Politics in Writing

First edition, one of 265 numbered copies on alfa paper.

A handsome copy, notwithstanding a small marginal tear to the lower cover.

First edition, one of 150 numbered copies, the only copies on deluxe paper.

Inscribed and signed by Jean-Pierre Abel to Paul Devivat.

Rare and handsome copy with full margins.

First edition published under the pseudonym Cévennes and completed under oppression in Paris on August 1, 1944.

Pleasant copy.

First edition.

Illustrated with 16 drawings by Georges Adam.

A superb copy of this rare booklet by Louis Aragon, a true "anti-clerical, anti-capitalist, anti-colonialist, anti-patriotic" (Pierre Juquin) catechism for the children of the exploited working masses.

"On June 25, 1932, the Imprimerie centrale completed printing for the Bureau des éditions et de diffusion, 132, Faubourg Saint-Denis, Paris, a beautiful pamphlet, now a bibliophilic rarity [...] On the cover, a large red star - an important and recurrent image in Aragon's work - appears imprinted on children's brains. Sixteen quatrains, droll and didactic, punctuated for ease of reading, alternate with drawings by Georges Adam, whose nearly expressionist mockery, reminiscent of Rouault's paintings, overturns taboos and myths." (Aragon. Un destin français 1897-1939)


After breaking with the Surrealists, Aragon threw himself wholeheartedly into the Journal de la lutte antireligieuse. He wrote this pamphlet from Moscow and published it on the Party's presses, to ignite the fervor of proletarian youth. French poet Jacques Prévert would later follow a similar path with his play Émasculée conception. Anticlerical activism within French Communist associations was in full swing at the time: every symbol and events of religious life were reinterpreted through the lens of class struggle. "Red baptisms" were organised, forming a community of "Godless" children (drawing their name from the Association of Godless Workers) who corresponded with their Soviet counterparts.
Aragon contributed to these new rituals with this particularly radical children's book, deemed excessively antipatriotic by Maurice Thorez, which he would later disavow at the end of his life.

First edition, not issued for sale (cf. Sabin 30913).

Some defects with losses along the spine, minor corner creases to the boards, endpapers browned, otherwise a clean and attractive copy internally.

Published in the very year of Maximilian's coronation. The Austrian author supports the acceptance of the crown by the archduke prince, an opinion not shared by many of his compatriots. Contains reflections on the Mexican nation, the two Americas, United States politics, etc.

First edition, an advance (service de presse) copy.
Covers and spine very skillfully repaired.
Handsome autograph inscription from Pierre Drieu La Rochelle to Henri Béraud.

First edition, one of the review copies.
Bradel binding in full wood-patterned boards, smooth spine, red morocco title-piece, covers and spine preserved, binding signed by Thomas Boichot.

A fine copy, handsomely bound.
Precious autograph presentation signed by Jacques Chardonne to Henri Béraud.

Autograph letter signed by George Sand, addressed to her friend Stéphanie Bourjot, daughter of Étienne Geoffroy-Saint-Hilaire. Four pages written in blue ink on a folded bifolium bearing George Sand’s monogram. Fold marks as usual.
 
This letter was partially published in Correspondance, vol. XIV, no. 7846.
A beautiful and partly unpublished letter in which George Sand discusses Marie Pape-Carpantier’s book and the education of her young maid, Marie Caillaud : « It is an excellent book, which I use to teach my young maid to read. She is extraordinarily intelligent, and this book opens her mind to all sorts of sound ideas. Educating this 18-year-old child—who, six months ago, was only two in terms of knowledge—has been a unique experience. She now seems her age, yet retains all the innocence of childhood. So every evening, we read Marie Carpentier’s little stories, and I enjoy them just as much as my pupil does. »
 
Marie Caillaud was only eleven years old when George Sand hired her to wash dishes and tend to the chicken coop, a task that earned her the nickname “Marie des poules.” But the writer soon recognized the young peasant girl’s intelligence, appointed her as housekeeper, and by 1856 included her in the performances of the Nohant theatre. Her education is first mentioned in early 1858, notably in a letter from George Sand to her friend Charles Duvernet: « During my winter evenings, I took on the education of little Marie, the one who acted with us. From a dish washer, I immediately raised her to the rank of housekeeper, a role for which her excellent mind makes her perfectly suited. The greatest obstacle was that she couldn't read. That obstacle no longer exists. In thirty half-hour lessons—fifteen hours in a month—she mastered all the difficulties of the language slowly but perfectly. This miracle is due to the admirable Laffore method, which I applied with the utmost gentleness to a perfectly lucid mind. » (16 February 1858)
 
Marie Caillaud would go on to become a notable actress at Nohant and move in the circles of George Sand’s illustrious guests: Delacroix, Gautier, Dumas, Prince Jérôme Bonaparte…
But Marie was not George Sand’s first pupil. All her life, Sand was deeply interested in pedagogy and taught not only her children and grandchildren, but also members of her household staff and local peasants.
 
This letter is a remarkable testament to her hands-on approach as a teacher, always seeking new and effective ways to impart knowledge : « What is lacking—or at least what I haven’t found—is a true reading method. I’ve devised one for my own use (never written down), based on Laffore’s and adapted to my own ideas. But what I haven’t found in primers for children or public school manuals is a well-crafted exercise book that teaches reading logically while also making sense of spelling. Does such a book exist? » Far from a casual activity, education was central to George Sand’s worldview. As Georges Lubin noted, her aim was not merely to teach literacy. Taught to write by her own mother at the age of five, Sand understood from an early age that the only path to equality lay through intellectual emancipation: « She understood very early on that the only road to equality was intellectual emancipation. The ignorance imposed upon women was the root of their servitude. The ignorance imposed upon the working classes underpinned class inequality. Education was the key to opening locked doors. » (« George Sand et l'éducation » in Nineteenth-Century French Studies, 1976)

A beautiful and important testimony to George Sand’s tireless struggle for the emancipation of women through education.

First edition (cf. Polak, 9297. Only two copies listed in the CCF, at the BnF and Marseille).

