Some "tirages de tête" (most limited deluxe issues)

First edition, one of 30 numbered copies on laid paper, deluxe issue.
Bookplate pasted on endpaper.
Handsome copy.

First edition, one of 100 numbered copies on vellum, the only deluxe copies.
Handsome copy.

Second edition printed on laid paper.
Full red morocco binding, spine slightly browned with five raised bands set with black fillets, gilt roulettes on the headcaps, gilt fillets on the leading edges, combed paper endpapers and pastedowns, gilt dentelle border on the pastedowns, original parchment front cover preserved, top edge gilt, light rubbing to corners, modern bibliophile's label pasted at foot of endpaper as bookplate, elegant unsigned binding.
Work illustrated with 16 hors-texte plates including the frontispiece (the folding plate placed between pages 258 and 259 with a marginal tear restored with an adhesive piece).
Autograph inscription signed by Gabriel Legué to his friend Doctor Fiaux; the latter having added below a new autograph inscription which he signed as a gift for Madame Marcelle Médard-Rouville.

First edition, one of 95 numbered copies on China paper, deluxe copy.
Work decorated with 12 maps and illustrated with 18 engravings for the first volume and 4 maps and 26 engravings for the second.
Spine and boards lightly and marginally sunned without severity, small angular tears on the boards.
Handsome full-margined copy.

Bilingual Franco-Spanish edition, printed in 300 numbered copies on Arches paper, translated from Quechua by Miguel A. Mossi and Gavino Pacheco Zegarra.
Bookplate of a bibliophile pasted at the foot of the verso of the first cover of the chemise, the latter with three small tears and splits.
Handsome copy complete with its chemise and full straw-pattern paper slipcase.
Work illustrated with a frontispiece and 15 wood-engraved colored headpieces by the Argentine and Montparnos artist Pablo Curatella Manes who was a student of Antoine Bourdelle and Aristide Maillol at the "Grande Chaumière"
Our copy was printed for the Peruvian diplomat and writer Garcia Ventura Calderon.

New "first edition", printed in 500 copies on laid Arches paper and consisting of the second printing of this text (completed on June 20, 1911).
This edition, published less than a month after the original which appeared on May 29, 1911, is considered the first edition of this text, as the latter was almost entirely destroyed, André Gide being dissatisfied with the printing because three pages did not have the regular number of lines.
Half brown morocco binding with corners, spine with five raised bands set with black fillets, date and binder's name gilt at foot, pebbled paper boards, combed paper endpapers and pastedowns, bookplate pasted on one pastedown, blue covers and spine unfaded as generally preserved, top edge gilt, elegant contemporary binding signed Huser.
Precious autograph inscription signed by André Gide to the symbolist poet André Fontainas written at Cuverville on July 3rd.
Handsome copy perfectly established.

First edition, one of a few numbered copies on alfa paper for the first volume, one of a few numbered copies on Japan bamboo paper for the second and one of a few numbered copies on alfa paper for the third and final volume, the only deluxe copies.
Bound in half chocolate brown shagreen with corners, spines with four raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, covers and spines preserved, top edges gilt on deckled edges.
A handsome copy handsomely bound and complete in three volumes.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, one of 100 numbered deluxe copies, the only deluxe copies.
Handsome copy presented unbound in double chemise and cream white slipcase.

First edition, one of 220 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, one of 115 numbered deluxe copies, the only deluxe copies.
Slipcase split at the bottom.
Handsome copy presented in sheets, under double chemise and cream white slipcase.

First edition, one of 110 numbered copies on laid Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Bradel binding in half navy blue straight-grained morocco, smooth spine, gilt date at foot, marbled paper boards, covers and spine preserved, bibliophile's label pasted at foot of one pastedown as bookplate.
Handsome copy.

New edition printed in 100 numbered copies on Japan paper and consisting of the 1750 reprint.
Text by Charles de Brosses.
Work illustrated with 4 plates hors-texte.
Some light foxing, a bibliophile's label pasted at foot of endpaper as bookplate.
Handsome copy.

