Inscribed Books

First edition, one of 25 lettered copies on Arches vellum justified by the author, deluxe copy.
Autograph inscription signed by Jean-Marc d'Anthoine.
Preface by Nicolas Beauduin, work illustrated with original compositions by Pierre Matossy.
Rare and handsome copy.

First edition printed on ordinary paper.
Fascicule illustrated with an unpublished portrait of the artist by himself engraved on wood by G. Aubert as well as reproductions of works by M. Denis.
Two tiny lacks to head and foot of sunned spine, handsome interior condition.
Precious autograph inscription signed by François Fosca to Pierre Drieu la Rochelle.

First edition, one of the numbered copies on châtaignier paper.
Signed and inscribed by Marc Bernard to Maurice Noël.

First edition of the French translation printed on ordinary paper.
Signed autograph inscription by Alejo Carpentier in French.
Blind stamp at foot of first endpaper.

First edition in French, of which there were no deluxe copies.
Rare autograph inscription signed by Victor Nekrassov, in Russian, to Nathalie Sarraute with the translator's signature.
Handsome copy.

Third edition with some parts in first edition, a Service de Presse (advance) copy.
Signed autograph inscription from André Breton to Maurice Noël on the half-title page.
Light dampstain at foot of spine extending very discreetly to lower margins of leaves.
Rare.

First edition, one of 200 copies on handmade Vosges paper, the only deluxe copies along with 12 copies on China paper.
Signed autograph inscription from André Fontainas to Albert Saint Paul.
Back cover illustrated with a symbolist drawing by Léon Bloy.
Rare and handsome copy.

First edition, one of 40 numbered copies on Japan paper, the only printing with 3 on Auvergne paper.
Autograph inscription from Robert Ganzo to a friend.
A rare and good copy.

First edition, one of 156 numbered copies on Holland paper, deluxe copy.
Signed autograph inscription from Robert Ganzo to a close friend, André Lecoeur.
A small and light dampstain at foot of spine which also has a tiny tear of no consequence.
Handsome full-margined copy.

First edition of the French translation established by Robert Ganzo, one of 400 numbered copies on Marais paper, the only issue.
Autograph inscription signed by Robert Ganzo to a couple of his friends.
Preface by Jean Cassou.
Handsome copy.

First edition, one of 230 numbered copies on Alfa paper. Handwritten inscription signed by the author. A tiny marginal tear on the front cover, ex-libris pasted on the first blank endpaper.

First edition on ordinary paper, falsely stated the sixth edition, there has been printed only 10 Hollande large paper copies.
Autograph inscription signed by Jean Lorrain.
Spine slightly cracked and with two tiny lacks to foot, a few pieces of the text underligned in blue pencil.
Cover illustrated with a drawing by Sem.

First edition on ordinary paper, of which there were only 10 large paper on Hollande.
With an autograph inscription from Jean Lorrain.
A small hole and tiny lack to the margin of the first endpaper.
Beautiful illustrated cover by Van Wélie.

First French edition, partly first edition and published one year after the original, one of 10 copies on Holland paper, the only deluxe copies with 2 on China paper.
Bradel binding in half cherry red cloth, smooth spine decorated with gilt floral motif, gilt date and double fillet at foot, rubbed black morocco title label, marbled paper boards, original wrappers preserved, top edge gilt, binding cold-stamped signed Pierson.
Precious and rare signed autograph inscription from Théophile Gautier to Jules Pelletier, Secretary General of the Ministry of State to whom Gautier lent his pen.
He thanked him by interceding with the Emperor who appointed him Officer of the Legion of Honor on August 7, 1858.
Our copy is complete, as frontispiece, with the portrait of H. de Balzac printed on China paper and etched by E. Hédouin as well as its 3 autograph facsimiles (which are often lacking according to Clouzot).

First edition, one of 2,500 numbered copies on alfa paper.
Autograph inscription signed by Jacques Chardonne to Clément Gueymard.
Spine very lightly sunned.

First edition, one of 350 numbered press copies on alfa paper.
Friendly autograph inscription signed by the author to Clément Gueymard.
Covers and spine partially sunned.