Small loss at foot of spine, covers slightly soiled at the margins, contemporary ownership inscription at head of the front wrapper, some foxing.

Unique edition of this very bleak portrait of the state of the French navy at the end of the July Monarchy ("Tout est à refaire dans la marine, c'est un échaffaudage craquant de tous côtés, il faut y faire une révolution radicale, si l'on veut obtenir un résultat digne de la France ; tous les palliatifs employés jusqu'à présent, pour masquer la décrépitude de l'édifice, ne tendent qu'à inspirer une dangereuse confiance à ceux qui ne voient que la surface des choses"). The attribution comes from a handwritten note on the front cover, and is consistent: the future Admiral Louis-Adolphe Bonard (1805-1867) had just been appointed captain in 1847, and had spent much of his career in Oceania (cf. his chapter VII on the colonies).

First edition on ordinary paper.
Half red morocco over marbled paper boards, spine lightly sunned in six compartments, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt.

One top corner very slightly rubbed.
Handsome autograph inscription by Charles Maurras : "A madame Colette Willy, en souvenir de la cocarde."

First edition, one of numbered copies on alfa.

A good copy.
Autograph inscription from Irène Némirovsky to monsieur Maier.

First edition on ordinary paper.

Spine slightly sunned with a small defect and a repaired tear at the foot.
Inscribed and signed by Georges Bernanos to Robert Garric: "... bien fraternellement et fidèlement..."

Rare first edition (cf. Quérard IV, 138. NUC: 3 copies).

Written in French by J.A. Borelly (a German translation by G.W. Bartoldy appeared simultaneously from the same publisher), these engaging memoirs are the work of the Swedish general Johann Ludwig von Hordt [1719-1778].

Contemporary full grey paper boards, red shagreen title-piece with a small marginal defect, smooth spine, joints rubbed, binding of the period.

Preserved in a modern green paper box; title label at the head of the spine.

Some light foxing.

Rare copy in its original state: uncut and in the publisher’s boards.

First edition of the French translation, one of 325 numbered copies on alfa paper, the only deluxe issue together with a few alfa mousse copies not for sale.
Minor tears without loss at the head of the spine, which also shows slight sunning at the foot, final endpaper partially shaded.
A rare and pleasing copy.

First edition illustrated with an engraved view of Oran by Fichot.

Only three records in the CCF (BnF, Troyes, Saint-Geniez). Not listed in Tailliart.

Contemporary half bottle-green cloth, smooth spine decorated with false raised bands and blind-stamped fillets, marbled paper boards, rubbed corners.

Some minor foxing, endpapers partly shaded.

Sole edition of this curious work composed by a "first-class engineer guard," intended to counter metropolitan prejudices against the Arabs of Algeria.

First edition on ordinary paper.

A moving and appealing copy.

Fine signed autograph presentation inscription from Dominique de Roux to his brother: "Pour mon cher Xavier père et maître des circonvolutions de ce récit. Et sans qui la vie n'aurait aucun sens. Affection fraternelle. Dominique."

First edition, one of 55 numbered copies on pure wove paper, the only deluxe paper issue.
Bound in half brown morocco, spines with five raised bands, gilt dates at foot, boards covered with abstract patterned paper, endleaves and doublures of brown paper, original wrappers and backstrips preserved, gilt edges, bindings signed by Thomas Boichot.
A precious copy of this foundational text of modern feminism.

First edition. Adorned with headpieces, initials, and illustrated with 16 folding tables, 3 in the first volume and 13 in the second, together with a great number of tables on single leaves. Title pages printed in red and black.
Contemporary full polished and marbled brown calf binding. Spine with raised bands, gilt compartments. Red morocco title label. Volume labels in wax, rubbed and illegible. Triple blind fillet framing on the covers. Red marbled edges. Headcaps worn. Loss to the tail of volume II. Joints of volume I split at head and tail. Upper joint of volume I tightly split along its full length and lower joint split at head and tail. Several corners bumped. Spines rubbed. Some surface abrasions to the covers. Dampstain to the lower margin of the endpaper and half-title, with losses. At the foot of the title page, an old dampstain extending across three leaves. Overall, a relatively fresh copy, with some scattered foxing.

First edition (cf. Polak 8547).

Rare copy preserved in its original stitching, in temporary cream paper wrappers.

A few marginal manuscript annotations on page 49.

This publication includes only the decrees issued between 7 Thermidor Year II [25 July 1794] and 9 Fructidor Year II [26 August 1794], although the mission of the Convention member Jeanbon Saint-André (1749–1813) in Toulon continued until March 1795.

An important document on the work of one of the reformers of the French navy during the Revolution.

First edition of this collection of articles published in L'Opinion nationale (cf. Tailliart, 2584).

Half cherry calf binding, spine darkened with five raised bands, a date written in black ink at the head of the spine, marbled paper boards, hand-marbled endpapers and pastedowns, sprinkled edges, contemporary binding.

Auguste-Hubert Warnier (1810-1875), the son of a soldier of the Empire, first practised as a surgeon, then as a physician with the Army of Africa from 1834 to 1851, before embarking on a brilliant political career which briefly made him prefect, but above all deputy for Algiers from 1871. He was regarded as a specialist in all matters, indigenous or colonial, concerning the French possessions in North Africa.*

Bound at the end are by the same author: "L'Algérie devant l'opinion publique pour faire suite à L'Algérie devant le Sénat. Indigènes et immigrants. Examen rétrospectif." Algiers, Imprimerie Molot, 1864, VIII pp., 176 pp. Tailliart, 2585.

This is a collection of articles published in the Journal d'Alger.

And by Marshal Pélissier: "Etat actuel de l'Algérie, publié d'après les documents officiels par ordre de S. Exc. le Maréchal Pélissier, duc de Malakoff, sous la direction de Mercier-Lacombe". Paris, 1863, Imprimerie impériale.

First edition for which no grand papier (deluxe) copies were printed.
Small marginal pieces missing at the top of the first board, a clear remnant of adhesive paper at the bottom of the first endpaper.
Copy complete with the facsimile at the end of the volume.