First edition, one of 16 numbered copies on pur fil paper, ours one of 6 hors commerce copies, the only deluxe copies.
Work illustrated with 13 photographic plates hors-texte.
Some light foxing, small marginal tears to covers, full-margined copy.
Manuscript note by Gaston Bergery on the front endpaper: "Pour donner à L. FL l'envie de partir. G." ["To give L. FL the desire to leave. G."] as an autograph inscription.

First edition, one of 80 numbered copies on pur fil du Marais paper, the only deluxe copies along with a few other pur fil du Marais hors commerce copies.
Handsome copy.
Volume II only.
Provenance: from the family library of Alfred Fabre-Luce.

First edition, one of 50 numbered copies on pur fil du Marais paper, the only deluxe copies along with a few other pur fil du Marais hors commerce copies.
Handsome copy.
Volume III only.
Provenance: from the family library of Alfred Fabre-Luce.

First edition, one of 50 numbered copies on handmade laid paper, ours unnumbered, the only deluxe copies.
Handsome copy despite minimal worming to spine, boards and bottom edge.

First edition, one of 20 numbered copies on Dutch laid paper, the only deluxe copies.
Handsome copy.
Grateful signed autograph inscription from Jean-Yves Plancot to publisher Bernard de Fallois thanking him for his encouragement.

First French edition, one of 245 numbered copies on alfa du Marais paper, the only deluxe copies.
A slight tear at the head of the spine.
Handsome copy.

First edition, one of 35 numbered copies on pure laid paper, the only deluxe copies after 4 nominative pure laid copies.
A small sunning to the head of the front cover.
Handsome copy illustrated by the author.

First edition illustrated with 48 color lithographs by the author, one of a few named copies on japon reserved for the principal collaborators of the publication, ours specially printed for the celebrated bibliophile Colonel Sickles, deluxe issue.

This copy is complete, as stipulated in the justification, with the duplicate set of lithographs in black and in color.

The work is also illustrated with 40 decorated initials designed by the prestigious bookbinder Paul Bonet.

This is Maurice de Vlaminck's most important illustrated book, which took him nearly ten years to complete.

A fine copy, complete with its slipcase and box.

First edition, one of 100 numbered copies on pure Lana rag paper, the only deluxe copies.
Fine copy.

First edition, one of 90 numbered copies on Holland paper, deluxe issue.
A very handsome full-margined copy.

First edition, one of 90 numbered copies on Holland paper, deluxe issue.
A very handsome full-margined copy.

First edition in French, one of 45 numbered copies on handmade paper, the only deluxe copies.
Bookplate pasted on the page facing the front free endpaper.
Spine and boards slightly discolored as is generally the case.

First edition in French, one of 41 numbered copies on pure laid paper, the only deluxe copies.
Bookplate pasted on the page facing the half-title page.
Spine and boards slightly faded as usual, handsome copy.

First edition in French, one of 41 numbered copies on pure laid paper, the only deluxe copies.
Bookplate pasted on the page facing the half-title page.
Spine and boards slightly faded as usual, handsome copy.

First edition in French, one of 41 numbered copies on pur fil, the only deluxe copies.
Bookplate pasted on the page facing the half-title page.
Spine and covers slightly faded as usual, handsome copy.

First edition in French, one of 31 numbered copies on pur fil, the only deluxe copies.
Bookplate pasted on the page facing the half-title page.
Spine and covers slightly faded as usual, handsome copy.

First edition, one of 25 numbered copies on Annam paper, deluxe copy.
Illustrated with four copperplate engravings by Charles Guyot.
Spine slightly sunned, handsome copy.

First edition published by André Castelot of these memoirs of the grandson of the Duke of Berry, one of 300 numbered copies on vellum, the only deluxe copies.
Half red shagreen binding with corners, spine lightened with five raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt.

Edition illustrated with 29 original engravings by Pierre-Yves Trémois etched and engraved and printed in 225 numbered copies on Rives vellum.
Slipcase slightly and marginally split without consequence.
Handsome copy.

First edition, one of 30 numbered copies on pure rag du Marais paper, the only deluxe copies with some pure rag du Marais hors commerce copies.
Half black shagreen binding with corners, spine with five raised bands set with cold fillets, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt.
Handsomely bound copy.

