Some "tirages de tête" (most limited deluxe issues)

First edition, one of 100 numbered copies on vélin Madagascar paper, the tirage de tête.
A good copy.

First edition, one of 17 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, one of 30 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, one of 29 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

Maurice LEMAÎTRE
Le Lettrisme devant Dada
et les nécrophages de Dada !
Centre de créativité | Paris 1967| 14.5 x 22.5 cm | original wrappers
First edition, one of 50 numbered copies on Arches paper, this one not justified, the tirage de tête.
Handsome autograph inscription signed by Maurice Lemaître to Eric Losfeld below the justification: “Spécialement réalisé pour Eric Losfeld, quinze ans d'amitié sans nuage (mais pas grande efficacité) [specially made for Eric Losfeld, fifteen years of uninterrupted friendship (but not great efficiency)]. Lemaître 67.”
This copy retains the original drawing by Maurice Lemaître accom

First edition, one of 15 numbered copies on pur fil paper, the only large paper copies.
Spine and covers slightly and marginally sunned, otherwise a good copy.

First edition printed in 300 numbered copies on Arches.
Work illustrated, as frontispiece, with a portrait of the author engraved on lino.
Minimal spotting to the endpapers, handsome copy.

First edition, one of 25 numbered copies on pur fil paper, this copy not justified, the only large paper copies.
A good copy.

First edition, one of 31 numbered copies on vélin d'Arches paper, the only large paper copies.
A good copy.

First edition, one of 135 numbered copies Hollande,this one 60 reserved for a club of bibliophiles, the only large paper copy.
Illustrations.
A good copy.

First edition, one of 22 numbered copies on Hollande justified by Léon Vanier, the only large paper copies.
Elegant half red morocco over marbled paper boards by Semet & Plumelle, spine in six compartments with black fillets, gilt date at foot, marbled endpapers and pastedowns, covers preserved, top edge gilt.
Manuscript signature of Paul Verlaine on half title.
This copy is enriched with a half page autograph letter of Paul Verlaine addressed to his publisher Léon Vanier : "Mon cher Vanier. J'ai remis dimanche 1 lettre et les épreuves, sous enveloppes pour vous à M. Jules Tellier, 18 avenue des Gobelins, qui a dû mettre ces 2 choses à la poste. Voyez

First edition, one of 24 numbered copies on alfa, the only large paper copies.
A good copy.

First edition printed in 224 numbered copies on Arches.
Some tiny stains mostly on the lower cover, otherwise a good copy.

First edition printed in 101 numbered copies on grand vélin Arches.
Illustrated cover by Pablo Picasso.
Spine slightly sunned, otherwise a good copy.

First edition printed in 250 numbered copies on vergé.
With a frontispiece by Hans Bellmer.
A good copy.

First collected edition, one of 50 numbered copies on Japon, the only large paper copies.
With drawings by Alfred Jarry.
Two pale dampstains to head of spine.
A copy with good margins.

First edition, one of 25 numbered copies on alfa, the only large paper copies.
A fine copy.

First edition, one of 24 numbered copies on alfa paper, this copy one of 14 hors commerce, the only large paper copies.
A good copy.

First edition, one of 2200 numbered copies on vélin du Marais, the only deluxe copies.
Spine and boards marginally sunned, handsome interior condition.
A full-margined copy.

First edition, one of 50 numbered copies on pur fil paper, the only large paper copies.
Spine very slightly sunned, not serious.

First edition, one of 30 numbered copies on Voiron laid paper, the only deluxe copies.
Work illustrated with images by the author.
Spine very lightly browned without consequence, handsome copy.

First edition, one of 300 numbered copies on pure thread paper, deluxe copy.
Work illustrated with woodcuts by Tilmans.
Spine lightly sunned, minor stains without consequence on second cover.