Precious handwritten inscription signed by Gabriele d'Annunzio to Natalie Clifford Barney: « à miss Barney et au Temple de l'Amitié attentive, cette légère torpille ‘sine litteris' est offerte par la ‘tête d'ivoire'. Gabriele d'Annunzio » (“To Miss Barney and the attentive Temple of Friendship, this light ‘sine litteris' torpedo is offered by the ‘ivory head'. Gabriele d'Annunzio”

Very beautiful testimony to the friendship between Gabriele d'Annunzio and Natalie Clifford Barney, who probably met through the painter Romaine Brooks, temporary lover of the “ivory head” but also of the Amazon for more than fifty years.
In 1909, Natalie Clifford Barney acquired the Temple of Friendship at 20 Rue Jacob and set up her literary salon, which would be held every Friday and would welcome the greatest literary and artistic personalities of the time: Salomon Reinach, Auguste Rodin, Rainer Maria Rilke, Colette, James Joyce, Paul Valéry, Pierre Louÿs, Anatole France, Robert de Montesquiou, Gertrude Stein, Somerset Maugham, T. S. Eliot, Jean Cocteau, Max Jacob, André Gide, Nancy Cunard, Peggy Guggenheim, Marie Laurencin, Paul Claudel, Adrienne Monnier, Sylvia Beach, Scott and Zelda Fitzgerald, Truman Capote, Françoise Sagan, Marguerite Yourcenar... and, of course, Gabriele d'Annunzio whom she greatly admired.
She paid tribute to him by devoting a chapter of her Aventures de l'esprit (1929) to him: “D'Annunzio, a precious little old ivory object, works with the constancy of a monk who watches over his God.”

First edition following the unobtainable mimeographed version produced by the author.
Inevitable minor wear along the edges of the covers and spine, restoration to the upper left corner of the front cover, newspaper clipping laid in. Barnes & Noble price sticker affixed to the front cover.
Commentary by Paul Krassner.
 
This incendiary pamphlet, issued by the marginal and modest Olympia Press, newly re-established in New York, was printed in only a small number of copies.
Gender discrimination, hate speech and incitement to genocide, a violent and unrepentant attempted murder of one of the most celebrated artists of the twentieth century, the advocacy of anarchic violence in a grotesque burst of laughter, the elimination or humiliation of half of humankind...
 
In her misandrist pamphlet, Scum Manifesto (« Society for Cutting Up Men »), Valerie Solanas shows no empathy, grants no room for moderation or reconciliation, and makes no exception in her plan to eradicate men save for « the men who methodically work towards their own elimination [...] [such as] the transvestites who, by their splendid example, encourage other men to demasculinize themselves and thus render themselves relatively harmless ». The first manifesto of radical feminism is not addressed solely to women, but also embraces in its struggle the sexual identities cast aside by the phallocratic society Solanas sought to destroy with unprecedented rage for such a cause.
 
« Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and destroy the male sex. »
In 1971, Emmanuèle de Lesseps, taking on a French version, translated this opening as: 
« Vivre dans cette société, c'est au mieux y mourir d'ennui. Rien dans cette société ne concerne les femmes. Alors, à toutes celles qui ont un brin de civisme, le sens des responsabilités et celui de la rigolade, il ne reste qu'à renverser le gouvernement, en finir avec l'argent, instaurer l'automation à tous les niveaux et supprimer le sexe masculin. »
 
At once an insurrectionary political programme, a paranoid delirium and a poetic text, Solanas's manifesto unsettles by refusing to be confined to any single genre—serious, utopian, or satirical. The real question posed by such a work may not be one of morality, but of the author's right to claim excess. Published after her attempted murder of Andy Warhol, Solanas’s manifesto is the literary and literal assertion that men hold no monopoly on violence.
 
Though presented as an urgent cry of anger, SCUM was in fact the product of two years of thought and writing before Solanas, lacking a publisher, mimeographed it herself in 1967 and sold it on the street (1 for women and 2 for men), meeting no success.
 
Seeking recognition, Valerie Solanas moved in New York’s underground scene and became close to the pope of counterculture, Andy Warhol, frequenting the Factory. Unable to have her manifesto published—« the best piece of writing in all of history, which will be surpassed only by my next book »—Solanas turned to her first literary work: Up Your Ass, a play she hoped her mentor would produce. Unfortunately, Warhol rejected the piece and lost the only manuscript. In compensation, he offered her roles in two of his films. Dissatisfied with this minor artistic recognition, on 3 June 1968 she fired three shots at Warhol, gravely wounding the artist and achieving instant notoriety. She made no secret that her murderous act, more than a personal vendetta, was above all a political necessity and an artistic means to secure circulation of her work. Questioned on her motives, she offered this laconic reply to the courts and the press: « Read my manifesto, you’ll know who I am. »
Maurice Girodias, the notorious publisher of Olympia Press, repeatedly condemned, notably for issuing Lolita and Naked Lunch, had already noticed Solanas the previous year. Though he had rejected her manifesto, he offered her a contract for future works. After the attack, he decided finally to publish the feminist pamphlet of this atypical criminal who proclaimed women’s omnipotence and the toxicity of the male sex. In a final provocation, Girodias reproduced on the back cover the front page of the New York Post reporting Warhol’s tragic hospitalisation.
 
Is Solanas’s book the work of a sick woman—abused as a child, prostituted as a student, diagnosed as a paranoid schizophrenic, repeatedly confined in asylums, and who would die in poverty and solitude? Or is such an interpretation itself proof of the refusal to allow a woman the extremes of delirium and anarchist utopia that men have long claimed?
 
In 1968, in the midst of the interminable Vietnam War, violence was no longer the sole prerogative of oppressors, and the rising anger of minorities against endemic discrimination in the United States manifested itself in violent clashes and the rise of radical groups such as the Black Panthers. Yet women remained excluded from these struggles and their rights denied by both sides, as Angela Davis and Ella Baker also denounced.
 