First edition, one of 100 numbered copies on alfa paper, the only deluxe copies.
Half green shagreen binding with corners, spine with four raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt retaining deckled edges.
Spine discolored and sunned.

First edition printed in a limited edition of 200 numbered hors commerce copies.
Introduction by General Marquis de Brantes.
Handsome copy.
Autograph inscription dated and signed by General de Brantes, great-great-grandson of J.G. Lacuée, to Alfred Fabre-Luce.

First edition of the French translation, of which there were no deluxe copies, one of 170 numbered copies reserved for subscribers.
A small tear at the head of the first cover, otherwise a handsome copy of these memoirs by Julio Alvarez Del Vayo who was a member of the Spanish Socialist Workers' Party and Minister of Foreign Affairs during the Spanish Civil War.

First edition in French, of which there were no deluxe copies, one of 250 numbered copies reserved for subscribers.
Light worming to first endpaper.

First edition published by the Cercle Taleb-Moumié, of which there were no deluxe copies, one of 300 numbered copies reserved for subscribers.
Handsome copy.

First edition, one of 100 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.
About Littré, Claude Bernard, Louis Pasteur, Jean Charcot, Honoré de Balzac, Marcel Proust, Gustave Flaubert, Emile Zola, Eugène Delacroix, Stendhal, Prosper Mérimée, Georges Clemenceau, Paul Valéry, Charles Baudelaire...

First edition, one of 35 numbered copies on pure linen paper, the only deluxe copies.
Very handsome copy.

First edition, one of 100 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy.

First edition, one of 200 numbered copies on deluxe paper for each volume, the only deluxe copies.
Half brown shagreen bindings with corners, spine with five raised bands decorated with blind fillets, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edges gilt retaining deckled edges.
Fine copy handsomely bound.

First edition, one of 41 numbered copies on pur fil paper, the only deluxe copies.
A very fine copy.

First edition, one of 15 numbered copies on vélin du Marais paper, the only deluxe copies.
Minor worming to spine.

First edition in French, one of 70 numbered copies on alfa mousse paper, the only deluxe copies.
Half tawny shagreen binding with corners, spine with four raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt retaining deckled edges.
Spine and boards marginally lightened.
Fine copy handsomely bound.

First edition, one of 100 numbered copies on alfa paper, the only deluxe copies.
Half chocolate brown shagreen binding with corners, spine slightly faded with five raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt retaining deckled edges.
Fine copy handsomely bound.

First edition, one of 15 numbered copies on alfa mousse paper, the only deluxe copies.
Half red shagreen binding with corners, lightened spine with five raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt retaining its deckled edges.
A handsomely bound copy.

First edition, one of 99 numbered copies on alfa mousse paper, the only deluxe copies.
Handsome copy.
Signed autograph inscription from Alain Robbe-Grillet to Claude Couffon.

First edition, one of 100 numbered copies on Holland paper, the only deluxe copies.
Half red shagreen binding with corners, spine with five raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt on deckled edges.
Spine and boards slightly and marginally lightened, otherwise a handsome copy attractively bound.

First edition, one of 52 numbered copies on alfa paper, the only deluxe copies.
Half red shagreen with corners, spine very slightly faded with five raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, retaining deckled edges.
A handsome copy attractively bound.

Edition illustrated with 31 original etchings by Jacques Ramondot and printed in 145 nominative copies on Fabriano laid paper.
Spine of chemise and slipcase lightened, boards lightly and marginally shaded without gravity.
Bookplate pasted opposite the colophon.
Our copy is complete with the very beautiful multicolored poster folded in 4, reproducing the decoration of the chemise and slipcase.
Each of the three texts is printed on laid paper of different color: grey for "Les Pâques à New York", taupe grey for "La Prose du Transsibérien" and mustard yellow for "Le Panama ou les Aventures de mes sept Oncles".

