Modern Illustrated books

First edition, one of the numbered copies on Montgolfier laid paper.
Spine and covers marginally sunned and faded as generally.
Work illustrated with 6 etchings by Pierre Falké.

First illustrated edition of 3 original watercolors by Julius Baltazar on Japan and printed 50 copies numbered on vellum Arches paper.
Nice and rare copy.
Handwritten signatures of Luis Mizon and Julius Baltazar to the colophon.

First edition illustrated with 1 black and 2 original dry tips by Albert Woda and printed with 22 numbered copies on paper Hahnemühle, ours one of the 2 out of trade.
Beautiful and rare copy.
Handwritten signatures of Luis Mizon and Albert Woda at the colophon.

First edition illustrated with 8 original watercolors by Caroline François-Rubino and Anne Slacik and printed 12 copies numbered on vellum.
Beautiful and rare copy.
Handwritten signatures of Caroline François-Rubino and Anne Slacik at the colophon.

First edition handwritten and printed 15 copies numbered on vellum and illustrated with 3 vignettes and images of Jean-Jacques Ceccarelli.
Nice copy.
Signatures of Josée Lapeyrère and Jean-Jacques Ceccarelli at the colophon.

First Edition, one of the few numbered off-trade copies numbered on Japan, ours No. I and specially printed for Mr. Stanislas Kahan, leading print with 25 other Japan put on the market.
Illustrated book of 4 brass Georges Gorvel, featuring here, as all copies out of trade on Japan, a double, a triple, a quadruple or a quintuple following brass, the 25 Japan put on the market with only a double suite 4 brass.
Binding to the bradel in cardboard vellum style, smooth back, title of the book and name of the author calligraphed in the manner of medieval books, framing of double nets roads on the boards, blankets and backs preserved, golden head on witnesses , Contemporary binding.
N

First edition, one of 15 numbered copies on pur fil, from the deluxe issue after 1 unique Japon and 5 Japon copies.
Covers slightly and marginally sunned without consequence, handsome copy.
Work illustrated with 12 full-page compositions, ornaments in head- and tailpieces original wood engravings by Jean Chièze.
Our copy, as stipulated in the justification page, is complete with its suite of woodcuts on Japon.

Edition printed on laid Arches and illustrated with a frontispiece, 7 inset plates in chiaroscuro and in-text vignettes by George Barbier.
Binding in half chocolate brown morocco, spine in five compartments with some scratches, marbled paper boards, wrappers and spine preserved, top edge gilt.

First edition of the French translation by André Pieyre of Mandiargues, one of 50 copies numbered on "pur-fil" paper Arches paper, only leading copies, ours one of the 20 copies enriched with a color suite of engravings signed and numbered by Juan Soriano.
Nice copy.
Illustrated book of two original engravings by Juan Soriano that he has numbered and signed .
Handwritten signature of André Pieyre of Mandiargues to the colophon.
Our copy is enriched with a business card of Juan Soriano on which it was split of an autograph shipment dated and signed for Alice and Georges (Raillard), envelope attached.

First Edition printed with 85 numbered copies on vellum Arches paper.
Nice copy.
Illustrated book of 7 original dry tips of Brigitte Simon.
Handwritten signatures of Claude Esteban and Brigitte Simon below the justification of the draw.

Edition illustrated with original etchings and woodcuts by Fernand Siméon, one of 35 numbered copies on Holland paper, ours being one of 24 hors commerce copies, the most limited deluxe paper printing after a unique copy on old Japan paper.
Handsome copy despite a small light dampstain at foot of front cover and on its rear flap verso.
Our copy is complete, as stipulated in the justification page, with its suite of woodcuts on Japan paper and the proof before letters of the etchings.

Illustrated edition with headpieces, initial letters in black and gold as well as 8 tipped-in colour plates by Georges-Marie Rochegrosse, one of 1000 numbered copies on laid paper.
Handsome copy despite a small light dampstain at foot of front cover and to its verso, spine lightened and discolored as usual.