Unlike them, however, Solanas adhered to no emancipatory struggle and rejected every utopia then in vogue, which, in her view, liberated only men, leaving women at best as rewards:
« Le hippie [...] est follement excité à l'idée d'avoir tout un tas de femmes à sa disposition. [...] L'activité la plus importante de la vie communautaire, celle sur laquelle elle se fonde, c'est le baisage à la chaîne. Ce qui allèche le plus le hippie, dans l'idée de vivre en communauté, c'est tout le con qu'il va y trouver. Du con en libre circulation : le bien collectif par excellence ; il suffit de demander ».
 
« Laisser tout tomber et vivre en marge n'est plus la solution. Baiser le système, oui. La plupart des femmes vivent déjà en marge, elles n'ont jamais été intégrées. Vivre en marge, c'est laisser le champ libre à ceux qui restent ; c'est exactement ce que veulent les dirigeants ; c'est faire le jeu de l'ennemi ; c'est renforcer le système au lieu de le saper car il mise sur l'inaction, la passivité, l'apathie et le retrait de la masse des femmes ».
 
A true detonation in activist circles, S.C.U.M. split the emerging feminist movements such as NOW and Women’s Lib and gave birth to radical feminism. Yet Solanas refused all affiliation and even rejected the support of activist lawyer Florynce Kennedy, pleading guilty at her trial even as Warhol refused to press charges against her: « Je ne peux pas porter plainte contre quelqu'un qui agit selon sa nature. C'est dans la nature de Valerie, alors comment pourrais-je lui en vouloir ». (A fascinating testimony to the psychological hold these two opposites exerted on one another).
 
In a fireworks display of obscenity and mocking extremism, Solanas’s work nonetheless dismantles the arguments of progressive intellectuals while exposing the inescapably patriarchal structure of a falsely modern society. « S.C.U.M. stands against the entire system, against the very idea of laws and government. What S.C.U.M. wants is to demolish the system, not to secure certain rights within it. »
 
Fifty years on, Solanas’s manifesto retains its biting acuity, and the delirious energy of her prose cannot justify the progressive erasure of her place in social history—mirrored by her own mother’s destruction of all her manuscripts after her death.
 
Outraged, convinced, or stunned by the cathartic violence of the text, no reader emerges unscathed from the S.C.U.M. experience. This is doubtless due to the literary force of Solanas’s prose—almost Céline-like in its vitriol—but also to the undeniable relevance of her revolt today:
« Celles qui, selon les critères de notre « culture », sont la lie de la terre, les S.C.U.M. ... sont des filles à l'aise, plutôt cérébrales et tout près d'être asexuées. Débarrassées des convenances, de la gentillesse, de la discrétion, de l'opinion publique, de la « morale », du « respect » des trous-du-cul, toujours surchauffées, pétant le feu, sales et abjectes, les S.C.U.M. déferlent... elles ont tout vu - tout le machin, baise et compagnie, suce-bite et suce-con - elles ont été à voile et à vapeur, elles ont fait tous les ports et se sont fait tous les porcs... Il faut avoir pas mal baisé pour devenir anti-baise, et les S.C.U.M. sont passées par tout ça, maintenant elles veulent du nouveau ; elles veulent sortir de la fange, bouger, décoller, sombrer dans les hauteurs. Mais l'heure de S.C.U.M. n'est pas encore arrivée. La société nous confine encore dans ses égouts. Mais si rien ne change et si la Bombe ne tombe pas sur tout ça, notre société crèvera d'elle-même. »

First edition (cf. Sabin 47206. Leclerc 952.).

Some joints cracked at head and tail, minor marginal losses of no consequence to the temporary wrappers.

The author, Italian by birth, emigrated to America before the Revolution and settled in Virginia near Monticello.

His book, written in collaboration with Condorcet, is of particular interest with regard to the history of independence and the government of the United States, cf. Fay pages 24-25: "Compilation très exacte, qui réfute les théories de Mably et de Raynal et constitue un répertoire précieux de renseignements de tous ordres sur les États-Unis."

Rare and appealing copy preserved in its original stitching and in plain pink temporary wrappers.

First edition, cf Conlon 17:710. Quérard VII, 455 ("Cette Dissertation est très-estimée").

Full marbled blond calf, spine with five raised bands richly gilt in compartments decorated with gilt bees, red morocco lettering-piece, marbled endpapers and pastedowns, gilt fillet on board edges, mottled edges, contemporary binding.

Lower corner rubbed, endpapers partially browned.

Notable treatise on the two great English political parties, their history, development, and respective positions.

First collective edition, for which no deluxe paper copies were issued, one of the press service copies.
Preface by Louis Aragon.
Precious autograph inscription signed by Louis Aragon to his friend Charles Dobzynski, whose wedding witness he was, along with Elsa Triolet: "A Dob, Louis."

 

First edition of this finely crafted narrative retracing the journey of the author, appointed in December 1854 as First Secretary to the French legation in Persia, under the direction of Prosper Bourée.

Some foxing.

Bound in half bottle-green shagreen, spine with four raised bands decorated with triple gilt compartments, blind-tooled borders on morocco-grained cloth boards, school emblem gilt-stamped at the centre of the upper cover [Lycée de Nevers], marbled endpapers and pastedowns, sprinkled edges, contemporary binding.

The journey was undertaken by sea from Marseille to Bushir, then by caravan to Isfahan and Tehran: Malta, Alexandria, Cairo, Jeddah, Aden, Muscat, Tehran, Isfahan.

First edition. "At the close of a distinguished diplomatic career devoted mainly to Latin America, Baron Gros was one of the architects of the 'opening' of China and Japan in the 1860s."

Contemporary Bradel binding in full cherry calf, spine decorated with gilt fillets, boards slightly and marginally soiled.

Library stamp to the upper right corner of the half-title, a few small spots of foxing.

A pleasing and rare copy.

First edition on ordinary paper.
Handsome, fine autograph inscription signed by Albert Camus : "à Albert Béguin qui trouvera ici les raisons de mes désaccords avec Esprit, avec mon bien cordial souvenir...[to Albert Bégiun who will find here the reasons for my disagreements with the Spirit, in friendly remembrance…]"
A little light spotting primarily to upper cover and ffep.
Retaining its advertising notice, entitled "Lettres sur la révolte".

