Modern Illustrated books

Edition illustrated with 3 original etchings by Daragnès, one of the numbered copies on Ruysscher paper, ours unnumbered, the only issue after 75 Arches.
Handsome copy.

First edition, one of 950 numbered copies on laid paper by Nelson.
Work illustrated with 6 drawings by the author.
Spine and boards lightly and marginally sunned without consequence.

First printing of the 20 original woodcut by Hermann-Paul, one of 50 numbered copies on vergé ancien du Japon, deluxe edition after 20 grand vélin Turkey.
Nice copy.

Illustrated edition with original etchings by Léon Lebègue, one of 30 numbered copies on deluxe Japan paper, deluxe issue.
Our copy, as stipulated in the justification page, is indeed complete with the triple state of the engravings.
Handsome copy.

first edition for which there is no mention of leading copies.
Precious autograph signed Cami Albert Dubout "A Dubout unique In friendly remembrance." Enriched with a self-portrait in the smoking cigarette.
printed bibliophile buffer next to the half-title page by way in bookplate.

First edition, one of 470 numbered copies on coated paper, the only deluxe copies after 30 Coronado "Lys de Gand".
Work illustrated with 21 drawings by Ferro.
Light and minor foxing without significance on the title page.

First edition, one of 480 copies on Rives laid paper, the only deluxe copies after 35 Annam.
Publisher's full cream paper boards, smooth spine, salmon paper endpapers and pastedowns.
Work illustrated with 2 lithographs by Jean Cocteau.
Two small spots of sunning at head and foot of spine, handsome interior condition.

First edition.
Issue illustrated with 4 original color lithographs at double or full page as well as 20 reproductions of works by Alain Le Yaouanc.
Handsome copy.

First edition on ordinary paper.
Text by Alexandre Cirici.
Issue illustrated with 3 original color lithographs (including the cover) at double page by Joan Miro.
We include an invitation card to the opening of the Joan Miro exhibition at Galerie Maeght on Tuesday April 10, 1973 at 5 p.m.
Light scratches of no consequence to spine.

First edition printed on ordinary paper.
Full blue shagreen binding, spine with five raised bands very slightly faded, small scratches on the joints, gilt fillets on the headcaps, marbled endpapers and pastedowns, gilt decorative border on the pastedowns, illustrated cover with watercolor by Pierre Bonnard preserved, gilt fillet on the leading edges, top edge gilt.
A repaired tear at the foot of the cover illustrated by Pierre Bonnard.

First edition published under the supervision of Florence Gould and printed in 100 numbered copies on Arches laid paper.
Work illustrated with a drawing by Léopold Survage on the cover.
Boards shaded at head and foot.
Rare.

first edition printed 100 numbered copies on Holland paper.
Our copy is complete, frontispiece, engraving by Jean Coulon it signed and justified.
Rare copy and pleasant.

First edition of the French translation, one of 60 copies numbered and justified by the publisher, frontispiece, the lithography Max Ernst shot in bistre on China and signed by the artist, only leading copies. One of the 20 copies in which there is an additional state of the lithograph drawn in blue on China and also signed by Max Ernst.
Stamp of the Alex Grall collection.
Rare and beautiful copy.
The

First edition, one of 200 numbered copies on vergé d'Arches paper, deluxe copy.
Work illustrated with 5 original hors-texte drawings by André Masson.
Our copy is incomplete of the original lithograph that should accompany the deluxe copies.
Light marks from adhesive tape at head and foot of endpapers.

First edition, one of 300 numbered copies pure cloth, one draw after 13 Chinese and 37 Japanese.
Signed autograph Francis Carco Paul Lombard.
Book illustrated with 18 original woodcuts by Deslignieres.
A small lack in foot of the first flat, flat with slight angles.

Edition illustrated with original lithographs by Julien Pavil, one of 900 numbered copies on pur fil Johannot paper, the only issue after 100 copies on vélin d'Arches variously enriched.
Spine of chemise lightly stained.
Handsome copy.

First edition of this comic book, one of 92 numbered copies on sélect bouffant paper reserved for the Editions de Minuit bookshop, the only deluxe copies.
Handsome copy.