First edition printed in 150 numbered copies on vélin chiffon de Mandeure, this one not included in the justification but signed by Antoni Tapies to colophon.
Poem by Joan Brossa.
Illustrated with an original lithograph in colors by Antoni Tapies over 28 pages.
A nice copy.

Illustrated with 21 original compositions by Paul Avril, one of 100 numbered copies on Japan paper with a state of the etchings hors-texte with remarques.
Bradel binding in half blue cloth with corners, smooth spine decorated with a gilt floral motif, gilt date and double fillet at foot, tan shagreen title-label, marbled paper boards, covers and spine preserved, contemporary binding.
A small stain without consequence at head of first board.
Preface by Anatole France.
Handsome copy.

Edition illustrated with 21 original compositions by Paul Avril, one of 100 numbered copies on Japan containing a state of the hors-texte etchings with remarques.
Bradel binding in half brown cloth with corners, smooth spine decorated with gilt floral motif, gilt date and double fillet at foot, red shagreen title-label, marbled paper boards, covers and spine preserved, contemporary binding.
Preface by Anatole France.
Fine copy.

Edition illustrated with 30 original compositions by Charles Delort engraved with burin and etching by L. Boisson, one of 400 numbered copies on vélin du Marais, the only issue after 200 Japan and grand vélin du Marais.
Bradel binding in half blue cloth with corners, smooth spine decorated with gilt floral motif, gilt date and double fillet at foot, chocolate brown shagreen title-label, marbled paper boards, contemporary binding.
Preface by Robert Vallery-Radot.
Handsome copy despite some light foxing affecting mainly the edges.

First edition presented in the form of 10 fascicles abundantly illustrated by Toulouse-Lautrec, Zyg Brunner, Dignimont, Charles Léandre, Mich, Lucien Boucher...
Some minor foxing without consequence, handsome copy.

New edition of the French translation illustrated by Albert Dubout, one of 1000 numbered copies on alfa paper.
Handsome copy despite a shadow on the first endpaper.

First edition, one of 30 numbered copies on papier Fabiano with the signature of Pierre Jean Jouve, the tirage de tête.
Spine slightly browned with three small tears to head and to foot, small marginal tears on the covers.
Typographic cover by Frans Masereel.
Autograph inscription dated 1919 signed by Pierre Jean Jouve : "A l'ami lointain..."
Exceedingly rare.

Edition illustrated with 30 etchings and original initials by Maurice de Becque, one of 10 numbered copies on Imperial Japan paper containing a duplicate suite signed by Maurice de Becque.
Two slight tears at head and foot of spine, otherwise handsome copy.

Edition illustrated with numerous original compositions by Joseph Hémard colored by pochoir, one of 600 numbered copies on pure rag Lafuma paper.
Spine and boards marginally and lightly faded as generally found.

New edition of the French translation illustrated with 30 original etchings by Maurice de Becque, one of 250 numbered copies on handmade Rives laid paper
Handsome copy.

First edition illusyrée of 6 original screenprints by Patrick Meunier and printed 113 copies numbered on vellum Arches paper.
Nice copy.
Handwritten signatures of Patrick Cosson and Patrick Meunier at the colophon.

First edition illustrated with 3 original paintings by Patrick Meunier, one of 60 numbered copies on vellum Arches paper, only leading copies.
Nice copy.
Handwritten signatures of Patrick Cosson and Patrick Meunier at the colophon.

First edition illustrated with an electrolytic stamping of Jean-Luc Brisson that he numbered and signed, one of 120 numbered copies on vellum of Rives only leading copies.
Nice copy.
Handwritten signature of Laurent Debut to the colophon.
Autograph dedication dated and signed by Laurent Debut Marc Le Bot: "... in the sad light of summer, books to come ..."

First edition illustrated with 120 erotic Chinese ink drawings by Christian Degaine, one of 102 numbered copies on Centaure ivory paper, the only deluxe copies.
Handsome copy.
Our copy unfortunately lacks the original drawing under glass that accompanies all copies of the deluxe edition.

