Rare first edition of the French translation, one of 350 numbered copies on alfa paper, the only deluxe issue after 50 copies on pur fil.
Spine and boards very slightly and marginally sunned, of no consequence.
Rare and attractive copy.
First bilingual English-French edition, illustrated with three engraved title pages and one hundred and thirty-two steel-engraved plates after drawings by Samuel Prout and James Duffield Harding, with tissue guards.
Publisher's brown half-chagrin bindings, boards in blind-stamped percaline, a gilt trophy at the centre of each board, a small gilt coat of arms at the head of the upper board of each volume, spines richly gilt with ornamental tooling, bilingual title and volume number gilt-lettered on the spines, yellow paper endpapers, gilt edges. Spines and corners lightly rubbed, some scuffing, one joint of the third volume split at the foot, occasional foxing.
...
First edition, completed at the end of the volume with a folding table printed off text (cf. Sabin 28336; Howes 318).
Bound in full flexible beige boards, the manuscript spine title clumsily restored with an adhesive strip and now largely faded; sprinkled red edges.
A dampstain affecting the upper right corner of the opening leaves; a few scattered foxmarks.
The folding table bound at the end of the volume is not recorded by Sabin. It summarises the key geographical data for each state (natural resources, population in 1790 and 1810, universities and colleges, representation in Congress, etc.).
Father Giovanni Grassi of the Society of Jesus spent several years in...
First edition.
A single copy recorded in the CCFr (Roanne).
Contemporary half green calf, smooth spine cracked and with losses, marbled paper boards, original printed wrappers preserved, binding of the period.
Lower board tending to detach.
The Venetian historian Ronaldo Fulin (1824–1884) produced numerous publications and original studies based on the exceptionally rich holdings of the Archivio di Stato of Venice.
The question addressed in this communication is linked to the presumed relations between Columbus and Venice (see the accompanying letters).
Copy from the library of the celebrated Americanist Henry Harrisse (1829–1910), a specialist...
First edition of this pamphlet devoted to the largest marshland in Italy, the Fucecchio wetlands.
Illustrated with a double-page engraved plate.
Disbound copy.
From the library of the economist, agronomist, industrialist, and lithographer Charles-Philibert de Lasteyrie du Saillant (1759–1849), with his ownership stamp on the title-page.
Rare first edition, illustrated with two vignettes: one on the title page and another at the head of the opening text leaf (cf. Backer & Sommervogel VII, 185, no. 58.)
See Brunet, "Recherches sur les imprimeries imaginaires, clandestines et particulières", p. 19.
Printed on the private presses of the Turin Court of Appeal, the work offers a detailed account of the miraculous phenomena reported in Rome between July 1796 and January 1797. The author rebuts, in particular, the sceptical reactions of the "fiers à bras du philosophisme".
Our copy is preserved in its original drab paper wrappers, the spine cracked, the covers soiled, a few spots, a pale dampstain at...
[CONSTANTINOPLE] Exceptional album of 54 original caricatures, some captioned, executed in India ink, pencil and watercolour, together with three small pencil drawings on loose leaves. Undated [circa 1872-1873]. Small oblong folio, 47 pp., 40.5 x 27.9 cm. Contemporary overlapping ivory vellum, smooth spine with red rules, a tear at the head of the spine skilfully restored, red fillet border to the boards, a few stains to the covers, comb-marbled endpapers, red edges.
First edition of this remarkable album devoted to the Island of Elba, published in Paris by Dusacq & Cie in 1862 and printed by Lemercier. Large folio, loose sheets: 4 pp. of text comprising the Notice historique et archéologique sur l'Ile d'Elbe, 1 lithographed dedication leaf and 18 lithographed plates, including the title-frontispiece. The views were drawn from nature by André Durand and lithographed with the collaboration of Eugène Cicéri. The Bibliothèque nationale de France likewise records the work as comprising 18 numbered plates, including the frontispiece.
A rare first edition, of which no subsequent reprint exists, complete with all his Neo-Latin poems, chiefly composed in Rome. The volume also contains two Greek poems at ff. 60 and 62, together with a poem which inspired the celebrated sonnet Happy he who like Ulysses.
Modern binding in full limp vellum, smooth spine, red edges, white pastedowns and endleaves.