Illustrated edition with original compositions by Albert Dawant engraved by Boisson and printed intaglio by Ch. Wittmann and printed in 143 numbered copies on vellum.
Half brown morocco binding, spine with five raised bands set with gilt fillets, some rubbing to the joints, boards, endpapers and pastedowns of wood-pattern paper, covers and spine preserved, top edge gilt, bookplate pasted on a pastedown.
Handsome copy.

Edition illustrated with a frontispiece to the etching by Jacques Herold it numbered and justified, one of 32 numbered copies on Holland paper.
Nice and rare copy.

Edition illustrated with original designs by Raymond Peynet engraved on wood by T. Schmied, one of 200 numbered copies on handmade rag paper.
Spine of the chemise discolored and foxing to the boards of the latter.
Handsome copy.

First edition illustrated with 5 original color illustrations by Valentine Hugo, one of 12 lettered copies on white Rives vellum.
Our copy lacks the original drawing by Valentine Hugo that accompanied the 12 lettered copies.
Handsome copy despite the spine very slightly sunned without significance.

First edition, one of 120 numbered copies on pure linen Marais paper, the only printing after 1 Japan and 11 Rives vellum.
Work illustrated with 3 original color lithographs by Jean Pons.
Small tears to spine.

First edition, one of 188 numbered copies on wove paper, the only deluxe copies.
Work illustrated with original color illustrations by Valentine Hugo.
Handsome copy unfortunately lacking the suite of illustrations as specified in the justification page.

First edition, one of 220 numbered copies on Montval, the only printing with 25 Japan and 20 hors commerce copies.
Work illustrated with original woodcuts by Hermann-Paul.
Rare and light foxing without significance, a crease mark at the head of the second cover, handsome copy.

First edition, one of 120 numbered copies on Auvergne laid paper, the only issue after 10 Japan blanc.
Work illustrated with 3 original etchings by Robert Bonfils.
Scratches to one joint, spine and boards uniformly and lightly sunned, small scratches at foot of front board, handsome interior condition.

First edition, one of 1000 numbered copies on laid paper.
Publisher's full burgundy morocco-grained sheep binding, smooth spine, double gilt fillets framing the boards, burgundy paper endpapers and pastedowns, top edge gilt, morocco-edged burgundy slipcase, burgundy paper boards.
Rich iconography.
Handsome copy despite very slight scratches of no consequence to the spine.

First edition, one of 700 numbered copies on handmade laid paper.
Work illustrated with a frontispiece and vignettes engraved on wood by Jules Léon Perrichon.
Two slight tears and a small stain of no consequence to spine.

First edition illustrated with original woodcuts by Raoul Dufy, one of 1100 numbered copies on Rives laid paper.
Two slight tears to spine, otherwise a handsome copy.

Edition illustrated with 14 original lithographs by Maurice Eliot and printed in 200 numbered copies on vellum.
Our copy contains a triple state of lithographs.
Handsome copy.

Edition printed in 121 numbered copies on vellum and illustrated with 42 original etchings by Tigrane Polat, including a frontispiece, a title vignette, 16 hors-texte and 24 head- and tailpieces.
Our copy is expanded, at the end, with 5 trial plates.
A pale dampstain at the foot of the slipcase.
Handsome copy.

First edition, one of 750 numbered copies on vellum of the Marais, only large paper 16 after China.
Book illustrated with 2 original lithographs by André Beaurepaire.
Our copy is enriched autograph dedication of the author an autograph signed by André Beaurepaire Paul and Madeleine Aveline complete with an original drawing in black ink.

First edition, one of 300 numbered copies on Alfa paper laid, one draw after 5 Japan and Holland paper 15.
autograph dedication of the author autograph signed and dated Paul Dermée Madame de Grandfrey.
Illustrated book with a cover and a text-off Leopold Survage.
spine and marginally insolated boards that also have small angular tears, nice interior state.

Edition illustrated with 12 original lithographs by André Masson, one of 220 numbered copies on vellum of the Marais.
autograph dedication of the author autograph signed and dated by Alain Simon to Marcel Pierre and Etiennette.
Our copy is incomplete from its holster, small spots on boards which also include slight red ink discharges margins.
Pleasant inner state.

First edition of 130 numbered copies.
With drawings by Alechinsky, Dufour and Hérold.
Manuscript signatures by Michel Butor, Pierre Alechinsky, Bernard Dufour and Jacques Hérold on the justification page.
A good copy in its chemise over marbled paper boards, title label pasted to upper cover.

