First edition, one of 15 copies numbered and justified by Tristan Tzara, the only large paper copies.
Inscribed, dated, and signed by Tristan Tzara at head of first page of text.
One small trace of lateral folding to lower cover.
A good and rare copy.
First edition, one of 10 numbered copies on Hollande paper, the only large paper copies along with 10 on China.
Contemporary half red morocco over marbled paper boards, spine in six compartments with gilt flowers, marbled endpapers and pastedowns, covers preserved, top edge gilt.
Provenance : from the Lallemand de Mont collection, Stanislas de Guaita's son in law with his ex libris to pastedown.
A rare large paper copy with an exceptional provenance.
First edition, one of 50 copies on vergé de Hollande, only deluxe issue (with 10 copies on papier Chine).
Contemporary dark red shagreen, probably a publisher's binding, spine in six compartments with gilt fleurons, covers with double gilt fillet frame and gilt fleurons to corners, marbled endpapers and pastedowns, edge of covers ruled in gilt, gilt roulette to head-pieces, top edge gilt, slipcase edged in dark red shagreen.
A very rare and handsome copy perfectly set in a contemporary binding.
First edition, one of 100 hors commerce numbered copies on BFK de Rives paper, the only grand papier (deluxe) copies with 662 other copies on BFK de Rives paper.
Precious copy inscribed and dated October 1966 by Beckett to his friend the painter Geer (Van Velde) and his wife Lise.
Nice copy.
“What to say of the sliding planes, the shimmering contours, the cut-out figures in the fog, the balance that any little thing can break, breaking and re-forming themselves under our very eyes? How to talk about the colors that breathe and pant? Of the swarming stasis? Of this world without weight, without force, without shadow? Here everything moves, swims, fells...
First edition of the author's French translation, one of 50 numbered copies on vélin d'Arches paper, an hors commerce copy, the only large paper copies with 292 other vélin d'Arches paper.
Precious copy inscribed and dated December 1972 by Samuel Beckett to his friend the painter Geer (Van Velde) and his wife Lise.
Spine and back cover slightly discolored.
What to say of the sliding planes, the shimmering contours, the cut-out figures in the fog, the balance that any little thing can break, breaking and re-forming themselves under our very eyes? How to talk about the colors that breathe and pant? Of the swarming stasis? Of this world without weight...
First edition, one of 80 numbered copies on Hollande paper, the deluxe issue.
Fine copy.
