Some "tirages de tête" (most limited deluxe issues)

First edition, one of 35 numbered copies on pure rag paper, ours one of 5 lettered hors commerce copies, the only deluxe copies.
Handsome copy despite the spine being slightly warped.

First collected edition translated by André Pieyre de Mandiargues, one of 20 numbered copies on alfa paper, the only deluxe copies.
Cover illustrated with a drawing by Max Ernst.
Handsome copy.

First edition, one of 60 numbered copies on vélin alfa paper, the only large paper copies.
A good copy.

First edition, on of 30 numbered copies on pur fil, the tirage de tête.
Endpapers slightly and partly sunned, not serious, a good copy.

First edition, one of 55 numbered copies on Alfa paper only leading copies.
autograph dedication of the author autograph signed and dated by Roger Lannes Jean Delon.
Book illustrated frontispiece a portrait of Paul Valéry Denise Lannes.
Nice copy.

First edition in French, translated by André Pieyre de Mandiargues, one of 45 numbered copies on pur fil Johannot, tirage de tête.
A very good copy.

First edition, one of 150 numbered copies on alfa paper, the only deluxe copies.
Preface by André Pieyre de Mandiargues.
Spine very lightly sunned without consequence, otherwise a fine copy.

First edition in French, one of the rare copies on Holland paper of which no mention is made.
Copy presented in temporary binding covers, spine broken, handsome interior condition.
Rare.

First edition in French, one of the rare copies on Holland paper, of which no mention is made.
Worming on the first cover, small marginal lacks to covers, spine with lack at foot, one ballpoint pen annotation on the first foxed endpaper, handsome interior condition despite light worming.
Rare full-margined copy.

First edition in French, one of the rare copies on Holland paper, of which no mention is made.
Spine slightly sunned, one ballpoint pen annotation on the first endpaper, ink stains on the margins of the last leaves, handsome interior condition despite occasional worming.
Rare full-margined copy.

First edition in French, one of the rare copies on Holland paper of which no mention is made.
Spine slightly sunned, small lacks to board margins, ballpoint pen annotations on first endpaper and at head of first board, handsome interior condition despite occasional worming.
Rare full-margined copy.

Second edition and the first in French, one of 8 numbered copies on annam paper, the tirage de tête.
Somes spots to endpapers, and slightly to the covers and edges of some leaves.

First edition, one of 50 numbered copies on alfa paper, the only large paper copies.
A good copy.

First edition, one of 34 numbered copies on pur fil paper, the only large paper copies.
A good copy with good margins.

First edition, one of 28 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, one of 50 numbered copies on pur fil paper, the only large paper copies.
Preface by Jean Cocteau.
A good copy.

First edition, one of 60 numbered copies on wove paper, the only deluxe copies.
Fine copy despite two slight traces of sunning at head and foot of spine.

Edition first in part, one of 35 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First edition, one of 35 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First edition, one of 45 numbered copies on Japan nacré paper, the tirage de tête.
With a photographic portrait of the author as frontispiece, a very good copy.

First edition of the modern transposition in French by Jean Vilar, one of 10 lettered copies on pur fil du Marais paper, the only large paper copies.
A very good copy.

First edition, one of 45 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy despite light sunning to head of spine.

First edition, one of 30 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, one of 25 numbered copies on Holland paper, deluxe copy.
Spine and front cover slightly and marginally lightened, otherwise a handsome copy.

First edition, one of 100 numbered copies on alfa paper, the only large paper copies.
Small spots, not serious, to spine, otherwise a very good copy.

First edition, one of 125 numbered copies on alfa paper, the only large paper copies.
A very good copy.

First edition, one of 150 numbered copies on bouffant paper afnor 7, the tirage de tête.
A very good copy.

First edition, one of 100 numbered copies on alfa paper, the only large paper copies.
A very good copy.

First collected edition, one of 45 numbered copies on pur fil paper, the only large paper copies.
Two small traces of sunning to head and foot of spine.

First edition, one of the 20 copys numbered on "pur-fil" paper Marais, only large paper.
Signed autograph of Lise Deharme Paul Aveline.
Nice copy.

First edition, one of 35 copies numbered on "pur-fil" paper only leading copies.
Bel autograph signed in full page of Michel Carrouges Paul Aveline: "... this backdoor (second) somewhere between Paris and Saint Germain en Laye, open to the eternal unity of the real and the imaginary .. . "
Nice copy.

First French edition, one of 60 numbered copies on Lana laid paper, ours one of 10 hors commerce copies, from the deluxe edition.
Spine very lightly sunned without consequence.
Handsome full-margined copy.

First edition, one of 20 numbered copies on Hollande, tirage de tête.
Spine with two slight traces of sunning, not serious, to head and to foot, otherwise a good copy.

First edition, one of 20 numbered copies on pur fil paper, the only large paper copies.
A good copy.