Some defects within: discreet restoration to inner margin of title verso; small tear without loss at foot of ff. 2-3; dampstaining to lower margin of ff. 25-28 and 45-48; minimal marginal defect to f. 44, not affecting...
First edition, one of 24 numbered copies on alfa paper, the only deluxe issue.
With sections devoted in particular to Cesare Pavese and Alberto Moravia...
A rare and attractive copy of Dominique Fernandez’s first published work.
First edition, illustrated with woodcut armorial bearings at the head of the first page of text.
Description of the equestrian procession that accompanied through Rome the new Roman senator, Count Nils Bielke (1706–1765), a Swedish knight, chamberlain to the King of Sweden and papal chamberlain following his recent conversion to Catholicism.
The text gives a detailed account of the sumptuous costumes worn by the participants and of the various decorative settings. It concludes with the names and titles of all those who took part in the procession.
Ink annotations at the head of the final page.
Our copy is preserved in its original wrappers, now protected by modern...
First edition of the French translation by Isabelle Rivière, one of 33 numbered copies on pur fil de Voiron, ours being one of 5 hors commerce copies, reimposed in quarto Tellière format, the only deluxe copies.
A handsome and rare copy.
Very rare first edition, with only one copy listed in WorldCat.
Contemporary half vellum binding with small corners, smooth spine, brown morocco title label with losses, marbled paper boards.
Some foxing and light staining to the title page.
The work lists and quantifies commercial exchanges with various regions of Italy, as well as with France, Spain, America, Russia, the Levant, and others.
First edition. Quérard I, 271 lists only one edition: "Paris, Née de La Rochelle, 1789." Kress B.1163; Goldsmiths 13858. Not in Einaudi."
With loose printed title pages for each volume, dated 1789.
The first volume, with an engraved pictorial title after Meunier, contains 52 double-page or folding plates inserted into the pagination, without following its numbering logic.
The second volume has an engraved pictorial title by Zaveris after Meunier and includes 154 etched plates of coins.
Full mottled calf, spines with six raised bands, gilt fillets and double gilt panels, red morocco lettering-pieces, green morocco numbering-pieces, gilt rolls on...
First edition, of which no copies were printed on deluxe paper.
Half black shagreen binding, spine with five raised bands decorated with gilt garlands, gilt date at foot, marbled paper boards, combed paper endpapers and pastedowns, gilt top edge, original wrappers preserved.
Scattered foxing, some reading marks in red and blue pencil in the margins of certain paragraphs, ink stamps of the Etienne Vion bookshop and stationery in Amiens on the title page, a library shelfmark at the head of the title page.
Partly original edition, entirely revised.
Some foxing.
Rare copy preserved in its original wrappers.
Illustrated edition with 2 folding maps and 10 engraved plates outside the text (see Garrison & Morton 71; DSB 613-614).
Contemporary full marbled calf binding, spine with six raised bands decorated with double black panels stamped with blind typographic motifs, burgundy shagreen title label, marbled endpapers and pastedowns, red edges.
Some restoration to the binding, spine rebacked; evidence of waterstaining to the upper margins of the leaves in the second volume.
Giovanni Maria Lancisi (1654–1720), an Italian physician trained at the University of Rome, produced significant work on mosquitoes and malaria (he introduced the term), as well as on cardiovascular...
First edition of the French translation, for which no deluxe copies were issued.
Precious autograph presentation inscription signed by Italo Calvino to his friend, the Argentine photographer José María “Pepe” Fernández.
Our copy is further enriched with an original photograph by Pepe Fernández depicting Italo Calvino leaning on a stack of books.
Signed by the photographer at the foot of the image, with handwritten notes and Pepe Fernández’s stamp on the verso.
Double autograph signature of Pepe Fernández on the front endpaper and the title page as presentation inscriptions, spine faded.
Original colour print heightened in palladium, printed on laid paper and signed in the plate lower right.
Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.
Rare bilingual edition, in Italian with the Croatian text facing, of this study on the woods of Istria, with at the end of the volume a folding engraved plate on the timbers intended for naval construction "de sorte que les navires dureraient plus longtemps".
Disbound copy, the plate detached.
From the Bibliothèque économique Lasteyrie, with its stamp on the title page.