First edition, one of the advance copies.
Precious and very beautiful autograph inscription signed by Maurice Fourre to (André) Rolland de Renéville: "... (Pour R. de R...) Sur le tapis de la laine usagée, le boa constrictor, de huit mètres de long, tout écaillé d'argent, ceinture intimement le lion chevelu de l'Atlas aux yeux songeurs..." ["... (For R. de R...) On the carpet of worn wool, the boa constrictor, eight meters long, all scaled in silver, intimately encircles the hairy lion of the Atlas with dreamy eyes..."]
Joints lightly rubbed with a repaired tear at foot, two light stains on the first endpaper, light traces of rubbing on the first cover.
Preface by André Breton.
Autograph inscriptions by Maurice Fourré are rare.
Provenance: from the library of André Rolland de Renéville.

First edition, one of the copies, not justified, alfa paper. This copy, under illustrated green cover, retains its frontispiece by Toyen,and a photograph from the author by Elise Breton to the centre of the book.
Handsome autograph inscription from André Breton to André Rolland de Renéville on half title.
A very good copy.
Provenance : the library of André Rolland de Renéville.

First edition, an advance (service de presse) copy.
Autograph inscription from Mireille Maroger.
Spine slightly sunned.

First edition, one of the few copies printed on Hollande van Zonen paper and reserved for the author, deluxe copy.
Half red morocco binding with corners, spine with five raised bands, date and initials gilt at foot, marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt on deckled edges, elegant binding signed by J.P. Miguet.
Fine autograph inscription signed by René-Louis Doyon to his close friend Magdeleine Martin: "... qui suit les traces du Christ dans les livres et ses reflets dans les hommes." ["... who follows the traces of Christ in books and his reflections in men."]

First edition, one of the few copies on Holland paper, the only deluxe copies.
Bradel binding in red half-cloth, smooth spine, black morocco title-label with small lack at head, original wrappers preserved, binding signed by Henry-Joseph, typical of copies from the Goncourt library.
Autograph inscription signed by the author to Edmond de Goncourt: "Au Maître Edmond de Goncourt hommage attentionné."
The first endleaf of the binding is probably missing. Paul Margueritte, member of the first Goncourt Academy and naturalist writer, was close to Edmond de Goncourt. He was one of the signatories of the Manifesto of Five against Zola's La Terre and one of the regulars at the Grenier d'Auteuil.

First edition, one of 350 numbered copies on alfa paper reserved for the press.
Autograph inscription signed by Jean Giraudoux to Raoul Davray.
Minor worming of no consequence to covers and final endpaper, handsome copy.

First edition, one of 125 numbered copies on Japan paper, deluxe issue.
Signed autograph inscription by Jehan Rictus to Félix Rey enhanced with an autograph poem.
Work illustrated, as frontispiece, with a portrait of the author signed in pencil by Steinlen and etched.
Endpapers lightly and partially shaded, handsome full-margined copy.

First edition, one of 250 numbered copies on vellum, the only printing with 30 China and 70 Holland.
Work illustrated with 20 original etchings hors-texte by the author.
Our copy is enriched with a 2-page autograph letter signed by the author addressed to Prosper Blanchemain, envelope included and pasted on an endpaper.
Worming affecting mainly the first cover and endpapers, a small marginal lack on the last endpaper.

First edition on ordinary paper.
Half red sheep binding, smooth spine, red cloth boards, original wrappers preserved.
Signed autograph inscription by Jacques Chardonne.
Handsome copy in a modest binding.

First bilingual edition with French translation facing the original Béarnais text, one of 300 numbered copies on alfa paper, the only issue with 10 on Japan paper.
Work illustrated with original drawings by L. Bonnat, E. Bordes, Casenave, Castaing, Dupuis, Gayac, Labrouche, Laforgue, Le Coindre, Léon-Dufour, Touzeau, A. Rouquet...
An engraved portrait of the author by P. Lafond enriched with the autograph signature of S. Palay.
Worming on the final endpaper, otherwise a handsome copy.
Autograph inscription signed by Simin Palay to Léon-Dufour who participated in illustrating the work.

First edition printed in a small number of copies, of which there were no deluxe copies.
Half cherry red shagreen binding with corners, spine with five raised bands, gilt initials of Léopold Marchand at foot, original wrappers preserved, marbled endpapers and pastedowns.
Fine autograph inscription signed by Francis Carco to Léopold Marchand.
Very rare copy of the author's first work.

First edition of which there is no mention of grand papier (deluxe) copies.
Contemporary Bradel binding in half sheep, covers preserved, corners very slightly bumped.
Handsome autograph inscription signed by Octave Mirbeau to Tristan Bernard.

First edition, one of numbered copies on vélin labeur.
Autograph inscription from Albert Cohen to Pierre Morhange.
Small foxing to the spine, a small trace of fold to head of upper cover, internally good.