First edition, one of 20 numbered copies on laid Arches paper Ingres, only leading copies, ours one of the few off-trade.
Nice copy.
Our copy is complete, frontispiece, the original drawing of Françoise Dumayet enhanced with oil and ink.
Signature of Françoise and Pierre Dumayet below the justification of the draw.

First edition, one of 45 numbered copies on laid Arches paper, head print.
Rare.
Beautiful complete copy of his shirt and his case in full brown canvas.
Our copy is complete, as it is stipulated in the justification of the draw, the 3 original screenprints, presented under a separate shirt, Ado he signed.
Signed autograph dedication of Jean Tortel, on the page of fake title, to Huguette and Marc Le Bot: "... in memory of a first meeting over a garden ..."

First edition, one of 45 numbered copies on Holland paper, properly containing at the end of the volume a duplicate suite of the 5 engravings by Joseph Hecht, the deluxe issue after 20 handmade laid paper and 25 Japan paper copies.
Spine and boards marginally sunned as usual, handsome interior condition despite some small marginal foxing.
Work illustrated with 5 burin engravings by Jean Hecht.

First edition, one of 120 numbered copies on laid numbered and signed by Laurent Debut and Patrick Meunier , head print.
Screenprinted work by Patrick Meunier.
Nice copy.

First edition one of the ten copies off-trade signed to the justification by Tristan Tzara and Jacques Villon.
Autograph dedication signed by Tzara on the fake title page: "to Georges Leblanc with the great sympathy of Tristan Tzara on December 30, 1955".

First edition, one of 1000 numbered copies on laid Rives paper.
Work illustrated with a portrait of Valéry Larbaud as frontispiece by Lucien Madrassi as well as illustrations in black and in color by Joseph Hémard.
Minor traces of rubbing without significance to the slipcase, spine slightly sunned as usual, otherwise a handsome copy.

Edition illustrated with a half-title, frontispiece, 27 plates, 28 chapter heads, decorated initials and tailpieces engraved on wood by Louis Jou, one of 245 copies on laid paper.
Full chocolate morocco binding, spine with five raised bands, boards ornamented with interlaced chocolate brown and dark brown morocco fillets, aubergine watered silk endpapers and pastedowns, dark brown morocco fillet border on pastedowns, covers and spine preserved, all edges gilt, slipcase with chocolate brown morocco entry, brown paper boards, brown felt lining, elegant binding signed by M.T. Aigner.
Handsome copy beautifully executed.

Illustrated edition with 12 original hors-texte by Jean Traynier, one of 400 numbered copies on Lana laid paper.
Full turquoise morocco binding, spine slightly faded with four raised bands decorated with gilt floral motifs, covers ruled in gilt with central gilt floral decorations, grey suede doublures, blue paper endpapers, original wrappers and spine preserved, top edge gilt, slipcase with morocco borders, marbled paper boards, turquoise felt lining, handsome amateur binding signed A.G at foot of spine.
Handsome copy beautifully executed.

WHITE Lilian (pseud. for BETTENCOURT Pierre)
illustration by SAVIGNAC Raymond
Midi à 14h [Here for Ever]
Gallimard [Pierre Bettencourt], Paris [Saint-Maurice d'Etelan] 1945, 16 x 25,5 cm, original wrappers
First edition of 200 copies printed on Arches paper.
The book is illustrated with 3 original compositions in color by Savignac.
A deception by Pierre Bettencourt, the work is supposedly illustrated by Jean Hugo and translated by Jean-Paul Sartre, the statement of publisher, author, translator, illustrator and printing is false.
The spine and cover lightly and marginally sunned, a little stain on the foot of the first cove

COWPER William
illustration by LABOUREUR Jean-émile
The Diverting History of John Gilpin
Ronald Davis, Paris 1931, 13,5 x 20 cm, brown half morocco
Illustrated edition of 35 original color lithographs by Jean-Emile Laboureur, one of 55 numbered copies on China paper, the only print after the 3 on old Japan paper.
Brown half morocco binding, spine in five compartments, gilt date at base, marbled paper boards, marbled endpapers, wrappers and spine preserved, top edge gilt, binding signed by Alix.
Very fine copy, perfectly presented.
$ 3 750

First edition, one of the numbered copies, only draw after 10 Holland paper.
Illustrated book of drawings by André Masson.
Insolated back, nice interior state.
Autograph signed by Alain Bosquet: "To the poet Dobzynski."

