a nice binding.

First edition, one of 25 numbered copies on Madagascar, tirage de tête.
Autograph inscription from Jean Cocteau to Roger Bradier.
Spine re-inforced to head and foot.

First edition illustrated with original woodcuts inset color of Louis Moreau, one of 25 numbered copies on Imperial Japan, deluxe edition.
Signed autograph of the author to his friend Raymond Bezard.
Nice copy.

First edition, one of 48 numbered copies on Hollande, tirage de tête.
A tiny tear, not serious, to foot of upper cover.
A rare and very good copy.

First edition, one of 192 numbered copies on pure thread paper, ours being one of 12 hors commerce copies, deluxe issue.
Cover illustrated with a colored drawing by Jean-Denis Masclès.
A light dampstain at the foot of the spine.
Handsome copy.

Illustrated with 28 original lithographs by Maurice Berdon and printed in a numbered edition of 200 copies on handmade laid paper from the Rives mills.
A handsome copy, spine of the chemise lightly sunned without consequence.

Edition illustrated with numerous sepia drawings in and out of text by Charles-Jean Hallo and printed in 500 numbered copies on Marais paper.
Handsome copy.

Illustrated edition with a frontispiece portrait of the author engraved by Albert Decaris, printed in 125 numbered copies on laid paper.
Half vellum-style boards binding, smooth spine, marbled paper boards with moiré effect, a scratch on the first cover having caused a lack of paper, marbled endpapers and pastedowns, covers and spine preserved, blue top edge.

First edition, one of 500 numbered copies on select bouffant only major papers.
Dated and signed autograph dedication from the author to full page Serge Pain: "... I am pleased to dedicate this book, in which he found in food and drink, as it is unconventional Perhaps the distraita. t it? I hope so ... "
Pleasant specimen with all margins.

First edition, one of 97 numbered copies on pur fil, the only large paper copies with 92 bouffant.
A good copy.

First edition of the French translation, one of 75 numbered copies on pur fil, tirage de tête.
With original illustrations by Orfeo Tamburi.
A good copy.

Original edition to 520 numbered copies printed on vellum Bellegarde.
Bel autograph dated and signed by the author "Roger Koller, all you need to know, without anger, the old problem paths and posed, still, these girls are told of joy, ... "
Illustrations and drawings of Serge Cézar and Jacques Leclerc.
Complete copy of his beautiful jacket illustrated by Jacques Leclerc.
Some minor foxing mainly affecting the guards.

First edition, one of 500 numbered copies on vellum, the only deluxe copies.
Autograph inscription dated and signed by Janine Raynond to art critic and novelist Gerhard Weber: "... je voudrais que pour vous, mes vers n'éveillent qu'un désir de voyage tout en rêvant d'un monde où fleurirait la sagesse..." ["... I would wish that for you, my verses awaken only a desire to travel while dreaming of a world where wisdom would flourish..."]
Photographs by Georges Raynond, preface by Alisaona Raharinarivonirina.

First edition, one of 6 numbered copies on Japan paper, deluxe copy.
Work illustrated with a photographic portrait of Charles-Henry Hirsch as frontispiece.
Spine faded and restored, first endpaper lightly and partially soiled, otherwise handsome interior condition.

Edition illustrated with 17 original woodcuts by Louis Bouquet, one of 15 lettered copies on old Japan paper, deluxe copy.
Our copy, like all copies of the deluxe issue on old Japan paper and as stipulated in the justification page, is complete with its duplicate suite printed in bistre on China paper and signed by Louis Bouquet.
Some very light foxing of no consequence.
Rare.

First edition illustrated with 40 original lithographs including 12 hors-texte in colors by Charles Fouqueray, one of 15 numbered copies on Japon impérial, deluxe issue after 5 vieux Japon.
Our copy is complete, as stipulated in the justification of the issue for copies on Japon impérial, with a progressive suite of the tints and a complete suite in colors for the 12 hors-texte and a suite in black for the 28 in-text lithographs.
Finally our copy is enhanced with a progressive suite of the tints and a color suite of a rejected plate.
Handsome copy.

First edition, one of 40 numbered copies on pur fil, the only large paper copies.
A very attractive copy.

First edition, one of 50 numbered copies on vélin pur chiffon de Lana, the only large paper copies.
A very attractive copy.

First edition in French, one of 90 numbered copies on pur fil, the only large paper copies.
A very fine copy.

First edition, one of 50 numbered copies on pure Johannot laid paper, deluxe copy.
Autograph signature of Gengenbach below the justification page.
A small trace of sunning at foot of spine, occasional light worming, a shadow on the title page and the facing page left by the numbering bookmark of our copy.