Second edition, first for some parts as reviewed and expanded, on ordinary paper.
Rare autograph inscription from Boris Vian to two friends.
Spine lightly sunned, marginal worming to covers.

First edition on ordinary paper.
Half dark brown cloth over marbled paper boards, mustard-colored paper endpapers and pastedowns, top edge gilt.
Handsome and moving inscription from Alphonse Daudet to his mother-in-law Léonide.
This copy is enriched with an autograph note on two pages by François Daudet, which traces the path of this work within the Daudet family.
Illustrated by Luigi Rossi.
A good copy.

First edition printed on laid paper, only 10 Holland copies were printed on deluxe paper.
Autograph inscription signed by Ludmila J. Rais to the symbolist poet André-Ferdinand Hérold.
Rare and handsome copy.

First edition, one of 60 numbered copies on Japan ivory paper, deluxe copy.
Signed autograph inscription from Philippe Mas to a couple who were his friends.
Handsome copy.

First edition of which there were no large paper copies.
Autograph inscription from Jacques Derrida to a close friend.
Some corner of some pages slighlty turned down for the reading, spine slightly sunned.

First edition on ordinary paper.
Signed autograph inscription from Jacques Derrida to a couple of close friends Jos and Christine (Joliet).Joseph Joliet, a former student of Derrida became a very close friend of the philosopher. Very attentive to Joliet's writing, Derrida would write the preface to his novel: L'enfant au chien assis and support him during difficult periods (cf. Derrida a Biography, by Benoit Peeters).
Spine slightly creased without gravity, a trace of marginal fold at foot of front cover, complete with its publisher's wraparound band which has small tears.

First edition of which no deluxe copies were printed and of which only volume 1 was published.
Half navy blue shagreen binding, spine with four raised bands ornately gilt in double compartments decorated with gilt floral motifs, minor traces of rubbing to spine, marbled paper boards, marbled endpapers and pastedowns.
Rare signed autograph inscription from Victor Duruy.
Only the first part "De Paris à Vienne" was published.
Some foxing affecting mainly the edges and endpapers.

First edition.
Signed autograph inscription from Regent Michel Arrivé.
Illustrated.

First edition of the French translation for which there were no large paper copies.
Autograph inscription from Jacques Derrida to a close friend.
A good copy.

First edition, of which there were no deluxe copies.
Signed autograph inscription from Jacques Derrida to Joseph Joliet, a former student of Derrida who became a very close friend of the philosopher.
Very attentive to Joliet's writing, Derrida would write the preface to his novel: "L'enfant au chien assis" ["The child with the sitting dog"] and support him through his difficult periods (cf. Derrida by Benoit Peeters).
Spine very slightly sunned, handsome copy.

New edition, of which there were no deluxe copies.
Signed autograph inscription from Jacques Derrida to Joseph Joliet, a former student of Derrida who became a very close friend of the philosopher. Very attentive to Joliet's writing, Derrida would write the preface to his novel: "L'enfant au chien assis" ["The child with the sitting dog"] and support him through his difficult periods (cf. Derrida by Benoit Peeters). Handsome copy.

First edition, of which there were no deluxe copies.
Signed autograph inscription from Jacques Derrida to Joseph Joliet, a former student of Derrida who became a very close friend of the philosopher.
Very attentive to Joliet's writing, Derrida would write the preface to his novel: "L'enfant au chien assis" and support him through difficult periods (cf. Derrida by Benoit Peeters).
Spine very lightly sunned, handsome copy.

First edition for which there were no large paper copies.
Autograph inscription from Jacques Derrida to a close friend.
Spine slightly sunned, a good copy.

First edition, of which there were no deluxe copies.
Signed autograph inscription from Jacques Derrida to Joseph Joliet, a former student of Derrida who became a very close friend of the philosopher.
Very attentive to Joliet's writing, Derrida would write the preface to his novel: L'Enfant au chien assis and support him through difficult periods (cf. Derrida by Benoit Peeters).
Handsome copy.

First edition, of which no deluxe copies were printed.
Signed autograph inscription from Jacques Derrida to Joseph Joliet, a former student of Derrida who became a very close friend of the philosopher.
Very attentive to Joliet's writing, Derrida would write the preface to his novel: "L'enfant au chien assis" and support him during difficult periods (cf. Derrida by Benoit Peeters).
Spine sunned, three small stains on boards, handsome interior condition.