Edition translated by Maurice Condreau and illustrated with 11 original copper engravings by Denyse de Bravura, one of 400 numbered copies on Rives paper.
Some rubbing to the chemise and slipcase, the spine and edges of which are lightly faded and discolored.
Handsome copy.

Edition illustrated with 44 original drypoints by Maurice Leroy, one of 50 numbered copies containing a proof state of the drypoints with remarques.
Slipcase spine sunned.
Handsome copy.

First edition, one of 500 copies on ivory laid, ours unjustified.
Illustrated book of drawings by Camille Bryen.
Autograph dedication dated and signed by Jean Frémon to Aline and Jean-François Prat.

First Edition, one of 185 copies numbered and justified by Paul Fort on laid Arches paper and reserved for his friends.
Binding half morbid taupe morocco corners, smooth back adorned with double golden nets, marbled paper plates, guards and contreplats of handmade paper, preserved covers, gilded head, ex-libris Georges Rouma pasted on a contreplat.
Illustrated book of a frontispiece in colors, vignettes and banners of Ginette D'Yd.
Nice copy.
The book is also illustrated with a beautiful portrait of Paul Fort by Gino Severini at the foot of which Paul Fort has cracked a dated and signed autograph to Georges Rouma.
Autograph s

New edition, one of 100 numbered copies on Japan paper, the only deluxe copies.
Work illustrated with original woodcuts by Mary Morin.
Handsome copy.

First edition, one of 300 numbered copies on laid Arches paper, single draw after 10 Japan.
Illustrated book of 5 original etchings by Mariette Lydis.
Some small foxing margins slightly insolated boards and some leaflets.
Bookplate pasted next to the fake title page where the autograph is sent.
Beautiful autograph signed by Joseph Delteil: "To Mr. Paul Lallemand, I offer my first book to my oldest friend Delteil editor".

Edition adorned with 23 original color illustrations, ornaments, and a layout by Kees Van Dongen, one of 250 numbered copies on mould-made vellum, ours unnumbered.
Full old rose box binding, smooth spine, front cover pierced to reveal a reproduction of Kees Van Dongen’s illustration on page 37, rear cover decorated at the center with a vignette reproducing the ornament appearing at the foot of each page and drawn by Kees Van Dongen, grey suede endleaves and pastedowns, covers preserved, gilt edges, chemise with bands and flaps in old rose box, grey paper boards, white paper lining, slipcase edged with old rose box, boards and interior in grey suede, a handsome ensemble signed by Florenc

First edition, one of 985 numbered copies on vellum, ours unjustified.
Illustrated book, frontispiece, a portrait of Joseph Delteil by Mariette Lydis.
Two small traces of sunstroke in the head and foot of the back, otherwise nice copy.
Signed autograph dedication of André de Richaud to Henry Babou calligaphie in the manner of Joseph Delteil.

First Edition printed in 135 numbered copies on vellum Arches paper.
Illustrated book of 3 original lithographs by Raymond Mason.
Nice copy.
Handwritten signatures of Yves Bonnefoy and Raymond Mason at the colophon.

First edition printed in 120 copies numbered copies on Rives, this copy one of 60 signed and justified by Pierre Bettencourt to colophon with, as frontispiece, an originale engraving and 2 reproductions in color, the tirage de tête.
Publisher's binding .
A nice and rare copy.

First edition illustrated with text drawings by Lalande, a Service de Presse (advance) copy.
Publisher's flexible full cardboard binding, smooth unlettered spine, illustrated boards.
Handsome copy.

Illustrated edition with 25 original "ymaiges" and "ornemens" by Joseph Hémard, one of 525 numbered copies with the "ymaiges" in color.
First endpapers entirely foxed, last endpaper partially and lightly foxed.
Handsome copy.