Edition with some parts in first edition (the first ode, "Les muses", had appeared previously) and printed in 215 numbered copies on Arches laid paper.
Half cloth binding with corners in vellum style, spine lightly browned with five raised bands set with gilt friezes and decorated with double gilt compartments enhanced with gilt typographical motifs, gilt date at foot, marbled paper boards with small lacks of paper, endpapers and pastedowns of marbled paper, covers and spine preserved, top edge gilt, endpapers with some shadowing and small worming, contemporary binding.
Rare light foxing without gravity, handsome copy decorated with magnificent colored initials.

first edition printed in small numbers on Holland paper.
Signed autograph of the great bibliophile Pierre Bellanger Louis Barthou.
Rare copy and pleasant.

First edition of 62 numbered copies on Madagascar, the tirage de tête.
Contemporary half blue morocco over marbled paper boards by Robinson, gilt date to spine, gilt fillet frame to covers, endpapers and pastedowns of light green paper, double covers and double spines preserved, top edge gilt.
A very good copy in a nice binding.

First edition, one of 40 numbered copies on vellum Lafuma and justified by the author.
Signed autograph Michel Camus to Leo Charance.
Nice copy.

First edition in French, one of 15 numbered copies on vélin du Marais paper, the only deluxe copies.
The work illustrated with original woodcuts by Bodjol.
A fine full-margined copy despite minor foxing.

First edition in French, one of 55 numbered copies on alfa paper, the only large paper copies.
A good copy despite tiny spots, not serious, to spine.

First edition of the French translation, one of 250 numbered copies on alfa, the only large paper copies.
A very good copy.

First collected edition, one of 30 numbered copies on Bambou paper, the only large paper copies.
Spine faded as usual, otherwise a rare and good copy.

First edition, one of 200 numbered copies on bambou paper, the only large paper copies.
Endpapers slightly faded, otherwise a good copy.

First edition, one of 40 numbered copies on Montval laid paper, deluxe copy.
Work illustrated with a frontispiece by Jean Lombard and ornaments by Philippe Burnot.
Our copy, like all copies from the deluxe edition, is complete with its original drypoint in double state by Jean Lombard.

First edition of the French translation established by Alexandre Vialatte, one of 800 numbered copies on Outhenin-Chalandre, the only deluxe copies.
Two small sunning traces at head and foot of spine, otherwise a handsome copy.

First edition, one of 60 numbered copies on vélin paper, the only large paper copies.

A good copy.

First edition, one of 225 numbered copies on alfa paper, the only large paper copies.
Spine sunned.

First edition, one of 550 numbered copies on English alfa, the only deluxe copies.
Spine very lightly sunned without consequence.
A history of witchcraft under the Ancien Régime.

First edition, one of 5 numbered copies on Holland paper, ours bearing No. 1, the only deluxe copies.
Small marginal tears of no importance to the covers, pleasant interior condition.

First edition, one of 53 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition, one of 65 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition in French, one of 60 numbered copies on pur fil paper, the only deluxe copies.
The correspondence is expanded with Pound's essays on Joyce.
Handsome copy.

First edition in French, one of 26 numbered copies on pur fil paper, the only large paper copies.
Small spots to spine and covers.

First edition in French, one of 41 numbered copies on pur fil paper, the only large paper copies.
Spine and covers slightly faded as usual.

First edition of which there were only printes 50 copies, this one of 5 numbered copies on Japon impérial, the tirage de tête.

Autograph inscription by Stéphane Mallarmé to his friend François Nys : "A monsieur Nys très sympathiquement."

This copy enriched in forntispiece with a portrait woddcut in red of Villiers de l'Isle-Adam by Marcellin Desboutin, which he inscribed for François Nys. This portrait, present in the second edition of 1892, is not present in every copy of the tirage de tête.
Two very clear dampstains, not serious, in the margins of the first and final free endpapers, two small marginal dampstains to the covers.
A good and rar

First edition, one of 20 numbered copies on Holland paper, the deluxe issue.
Pen gift inscription on first endpaper indicating library shelf arrangement.
Some worming to boards, otherwise a rare and handsome full-margined copy.

First edition of the French translation, one of 50 numbered copies on Hollande, tirage de tête.
A good copy.

First edition of 300 copies on Hollande.
With an autograph inscription from André Gide to Henry Lerolle.
Small lacks, not serious, to head and foot of spine and covers.