First edition, one of 20 numbered copies on deluxe paper, the only deluxe copies.
Handsome copy complete with its cloth slipcase, publisher's full cream cloth binding, smooth spine, complete with its illustrated dust jacket.
Work illustrated with reproductions of works by Yves Brayer, text by Pierre Mazars.
Manuscript signature of Yves Brayer below the justification page at the end of the volume.
Our copy, like the 20 deluxe copies, is complete with its large original watercolor by Yves Brayer, framed and signed by him, ours, reproduced in this work is entitled: "L'Arrivée à l'Ile de Rhodes, 1975".

First edition, one of the few numbered copies on alfa paper for the first volume, one of the few numbered copies on Japan bamboo paper for the second, the only deluxe copies.
Half chocolate brown shagreen bindings with corners, spines with four raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, covers and spines preserved, top edges gilt retaining deckled edges.
A handsome set attractively bound.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies.
Half havana shagreen binding with corners, spine with four raised bands set with cold fillets, marbled paper boards, endpapers and pastedowns, covers and spine preserved, corners slightly bumped, top edge gilt retaining its deckled edges.
Spine lightly sunned, fine copy handsomely bound.
Autograph inscription signed by Paul-Marie de la Gorce to Bernard Gauche, manuscript signature of Paul-Marie de la Gorce below the justification page.

Illustrated edition with 34 original color compositions by Albert Robida engraved by Bertrand and printed in 115 numbered and nominative copies on vélin du Marais.
Full red morocco binding, spine with four raised bands studded with black dots and decorated with triple compartments (two gilt and one black), covers framed with triple gilt fillets and a black morocco fillet, marbled paper endpapers and pastedowns, pastedowns decorated at corners with stylized gilt floral motifs enhanced with brown mosaic morocco pieces forming their petals, covers and spine preserved, all edges gilt, red morocco-edged slipcase, marbled paper boards, white felt lining, elegant contemporary binding dated 1903 and signed Meunier.
A very handsome copy superbly executed.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies.
Half aubergine shagreen binding with corners, spine with five raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt on deckled edges.
Conclusion by Louis Armand.
Handsome copy pleasantly bound.

First edition, one of 65 numbered copies on Madagascar paper, deluxe copy.
Fine copy.
Dated and signed autograph inscription from Jean de La Varende to Louis Charlot: "Pour maître Charlot, ces souvenirs, ces regrets, ces remords..." ["For master Charlot, these memories, these regrets, these remorse..."]
Our copy is enhanced with an original lightened photograph representing the painted portrait of the Commandeur de Galart above a chest of drawers, Jean de La Varende having inscribed on the back: "Le fantôme du Commandeur de Galart, portrait de 1779. LV" ["The ghost of Commandeur de Galart, portrait from 1779. LV"].

Edition illustrated with 17 original full-page lithographs by Yves Brayer and printed in 200 numbered copies on grand vélin d'Arches.
Handsome copy complete with its chemise and slipcase.
Autograph inscription signed by Yves Brayer to Bernard Gauche enhanced with an original watercolor depicting two toreros.

First edition, one of 100 numbered copies on alfa, the only deluxe copies.
Half burgundy shagreen binding with corners, spine with four raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt on deckled edges.
Spine very lightly sunned without gravity.
Handsome copy attractively bound.

First edition for each of the volumes: one of 100 numbered copies on alfa paper for volumes I, II and III and III bis, one of 50 numbered copies on alfa paper for volumes IV & V, the last and sixth volume printed in 70 numbered copies on alfa paper, the only deluxe copies.
Bound in half red shagreen with corners, spines with five raised bands set with blind fillets, marbled paper boards, endpapers and pastedowns, covers and spines preserved, top edges gilt, retaining deckled edges.
Spines slightly faded.
Handsome copy attractively bound and complete in 7 volumes (the third volume comprising two volumes).

First edition, one of 37 numbered copies on pur fil du Marais paper, the only deluxe copies.
A tiny insignificant tear at foot of spine.
Handsome copy.

Rare and true first edition printed in 150 copies on alfa paper numbered in Roman numerals.
Handsome copy.
Autograph inscription dated and signed from Cairo by Jean Grenier to Alfred Fabre-Luce.