Edition first in part, one of 30 numbered copies on pur fil, the only large paper copies.
Slight traces of sunning, not serious, to head and to foot of spine.
A good and rare copy.

First edition, one of 112 numbered copies on Ruysscher laid paper, the only deluxe copies.
With a photographic portrait of Edwige Feuillère as frontispiece.
A small and minor stain on the first cover, trace of a glued label at the foot of the second cover.
Handsome copy.

First edition, one of 92 numbered copies on vélin supérieur, this copy not justified, the only large paper copies with a few hors commerce copies.
A very good copy.

First edition, one of some copies hors commerce, the only large paper copies with 20 other numbered copies
A good copy.

First edition, one of 25 lettered copies on Japan paper, deluxe copy.
Work illustrated with a frontispiece portrait of the author by Jules Pascin engraved on wood by G. Aubert.
Our copy lacks its wide-margined proof normally contained in copies of the deluxe issue.
One joint cracked at head and foot and small tears and corner lacks to boards.

First edition, one of 50 numbered copies on Holland paper justified by the publisher, the only deluxe copies.
Work illustrated with a frontispiece portrait of Pierre Hamp engraved on wood by Gorvel.
Endpapers entirely foxed, otherwise a handsome copy.

First edition, one of 20 numbered copies on pur fil justified by the publisher, the only deluxe copies.
Work illustrated with a frontispiece portrait of Pierre Hamp by Grünewald.
Endpapers entirely shaded, otherwise handsome copy.

First edition, one of 60 numbered copies on pur fil, the only large paper copies.
Two small traces of sunning to head and to foot of spine, otherwise a good copy.

First edition, one of 70 numbered copies on pur fil paper, the only large paper copies.

A good copy.

First edition, one of 100 numbered copies on vélin Madagascar paper, the tirage de tête.
A good copy.

First edition, one of 17 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, one of 30 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, one of 36 numbered copies on Hollande, tirage de tête.
One small trace of sunning, not serious, to foot of spine.
A good copy.

Maurice LEMAÎTRE
Le Lettrisme devant Dada
et les nécrophages de Dada !
Centre de créativité | Paris 1967| 14.5 x 22.5 cm | original wrappers
First edition, one of 50 numbered copies on Arches paper, this one not justified, the tirage de tête.
Handsome autograph inscription signed by Maurice Lemaître to Eric Losfeld below the justification: “Spécialement réalisé pour Eric Losfeld, quinze ans d'amitié sans nuage (mais pas grande efficacité) [specially made for Eric Losfeld, fifteen years of uninterrupted friendship (but not great efficiency)]. Lemaître 67.”
This copy retains the original drawing by Maurice Lemaître...

First edition, one of 15 numbered copies on pur fil paper, the only large paper copies.
Spine and covers slightly and marginally sunned, otherwise a good copy.

First edition printed in 300 numbered copies on Arches.
Work illustrated, as frontispiece, with a portrait of the author engraved on lino.
Minimal spotting to the endpapers, handsome copy.

First edition, one of 25 numbered copies on pur fil paper, this copy not justified, the only large paper copies.
A good copy.

First edition, one of 31 numbered copies on vélin d'Arches paper, the only large paper copies.
A good copy.

First edition, one of 135 numbered copies Hollande,this one 60 reserved for a club of bibliophiles, the only large paper copy.
Illustrations.
A good copy.

First edition, one of 22 numbered copies on Hollande justified by Léon Vanier, the only large paper copies.
Elegant half red morocco over marbled paper boards by Semet & Plumelle, spine in six compartments with black fillets, gilt date at foot, marbled endpapers and pastedowns, covers preserved, top edge gilt.
Manuscript signature of Paul Verlaine on half title.
This copy is enriched with a half page autograph letter of Paul Verlaine addressed to his publisher Léon Vanier : "Mon cher Vanier. J'ai remis dimanche 1 lettre et les épreuves, sous enveloppes pour vous à M. Jules Tellier, 18 avenue des Gobelins, qui a dû mettre ces 2 choses à la poste. Voyez...

First edition, one of 24 numbered copies on alfa, the only large paper copies.
A good copy.

First edition printed in 224 numbered copies on Arches.
Some tiny stains mostly on the lower cover, otherwise a good copy.

First edition printed in 101 numbered copies on grand vélin Arches.
Illustrated cover by Pablo Picasso.
Spine slightly sunned, otherwise a good copy.

First edition printed in 250 numbered copies on vergé.
With a frontispiece by Hans Bellmer.
A good copy.

First collected edition, one of 50 numbered copies on Japon, the only large paper copies.
With drawings by Alfred Jarry.
Two pale dampstains to head of spine.
A copy with good margins.

First edition, one of 25 numbered copies on alfa, the only large paper copies.
A fine copy.

First edition, one of 24 numbered copies on alfa paper, this copy one of 14 hors commerce, the only large paper copies.
A good copy.

First edition, one of 2200 numbered copies on vélin du Marais, the only deluxe copies.
Spine and boards marginally sunned, handsome interior condition.
A full-margined copy.