First edition, one of 60 numbered copies on B.F.K. de Rives, the only large paper copies.
Covers and spine lightly and marginally sunned as usual, internally good.

First edition printed in 75 numbered copies on pure laid paper.
Our hors commerce copy is expanded, like the unique copy of the deluxe edition, with 20 original drawings by Albert Masri which he signed.
Autograph inscriptions signed by the illustrator on the justification pages for both the illustrations and text.
Work illustrated with in-text and full-page drawings by Albert Masri.
Rare and handsome copy complete with its promotional prospectuses.

First edition in French, one of 90 numbered copies on pur fil, the only large paper copies.
A very fine copy.

First edition, one of 245 numbered copies on alfa, the only large paper copies.
A rare and nice copy.

First Edition, one of 14 numbered copies on "pur-fil" paper, only leading copies.
Small bites on the guards, back slightly insolated.
Rare and nice copy.

First edition, one of 500 numbered copies on vélin cuve de Rives, the only printing.
Spine and covers marginally sunned, internally good.

First edition, one of 109 numbered copies on Lafuma Navarre and re-imposed in Tellière quarto format, tirage de tête.
Retaining a printed visit card of the author, absent from Paris.
Spine slightly sunned, with a small tear on foot.

New edition, one of 125 numbered copies on pur fil paper, ours one of the 25 hors commerce copies, the only deluxe copies.
Shadow on the first endpaper.
Original preface by Lucien Scheler, publication director of the works of Jules Vallès, autograph inscription signed by the latter to Alice Eterstein on the first endpaper.

First edition, one of 50 numbered copies on pure Rives paper, deluxe copy.
Small marginal tears at head and foot of front cover, handsome full-margined copy.

Les éditions de minuit, Paris 1975, 10x18cm, original wrappers.
First edition, one of a few hors commerce (advance) copies on vélin supérieur, the tirage de tête along with 92 numbered copies on the same paper.
Inscribed copy signed by Samuel Beckett to Ludovic (Janvier).
A good copy.

First edition of 342 numbered copies on vélin d'Arches, this one of 50 hors commerce copies.
Autograph inscription from Samuel Beckett to Ludovic (Janvier).
Spine slightly sunned, not serious.

Les éditions de minuit, Paris 1966, original wrappers.
First edition, one of 662 numbered copies on vélin cuve B.F.K. de Rives, this one of 100 hors commerce (advance) copies.
Inscribed copy signed by Samuel Beckett to Ludovic Janvier and his wife.
A good copy.

Les éditions de minuit, Paris 1969, 14,5x19,5cm, original wrappers.
First edition, one of 742 copies on vélin cuve B.F.K. de Rives paper, this one of 100 hors commerce (advance) copies.
Inscribed copy signed by Beckett to Ludovic (Janvier).
Top of upper cover and spine slightly sunned.

First edition, one of 15 numbered copies on pur fil, the only large paper copies.
Tiny foxing, not serious, to head of upper cover.

First edition, one of 100 numbered copies on pur fil paper, the only large paper copies.
Traces of adhesive paper to endpapers, joints rubbed.

First edition, one of 43 numbered copies on pur fil paper, the only large paper copies.
Autograph inscription from Pierre Klossowski to Georg Svastics in Rumanian : "Ad usum Georg Svastics cum respectu valde. Lutetia 1996".
This copy is enriched with an autograph note from the author with his address in Paris.
Tiny insignificant spots to endpapers, a good copy.

First edition, one of 57 numbered copies on pur fil paper, the tirage de tête.
Spine very slightly sunned.

First edition, one of 75 numbered copies on Holland paper signed by Francis Carco, Paul Bourget and Jacques des Gachons, deluxe copy.
Work illustrated with a portrait of Paul Bourget as frontispiece.
Handsome copy.

New edition, one of 130 numbered copies on vergé d'Arches paper, the only large paper copies.
A small tear glued down to foot of spine, tiny spots to margins of endpapers.

Illustrated edition with 12 original engravings by R.A. Dendeville, one of 30 numbered copies on Arches vellum, deluxe copies.
Like the deluxe copies, ours is complete with its duplicate suite on China paper of the 12 engravings.
Autograph inscription signed by Camille Cé, the dedicatee's name has been neatly erased.
Enclosed press cutting having partially shadowed the justification page.

First edition, one of 25 numbered hors commerce copies on alfa paper, the only deluxe copies after 5 pur fil hors commerce.
Light worming at head and foot of spine, some foxing.

First edition, one of 10 numbered copies on Arches vellum, deluxe copies.
Iconography.
Spine sunned with small stains, back cover marginally and lightly sunned at head, worming to first endpaper.

First edition, un 10 numbered copies on alfa paper, the only large paper copies.
Spine very slightly sunned with a tiny tear to foot.