Edition published the same year as the first. Illustrated with a portrait of the author, three folding plates, a folding map of Longwood house and two folding maps.
Some foxing.

Full black calf bindings, smooth spines with gilt romantic motifs, boards with central motif in blind, boards ruled in gilt, a small restoration to the margin of the first volume's upper board, handmade endpapers and pastedowns, marbled edges, spine-ends ruled in gilt, contemporary romantic bindings.

Rare signed and inscribed copy to a veteran of the Napoleonic wars, on the title page of the first volume: "A Mr. Foucauld, ancien s. [sous] officier de la Grande Armée. Passy 19. 7bre 1840 par le Cte de Las Cases" [To Mr. Foucauld, former second officer of the French Imperial Army. Passy 19. September 1840 by Count de Las Cases]

This inscription by the famous memorialist dates from the year Napoleon's mortal remains were returned to France, a few days before the Belle Poule frigate arrived in St. Helena to collect the coffin. Las Cases inscribed this copy at a turning point in history, as the world was once again turning to the remote island where the Emperor was exiled and buried. A second resurrection was to occur with the triumphant return of the imperial coffin:

"Frozen sky, pure sun. - Oh! shines in history,
Of the mournful imperial triumph torch!
May the people forever keep you in their memory,
Beautiful day like glory,
Cold as the grave" (Le Retour de l'Empereur, Victor Hugo).
The famous compilation of memories and confidences of Napoleon in exile was considered from the beginning to be a true masterpiece which had a lasting effect on Napoleonic legacy. Inscriptions by Las Cases on his most famous work are extremely rare. Las Cases wrote these words to another faithful servant of the Empire, at a time when one of the most important events in Napoleonic history was unfolding: the long voyage of so-called “Mission des cendres”. Las Cases was to be part of this expedition and abandoned due to ill health. He was replaced by his son who had shared his captivity in St Helena and was to publish, like his father, an account of his journey with the Emperor's remains. Las Cases did, however, attend the lavish funeral ceremony at the Invalides, true to his words from the Mémorial: "The heavens blessed my efforts by allowing me to go all the way".

An exceptional copy with a rare meaningful signed autograph inscription, on the iconic work at the origin of Napoleonic mythology, handsomely set in a contemporary binding with Romantic gilt motifs.

First edition, very rare. "Aucun exemplaire de ce livre imprimé aux frais de la duchesse d'Orléans avant 1814 ne fut distribué de son vivant (Tourneux, Bibl. de l'hist. de Paris pendant la Révolution fr., IV, 21752)

Cf Quérard, VIII, 258. Brunet, II, 1136. Tourneux, 21572.

Some leaves browned or foxed.

Contemporary Bradel bindings in full purple paper boards imitating long-grain morocco, spines slightly faded, decorated with gilt fillets, friezes, and fleurons, gilt crowned monogram at the head of the spines, entirely uncut, headcaps slightly worn, some wear to the corners of volumes 3 and 4, bindings contemporary to the publication.

Some leaves slightly browned.

The work is a reply to Montjoie’s defamatory pamphlet, Histoire de la conjuration d'Orléans (1796), which would later be reprinted and condemned under the reign of Louis-Philippe. It was written by a controversial figure, the politician and conventionnel from Toulouse, Jacques-Marie Rouzet de Folmon (1743-1820).

Kuscinski (Dict. des conventionnels, pp. 540-541) notes that Rouzet accompanied the dowager duchess of Orléans into exile, after securing her release from the Luxembourg prison. They both returned to France in 1814, and "au dire de Mme Cavaignac, il aurait fini par l'épouser, ce qui aurait presque complètement brouillé la mère avec ses enfants. Rouzet a été enterré à Dreux dans les caveaux de la chapelle de la famille d'Orléans."

Provenance: Precious copy bound for Louis-Philippe, Duke of Orléans, with his crowned gilt monogram at the head of the spines and the stamp of the Bibliothèque du roi, Palais Royal, on the title pages. 

The endpaper of the first volume bears the handwritten note: "à l'armoire des médailles, par o[rdre] du Roi", referring to the reserve of precious, or confidential, books of the royal library.

Rare and appealing copy in contemporary boards, entirely uncut, complete with the 3 leaves of errata bound at the end.

The last two volumes are unopened.

The set is preserved in two modern slipcases of half long-grain red morocco, flat spines decorated with gilt fillets.

First edition on ordinary paper.

Work illustrated with wood engravings by Henri Jadoux.

A pleasing copy.

Autograph inscription signed by Sacha Guitry in pencil to Henry Sorensen.

Very rare first edition, printed in only 80 copies (According to CCFr, copies are held only at the BnF and in Lille).

This edition was printed on August 27, 1867, in the presence of Emperor Napoleon III, during his visit to northern France with Empress Eugénie from August 26 to 30, 1867.

Publisher’s binding in full green grained cloth, flat spine decorated with blind fillets, panels framed with blind fillets, slightly bumped corners, pink edges.

Minor foxing mainly affecting the endpapers; a handsome copy.

On a blank endpaper, an autograph inscription signed by Léonard-Jean-Baptiste Danel (1818–1905), nephew and successor of Louis Danel since 1843, addressed to Auguste Ohnet, likely the paternal uncle of the novelist Georges Ohnet (1848–1918), in which case he lived from 1808 to 1882.

Laid in: a chromolithographed broadside (39 x 29 cm) presenting a copy to the Empress ("Offert à S.M. l'Impératrice Eugénie par le personnel de l'imprimerie Danel à Lille").

Rare first edition, printed in five-column format and illustrated with 27 color maps.

According to the CCF, only the BnF holds copies of this edition.

Some light foxing.

Publisher’s binding in green half cloth, plain flat spine in canvas, soft vellum frame on the upper cover, lower cover in full soft vellum, gilt title on upper board; damage to the lower right corner of the upper cover, restored binding.