First edition, one of the numbered copies on vellum, the only issue after 14 coated papers and 15 Arches.
Work illustrated by André Masson.
Spine and covers lightly and marginally sunned without significance, handsome interior condition.

Illustrated edition with 22 original woodcuts by Raoul Dufy, of which 21 are hand-colored by Jeanne Rosoy and L. Petitbarat, one of 320 numbered copies on natural raffia paper, the only issue after 15 Japan and 35 Holland.
A small stain at the head of the first cover, two tiny corner lacks to the boards, handsome interior condition.

First edition, one of 370 numbered copies on pure Johannot laid paper.
Work illustrated with original drypoints by Jean Edelmann.
Spine lightly sunned at head and foot, handsome interior condition.

First edition, one of 230 numbered copies on Lana laid paper, the only issue after 30 Montval and 6 hors commerce.
Introduction by Guy Laborde.
Work illustrated with a title vignette, 2 headpieces and tailpieces as well as 10 hors-texte plates colored by Chas-Laborde.
Endpapers partially shaded, slipcase worn with lacks.
Handsome interior condition.

First edition, one of 50 numbered copies on Arches paper, ours specially printed for André Dignimont illustrator of the book, deluxe edition after 5 Japan variously enriched.
Illustrated book, frontispiece, original dry-point André Dignimont.
Precious autograph signed by Pierre Mac Orlan: "A Dignimont, artist, friend to the old Dig, his friend Pierre Mac Orlan..
Beautiful copy exceptionally enriched in 6 states of the frontispiece.

First edition, one of 25 lettered copies on Japan paper, deluxe copy.
Work illustrated with a frontispiece portrait of the author by Jules Pascin engraved on wood by G. Aubert.
Our copy lacks its wide-margined proof normally contained in copies of the deluxe issue.
One joint cracked at head and foot and small tears and corner lacks to boards.

Second edition, one of 500 numbered copies on vélin paper, the only printing after 20 Normandy paper.
With 15 illustrations by Kurt Séligmann.
A good copy.

First edition, one of 800 numbered copies on alfama, the only issue after 20 Marais and 200 vélin de Renage.
Work illustrated with 13 unpublished drawings by Federico Garcia Lorca.
Spine and covers slightly and marginally lightened, pleasant copy.

First edition printed in 250 numbered copies on vergé.
With a frontispiece by Hans Bellmer.
A good copy.

First edition published under the pseudonym Gabriel Senlis, one copy of the printed press service on laid, he was fired from Holland paper in 5 leading copies.
Binding half orange morocco with corners, back with four nerves decorated with a golden floral pattern, name of author and title of piece navy blue morocco, marbled paper plates, guards and contreplats of gray paper, wrappers and back preserved and bound in , gilded head.
Signed autograph Gabriel Senlis Georges Normandy.
Beautiful cover illustrated in color by J. Gosé.
Some little foxing without gravity.

First edition, one of 40 numbered copies on Montval laid paper, deluxe copy.
Work illustrated with a frontispiece by Jean Lombard and ornaments by Philippe Burnot.
Our copy, like all copies from the deluxe edition, is complete with its original drypoint in double state by Jean Lombard.

First bilingual edition, one of 75 numbered copies on vélin blanc Lafuma paper, the tirage de tête.
With 30 color illustrations by Rihakou Harada.
Two snags and tears to spine, one small stain to head of upper cover, but otherwise a good copy.

First edition and first issue of the full-page color illustrations by Albert Robida.
Publisher's full grey percaline binding, smooth spine, front cover illustrated with a polychrome composition by Albert Robida, blue-grey paper endpapers and pastedowns, all edges gilt.
Headcaps lightly rubbed as often, handsome copy.

Edition illustrated with 5 original etchings of Jacques Herold, one of 100 numbered copies on Arches paper, one draw after 1 Japan 3 colored paper and 15 Roma Netherlands.
Handwritten signature of Jacques Herold to the justification of the draw.
Some slight marginal minor bites on some sheets, first guard partially shaded.

First edition illustrated with drawings by Adrien Barrère, pseudonym of Adrien Baneux.
Text by Emile Codey.
The work, folded accordion-style, forms a fresco when unfolded.
Tears to spine with minimal lacks, lacks and tears to board margins, handsome interior condition.