First edition, one of 165 numbered copies on pure Arches laid paper, deluxe copy.
A crease mark to the foot of the second cover, light foxing to the top edge, handsome copy.

First edition, one of 165 numbered copies on pur fil paper d'Arches paper, the tirage de tête.

A little light foxing to top edge.

A very good copy.

First edition of the French translation, one of 12 numbered copies on Japon, tirage de tête.
Small marginal tears, not serious, to foot of spine and covers, a very good copy with edges preserved.

First edition of the French translation, one of 109 numbered copies on Lafuma Navarre laid paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of the 38 copys numbered on "pur-fil" paper only leading copies.
autograph dedication of the author autograph signed and dated in full page, Hervé de Peslouan George Oudard ending form of a poem: "A Oudard Georges, the master of" Best teacher ", these pages about the love life of a man whose all the teachers were ... better. In very faithful homage and sincere gratitude.
Impromptu: When in September / Au pastor ... it Sicambrian, / I put the copy / of "Mesdam's Dumas" / I thought qu'tôt or late / You would Oudard Georges ... /. ..S'il got lost en route / Las, I do not understand then drop ... / Moral: / For the incorrectness of which your mind smoked / Fo

First edition, one of 45 numbered copies on pur fil, the only large paper copies.
A very attractive copy.

First edition, one of 110 numbered copies on alfa paper, the only large paper copies.
A good copy.

First edition, one of 10 numbered copies on colored paper, the only major paper.
Our copy is complete, like copies of the deluxe edition of the original collage by Jean-Benoît Thirion he signed.
Illustrated book two collages of the author.

First edition, one of 30 numbered copies on vélin bouton d'or paper, ours one of the 10 reserved for the Robert Cayla bookshop, the only deluxe copies.
Handsome copy.

BECKETT Samuel. Berceuse suivi de l'Impromptu d'Ohio [Rockaby and Ohio Impromptu]
Les éditions de minuit, Paris 1982, 10 x 18 cm, original wrappers
First edition, one of 99 numbered copies on vélin d'Arches, this one of some hors commerce copies, justified H.C., the only grand papier (deluxe) copies.
Autograph inscription from Samuel Beckett to a close friend.
A good copy.

First edition, one of 25 numbered copies on pur fil paper, the tirage de tête.
A very good copy.

First edition, one of 37 numbered copies on pur fil du Marais, tirage de tête.
A good copy.

First edition, one of 20 numbered copies on Arches paper, only large paper.
Signed autograph Madeleine Andral George Baugnies "... grandmaster" escholiers ", this small series of portraits, where despite the gaps, he will find some wise friends ...
Iconography.
Nice copy wide-margined.

First edition, one of 10 numbered copies on Japan paper, deluxe copy.
Endpapers uniformly shaded, some very light marginal tears of no significance to the boards.
Handsome full-margined copy.

First edition, one of 35 numbered copies on Hollande, tirage de tête.
A very good copy, with edges preserved.

First edition, one of 109 numbered copies on "pur-fil" paper, only leading copies.
Back with discrete restorations.

First edition, one of 20 copies on pink paper, deluxe copy.
Half navy blue calf binding, spine with five raised bands set with gilt dots, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved.
Work illustrated with a facsimile as well as a portrait of the author as frontispiece, here in double state, which is the characteristic of deluxe copies.
A bookseller's descriptive label and a bookplate pasted at the head of a pastedown.
Another bookseller's descriptive label pasted on an endpaper has been torn away.
Some foxing affecting mainly the margins of certain leaves, a full-margined copy.

First edition, one of 35 numbered copies on papier grisaille, the only large paper copies.
A good copy.

First edition, one of 12 numbered copies on Mulberry Annam, one of ours 6 copies reserved for the collaborators, deluxe edition after 10 Montval.
Signed autograph of Robert Gaillard: "To my dear friend Charles E Laroche who held the forceps of the obstetrician to give birth to this child ...." Enriched autograph dedication of the author autograph signed Yves Brayer embellished with an original drawing in blue ink representing seated personages and busy drink consumption in a brewery.
Illustrated book of 6 original lithographs by Yves Brayer.
Our copy, as it is stated in the justification of the draw is full of his suite on China lithographs.
Rare copy and

First edition, one of 50 numbered copies on vélin pur fil, the only large paper copies.
A good copy.