Second version of this lecture, of which no deluxe copies were printed.
Signed autograph inscription from Jacques Derrida to Joseph Joliet, a former student of Derrida who became a very close friend of the philosopher.
Very attentive to Joseph Joliet's writing, Jacques Derrida would write the preface to his novel: "L'enfant au chien assis" and support him during difficult periods (cf. Derrida by Benoit Peeters).
Handsome copy.

First edition, one of the Service de Presse (advance) copies.
Light marginal worming on boards.
Autograph inscription signed by Henri de Montherlant to Hubert Juin.

New edition published in the author's complete works.
Full lemon-colored long-grain morocco binding, spine browned with eight fine raised bands richly decorated with romantic decorative motifs now faded, red morocco title-label, author's name in olive morocco, gilt roulettes on headcaps, rich frames of gilt fillets, garlands and gilt rules on boards, gilt fillets at head and foot of leading edges, frames of gilt garlands on endpapers, brown paper endpapers and pastedowns, all edges gilt, modern slipcase with lemon morocco entry, boards covered with marbled paper, contemporary romantic binding.
Precious autograph inscription signed by Alfred de Vigny: "... témoignage de dévouement et de respect / son neveu / Alfred de Vigny." ["testimony of devotion and respect / his nephew / Alfred de Vigny."]
Rare worming affecting essentially the first and last pages. A handsome copy in an elegant contemporary romantic binding.

First edition of the theatrical adaptation of Alphonse Daudet's novel, no mention is made of deluxe copies.
Half hazel shagreen binding, spine with five raised bands, date at foot, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt.
Autograph inscription signed by Alphonse Daudet to Stanny Oppenheim.
Light worming at beginning of volume, otherwise handsome copy.

First edition, one of 10 numbered copies on Madagascar paper, the only deluxe copies along with 10 on Japan paper.
Grateful signed autograph inscription from Doughmani to a friend who supported him from his early days.
Rare collection of portraits of players sketched by the artist.
Light marginal fold marks of no consequence, handsome copy.

First edition on ordinary paper, only 12 copies were printed on Holland paper as deluxe copies.
Full Jansenist burgundy morocco binding, spine with four raised bands, triple gilt fillet frames on endpapers, marbled endpapers and pastedowns, original faded covers and spine preserved, all edges gilt, elegant binding signed Georges Cretté.
Autograph inscription signed by Jean Moréas to composer and music teacher Gaston Vallin.
Provenance: libraries of Raoul Simonson and Jean Lebrun with their bookplates pasted to verso of front board.
Fine copy in perfect condition.

First edition of the French translation of which there were no deluxe copies, a Service de Presse (advance) copy.
Half turquoise sheep binding with corners, spine slightly faded with four fine raised bands, marbled paper boards, blue paper endpapers and pastedowns, covers and spine preserved.
Rare signed autograph inscription by the author in English.

First edition on ordinary paper.
Contemporary half black shagreen over marbled paper boards, spine in six compartments (slightly rubbed), marbled endpapers and pastedowns.
Autograph inscription signed by Joris-Karl Huysmans.
A very pale dampstain to foot of first leaf.

First edition, one of 30 numbered hors commerce copies on green paper, reserved for the author.
Autograph inscription from Jean Dutourd.
A very good copy.

First edition on ordinary paper.
Half red shagreen binding with corners, spine with five raised bands set with gilt fillets decorated with double gilt compartments, double gilt fillet frames on marbled paper boards, numerous scuffs on boards, rubbed edges, marbled endpapers and pastedowns, top edge gilt.
Autograph inscription signed by Henry Becque to the "formidable and astute critic of Le Figaro".
Provenance: from the library of Georges Van Parys with his bookplate pasted on verso of front board.

Third edition, of which there were no deluxe copies.
Inscribed by Henry de Monfreid to a close friend.
A minor scratch at head of front cover without consequence.

First edition on ordinary paper, with only 20 copies printed on Hollande deluxe paper.
Inscribed by Eugène Montfort.
Light spotting to covers.

First edition, one of 75 numbered copies on Holland paper, deluxe copies after 20 Japan.
Full-page autograph inscription from the author.
Spine and boards slightly and partially faded, otherwise a handsome full-margined copy.

First edition, one of the Service de Presse (advance) copies.
Autograph inscription from the author.
Light marginal foxing to covers, complete with publisher's slip.

First edition on ordinary paper, false statement of third edition.
Fine inscription from Jean Dutourd.