Candido Mendes de Almeida (1818–1881), lawyer and politician, took a particular interest in matters of education.

First edition.
Bound in green half shagreen, spines with five raised bands ruled in black and decorated with gilt floral tools, gilt names of a former owner at foot of spines, marbled paper boards, comb-marbled endpapers and pastedowns, original wrappers bound in.
Some occasional foxing, minor rubbing to two upper corners, and light surface wear to a few boards without affecting the integrity of the binding.
Contemporary ink ownership inscriptions at the head of the wrappers, with blind collector's stamps on the endpapers.

A handsome set of these important memoirs from the Napoleonic era.
 

Rare first edition of the Spanish translation commissioned by Emperor Maximilian I, with the French text printed opposite (Not in Sabin. Not held at the BnF).

French and Spanish texts printed side by side in two columns.

Contemporary binding in navy blue half calf, spine with four raised bands framed with gilt garlands and decorated gilt compartments, restored to spine and joints; marbled paper boards, cat's-eye patterned endpapers and pastedowns.

Stamp of the Centro de estudios jurídicos "Lex" Mexico, Jul 16 1934, on the half-title and fore-edge ; clean and attractive interior condition.

First edition of the French translation, illustrated with a folding map in the first volume (see Cordier, Sinica, 2094; Quérard I, 260; not in Schwab or Atabey. Blackmer (111) owned only the English edition: Travels from St. Petersburg in Russia, to diverse parts of Asia, Glasgow, 1763).

Contemporary full marbled calf bindings, spines with five raised bands richly gilt in double panels, brown or green morocco title-pieces (in the second volume), red morocco volume labels, gilt rolls on the caps, marbled endpapers and pastedowns, gilt fillets to edges, marbled edges, some corners a bit rubbed.

Minor wormholes on the upper board of the first volume, light scuffing to boards.

First edition including 113 statistical tables compiled by Dr. Chassinat, surgeon for the Ministry of the Interior.

Spine lacking, minor losses to corners of the boards.

First illustrated edition, featuring 82 drawings by Tiret-Bognet and a color map of the Saint Lawrence River. Publisher's 1890 EX catalogue bound in at rear.
Binding with the two elephants, Lenègre type 3. Rear cover Lenègre type e.
Spine lightly faded, internally clean and well preserved.
In Famille sans nom, Verne recounts the story of a French-Canadian family during the Patriote Rebellion (1837–1838) against British injustice.

First edition of the French translation by Jean-Baptiste Dupuy-Demportes of the work originally published in 1689 under the title "La Morale dei principi osservata nell'istoria di tutti gl'imperadori, che regnarono in Roma" (cf. Quérard II, 260. Barbier III, 353b. Conlon VII, 54-572. Hoefer XI, 314).

Contemporary full red morocco bindings, spines with five raised bands decorated with gilt fillets and double gilt panels with gilt floral tools, boards framed by gilt roll-tooled floral and bird motifs, gilt fillets on the board edges, marbled endpapers and pastedowns, all edges gilt over marbling.

Some gatherings bound out of sequence in volumes 1 and 3; headcap of volume 4 chipped; a few small wormholes, mostly affecting the lower sections of the bindings.

A handsome copy of this uncommon work.

Giovanni Battista Comazzi (Mantua, 1654 – Vienna, 1711), an Italian historian, poet, and political theorist, presents here a study of Roman emperors from Caesar to Constantius Chlorus: "Il prend les traits principaux de la vie de chaque prince, il en cherche les vues et les causes, et juge, d'après les principes, s'ils ont eu tort ou raison, et pourquoi ; ainsi chaque fait historique donne occasion à une maxime morale" (Nouvelles littéraires, 20 juillet 1754).

First edition of the first of six publications addressing the state of the Corps of Bridges and Roads, presented to the National Constituent Assembly by Chaumont de La Millière (1746–1803), who served as director of the School from 1781 to 1792.

Contemporary half vellum binding with corners, flat spine with red morocco label, soft marbled paper boards showing some wear and losses from rubbing, yellow edges.

Two additional related publications have been bound at the end:

I. Supplément au Mémoire de M. de La Millière, sur le département des Ponts & Chaussées; ou Réponses à deux écrits relatifs à ce Mémoire, qui ont paru depuis sa publication. Paris, Imprimerie royale, 1790, title, 67 pp. (tear to the final leaf).

II. Observations de M. de La Millière, sur un écrit de M. Biauzat, député à l'Assemblée nationale, relatif à l'organisation des Ponts et Chaussées. [Paris], Imprimerie de Laurens aîné, n.d. [1791], 11 pp. Bound with: [LAPORTE (Hippolyte de):] Notice historique sur la vie de La Millière. Extracted from the Biographie universelle, vol. XXIX. [Paris], Imprimerie d'Éverat, n.d., 4 pp., text printed in two columns.

A clean cut to the final page of the second volume, minor and insignificant spotting to some leaves.

First edition.

Contemporary Romantic bindings in half green Empire calf, flat spines slightly faded, richly gilt with Romantic decorative motifs, marbled paper-covered boards, marbled endpapers and pastedowns; Romantic period bindings.

A few light spots of foxing; a discolouration mark on a blank endpaper of the first volume.

First edition of the French translation of the compilation entitled Historia de la dominacion de los Arabes en España sacada de varios manuscritos y memorias arabigas (Madrid, 1820–21), cf. Playfair 528. Palau 59020.

Contemporary bindings in black half sheepskin, flat spines decorated with gilt garlands and blind-tooled floral ornaments, gilt library shelfmark numbers at foot, vellum-tipped corners, headcaps rubbed on two volumes, covers in mottled paper, bookplates pasted on the endpapers, a few small chips to the upper edges and corners of the third volume, sprinkled edges.

Scattered foxing, minor rubbing to the bindings.

Copy from the library of Vittorio Rochstol, with his bookplates mounted on the front endpapers.

First edition of the French translation of England, The United States and the Southern Confederacy, originally published the previous year in London (Sabin 76968).