First edition, one of 50 numbered copies on pur fil paper, the only large paper copies.
Spine very slightly sunned, not serious.

First edition, one of 30 numbered copies on Voiron laid paper, the only deluxe copies.
Work illustrated with images by the author.
Spine very lightly browned without consequence, handsome copy.

First edition, one of 300 numbered copies on pure thread paper, deluxe copy.
Work illustrated with woodcuts by Tilmans.
Spine lightly sunned, minor stains without consequence on second cover.

Edition with some parts in first edition (the first ode, "Les muses", had appeared previously) and printed in 215 numbered copies on Arches laid paper.
Half cloth binding with corners in vellum style, spine lightly browned with five raised bands set with gilt friezes and decorated with double gilt compartments enhanced with gilt typographical motifs, gilt date at foot, marbled paper boards with small lacks of paper, endpapers and pastedowns of marbled paper, covers and spine preserved, top edge gilt, endpapers with some shadowing and small worming, contemporary binding.
Rare light foxing without gravity, handsome copy decorated with magnificent colored initials.

first edition printed in small numbers on Holland paper.
Signed autograph of the great bibliophile Pierre Bellanger Louis Barthou.
Rare copy and pleasant.

First edition of 62 numbered copies on Madagascar, the tirage de tête.
Contemporary half blue morocco over marbled paper boards by Robinson, gilt date to spine, gilt fillet frame to covers, endpapers and pastedowns of light green paper, double covers and double spines preserved, top edge gilt.
A very good copy in a nice binding.

First edition, one of 40 numbered copies on vellum Lafuma and justified by the author.
Signed autograph Michel Camus to Leo Charance.
Nice copy.

First edition in French, one of 15 numbered copies on vélin du Marais paper, the only deluxe copies.
The work illustrated with original woodcuts by Bodjol.
A fine full-margined copy despite minor foxing.

First edition in French, one of 55 numbered copies on alfa paper, the only large paper copies.
A good copy despite tiny spots, not serious, to spine.

First edition of the French translation, one of 250 numbered copies on alfa, the only large paper copies.
A very good copy.

First collected edition, one of 30 numbered copies on Bambou paper, the only large paper copies.
Spine faded as usual, otherwise a rare and good copy.

First edition, one of 200 numbered copies on bambou paper, the only large paper copies.
Endpapers slightly faded, otherwise a good copy.

First edition, one of 40 numbered copies on Montval laid paper, deluxe copy.
Work illustrated with a frontispiece by Jean Lombard and ornaments by Philippe Burnot.
Our copy, like all copies from the deluxe edition, is complete with its original drypoint in double state by Jean Lombard.

First edition of the French translation established by Alexandre Vialatte, one of 800 numbered copies on Outhenin-Chalandre, the only deluxe copies.
Two small sunning traces at head and foot of spine, otherwise a handsome copy.

First edition, one of 60 numbered copies on vélin paper, the only large paper copies.

A good copy.

First edition, one of 225 numbered copies on alfa paper, the only large paper copies.
Spine sunned.

First edition, one of 550 numbered copies on English alfa, the only deluxe copies.
Spine very lightly sunned without consequence.
A history of witchcraft under the Ancien Régime.

First edition, one of 5 numbered copies on Holland paper, ours bearing No. 1, the only deluxe copies.
Small marginal tears of no importance to the covers, pleasant interior condition.

First edition, one of 53 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition, one of 65 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition in French, one of 60 numbered copies on pur fil paper, the only deluxe copies.
The correspondence is expanded with Pound's essays on Joyce.
Handsome copy.

First edition in French, one of 26 numbered copies on pur fil paper, the only large paper copies.
Small spots to spine and covers.

First edition in French, one of 41 numbered copies on pur fil paper, the only large paper copies.
Spine and covers slightly faded as usual.

First edition of which there were only printes 50 copies, this one of 5 numbered copies on Japon impérial, the tirage de tête.

Autograph inscription by Stéphane Mallarmé to his friend François Nys : "A monsieur Nys très sympathiquement."

This copy enriched in forntispiece with a portrait woddcut in red of Villiers de l'Isle-Adam by Marcellin Desboutin, which he inscribed for François Nys. This portrait, present in the second edition of 1892, is not present in every copy of the tirage de tête.
Two very clear dampstains, not serious, in the margins of the first and final free endpapers, two small marginal dampstains to the covers.
A good and...

First edition, one of 20 numbered copies on Holland paper, the deluxe issue.
Pen gift inscription on first endpaper indicating library shelf arrangement.
Some worming to boards, otherwise a rare and handsome full-margined copy.

First edition of the French translation, one of 50 numbered copies on Hollande, tirage de tête.
A good copy.

First edition of 300 copies on Hollande.
With an autograph inscription from André Gide to Henry Lerolle.
Small lacks, not serious, to head and foot of spine and covers.