First edition of this architectural collection, published in Paris in 1821 by Bance aîné and comprising seventy-two numbered etched plates. These are preceded by two distinct preliminary elements: a letterpress title page giving the author’s name as “Schuelt”, and a fully engraved title with a vignette signed by Henry J. Picou, retaining the earlier title Recueil de divers motifs d’architecture and spelling the name “Seheult”. The coexistence of these forms reflects the historical instability of the family name, which was only gradually standardised as Seheult through subsequent civil-status corrections.
First and only edition, with a tumultuous publishing history: the first volume had been printed as early as 1835 by Paulin, but the entire edition was destroyed in the fire on rue du Pot-au-Fer. The author subsequently revised his work and published a new version in 1838, simultaneously with the second volume.
Minor marginal defects to spines and covers; the second volume is bound in a temporary plain wrapper (lacking the printed covers); scattered foxing.
First edition of this rare album illustrated with 15 line-engraved plates, each protected by a tissue guard and accompanied by a caption leaf, including a reproduction of the author's portrait drawn by Ingres in Rome in 1818.
Publisher's original full grey boards, flat spine without lettering, some rubbing, blind-ruled borders on covers, a scratch to the foot of the upper cover, central title, corners rubbed.
Some foxing.
Inscribed by Antoine-Marie Chenavard to his friend Antonin L., with the author's signed presentation note.
Autograph letter signed by Jean-Auguste-Dominique Ingres to Charles Paillet, with autograph address and title "Honorary Expert Commissioner of the Royal Museums", with postal stamps. Usual fold marks. A marginal tear repaired without affecting the text.
Ingres provides descriptions and exhibition instructions for his two paintings Aretino and the Ambassador of Charles V and Aretino in the Studio of Tintoretto.
First edition of this rare album, published in Lyon in 1861 by the press of Louis Perrin, illustrated with 15 line-engraved plates under captioned tissue guards. At the front appears a facsimile of the portrait of Chenavard drawn by Ingres in Rome in 1818; the remaining plates, engraved by Dubouchet, Séon and Thomassin, reproduce a selection of drawings made during his formative journey through Italy, Sicily and Istria.
Contemporary half green calf with corners, spine with four raised bands...
First edition illustrated with four plates of medals and one folding map with hand-colored outlines.
Contemporary half chocolate-brown sheep bindings, smooth spines slightly faded and decorated with triple gilt fillets, gilt letter "N" at foot of spines, marbled paper boards, marbled endpapers, speckled edges.
Minor rubbing to spines, occasional foxing.
A senior tax official, Baron de Nervo (1810–1897) authored several works on financial history, but was also an eclectic traveler: his account of a journey to Sicily undertaken in 1833 is decidedly uncommon.
First edition of the French translation, one of 31 numbered copies on pur fil, the only copies printed on deluxe paper.
Spine and covers slightly and marginally faded, a pleasant copy.
Handsome Greek printing of the Psalter according to the Septuagint, followed by traditional Biblical hymnology and a weekly recitation guide.
Illustrated with a charming woodcut depicting David.
Contemporary black cloth-backed marbled boards, spine unlettered and slightly faded, blue endpapers and pastedowns.
Occasional foxing, otherwise clean and well-preserved throughout.
New edition. "American Imprints" 28030. See Lowndes II, 298 for the first edition: "Liveliness of description of scenery and manners, couched in an easy and elegant style…"
Contemporary half havana shagreen with corners, spine decorated with gilt fillets and fleurons, rubbed beige morocco label, a few minor scuffs along the spine. Gilt garland borders framing the marbled paper boards, endpapers and pastedowns of rose paper lightly soiled at margins, marbled edges. Late 19th-century binding.
Some occasional foxing.
A good copy.
First edition, one of 30 numbered copies on alfa paper, the only deluxe copies.
Spine very slightly faded, a pleasing copy.
First edition of the author's first work; Aboal Amaro, Amerigo Vespucci, page 31. Leclerc, 263 (does not mention this edition). Sabin, 10704.
Contemporary limp cream paper boards, plain spine, original binding.
Spine worn with some loss, a marginal stain affecting two leaves at the beginning, otherwise a clean and attractive copy.
This essay, in which the author argued "with a certain force of reasoning" (Larousse) that Vespucci discovered America before Christopher Columbus, was awarded the prize of the Academy of Cortona in 1788. The Florentine scholar Stanislas Canovai (1740–1811) devoted his life to restoring the reputation of the famed navigator Amerigo...
First edition, one of 110 copies printed on pure Lana wove paper, the only copies on deluxe paper.
