Small stains to head of front cover, spine very lightly sunned.
Handsome full-margined copy.
First edition, one of 20 copies on Arches paper, most limited deluxe issue (tirage de tête).
Like all copies on Arches, it is wrapped in a double dust jacket in yellow and white, and bears the rare sanguine vignette drawn and engraved by Hans Bellmer.
Preface by Jean Paulhan.
Our copy is housed in a custom clamshell box featuring an original design signed by Julie Nadot.
Beautiful first edition copy of this masterpiece of erotic literature, in its most limited deluxe issue.
First edition, one of 55 numbered copies on pur fil paper, most limited deluxe issue.
Endleaves and half-title slightly and partially shaded.
Exceedingly rare and handsome copy of this seminal text of modern feminism.
Our copy is housed in a custom gray clamshell box, square spine titled in red, author's name and subtitles in black, first panel hollowed revealing a black and white photograph of Simone de Beauvoir as a young woman under a plexiglass, title in red, author's name, first volume number and subtitle in black, second panel hollowed revealing a color photograph of the author in her prime under plexiglass, titled in red, author's name, second volume number and subtitle in black, box lined with burgundy paper, superb work by artist Julie Nadot.
First edition, one of 100 numbered copies on deluxe paper, the only deluxe copies.
Handsome copy presented in sheets under double chemise and slipcase.
Nouveau cercle parisien du livre, Paris 1965, 35x45cm, morocco binding under custom chemise and slipcase.
Monumental folio edition illustrated with 10 original plates by Léopold Survage, one of 170 numbered copies on vélin d'arches, ours especially printed for Pierre-André Weill, director of the publication, extra-illustrated by the insertion of 4 duplicate suites of the plates all signed in pencil by Léopold Survage, i.e. 40 original prints signed by the artist."The idea of this book, bringing together poems by Jean Cocteau illustrated by Léopold Survage on the theme of Pegasus, had been submitted to the Poet and had pleased him. A few days before his death, he invited us to Milly-la-Forêt to hand over the texts and the preface he had specially written. But on the day of our appointment, he was no longer there" (afterword to Pégase).