First edition, one of 58 numbered copies on pure laid paper, the only deluxe copies.
Spine very lightly browned without consequence.

First edition in French, one of 25 numbered copies on pur fil paper, the only deluxe copies.
Fine full-margined copy.

First edition, one of 15 numbered copies on Japan paper, deluxe copy.
Spine wrinkled, small tears at foot of spine, full-margined copy.

First edition, one of 70 numbered copies on alfa paper, the only deluxe copies.
Half red shagreen binding with corners, spine with five raised bands with blind fillets, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt retaining deckled edges.
Handsome copy handsomely bound.

First edition, one of 25 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy.

First edition in French, one of 10 numbered copies on Annonay laid paper, the only deluxe copies.
Half black shagreen binding with corners, spine with five raised bands set with black fillets, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt retaining its deckled edges.
Handsome copy beautifully bound of this biography devoted to Frederick II of Prussia.

First edition, one of 50 numbered copies on Montval paper, the only deluxe copies along with a few hors commerce copies also on alfa paper.
Handsome copy despite some minor foxing in the margins of certain leaves.

The first hors commerce edition, published in a small number of copies, ours one of 30 copies on Japan paper justified by the publisher, deluxe copy.
Endpapers very lightly and partially shadowed without consequence.
Rare and handsome copy.

First edition, one of 30 numbered copies on Japan paper, deluxe issue.
Work illustrated with 14 original lithographs by Adolphe Fantin-Latour printed on China paper as well as 12 portraits of Hector Berlioz, 3 plates hors-texte and 122 engravings, facsimiles of autographs, caricatures...
Binding in full red morocco, spine with five raised bands, gilt rolls on headcaps, endpapers and pastedowns of combed paper, fine engraved bookplate mounted on one pastedown, gilt dentelle border on pastedowns, covers preserved, all edges gilt, double gilt fillets on edges, perfect contemporary binding signed Cuzin.
Our copy is enhanced with an autograph note signed by Hector Berlioz mounted on an endpaper: "Jeudi 21 / Monsieur, soyez assez bon pour accorder quelques lignes à l'annonce de notre concert de mardi prochain. Vous obligerez beaucoup votre tout dévoué H. Berlioz." ["Thursday 21st / Sir, please be so kind as to grant a few lines to the announcement of our concert next Tuesday. You would greatly oblige your most devoted H. Berlioz."]
Fine copy perfectly established and enhanced with an autograph note signed by Hector Berlioz.

First edition, one of 22 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition printed in 400 numbered copies.
Handsome copy.

First edition, one of 10 numbered copies on Japan paper, deluxe copy.
Contrary to what bibliographers indicate (Clouzot, Carteret and Vicaire), the print run on this paper does not appear to be 15 copies but indeed 10 as mentioned on the justification page. This paper was moreover, upon publication, at 40 francs, the most expensive, China paper being only 20 francs and Holland 15.
Half chocolate brown morocco binding, spine with five raised bands, gilt date at foot, pebbled paper boards, combed paper endpapers and pastedowns, bookplate pasted on a pastedown, original wrappers preserved, top edge gilt, binding signed P. Goy & C. Vilaine.
Handsome copy.

First edition, one of 150 numbered copies on pure laid paper, deluxe issue.
Work illustrated with original woodcuts by Robert Haardt including the cover.
Fine copy.

First edition, one of 10 numbered copies on Holland paper, deluxe copy.
Adhesive paper stains at head and foot of endpapers, otherwise a handsome full-margined copy.

First edition, one of 30 copies on Corvol l'orgueilleux paper, the only deluxe copies along with a few hors commerce copies also on Corvol.
Light scratches of no consequence on the verso of the boards.
Handsome copy.