First edition on ordinary paper.
Autograph inscription from the author.
Handsome copy complete with its dust jacket.

First edition on ordinary paper.
Autograph inscription from Henry de Monfreid.
Two ex-dono to foot of endpapers, tiny spots to first free endpaper.

threeième edition.
Autograph inscription from Henry de Monfreid to a friend.
A good copy.

First edition, one of 2000 copies on vélin Omnia, the only printing with 25 japon, this copy an advance one, non numbered.
Autograph inscription signed by André Breton to Pierre Lagarde.
Cover illustrated by Max Ernst.
Spine and covers marginally sunned, copy retaining its advertising slip.

First edition printed in 150 copies, ours numbered on Arches paper.
Full burgundy morocco binding, spine with 6 raised bands decorated with gilt fillets, gilt letters and collection number at head and foot, turn-ins lined with burgundy box calf and morocco frame, endpapers lined with burgundy box calf, covers and spine preserved, top edge gilt with deckled edges, binding signed Charles Benoit.
Autograph inscription from Pierre de Nolhac "... en souvenir des poètes..." ["... in memory of the poets..."]
Handsome copy perfectly executed.

Edition illustrated with 6 engravings in-fine and original boards by Fernand Michel, one of 100 numbered copies on Chiffon Lana paper and signed by the typographer, author and artist, the only printing.
Fine printing by Jean Vodaine presented in sheets, under ivory embossed paper covers, half black cloth boards, illustrated covers with manuscript title, unpaginated (24 ff.).
Autograph signed dedicatory poem by Fernand Michel on verso of front cover, light scuffs with small paper lacks to rear board.
Rare.

First edition, one of 5 numbered copies on Japan paper, deluxe issue.
Fine inscription from Jean Richepin to Charles Fasquelle: "...Richepin Jean & aussi Auguste & Jules, & Ernest, & Yousouf, car j'ai tous ces prénoms, nom de nom & même de noms, sans quoi je n'eusse point écrit ce roman qui se prétend magique ; est-il si gique que ça? On verra..." ["...Richepin Jean & also Auguste & Jules, & Ernest, & Yousouf, for I have all these first names, by God & even by Gods, without which I would not have written this novel which claims to be magical; is it so gical as that? We shall see..."]
Spine with small marginal lacks filled and a slight lack at foot, worming, three stains and three corner lacks on first cover, three corner lacks on second cover, pleasant interior condition.

First edition on ordinary paper.
Autograph inscription signed by Henry de Monfreid.
Minor tears of no consequence at head and foot of joints.

First edition published anonymously and printed in very small numbers on Holland paper.
Deferential autograph inscription signed by Henry Gauthier-Villars known as Willy to Carolus de la Haudardière.
We include with our copy the complete 12-page autograph manuscript, with deletions and additions that does not appear to be in Henry Gauthier-Villars' hand.
Spine faded, boards with parchment covers detached and showing lacks, handsome interior condition despite occasional foxing, printed stamp as bookplate opposite the half-title page.

First edition printed on laid paper.
Autograph inscription signed by Maxime Du Camp to Jules Clarétie.
Minor lacks of no importance to the joints, some light foxing, otherwise pleasant copy as issued under plain wrappers.

First edition in French, one of the Service de Presse copies.
Bradel binding in half pink cloth, faded spine with stains in the middle, hazelnut shagreen title-label, marbled paper boards, original wrappers and spine preserved, contemporary binding.
Inscribed by the translator Michel Dumesnil de Gramont to Lucien Descaves.

first edition on the current paper it is printed as 18 large paper.
Binding half black shagreen, back with five nerves, preserved covers.
Signed autograph from the author to the writer Gaston Derys.
Beautiful copy.

First edition, one of 100 numbered copies on China paper, deluxe copy.
Signed autograph inscription from Jean Moréas to Karl Boès.
Work illustrated with a portrait of the author by Antonio de la Gandara.
Some minor light foxing.
Our copy is presented in a chemise with red morocco spine, date at foot, marbled paper boards, slipcase with matching morocco borders and marbled paper boards.

First edition printed in 265 numbered copies and bearing the author's autograph signature below the justification page.
Bradel binding, established for the author, in half boards with small corners in old vellum style, smooth spine, black paper boards, contemporary binding.
A light angular loss at head of first endpaper, otherwise a fine copy.