First edition, one of 500 numbered copies on Holland paper.
Autograph signature of Frances de Dalmatie below the justification page.
Handsome copy.

First edition, one of 110 numbered copies on alfa paper, the only deluxe copies.
A tiny marginal stain without consequence at the head of the first cover, handsome copy.

First edition published under the pseudonym France Norrit, one of 50 numbered copies on pur fil paper, ours being one of 10 hors commerce copies.
Rare and handsome copy of this erotic work whose authorship François Nourissier only acknowledged 8 years later.

First edition strictly hors commerce printed in 400 copies on Rives vellum and illustrated with 20 heliogravure plates after various documents from 1580 to 1760.
Text by Julien Cain.
Half-title page and one endpaper with foxing, otherwise handsome interior condition.
Burgundy leather slipcase with slight scratches, spine of chemise lightened and of the same burgundy leather, the whole made and signed by Hermès.
Our copy is printed for Jack Francès.
Handsome copy.

First edition strictly hors commerce printed in 600 copies on Mandeure rag paper and illustrated with 24 heliogravure plates after various documents.
Text by Etienne Dennery.
Slipcase in full burgundy leather with slight scuffs, chemise spine lightened and in matching burgundy leather, the whole made and signed by Hermès.
Our copy is printed for Jack Francès.
Handsome copy.

First edition printed in 380 copies on Lana laid paper.
Publisher's Bradel binding in full burgundy leather, smooth spines faded and stained at foot, marbled paper boards,
Slipcase in full burgundy leather with slight scuffs.
Rich iconography.
Our copy is printed for Jack Francès.
Handsome copy.

Les Mémoires de Joséphine Baker recueillis et adaptés par Marcel Sauvage
Corrêa | Paris 1949 | 12 x 19 cm | original wrappers
New edition, one of 50 numbered copies on vélin Johannot, the only grand papier (deluxe) copies.
Illustrated cover.
Illustrations, some press clippings tipped in, which caused a clear fading, on half-title page.
A rare and good copy.

First edition, one of 32 numbered copies on pur fil paper, the only large paper copies.
Spine very slightly faded, not serious, a trace of fold to foot of upper cover.

Edition illustrated with 19 original lithographs hors-texte by Henriette Bellair, one of 18 numbered copies on Rives vellum, deluxe copies.
Our copy is complete with its original signed drawing by Henriette Bellair, ours entitled "enlèvement d'Agathe et d'Antoinette".
Unfortunately, our copy is incomplete of the three states of the illustrations as stipulated in the justification page.
Handsome copy.

First edition of the French translation by Marcel Pagnol, one of 32 numbered copies on pur fil paper, the only grand papier (deluxe) copies.
Cover illustrated with a woodcut by Aristide Maillol.
Slight traces of sunning to head and to foot of spine, nice copy.

First edition in French, one of 50 numbered copies on pure laid paper, ours one of 30 hors commerce copies, the only deluxe copies.
Spine very slightly sunned with pale stains at foot, handsome full-margined copy.

First edition, one of 130 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First edition, one of 50 numbered copies on laid Centaur paper, the only ones to feature an original lithograph by René Laubiès on the cover, deluxe copies.
Autograph inscription signed by Olivier Soufflot de Magny to a close friend: "Pour Bernard l'irremplaçable / ces petits airs sur une seule corde (celle dont il ne faut pas parler dans la maison du pendu..." ["For irreplaceable Bernard / these little airs on a single string (the one we shouldn't mention in the hanged man's house..."] with an additional autograph inscription signed by René Laubiès.
Cover illustrated with an original lithograph by René Laubiès.
Autograph signatures of the author and illustrator on the justification page.
Handsome copy.

First edition, one of the rare copies printed on laid paper of which no mention is made, the only deluxe copies.
Full navy blue shagreen binding, spine with five raised bands set with black fillets decorated with double blind compartments enhanced at their centers with gilt fleurons, gilt roulettes on the headcaps, boards struck at their centers with a gilt mandorla enriched with mosaicked navy blue interlace, double gilt fillets on the leading edges, wide gilt dentelle on the pastedowns, marbled endpapers and pastedowns, all edges gilt, superb contemporary binding signed by Simier.
Provenance: from the library of the author, Louis Ulbach, with his bookplate and a library shelf marking.
A very handsome copy perfectly executed by Simier.

First edition, one of 100 numbered copies on pure thread paper, the only deluxe copies.
About Chateaubriand's sisters, Louise Ackermann, Marie Lenéru, Lucie Delarue-Mardrus, Jacques-Trève, Marie Dauguet, Marie Noël, Hélène Jung.
Handsome copy.

First edition, one of 25 numbered copies on Hollande paper, the only large paper copies.
A good copy.