First edition, one of 15 named copies on Crèvecoeur du Marais vellum, the only printing with 270 other Crèvecoeur du Marais vellum copies.
Work illustrated with 17 original etchings by Jean Couy.
Our copy, as stipulated in the justification of the printing, is indeed complete, like the 15 named copies, with its suite of illustrations on Japanese mulberry paper.
Handsome copy.

First edition, one of 12 numbered copies on Mulberry Annam, one of ours 6 copies reserved for the collaborators, deluxe edition after 10 Montval.
Signed autograph of Robert Gaillard: "To my dear friend Charles E Laroche who held the forceps of the obstetrician to give birth to this child ...." Enriched autograph dedication of the author autograph signed Yves Brayer embellished with an original drawing in blue ink representing seated personages and busy drink consumption in a brewery.
Illustrated book of 6 original lithographs by Yves Brayer.
Our copy, as it is stated in the justification of the draw is full of his suite on China lithographs.
Rare copy and pleasant.

first edition printed in 990 copies on paper Lana, ours unjustified.
Signed autograph Serge Pierre Loiselet and his wife Suzanne in pink ink and enriched with a heart, a small marine anchor, a little heart and a little star.
Illustrated book, on the cover, an original lithograph in colors, a Dignimont frontispiece and 9 out text lithographs in black and gray by Touchagues, Butcher, Oberle and Serge.
Back slightly insolated, otherwise nice copy.

First edition on ordinary paper.
Work illustrated with a color lithograph frontispiece, and 73 drawings in black in the text as well as photographs hors-texte.
Spine and covers slightly and marginally sunned, small stains on second cover, handsome interior condition.

first edition on the current paper.
Signed autograph Serge Pierre Loiselet and his wife Suzanne enriched a small drawing of an anchor and a heart and a star.
Book illustrated with a color cover and 84 drawings by the author.
complete copy of his illustrated jacket which comprises angular gaps.

First edition, a numbered 2250 copies on chestnut paste, only large paper.
Signed autograph Serge Pierre Loiselet and his wife Suzanne enriched a small drawing of an anchor and a heart and a star.
Illustrated book of 72 unpublished drawings of the author as well as a color drawing on the cover.
soiled Jacket back missing a foot tear second course of the book, nice interior state.

First edition, one of 900 numbered copies on crèvecoeur du Marais paper, the only printing, with 15 on China and 10 hors commerce.
With 4 original drypoint illusrations by Wols.
Covers and spine slightly, but insignificantly, sunned, a good copy.

First edition, one of 150 copies hors commerce numbered.
Clear stain in the margins of upper cover.

Edition of wich no leading copies exists.
Signed autograph of Alain Bosquet Professor Georges Blin: "... to thank him for the defense of poetry ..."
illustrated book of drawings of André Masson.
Back slightly insolated, nice interior state.

First edition, one of 4125 numbered copies.
Work illustrated with 3 original lithographs in 5 or 6 colors by Georges Braque.
Rich iconography.
Preface by Francis Ponge.
Minor stains without consequence at head and foot of spine, small white stains to margins of slipcase, handsome copy.

First edition in French, one of 1000 numbered copies on pure Johannot thread paper, ours one of 50 hors commerce copies, the only issue with 10 Auvergne.
With an original portrait of Blaise Cendrars by Rièra as frontispiece, cover illustrated by Orfeo Tamburi.
Minor pinprick marks of no consequence on the boards.
Fine and rare copy.

First edition, one of 300 numbered copies on cream-colored Vidalon Moyen-âge laid paper.
Work illustrated with 37 illustrations in and outside the text by Gustave Vandenbergue.
Autograph inscription dated and signed by Gustave Vandenbergue to Jean Ott.
Our copy is exceptionally enhanced with 10 illustrations by Gustave Vandenbergue contained in this work which he has all signed (two bearing a signed autograph inscription to Jean Ott).
Chemise slightly soiled without significance, occasional foxing.

First edition, one of 50 numbered copies on Normandy vellum, tirage de tête.
Retains 16 original collages by Max Bucaille.
A good copy.

First edition, one of 500 numbered copies on "hand-made paper", the only deluxe copies.
Full sand-colored cloth binding, smooth spine decorated with red typographic motifs in sanguine style, front cover ornamented with a pattern of red vertical fillets and six gilt fleur-de-lis, top edge gilt.
Work illustrated with 75 hors-texte color illustrations by Mortimer Menpes.
Very light foxing affecting mainly the first endpaper.
Handsome copy.

Edition illustrated with 17 original wood Louis Bouquet, one of the 15 best scholars of old Japan in the tank, not ours scholar, head of draw.
Signature Louis Bouquet to the justification of the draw.
Our copy, as all copies of old Japan on head and pulling as he stipulated to the justification of the draw is full of his suite printed in sepia on China and signed by Louis Bouquet.
In addition, our copy is enhanced with a suite wood signed by Louis Bouquet and printed in sepia on wove without adhesive usually accompanying the 20 numbered copies on Imperial Japan.
Some very light bites are not serious, back of the slotted Length shirt indications bibliophile pen topped the first board of the shirt.
Note that the shirt bears a different title and name of the author; namely, Combet-Descombes "Images for Baudelaire" all the striped in blue pencil.
Rare.

Edition with drawings by Jean-Emile Laboureur, a numbered copy on vergé paper, stated the 1000th.
Upper cover and spine uniformly faded.

Edition printed in 500 numbered copies on laid paper and strictly hors commerce as it was reserved for subscribers.
Complete text translated from Latin by Alcide Bonneau.
Handsome copy.

Edition illustrated with 20 original wood engravings by Hermann-Paul, one of 35 numbered copies on Japan paper, deluxe printing after 1 grand vélin De La Rue.
Our copy is complete with its suite of 20 wood engravings.
Front cover detached. Two small tears at head and foot of spine which has a slight lack at head, foxing on front cover, back cover and flaps marginally sunned, handsome interior condition.

First edition, one of 75 copies numbered on Holland paper and justified by the author, the only deluxe copies.
Signed autograph inscription from Jean Lurkin to madame Henri Béraud.
Work illustrated with period color frescoes of time and harvest painted by Jeph Lambert.
Light foxing on the covers.
Provenance: from the Ré Island library of Henri Béraud.

First edition, one of 440 numbered copies on alfa paper, the only printing along with 10 on Japan paper.
Work illustrated with original color illustrations by Roger Morel.
Minor tears of no consequence at head and foot of joints, ink gift inscription at head of endpaper as a present.

First edition, one of 700 numbered copies on laid paper.
Signed autograph inscription from Emile Henriot to Jérome and Jean Tharaud.
Work illustrated with a frontispiece and vignettes engraved on wood by Jules Léon Perrichon.
Light foxing affecting mainly the endpapers, two minor tears of no consequence to the spine.

Edition printed in 127 numbered copies on fine paper.
Illustrated with 51 beautiful engravings by Auguste Brouet, Pierre Gusman, Charles Hallo, Georges Gobô, Albert Decaris, Eugène Véder, André Dauchez, Paul-Adrien Bouroux, Georges Le Meilleur, Henry Cheffer, Tigrane Polat, Edgar Chahine, Louis Willaume, Georges Jeanniot, Charles Jouas and Amédée Féau.

First edition of the French translation printed in 70 copies numbered and justified by Luis Mizon on Arches laid paper.
Publisher's binding in full aubergine cloth, smooth spine, front cover with cut-out revealing the color screen print by Pedro Uhart illustrating the front wrapper.
Work illustrated with 8 original hors-texte color screen prints by Pedro Uhart which he signed.
Signed autograph inscription, in Spanish, by Luis Mizon enhanced with an original pencil drawing by Pedro Uhart at the end, on the justification page.
We include an invitation card to the opening of the presentation of this work, a Polaroid of Pedro Uhart, and a publisher's slip from a work by Luis Mizon.
Rare and handsome copy enhanced with an original drawing by Pedro Uhart.

First edition of the French translation, one of 1000 numbered copies on pure Johannot paper, the only printing along with 10 on Auvergne.
With a frontispiece original portrait of Blaise Cendrars by Rièra, illustrated cover by Orfeo Tamburi.
Covers very clearly and lightly shaded without consequence to margins.
Fine and rare copy.

First edition, one of 500 numbered copies on laid ivory paper, ours unnumbered.
Work illustrated with 16 original linocuts by Jean-Marie Staive.
Autograph inscription signed by Jean-Marie Staive to Gérard Mouizel: "... cet espace, voué aux noirs et aux blancs, où le jour s'espace à la nuit calme."
Our copy is exceptionally expanded with an original engraving on Arches signed by Jean-Marie Staive, reserved for deluxe copies and bearing a second autograph inscription signed by the illustrator to Gérard Mouizel; with an original color impression also dedicated by the same to Gérard Mouizel as well as an autograph letter dated and signed by the publisher, Patrick Stefanetto, in which he explains to him the manner in which he has enhanced the copy that he sent to him.
Handsome set.

First edition printed in 400 numbered copies on offset paper.
Autograph inscription signed by François Cruciani to Gérard Mouizel: "... au provisoire matelot-pédagogue Gérard Mouizel pour que ces Moyens du bord lui soeint en souvenir de ses escales sous les palmiers du mas".
Work illustrated with 7 original lithographs by Olive Tamari.
Handsome copy.

First edition printed in 300 numbered copies, ours unnumbered.
Autograph inscription signed by Olive Tamari to Gérard Mouizel: "... au beau jeune homme qui a beaucoup de talent..." ["... to the handsome young man who has much talent..."]
Our copy contains a second autograph inscription (unsigned) by Olive Tamari, on a loose leaf, continuing the first autograph inscription: "On pourrait dire qui a beaucoup de talent et plait aux finlandaises chocolatées (mais ce ne serait pas correct devant la gravité de la mort de la mer)." ["One could say who has much talent and pleases chocolate-colored Finnish women (but that would not be proper given the gravity of the death of the sea)."]
Work illustrated with four original color illustrations by Olive Tamari.
Very handsome copy.

First edition printed in 46 numbered copies on Arches vellum.
Work illustrated with 3 original color engravings by Adolphe Cieslarczyk.
Fine autograph inscription dated and signed by Patrick Stefanetto to Gérard Mouizel in the form of a quatrain.
Autograph signatures of Patrick Stefanetto and Adolphe Cieslarczyk on the justification page.
Minor spotting of no consequence on the first endpaper.
Rare and handsome copy.

First edition, one of 300 numbered copies on offset Navarre, one draw with 20 Arches paper.
autograph dedication of the author signed autograph Olive Tamari a colleague poet, art critic and artist.
Book illustrated with 14 original lithographs Olive Tamari.
Tiny marginal minor bites on the first board.

Edition, one of 50 numbered on the second installment of Rives (who have five), one draw with 11 Holland paper.
This is a series of eight comic prints, engravings, printed and colored by Jean Bruller he signed and captioned.
Handwritten signature of Jean Bruller to the justification of the draw.
Tears at the head and foot of the back and flat margins, shaded guards.

Illustrated edition with 17 original engravings by Eddy Legrand, one of 200 numbered copies on Holland paper, the only issue with 25 Japan copies.
The illustrations consist of: 1 engraved title, 8 vignettes and 8 plates.
Handsome copy with spine and covers unfaded, which is generally not the case.

Edition with 30 original drawings by Bernard Naudin, one of copies on vélin teinté paper.
A good copy.

First edition, one of 350 numbered copies on B.F.K. de Rives paper, the only printing along with 5 Japan and 10 Holland copies.
Work illustrated with original woodcuts by Paul Provost.
Handsome copy.

First edition, one of 275 numbered copies on Arches laid paper, the only printing with 5 Madagascar and 25 Japan.
Work illustrated with original colored woodcuts by Hermann-Paul.
Endpapers lightly shadowed, handsome copy.

Illustrated edition with original color images by Joseph Hémard, one of 1650 numbered copies on tinted laid paper, the only issue along with 50 on Madagascar paper.
Handsome copy.

Edition of 175 numbered copies on vélin d'Arches paper, with 18 original watercolors full page by Guy Arnoux engraved by Raoul Serres.
Numerous vignettes, ornate capitals and culs-de-lampe.
Two small tears, not serious, to slipcase.
A very good copy.

First edition, of which there were no deluxe copies.
Publisher's flexible sand-colored cardboard binding, smooth spine, with the illustrated dust jacket.
Iconography.

Edition illustrated with 65 original compositions by Georges Scott engraved on wood by Eugène Dété, one of 350 numbered copies on laid paper.
Half red morocco binding, spine with five raised bands with a tear in its middle, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding signed by Durvand.
Some foxing.
Copy in a charming signed contemporary binding.

First edition illustrated with original compositions drawn and engraved on wood by René Pottier, one of 600 numbered copies on Arches vellum.
Handsome copy.