Half maroon shagreen binding with corners, spine with four raised bands adorned with black fillets, gilt patterned paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.
A handsome copy, finely bound.
First edition, one of 35 numbered copies on Neige vellum, the only deluxe copies.
Handsome copy.
First edition of the French translation, one of 50 numbered copies on pur fil paper, the only deluxe issue.
Attractive copy, with minor foxing to the spine.
Original photograph depicting Emilio Visconti-Venosta in frontal view.
Contemporary silver print bearing, at the foot of the image, the blindstamp of Roman photographer Lorenzo Suscipj, a pioneer of photography in Italy.
Minor black specks to the surface of the photograph.
Mounted on a stiff card sheet printed with the photographer’s address.
A rare dated and signed autograph inscription by Emilio Visconti-Venosta to the verso: “À M Henri Fournier, souvenir d’un ami, E. Visconti-Venosta. Rome. 18 January 1877”. ['To Mr Henri Fournier, a token from a friend, E. Visconti-Venosta. Rome, 18...
New edition, partly original.
Publisher's full grey cloth, smooth spine, a pleasant copy complete with its illustrated dust jacket.
Richly illustrated.
Signed presentation inscription from Yves Bonnefoy to Jacques Hartmann and his wife Nancy.
First edition, illustrated with a frontispiece in each volume and a folding plate at the end of the first volume.
Bradel-style bindings in brown half cloth with small corners, smooth spines very slightly faded and ruled in gilt, marbled-paper boards with a few minor scuffs, blue-grey endpapers and pastedowns, marbled edges, bookplates pasted to the front pastedowns.
Some foxing, as usual.
Our copy is complete with all three engravings: a view of St Peter's in Rome and a plan of the remains of ancient Rome in the first volume, and Trajan's Column in the second.
It also includes a second state of the plan of the remains of ancient Rome, with slight variations...
Illustrated edition with 16 colour engravings by Henri Cassiers, including 4 plates hors texte, one of 650 numbered copies on Imperial Japan paper.
Contemporary-style burgundy half morocco-grained shagreen over corners, spine with four prominent raised bands ruled in black, moiré-effect paper sides, endpapers and pastedowns, wrappers and spine preserved, top edge gilt.
A handsome copy, attractively bound.
First edition, with no deluxe paper copies issued, this being one of the publisher's review copies.
Inscribed copy, dated and signed by Georges Dumézil to Alfred Ernoul.
First edition of the French translation and adaptation prepared by Edmond Haraucourt, one of 10 numbered copies on Holland paper, the only deluxe paper issue.
Bradel binding in half tobacco percaline, smooth spine decorated with a gilt floral motif, date and double gilt fillet at foot, hazelnut shagreen title label showing some rubbing, marbled paper boards, wrappers with small marginal losses at corners and spine preserved, contemporary binding.
A few small foxing spots.
Music by Gabriel Fauré.
First edition, for which no deluxe paper copies were issued.
A pleasant copy.
Valuable signed autograph inscription from Susan Sontag to her friend Sonia Rykiel: "pour Sonia avec mes amitiés Susan Sontag 26 septembre 1995 Paris."
First edition.
No copies recorded in the CCF.
A very rare small guide intended for English travellers in the Kingdom of Naples. It opens with an itinerary from Rome to Naples via the monastery of Monte Cassino.
Some foxing, small losses to the spine which also shows a tear at the foot.
First edition, no copy recorded in the CCF.
Modern bradel binding in full burgundy cloth, spine ruled in gilt.
First leaf restored to the right margin with an adhesive repair, some light foxing, dampstain to the upper margin of the opening leaves.
A native of the Briançonnais (Villeneuve-la-Salle), like many booksellers who settled beyond the Alps, Yves Gravier established himself in Genoa in the second half of the eighteenth century, first in partnership with Louis Fantin, and subsequently on his own.
His parents Jean, Thomas and Simon Gravier were likewise active in Italy (Thomas in Rome itself).
In 1839, the firm was placed into liquidation.
...Extremely rare first edition of this work comprising a course intended for students of Arabic at the University of Turin.
No copies recorded in the CCF or the CCI. The title refers to Thomas Van Erpe’s Grammatica arabica [= Erpennio in Italian], published in Leiden in 1613.