Finely illustrated edition with 34 etchings by Jules Adeline. Deluxe copy, one of 150 copies on Japan Imperial paper, No. 129. La légende du violon de Faïence, first edition, one of 150 on Japan Imperial paper, deluxe copy. A blue composition for the cover and 8 etchings by Jules Adeline. Bibliophilic gems reflecting the refined taste of late 19th-century book collectors.
Full blue morocco binding for le Violon de Faïence. Half blue morocco binding with corners for La légende... The first signed by Maylander at the bottom of the front pastedown, the second on the endpaper. Spine with raised bands decorated, having turned green. Triple-ruled frame for le violon de faïence, wide inner border with raw silk endpapers. Double slipcase edged with morocco, varnished marbled paper, also signed by Maylander at the foot. Original wrappers preserved. 2 leaves of illustrated catalogues from the Conquet bookshop on Japan paper bound at rear. Superb copies, perfectly fresh and in irreproachable condition.
Le violon de faïence is a novel by Champfleury featuring two collectors of rare ceramics, one of whom is a violinist. La légende du violon de faïence, by the illustrator of Le Violon de Faïence, evokes the life of Champfleury who had just died and old Rouen. Adeline recounts anecdotes about the creation of the novel.

First edition, one of 50 numbered copies on Japon Torinoko paper, deluxe copy.
Full pistachio green morocco binding, spine with five raised bands, gilt date at foot, khaki box calf endpapers and pastedowns, frame of triple gilt fillets and mauve box calf listel on pastedowns and endpapers, following endpapers of marbled paper, covers and spine preserved, top edge gilt, slipcase with pistachio green morocco entry, marbled paper boards, mauve paper interior, signed by Bontaz.
Very handsome copy.

First edition, one of 23 copies on pure thread paper, deluxe copy.
Endpapers very lightly shaded, without concern, a small tear at head of first cover.
Handsome copy.

First edition in French translated by Francis Viélé-Griffin printed in 300 numbered copies on laid paper.
Handsome full-margined copy.

First edition, one of 20 numbered copies on Holland paper, deluxe copy.
Small worming to the covers, endpapers and some leaves.

Edition illustrated by Auguste Leroux, one of 25 numbered copies on Grand Japon, containing four states of the illustrations including one state with some tints and a large original signed watercolor by Auguste Leroux, deluxe copy.
Work decorated with a portrait of the author as frontispiece etched by Decisy and 46 compositions drawn by Auguste Leroux and H. Bouché-Leclercq and colored with pochoir, including a title vignette (repeated on the half-title), 15 plates, 15 headpieces and 15 tailpieces). The different states of the illustrations have been bound at the end of the volume.
Full navy blue morocco binding, spine with five raised bands decorated with roulettes, stippling and a large octagonal antique-style tool stamped in gold repeated twice, large octagonal tool with floral motif at the center of the covers and pentagonal tool of the same inspiration at the corners, navy blue morocco decorated with stippling and gilt octagonal tools framing the pastedowns, marbled endpapers, covers and spine preserved, blind fillet on the leading edges, gauffered headcaps, top edge gilt over deckled edges. Contemporary binding signed by Kieffer.
Five leaves, including the back cover, have been cut at the upper corner certainly to allow better access to the duplicate leaves.
Fine copy.

First edition, one of 60 numbered copies on Holland paper, deluxe copy.
One endpaper lightly and partially shadowed due to the presence of a press cutting.
Handsome copy.

First edition, one of 25 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy.

First edition, one of 65 numbered copies on vélin alfa paper reserved for the bibliophilic association "Amis des Beaux Livres", the only deluxe copies along with 300 other vélin alfa copies.
Fine full-margined copy.

First edition, one of 112 numbered copies on pur fil Johannot paper, deluxe copies.
Cover and illustrations by André Barsacq.
Spine very slightly sunned, small lack at foot of spine, handsome interior condition.

First edition, one of 10 numbered copies on handmade Arches laid paper, the only deluxe copies.
Beautiful cover illustrated by Edouard-Louis Cousyn.
Two minor tears of no consequence on the second cover.
Handsome full-margined copy.

First edition printed in 125 copies numbered on Arches paper and justified by Zéno Bianu and Michel Mousseau.
Publisher's binding in full grey boards, the poem unfolding accordion-style.
Work illustrated with serigraphs by Michel Mousseau.
Handsome copy.
Signed autograph inscription from Zéno Bianu with additional manuscript signature by Michel Mousseau.

First edition of the theatrical adaptation at T.N.P. for both texts, one of 50 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy.