Oniriques
Fine copy.

From the 19th century onwards, the invention of lithography transformed the art of illustration. Artists soon embraced this technique, which offered almost total freedom of creation. The livre d'artiste made its appearance and colour came to shine upon literature...
Signed limited edition, one of 750 copies signed by the artist.
Original publisher's cloth, spine and front cover lettered in gilt, front cover with elaborate design in gilt.
Colour frontispiece and colour plates mounted on cream paper, captioned tissue-guards, by Edmund Dulac. Cloth soiled, some foxing to margins. With a loose leaflet advertising the exhibition of the original drawings at Leicester galleries in 1909.
First edition, one of 230 numbered copies on Auvergne paper, ours one of 75 not-for-sale copies, the only printing after 10 copies on China and a few hors commerce copies; this copy specially printed for René Daumal.
Frontispiece illustrated with an original lithograph by Étienne Cournault.
Very faint, insignificant foxing to the margins of the covers.
A handsome copy complete with its original wraparound band.
Exceptional and superb signed autograph inscription dated 27 December 1936 from René Daumal to his future partner Véra Milanova : « à Véra Milanova – à toi Véra, d'abord ces anciens mensonges (que je n'ai pu nourrir qu
First edition, one of 480 numbered copies on laid paper, only grands papiers (deluxe) copies besides 20 Arches and 100 service de presse (advance) copies on laid paper.
Our copy is complete with the rare vignette etching drawn and engraved by Hans Bellmer printed 'en sanguine' present in only around 200 copies.
Preface by Jean Paulhan.
Spine very lightly faded.
A beautiful copy of this masterpiece of erotic literature.
First edition, one of 25 numbered copies on Japan, deluxe copies ("tirage de tête").
Beautiful copy wide-margined.
Illustrations by Charles Shoup.
Edition printed in 50 numbered and justified copies on Arches paper by Bonaventure Fieullien, ours printed for André Bocquetin with his bookplate pasted on a guard.
Pleasant copy.
This calligraphed album, engraved and printed on his hand presses by Bonaventure Fieullien (Franciscan monk who studied at the Academy of Brussels under the direction of the Belgian painter Oswald Poreau and who worked in sculpture, stained glass and painting, but who was especially recognized for his remarkable and spectacular illustrated books with amazing idiosyncratic lettering) was illuminated by Madeleine Smets-Lefrancq.
Signatures of Bonaventure Fieullien