Contemporary-style half black cloth over marbled paper boards, smooth spine, unrestamped and restored, bookplate pasted to front pastedown, modern binding.
In 1861, Colonel Luigi Calligaris (1808-1870), who had served from 1833 as an instructor to the beylical army of Tunisia, was permanently recalled to Piedmont and, in recognition of his expertise in Oriental languages, was appointed professor of...
Illustrated first edition, lacking the frontispiece portrait of Hippocrates, but complete with its five plates, fine decorative initials and large tailpieces.
Contemporary full tree calf, smooth spine richly gilt with, among other decorations, a palmette roll, tan morocco lettering piece, gilt roll on board edges. Ink ownership inscription on the front pastedown: "J. E. Petrequin \ lyon, nov. 1856," in the hand of Joseph Pierre Eléonor Pétrequin, chief surgeon at the Hôtel-Dieu de Lyon, who received the...
An intriguing first edition, complete with its engraved frontispiece of the author by Giovanni Volpato after Domenico Corvi, and its introductory poem by the Abbé Luigi Godard. A copy unrecorded in non-European libraries according to WorldCat.
Contemporary binding of fawn mottled calf, smooth spine divided into five gilt compartments by gilt rolls, brown morocco lettering-piece, triple gilt fillet framing the boards, double gilt fillet on the board edges, blue speckled edges, and shell-pattern marbled pastedowns and endpapers.
The lower cap lacking, some surface...
First edition of the French translation by Grauert from the 1835 German first edition, specially revised by the author (hence the somewhat ambiguous designation of "new edition" on the title page and front board, as there was no previous French edition).
Illustrated with five engraved plates and eight vignette illustrations.
Contemporary half black calf with corners, spine with four raised bands decorated with gilt and blind fillets, slight rubbing to the spine, gilt fillet frames to the marbled paper boards, marbled endpapers and pastedowns, original pink wrappers preserved, bookplate pasted to a pastedown, contemporary binding signed J. Pernot at the foot of the spine.
...First edition (only three copies recorded in the CCFr: BnF, Lyon and Montpellier).
Blank spine split with small losses, a few instances of foxing.
The sole edition of this small, learned and appealing dissertation.
Paul Saint-Olive (1799–1879), engraver and contributor to the Revue du Lyonnais, was a tireless seeker of curiosities (cf. Vingtrinier (Aimé): Paul Saint-Olive, archéologue lyonnais, Lyon, 1877).
Signed autograph inscription by Paul Saint-Olive to Doctor Girard on the inside of the upper cover.
Rare first edition.
Contemporary half fawn cloth Bradel binding, smooth spine, place and date gilt at foot, marbled paper boards, covers preserved.
A single copy recorded in the CCF (BnF).
The only edition, uncommon. A collection of notes and anecdotes relating to Abbé Castel’s period of study in Rome (born 1894, ordained 1920) during his seminary years.
Some spotting to the endpapers.
Rare first edition of this poem, printed on bluish paper and composed by Tissot in honour of the birth of the King of Rome, the Emperor’s son.
Not in Quérard.
Our copy is preserved in its original wrappers, under a modern marbled paper cover. Not in Quérard. A fine copy.
First Italian edition; the work had originally appeared as early as 1806 with the Paris imprint of Gratiot, under the more explicit title: "La Guerra de'tre mesi, o l'Ultima campagna di S. M. l'Imperatore Napoleone".
Only three copies recorded in the CCF (BnF, Poitiers and Rouen, all of the 1806 edition).
Contemporary Bradel-style binding in quarter tan calf with corners, smooth spine decorated with gilt garlands, crimson morocco lettering-piece, rubbing to spine and boards with some loss of paper, yellow edges.
Some foxing; small wormholes to the lower right-hand corner of the final three pages, not affecting the text.
Unlike the author’s other works, this...
Exceptionally rare first edition of this study in applied mathematics, which had been the subject of a report presented to the Class of Physical Sciences and Mathematics of the Academy of Turin on 26 Ventôse, Year XIII.
Our copy is preserved in its original wrappers, in provisional speckled green paper covers with a few small losses at the corners.
Some foxing.
Not in Quérard. Only two copies recorded in WorldCat.
Tommaso Valperga di Caluso (1737-1815), Piedmontese orientalist and mathematician, was one of the two signatories of this report.
Rare first edition (subsequent editions incorporated the successive campaigns, ultimately forming a set of five volumes).