Illustrated edition with drawings by Charles Huard, one of 200 numbered copies on vellum, the only deluxe copies after 100 on Japan paper.
Handsome copy.

First edition, one of 200 numbered copies on grand vélin pur fil, the only deluxe copies.
Work illustrated with original watercolors by Migueline d'Attanoux.
Handsome copy, complete, as stated in the justification page, with its separate suite of the color plates.

Edition illustrated with 24 original hors-texte illustrations by Georges Loukomski, one of 222 numbered copies on vélin du Marais, the only deluxe copies after 24 various Japan copies.
Text by André Maurel and preface by Henri de Régnier.
Light tears to the spine of the slipcase.
Handsome copy.

Illustrated edition with original compositions by George Barbier hand-colored with pochoir, one of 877 numbered copies on Rives laid paper.
Handsome copy.

First edition printed in 1800 numbered copies.
Cover illustrated by Alexandre Alexeieff.
Work decorated with illustrations by Alexandre Alexeieff, Gus Bofa, Pierre Bonnard, Jean-Gabriel Daragnès, André Derain, Raoul Dufy, Demetrios Galanis, Jean-Emile Laboureur, Aristide Maillol, André Dunoyer de Segonzac...
Handsome copy.

Illustrated edition with 12 original color watercolors by Charles Martin as well as vignettes, one of 450 numbered copies on handmade Arches vellum.
Endpapers very slightly shaded, without consequence.
Handsome copy.

First Edition printed with 150 numbered copies on pure Lama thread.
Illustrated book of 8 reliefs Marc Pessin.
Rare and pleasant copy despite the back and lightly insolated boards without gravity.
Signed autograph of Marie-Claire Bancquart to Charles Dobzynski on a cardboard.



.

Illustrated edition of 79 original etchings by Pierre Falké, one of 125 numbered copies on Montval, ours one of 15 copies of collaborator justified and signed by Pierre Falké .
The 79 etchings are composed as follows: 1 on the double-page cover, 1 on the frontispiece, 1 on the title page, 21 insets, including 1 double-page, 55 initials and culs-de-lampe.
Back of the shirt and the case with wetting, stings on the boards of the case which also have some small gaps of paper.
Rare foxing, otherwise pleasant interior state.
Provenance: from the library of Anne-Marie Frélaut with her ex-libris engraved by her father, the painter Jean Frélaut.

Edition illustrated with 4 original etchings by Jean Frélaut and printed in 150 numbered copies on Arches laid paper.
The chemise and slipcase are absent.
Some foxing affecting mainly the first board and one endpaper.
Provenance: from the library of Anne-Marie Frélaut, the illustrator's daughter, with her manuscript signature in pencil, serving as bookplate at the head of an endpaper.

First edition.
Binding of the publisher in full brown canvas, smooth back, guards and contreplats of brown paper.
Autograph dedication dated and signed by Marcel Béalu to Paul Aveline: "... forever friend, these memories of meditations ..."
Nice copy.
.

First edition, one of the few artist copies on Ingres d'Arches paper, only leading copies with 75 numbered copies on Ingres d'Arches paper.
Back very slightly insolated without gravity.
Illustrated book of two original lithographs by Olivier O. Olivier.
Our copy, like the first 15 copies on Ingres d'Arches paper, includes a suite of two lithographs, unnumbered but justified by Olivier O. Olivier and signed.
Signed autograph of Olivier O. Olivier in Nanie and Jörg (Ortner).

First edition, one of 75 numbered copies on Arches paper, only leading copies.
Very beautiful and unique copy.
Like the 75 numbered copies on Arches paper, the cover of ours is painted by Marc Feld and handwritten by Zeno Bianu, each cover being different from the other 74, which makes it an original work.
Book decorated with illustrations by Marc Feld.
Our copy, like all copies of the head print on Arches paper, includes an original engraving, ours in blue nuance, Marc Feld he signed and justified.
The book also includes the Dvd Jean-Jacques Nguyen placed at the end of the volume.
Autographed and signed autograph by Mar

Illustrated edition, frontispiece, an original etching by Jean Frélaut, one of 300 numbered copies on vellum of the Marais, ours one of the few out of trade, draw of head.
Small landfills in the foot of the first guard and the page in his eyes, uniformly shaded back and boards.
Our copy is enriched by a second state of the etching by Jean Frélaut which he signed and dated to a friend.