First edition, one of 35 numbered copies on vélin pur fil, the only large paper copies.
A good copy.

First edition, one of 20 numbered copies on Arches laid paper, deluxe issue.
The work is illustrated with a frontispiece portrait of Vincent Muselli by Gaston Pastré.
First cover marginally stained, handsome interior condition.
A full-margined copy.

First collected edition, one of 15 lettered copies on Japan Imperial, deluxe issue.
Spine slightly sunned with two small losses at head and foot, handsome interior condition.
A full-margined copy.

First edition, one of 34 numbered copies on vélin pur fil, the only large paper copies.
A good copy.

First edition, one of 27 numbered copies on chiffon de Lana, tirage de tête.
A good copy.

New edition, but first for many parts (Le roi se meurt was published 3 years earlier), one of 50 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First edition, one of 60 numbered copies on pur fil paper, the only large paper copies.
Cover illustrated with a photograph, a good copy.

First edition, one of 89 numbered copies on pur fil, the only large paper copies.
Spine slighlty sunned.
A good and rare copy.

First edition, one of 45 numbered copies on Johannot, the only large paper copies.
A good copy.

First edition, one of 37 numbered copies on pur fil, the only large paper copies.
Ex libris pasted onto the first endpaper.
A very good copy.

First edition, one of 56 numbered copies on vélin du Montval, tirage de tête.
A very good copy with good margins.

First edition, one of 50 numbered copies on China paper, the tirage de tête.
A few inevitable spots considering the quality of the paper, a well-margined copy.

First edition, one of 10 numbered copies on Holland paper, the only deluxe copies.
A tiny nick at head of spine, small angular lacks to the marginally shaded endpapers, handsome full-margined copy.

First edition, one of 109 numbered copies on pur fil Lafuma re-imposed in Tellière quarto, the tirage de tête.
Spine slightly yellowed (not serious) two small blue stains and tiny spots to head of upper cover.

First edition of the French translation by Marcelle Auclair, one of 55 numbered copies on pur fil Lafuma, the only large paper copies.
A very good copy.

First edition in French established by Jean Cassou and Mathilde Pomès, one of 7 numbered copies on Japan paper, deluxe edition.
Introduction by Valéry Larbaud.
Work illustrated with a photographic portrait of the author as frontispiece.
Handsome full-margined copy.

First edition in French, one of 22 numbered copies on alfa paper, the only large paper copies.
Foreword by Francis de Miomandre.
A rare and good copy.

First edition, one of 35 numbered copies on pur fil paper, this copy one of some hors commerce, the only large paper copies.
A very good copy.

First edition, one of the 15 copies on China, deluxe edition.
Book illustrated frontispiece a portrait etchings of Alexandre Dumas by Léopold Flameng.
Some little foxing, split bits heads and feet with small gaps.

first edition printed 250 numbered copies on vellum, ours unjustified.
Signed autograph Dr. Lucien-Graux Dr. E. Weil enriched with a second mailing, humorous way, drawn on a ordonnace his header and the prescribing doctor Weil and his children bibliophile remedies.
Book illustrated frontispiece a portrait of Marie Duplessis.
Nice copy.

First edition, one of 50 numbered copies on Arches, the only large paper copies.
A very good copy.

First edition, one of 50 numbered on "pur-fil" paper, ours specially printed for Aimee Lemercier, only large paper.
Bel autograph signed by Pierre Emmanuel, as quatrain, Aimee Lemercier "At Aimee, / here is this man you know / and you do not know, / the man from another village / who will come up to you / to little that way (sic) you do sign him / Aimee / Christmas ".
spine and boards and marginally slightly yellowed, first shaded garde, exemplary in all its full margins errata sheet.
copy wide-margined and complete its marginally faded jacket on the boards.