Only two copies of this edition recorded in the CCF (Rouen, Tours).
Nineteenth-century binding in cherry long-grain half morocco with corners, smooth spine ruled in gilt, red paper-covered boards, marbled endpapers and pastedowns.
Minor black marks to the spine, a few light spots of foxing.
The attribution to Thomas Graham, Baron Lynedoch (1748-1843), is traditional; if correct, the work is by a participant in the campaign, who embarked relatively late on his military career: in 1795 he was stationed at Gibraltar, but soon wearied of garrison...
First edition, illustrated with 1 plate and 3 folding maps printed outside the text (cf. Tulard, 694.)
Our copy is preserved in its original wrappers, in soiled temporary covers with angular losses and wear to the spine; internally in pleasant condition despite some foxing.
The only edition, and uncommon, of this report on the operations at Peschiera (1–19 January 1801), which followed the Battle of Marengo and were entrusted to François de Chasseloup-Laubat, Commander-in-Chief of Engineers with the Army of Italy.
The diplomat Étienne-Félix d'Hénin de Cuvillers (1755–1841) was then serving in the same army as a captain, and later as a squadron leader attached to the...
First edition illustrated with an allegorical frontispiece by J. Goeree engraved on copper, as well as a copper-engraved armorial vignette at the opening of the text (cf. Barbier, III, 560. Quérard, III, 212. Not held at the BnF. Not recorded in Fossati Bellani.)
Contemporary half tawny calf binding, smooth spine decorated with gilt friezes and blind-stamped fleurons now almost entirely faded, red morocco title label, a restoration to the head of the spine, marbled paper boards, early 19th-century binding,
A small black ink stain to a blank endpaper.
The work discusses, among other subjects, the Republic’s losses in Greece, the battles of Lepanto and the Dardanelles...
First edition of this short work intended as a supplement to the Voyage dans le Levant by the same author: Auguste de Forbin (1777–1841) indeed undertook this journey in 1820, one year after returning from his extensive expedition to the Middle East, officially carried out in his capacity as Director of the Royal Museums.
Contemporary half caramel sheep, smooth spine decorated with gilt fillets and garlands and blind-stamped ornaments, gilt rolls at head and foot of spine, joints slightly split at head and foot, blind-stamped palmette decorations to marbled paper boards, endpapers and pastedowns of vat paper, marbled edges.
Our copy is complete with its engraved...
First edition (cf. Monglond, VII, 242. Brunet, 20178. Quérard, II, 337.)
Contemporary half tawny sheepskin binding, smooth spine ruled in gilt and decorated with gilt typographic ornaments, a few rubs to the spine, modern blue shagreen lettering-piece, upper cap worn away.
Some foxing to the first and last leaves, a tear to the lower margin of page 277, joints restored at foot, dampstaining to the margins of the boards.
Baron Auguste Creuzé de Lesser (1771-1839), prefect of Charente and Hérault under the Empire and the Restoration, published anonymous opéras-comiques under the name Auguste, as well as heroic and lyrical poems, a translation of Schiller, and a life of La...
A very rare Brescia imprint, dedicated to Prince Eugène and celebrating Napoleon’s successes in the German campaign of 1805.
No copy recorded in the CCF.
A dampstain to the upper right corner of the leaves.
Contemporary cream paper-covered boards, smooth spine without lettering with tears, boards soiled, title within a black frame on the upper board and address likewise on the lower board, tears with losses on the lower board, contemporary binding.
However, dated 26 November of that year, it could not yet include the victory of Austerlitz. Niccolo Bettoni (1770-1842) was a prominent figure of Italian typography at the beginning of the nineteenth century, and...
First edition of this major classification, arranged according to the Linnaean system, describing a thousand plants with remarkable precision (cf. Pritzel 9806.)
Full green vellum bindings, smooth spines tooled with double gilt fillets and gilt rolls, brown calf lettering- and volume-pieces, slight rubbing to the spines, yellow mottled edges, some corners a little softened; contemporary bindings.
The author, Abbé Fulgenzio Vitman (1728–1806), a Florentine botanist, founded the Milan botanical garden after directing that of Pavia.
Album comprising 30 original albumen prints mounted on heavy card leaves.
Bradel binding in full black boards, smooth unlettered spine, gilt-ruled frame on the covers, title set within a central panel on the upper cover, corners rubbed; contemporary binding except for the renewed spine.
