Copies inscribed by the author, i.e. a handwritten dedication to a close friend. As moving accounts of the genesis of the book and the writer's links with the people of his time, inscriptions are a unique record of the author's life.
First edition on ordinary paper.
Contemporary binding in half red morocco with corners, spine with five raised bands framed with black fillets, gilt date on tail, marbled paper boards, bouquet-patterned endpapers and pastedowns, original wrappers and spine preserved (small angular restoration to the foot of the first board), gilt head.
Binding signed by Léon Gruel, one of the most renowned bookbinders of the late 19th century.
Le Horla consists of thirteen short stories: Le Horla, Amour, Le Trou, Sauvée, Clochette, Le Marquis de Fumerol, Le Signe, Le Diable, Les Rois, Au bois, Une famille, Joseph, L'Auberge and Le Vagabond.
Precious
New edition, of which there were no deluxe copies.
Small lacks to head and foot of spine, light marginal tears to covers.
Autograph inscription signed by Jean-Paul Sartre to Mr Guillaumet.
First edition of the theatrical adaptation.
Contemporary binding in red half morocco with corners, spine with five raised bands framed by gilt fillets, adorned with double gilt panels and decorative tooling, gilt fillets framing the marbled paper boards, combed paper endpapers and pastedowns, combed edges.
A few stains to the covers, a crisp and clean copy, free of foxing.
Signed autograph inscription by George Sand to the actor Fresne : « à monsieur Fresne, souvenirs affectueux. G. Sand. »
Fresne had performed in her play Molière at its premiere at the Théâtre de la Gaîté i
First edition, with no mention of deluxe paper copies.
Half red marbled sheep binding, spine faded with four raised bands decorated with a gilt floral motif, light rubbing to the bands, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, front cover preserved, modest contemporary binding.
Rare signed and inscribed copy by the author Colette Andris to Jean Blavet.
Novelist, music-hall performer and actress, a forgotten and short-lived muse of the Roaring Twenties music-hall, Colette Andris (the pseudonym of Pauline Toutey) managed to write three novels between 1929 and 1935, with a lot of autobiographical elements. She would die in the prime o
