Handsome copy.
Work illustrated with a frontispiece portrait of the author by Paul Valéry engraved on wood by G. Aubert.
From the 19th century onwards, the invention of lithography transformed the art of illustration. Artists soon embraced this technique, which offered almost total freedom of creation. The livre d'artiste made its appearance and colour came to shine upon literature...
First edition, one of 50 numbered copies reimposed on Japan Imperial paper, ours being one of the few hors commerce copies, deluxe edition after 1 unique copy on Japan Imperial and 19 old Japan.
Illustrated work, as frontispiece, with a portrait of Charles Maurras consisting of an original drypoint by Edouard Chimot and original lithographs by Wassily Schoukhaeff.
Half chocolate brown morocco binding with corners, spine with five raised bands, gilt date at foot, black roulettes on headcaps, black fillet frame on wood-effect paper boards, wood-effect paper endpapers and pastedowns, covers and spine preserved, top edge gilt, perfect unsigned binding.
Very handsome copy perfectly executed and complete, as stipulated in the justification page, with the double state of Edouard Chimot's drypoint with remarques, 1 proof of the cancelled plate and 1 suite of the lithographs on Japan.
French translation by Adolphe Van Bever and illustrated with 40 original wood engravings by Louis Jou, one of the numbered copies on Rives vellum.
Half black morocco binding, spine with two thick raised bands set with gilt fillets, imitation white wood paper boards, small foxing to boards, marbled endpapers and pastedowns, top edge gilt, original wrappers preserved, elegant contemporary binding signed by Creuzevault.
Handsome copy in a beautiful Art Deco binding by Creuzevault.
Signed limited edition, one of 750 copies signed by the artist.
Original publisher's cloth, spine and front cover lettered in gilt, front cover with elaborate design in gilt.
Colour frontispiece and colour plates mounted on cream paper, captioned tissue-guards, by Edmund Dulac. Cloth soiled, some foxing to margins. With a loose leaflet advertising the exhibition of the original drawings at Leicester galleries in 1909.