The first 22 photographs (approx. 12.5 × 17 cm) depict views of the City of the Doges; the following seven (various formats) reproduce paintings by Italian masters (Veronese, Titian, Raphael, Murillo...) held in Venice, Florence, and Paris; the final print shows a water-carrier.
Captions in Italian in black ink on the mount, on the verso.
The sequence of photographs is as follows...
Second edition, embellished with a copper-engraved map by Giraud l’aîné, folded, together with a copper-engraved plan of the labyrinth of Knossos by Chapuy.
This edition is not recorded by Contominas, Atabey or Blackmer (1493 for the first edition).
Contemporary half mottled sheep with parchment corners, smooth spine decorated with delicate black fillets, paper labels serving as title pieces, green paper boards with some rubbing, sprinkled edges.
Spine foot restored.
Three gatherings very lightly toned, otherwise a clean, fresh copy.
Bound at the end is the first edition of the French translation prepared by Jean-Claude Pingeron of Dominique Sestini’s work...
Rare first edition, illustrated at the end of the volume with two folding plates.
Only two copies recorded in the CCF (BnF and Strasbourg). Backer & Sommervogel III, 1242 (59).
Our copy is preserved in its original provisional yellow paper wrappers,
With a few minor spots of foxing on the folding plates.
The Neapolitan Jesuit Raffaele Garrucci (1811–1885) devoted his work to the study of the Church Fathers as well as to both pagan and Christian antiquities.
He became one of the foremost disciples of Father Giuseppe Marchi, alongside the renowned Giovanni Battista de Rossi.
Very rare first edition of the French translation, illustrated at the end of the volume with one folding copper-engraved plate and two folding printed tables, all hors texte.
See Oberlé (for the Milan 1819 edition). Lacking from the Kilian Fristch Collection. Vicaire, 353-354.
A rare and appealing copy preserved in its original wrappers, with the plain provisional cover showing some surface wear.
First edition of the French translation, illustrated with an engraved portrait by Verzy after Longhi as a frontispiece to the first volume, together with five folding tables and five folding plates out of text in the second volume.
Half brown sheepskin bindings, smooth spines decorated with gilt garlands now partly faded, some rubbing to spines, modern brown sheepskin title labels, vellum corners, pink paper-covered boards, a few scuffs to the covers, wear to the edges, corners bumped, red edges, contemporary bindings.
Uncommon sole French translation of the Farmacopia generale by the Italian practitioner Brugnatelli (whose given names vary across sources, 1761–1818)...
Rare first edition, as referenced by Clouzot (see Guide du bibliophile français XIXe siècle, p. 256).
A few insignificant spots of foxing, a small black ink stain at the bottom of pages 354–355. Complete with the errata leaf at the end of the volume.
Caramel half calf binding, spine with five raised bands ruled with gilt dotted lines and decorated with gilt and black tools, gilt fillets at head and foot of spine. Minor rubbing to the spine. Brown morocco title label. Marbled paper-covered boards framed with blind-stamped vertical rolls, endpapers and pastedowns in cat’s-eye paper, all edges gilt. Roman bookseller’s label at the top...
First edition printed in small numbers of this offprint from the Mercure de France published on May 15, 1920. OCLC does not locate any copies in North America and only three in Europe (Bnf, Bibliothèque Doucet, Universitätsbibliothek Basel).
Covers with frayed margins, second cover partially shaded, one small piece of paper missing from the right margin of a page due to the fragility of the paper.
Signed and inscribed copy to painter Bernard de Blois: “En sympathie de voisin de logis et d'esthétique. Canudo 1922.” [”In sympathy as a neighbor of lodgings and aesthetics. Canudo 1922.”]
Extremely rare first edition of the libretto of...
Illustrated edition with a portrait of Jean Boccaccio as frontispiece to the first volume and 11 etched out-of-text engravings by Léopold Flameng, one of 600 copies on Holland paper in forme.
Half straw-yellow morocco bindings with corners, spines with five raised bands decorated with black fillets, gilt dates at foot, red morocco title and volume labels, marbled paper boards, marbled endpapers and pastedowns, top edges gilt, bindings signed by Canape-Helz.
Our copy is exceptionally enhanced with a suite of engravings executed by Gravelot.
Handsome set.