Edition illustrated with 38 original drypoints by Jean Frélaut and printed in 215 numbered copies on Arches paper.
Handsome copy despite minor rubbing of no consequence to the slipcase.

First edition illustrated with 2 original dry tips Alexis de Kervoal, one of 14 numbered copies on Royal Lana, only draw after 6 other Lana Royal.
Binding of the editor in full cardboard covered with kraft paper and perforated inside to reveal, on the left an original drawing and on the right to place the text in leaves.
Our copy, like the 14 copies on Lana Royal, is enriched with an original drawing signed by Alexis de Kermoal representative.
Handwritten signatures of Fernando Arrabal and Alexis de Kermoal in pencil at the beginning of the volume.

Edition illustrated with 20 original compositions by Auguste Leroux, one of 183 numbered copies on handmade laid paper.
Half chocolate brown morocco binding with corners, spine with five raised bands, gilt date at foot, marbled paper boards, handmade laid paper endpapers and pastedowns, original wrappers preserved, top edge gilt, bookplate pasted on pastedown.
Handsome copy pleasantly bound.

First edition, one of the 1000 numbered copies on vellum cloth, ours one of the hors commerce.
Signed autograph Yves Bonnefoy to his friend the sculptor and painter Raymond Mason and his wife: "For Raymond and Janine with affection Yves." enriched with the handwritten signature of Claude Garache in pencil.
Illustrated book of 4 reproductions of works of Claude Garache.
Nice copy.

First edition on current paper.
Signed autograph Bernard Vargaftig to his friends Eliane and Charles (Dobzynski).
Nice illustrated copy of reproductions of works by Colette Deblé.

First Edition, one of 150 numbered copies on Arches paper, ours one of the off-trade, only draw after 25 Japan.
Illustrated book of wood designed and engraved by Jean-Paul Dubray.
Signed autograph of Jean Royère Pol Neveux enriched with the signature of Jean-Paul Dubray.
Nice copy.

First edition of the first poetic work of the author for which was not drawn great papers.
Autograph dedication signed by André Rolland from Renéville to the poet Jean Vedi.
Illustrations by Edmond Rocher.

First edition, one of 50 numbered copies on vellum, only leading copies.
Autograph dedication dated and signed by Alain Bouchez to Pierre Chaubard.
Our copy contains only 5 of the 7 illustrations of Arthur Van Hecke that must contain the 50 copies on vellum.
The last was poorly cut and has small gaps in mind without gravity.

First edition printed in 65 numbered copies, this copy one of 30 signed and numbered by Aurélie Nemours.
This copy is complete with 21 plates.
A nice and rare copy.

first edition for which it was not taken from large papers.
Signed autograph signed by Fernand Chaffiol-Debillemont to Henri Béraud.
Illustrated book of wood by André Deslignières.
spine slightly discolored and insolated, some small foxinges mainly affecting the guards.

first edition printed in small number of this reprint from the New Review of Psychoanalysis.
Signed autograph signed by Marie Moscovici to Françoise and Pierre Dumayet.
Pleasant copy.

Illustrated with original lithographs by Raymond Moretti and printed in 300 copies on vergé de Rives.
Handwritten signature of Raymond Moretti under the justification.
A nice copy.

BOULESTIN Xavier Marcel
illustration by LABOUREUR Jean-émile
Dans les Flandres britanniques. British Expeditionary Force, Mai 1915 - Janvier 1916
First edition, one of 300 numbered copies on vellum, ours is a press office copy, only print with 50 Holland. Half moroccan shagreen binding, red paper boards, paste downs and endpapers, covers and spine preserved.
Ex-libris glued to a paste down.
Illustrated with 24 drawings by Jean-Emile Laboureur.