First edition on ordinary paper, false statement of edition.
Spine slightly warped with two small tears reattached at head and foot, light marginal foxing on some pages.
Precious autograph inscription signed by the author to Max Jacob: "...au plus ingénieux des poètes / au délicieux Max Jacob / ce livre qu'il eut la bonté de désirer lire..." ["...to the most ingenious of poets / to delightful Max Jacob / this book which he was kind enough to wish to read..."]

First edition, one of numbered copies on Hollande, the only large paper copies.
Beautiful autograph inscription by Jules Renard on half-title page.
Spine and covers faded in the margins as usual,two small tears on foot of the joints, otherwise a very good copy with edges preserved.

First edition, one of 1000 numbered copies on white vellum, the only printing with 75 copies on celestial blue paper.
The work illustrated with tailpieces designed by O. Tamburi.
Spine slightly sunned, otherwise handsome copy.
Precious signed autograph inscription from Georges Hugnet to Man Ray and his wife: "...à Juliette / à Man / pour leur rappeler que j'existe et que je suis toujours leur ami fidèle. Georges..." ["...to Juliette / to Man / to remind them that I exist and that I am always their faithful friend. Georges..."]

First edition of which no deluxe copies are mentioned.
Half black morocco binding, smooth spine, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved.
Signed autograph inscription from Jean Lorrain to his friend Jules Grasset.

First edition on ordinary paper, only 25 deluxe copies on alfa paper were printed.
Inscribed by the author.
Handsome copy.

New edition, one of 260 numbered copies on laid paper, ours one of 40 hors commerce, the only deluxe copies.
Inscribed by Paul Raynal to Paul Gavault.
Endpapers lightly and partially shaded without gravity, otherwise handsome copy with full margins.

First edition, one of the Service de Presse (advance) copies.
Fine autograph inscription from the author to Maria Casarès.
Spine sunned, two light dampstains affecting the head of the first cover and the foot of the second cover, without any damage to the interior condition.

First edition of which no deluxe copies are mentioned.
Fine autograph inscription signed by the author to Paul Léautaud, who wrote a date in pencil below, probably that of receiving this work.
Spine and covers slightly faded.

First edition on ordinary paper.
Half chocolate shagreen binding, spine with five raised bands showing minor rubbing, marbled paper boards, marbled endpapers and pastedowns.
Autograph inscription by André Theuriet.

First edition.
Our copy contains an autograph letter from the author, 1/2 page, pasted to the verso of the front cover.
Spine faded, two slight corner losses to front cover, handsome interior condition with virtually no foxing.

First edition.
Bound in half chocolate shagreen, spine with four raised bands decorated with cold fillets, minor rubbing to spine without consequence, marbled paper boards, corners slightly bumped, minor rubbing to edges without consequence, marbled endpapers and pastedowns, contemporary binding.
Rare autograph inscription from Albert Castelnau.
Occasional light foxing.

MARINETTI Filippo Tommaso
Mafarka le Futuriste
[Mafarka the Futurist]
Sansot & Cie, Paris 1909, 12,5 x 18 cm, original wrappers
First edition, of which there were no grand papier (deluxe) copies.
Autograph inscription from Filippo-Tommaso Marinetti.
Slight foxing mostly on the endpapers, otherwise internally good.
$ 1 250

First edition with no mention of deluxe copies.
Bradel binding in half mouse-grey cloth, smooth spine decorated with a central gilt floral motif, gilt date and double fillet at foot, hazelnut shagreen title-label with traces of rubbing, marbled paper boards, upper corners slightly bumped, original wrappers preserved, contemporary binding signed by Paul Vié.
Signed autograph inscription from Maurice Donnay to Henri Lavedan.
Furthermore, our copy is enriched with an autograph note from the author addressed to the same recipient.

First edition, of which no deluxe copies are mentioned.
Bradel binding in half mouse-grey cloth, smooth spine decorated with a central gilt floral motif, gilt date and double fillet at foot, hazel shagreen title-label showing some rubbing, marbled paper boards, original wrappers preserved, contemporary binding signed by Paul Vié.
Inscribed by Maurice Donnay to Henri Lavedan.

The first edition, of which there were no deluxe copies.
Signed autograph inscription by Pierre Jakez Hélias to a woman named Suzy.
Handsome copy retaining publisher's wraparound band.

First edition on ordinary paper.
Bradel binding in full blue boards, spine very slightly faded, navy shagreen title-label, covers and spine preserved (tiny marginal corner lacks restored on first cover and three lacks to spine).
Signed and inscribed copy from Pierre Louys to André Beaunier.