Copy belonging to the philosopher Charles Renouvier (1815–1903), with a manuscript presentation inscription at the head of the front wrapper.

Spine cracked with small losses and tears. Some light foxing; slight marginal tears to the wrappers.

First edition, of great rarity (cf. Sabin 4182).

Bradel-style binding in full orange paper-covered boards, with a brown shagreen spine label; modern binding.

A very good copy.

A vindication of France’s conduct during the uprising of the British colonies in America.

First edition of the French translation, illustrated with a frontispiece engraved by Lechard after Gibert [Constantine], and a folding map bound at the end (cf. Tailliart 58. Palau 328 502).

A few minor spots of foxing.

Publisher’s binding in full red cloth, spine with black and gilt oriental-inspired decorations, blind-stamped frames on covers, red endpapers slightly faded at the margins, all edges gilt.

Only French edition, highly regarded, of this epistolary account of a journey undertaken in 1878 by the Russian geologist and naturalist Tchihatcheff (1808–1890), whose main interest lay in the natural sciences but who also addressed economic matters, a field dear to his correspondent.

The work is also of particular importance for the traveller’s thoughtful and well-informed observations on the details of French colonial administration in the region.

Autograph letter by Pierre-Joseph-Marie Proudhon, signed and dated 7 November 1862. 3 pages in black ink on a bifolium. Fold of the bifolium weakened, without affecting the text. Not included in the correspondence published by Lacroix in 1875.
Significant and likely unpublished letter from Proudhon to his publisher Alphonse Lebègue, whom he considers "the cause of liberty in France and independence in Belgium" in these lines. 

Proudhon underscores the importance of his ideological struggle for federalism in Europe, following the controversial publication of his pamphlet La Fédération et l’unité en Italie, and a few months before his political testament Du Principe fédératif. He fiercely criticizes his famous adversary Adolphe Thiers’ Histoire du Consulat et de l’Empire. Since his years in Brussels, Proudhon had intended to write a book debunking the Napoleonic myth as promoted in Thiers' work.

First edition of the French translation, one of 31 numbered copies on pur fil, the only copies printed on deluxe paper.

Spine and covers slightly and marginally faded, a pleasant copy.

Very rare first edition (see Ryckebusch 6726).

Only two copies listed in the CCFr: Paris (BnF) and Poitiers.

Unbound copy presented in original grey paper wrappers, handwritten title on the spine (partly missing), some foxing mostly at the beginning and end of the volume.

A staunch advocate for the abolition of slavery, the author structures his study as follows: I. On Slavery. – II. On Emancipation. – III. Essay on the History of the Colonies. – IV. On the Colonial System. – V. Note on Algeria.

This well-documented text is supplemented with statistics and numerous historical observations: "La servitude est un crime et un malheur ; il faut donc l'abolir, et j'ajoute qu'il importe qu'on ne tarde pas à le faire" (chap. II, p. 58).

French economist Michel Gustave Pastoureau Du Puynode was born in 1817 in Les Forges de Verrières (Vienne). Appointed to the Ministry of Justice in 1845, he resigned his post during the Revolution of 1848 and declined the position of Secretary General at the Ministry of the Navy offered to him by Schoelcher. He was one of the principal contributors to the Journal des économistes and a member of the Société d'économie politique until around 1898, the probable year of his death.

A precious copy bearing, at the head of the half-title, a signed autograph inscription by Gustave de Puynode: "A Monsieur le Cte Victor du H[amel], hommage de l'auteur".

Writer and politician Victor Du Hamel (1810–1870) was the author of several novels and was appointed prefect of the Lot in 1849.

A very rare work, offered as is.

Extremely rare reissue of this journal. None of the institutions consulted hold this edition (see Palau, 71807).

Contemporary full ivory vellum binding with overlapping edges, flat spine with calligraphic title running lengthwise, boards slightly soiled.

The book was most likely reinserted into its original binding; a few small stains.

The first Spanish edition was issued the same year in Seville by Sebastián de Armendáriz - bookseller, publisher, and forerunner of Spanish journalism - at the press of Thomas Lopez de Haro.

It appears that the document used as the basis for Armendáriz’s account was a report by an eyewitness to the events, Count Paolo Amerighi.

This journal recounts the siege and recapture of Budapest in 1686, held by the Turks since 1541 and ultimately expelled by Charles V of Lorraine (1643-1690).

A few spots on the title page, otherwise a very attractive copy in contemporary binding.

First edition, one of 34 copies printed on Japan paper, this copy being one of 5 not-for-sale copies printed for presentation, a deluxe issue following the unique copy on Japan Imperial.

Illustrated with 9 original wood engravings by Maurice Savin.

Minor loss at foot of spine, occasional light spotting on some deckle edges, a handsome copy with full margins.

As stated in the colophon, our copy includes the additional suite of wood engravings printed on antique Japan paper.

Inscribed and signed by André Spire to Claude Aveline, for whom this copy was printed

Very rare first edition of this work, never reprinted.

Only one copy listed in the CCF (Versailles).

Contemporary bottle green half shagreen binding, spine with four raised bands ruled in gilt and adorned with double gilt compartments and gilt floral motifs, gilt title at foot, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges.

Some foxing; Mexican peddler's stamp on title page.

Only edition of this collection presented from a Mexican perspective, with an introduction by José Maria Lafragua Ibarra (1813–1875).

Name R. Criado stamped in gilt at foot of spine.

Partly original and substantially expanded edition of this key work, first published in 1836–39 (see Gay 944. Playfair 1700. Tailliart 1736).

Modern bindings in brick-red half shagreen with corners, spines with five raised bands, marbled paper boards framed by a single blind fillet, marbled endpapers and pastedowns, original wrappers and spines preserved.

Title pages and half-titles swapped. Volumes II and III mislabelled: volume III actually contains the content of volume II.

Two small holes to the half-titles of the first two volumes; some light foxing.

Edmond Pellissier de Raynaud (1798–1858) took part in the 1830 Expedition to Algiers as a staff officer, later serving as head of the Arab Affairs Bureau until 1839, when he resigned in disagreement with the government’s policies towards the indigenous population.