Illustrated with 16 original copper engravings by Kees Van Dongen, one of 900 numbered copies on Vergé du Marais paper.
Publisher's full marbled fawn sheep binding, smooth spine with some rubbing, top headcap worn down, marbled endpapers and pastedowns, corners slightly bumped, bookplate pasted on a pastedown, speckled edges.
Handsome interior condition.

First edition, one of 30 numbered copies on Japan paper, deluxe issue.
Work illustrated with 90 black and white drawings by Carlègle.
As preface, a curious "unpublished text" by Gustave Flaubert.
Very handsome copy as issued, retaining its deckled edges.

first edition, one of the 237 copies numbered on rag, only print after 12 BFK Rives.
Illustrated book of 13 engraved wooden plates as well as vignettes by Abram Krol.
Precious autograph signed by Abram Krol to Jacques Hébertot presenting his wishes for the new year.
Beautiful copy.

first edition, one of 500 copies on tinted vergé.
autograph dedication of the author an autograph signed by Jean Frémon to Pierre Dumayet enriched with a drawing representing a sun appearing behind a rainy cloud.
Book illustrated with three drawings by Valerio Adami.
Pleasant copy.

first edition, one of the 500 copies on ivory strip.
autograph dedication of the author autograph signed and dated from Jean Frémon to Pierre Dumayet.
Book illustrated with drawings by Camille Bryen.
A tiny spot without gravity in the back.

first edition on plain paper.
An autograph signed by Jean Frémon to Pierre (Dumayet): "Dear Pierre, your nonchalance made us laugh, while in fact something in you seemed to refuse to carry it to the bottom of the room. And also the warm reunion which followed, and all my friendship with Francoise and you, Jean. "
Book illustrated with three drawings by Pierre Alechinsky.
Beautiful copy.

First edition of the French translation, one of the 100 numbered copies on vergé and justified by the editor .
Autographed autograph dedication of the author of Octavio Paz to Genevieve (Picon) in Spanish.
Autograph signatures of Octavio Paz and Gérard Barthélémy to the justification of the draw.
Our copy, like the copies of the prints, is complete of his engraving by Gérard Barthelemy in frontispiece.
Pleasant copy.

first edition.
Autographed autograph dedication of the author from Hubert Lucot to Pierre Dumayet.
Illustrated book of 13 gouaches by Christian Sorg.

first edition, one of the 30 copys containing the original dry point of Michaël Leibovici which he signed and dated .
Autographed autograph dedication of the author from Michaël Leibovivi to Françoise and Pierre Dumayet at the foot of the dry point.
Pleasant copy.

first edition printed with 220 numbered copies on vellum of Arches paper, ours one of the 20 hors commerce.
autograph dedication of the author an autograph signed by Willy-Paul Romain to Pierre (Dumayet): "For you, dear old Pierre, and for Francoise, wishing that you would like the text, at least this beautiful presentation.
Book illustrated with 3 original lithographs by Liliane Marco.
Handwritten signatures of Willy-Paul Romain and Liliane Marco on the page following the justification of the draw.
Pleasant complete copy of its case in full orange canvas.

First edition, one of 25 numbered copies on vélin d'Arche paper with a suite of engravings on Japon if the second state of the illustrations by Christiane Alanore.
Illustrated with 20 original engravings by Christiane Alanore.
Three leaves stained and a few marginal spots marginales on some others.

Illustrated with 11 copper engravings by Denyse de Bravura, one of 400 numbered copies on Rives paper.
Lacking slipcase and chemise, some worming to covers.
Handsome interior condition.

First edition and first printing of the 142 illustrations by Lucien Métivet, one of 20 numbered copies on Japan paper printed specially for the A. Melet bookshop, the only deluxe copies.
Handsome copy

First edition, one of 275 copies on alfa paper, the only issue after a few Japan copies.
The work is illustrated with a cover, title page, 9 vignettes and wood-engraved initials, in black and bistre by Flora Klee-Palyi.
Handsome copy with spine and covers very lightly and marginally discolored, without significance.