His chronicle offers a penetrating and critical view, far from complacent towards Europeans. "Ces annales, après un si long temps écoulé, ont conservé toute leur valeur ; c'est la mine la plus riche où l'on trouve les matériaux les plus solides concernant l'histoire de la conquête et celle de l'administration de l'Algérie. Il n'est pas d'historien qui n'ait eu recours à cet ouvrage; il en est même qui l'ont pillé, copié sans toujours le citer. Il ne s'est pas contenté des renseignements officiels publiés, des récits oraux, de ce qu'il connaissait personnellement ; il a eu recours aux archives. Il raconte l'histoire de l'Algérie année par année, avec les détails les plus circonstanciés sur les faits militaires et sur l'administration civile".

First edition, one of 35 numbered copies printed on vélin pur chiffon B.F.K. de Rives, the only limited deluxe issue.

A small tear at the top of the lower cover, barely noticeable.
Very handsome copy.

First edition, with no deluxe copies printed on fine paper.

Bradel binding in grey cloth-backed boards, flat spine with gilt central ornament and double gilt fillet at foot, red morocco title label with some rubbing, marbled paper-covered boards, grey paper endpapers and pastedowns.

Some occasional foxing, contemporary gift inscription on the title page.

Text preceded by three facsimile letters by Jules Vallès.

Preface by Julien Lemer.

Very rare first edition printed by the Bureaux de l'armée nationale (only two copies recorded in the CCF: ASOM and Nanterre).

A pleasant copy.

The pamphlet brings together the texts of two lectures: the first delivered on 19 June 1924 in Hanoi, the second on 10 December 1924 in Paris; both advocate for a systematic effort to provide indigenous populations with access to education.

A former captain in the colonial artillery, Paul Monet (1884–1941) was then head of the Annamite Students' Residence in Hanoi. He would soon gain attention for echoing Roland Dorgelès' stance on the exploitation of indigenous labour by French companies (Les Jauniers, 1930).

First edition of the French translation, illustrated with 105 plates out of text (including 2 folding tables, 21 plans and maps, and 82 views and reproductions of documents). A remarkable record of one of the most significant instances of international opinion manipulation carried out by China and North Korea in the early stages of the Korean War: as early as 1952, North Korean and Chinese officials (including Zhou Enlai) accused the American army of using "insect vectors" on a large scale to spread various diseases among the populations of Korea and Manchuria (plague, cholera, etc.).

The entire operation had been meticulously staged, as definitively revealed by Soviet documents published in 1998.

Head and tail of spine with some losses, minor stains and marginal tears to the covers, two small holes to the lower edge of the rear board also affecting the rear endpaper, otherwise clean and sound throughout.

Rare.

First UK edition.

Publisher’s binding in full grey cloth, smooth spine, a fine copy complete with the illustrated dust jacket featuring a photographic portrait of the author by Yousuf Karsh.

Illustrated with maps on the endpapers and pastedowns, and 37 photographs.

Extremely rare inscribed copy signed by the last leader of the Soviet Union to a USSR émigré, the journalist Sam Yossman.

First edition, one of the review copies.

Spine and covers faded, small chips to the corners of the covers and margins of some leaves, brittle and yellowed paper, front free endpaper detached, a delicate copy.

Exceptional and moving signed autograph inscription by Raymond Guérin: "Pour vous mon cher Calet ces Poulpes où vous savez tout ce que j'ai mis de foi et de désespoir. avec l'admiration et l'amitié du grand Dab. R. Guérin 11.5.53. P.S. Nous sommes au Madison jusqu'au 15 mai, puis, du 29 mai au 5 juin. R.G."

First edition.

Bradel binding in full brown roan, flat spine gilt-tooled, covers  with Alfred Piat's gilt monogram in the corners, central gilt stamp of his ex-libris, marbled endpapers and pastedowns, top edge gilt. Contemporary binding for Alfred Piat. Rubbing to corners and lower spine-end, some foxing.

Illustrated with two portraits of Hugo as frontispieces.

The finest copy of this biography of Victor Hugo published during his lifetime, bearing the supralibros of the great bibliophile Alfred Piat.

First edition of the English translation by Michael Glenny, who first came to prominence with his translation of Bulgakov’s Master and Margarita in 1967. No deluxe paper copies issued.

Publisher’s binding in full black cloth, flat spine which shows some inherent creasing due to the laminated covering.

A handsome copy, with illustrations.

Very rare inscribed copy dated 27 April 1990 and signed by Boris Yeltsin.

From the library of Sam Yossman (Sam Jones) of the BBC Russian Service.

First collected edition. No deluxe paper copies issued.
Publisher’s binding in full green cloth, smooth spines, with their dust jackets designed by Adam Rusak, showing only minor and insignificant marginal tears.

Rare presentation copy dated May 1, 1992 and signed by Solzhenitsyn to USSR émigré journalist and writer Sam Yossman, on the title page of the first volume.

First edition, one of 25 numbered copies on Vélin du Marais, the only copies printed on deluxe paper.

A fine and rare copy.

First edition (cf. Loukia Droulia 1817, Contominas 595, Blackmer 1372. Not in Atabey.)

Contemporary half blond calf, spine with five false raised bands adorned with gilt garlands, gilt tooling in compartments and blind fillets, gilt rolls at head and foot, marbled paper boards, marbled endpapers and pastedowns, marbled edges.

Scattered foxing.

Before becoming the well-known historian and committed republican, Edgar Quinet (1803–1875) was part of the short-lived scientific commission of the Morea in 1829.

This volume records his impressions, with the second part titled De la Nature et de l'Histoire dans leurs rapports avec les Traditions Religieuses et Epiques.

Provenance: Library stamp of François Guizot on the half-title. Guizot himself, who in 1846 expelled Quinet from the Collège de France—along with his friend Michelet—for their anti-clerical stance.

Later belonged to Guizot’s descendant Robert de Witt, who signed and stamped the first flyleaf on March 11, 1875.