Gift Ideas – Inscribed Copies

First edition, review copy.

Nice copy.
Signed autograph Andre Suares Georges Le Cardonnel: "... that should all read & do not think less ..."

First edition, one of the review copies.

Bradel binding in full patterned paper with abstract motifs, smooth spine, date gilt at foot, rust-coloured morocco title label, wrappers preserved, binding signed by P. Goy & C. Vilaine.

Signed autograph inscription from André Malraux to J. Ernest-Charles.
 

First edition on ordinary paper.

A pleasant copy.

Precious signed autograph inscription from André Pieyre de Mandiargues: "A Henri Michaux le coeur de son vieil ami André Pieyre de Mandiargues" enriched with Yvonne Caroutch’s handwritten signature.

First edition of the French translation by Pierre Jean Jouve of Georg Büchner's libretto for Alban Berg's opera, one of 40 copies on pure wove paper, this one specially printed for Charles Orengo.

Endpaper partly toned, a pleasant copy.

Inscribed, dated and signed by Pierre Jean Jouve to Charles Orengo.

First edition on ordinary paper.

Small defects skillfully restored at the head and tail of the spine.
Rare inscribed presentation copy signed by Albert Cohen to Denise Mercier.

First edition of the French translation, of which no copies were printed on deluxe paper, one of the review copies.

A few small spots on the slightly rubbed spine, light foxing mainly affecting the endpapers.

Very rare autograph inscription signed by Otto Rank: "à Monsieur Sébastien Charlety en hommage de ma très haute estime. Otto Rank."

First edition.

Our copy is preserved in its original wrappers, under a provisional violet paper cover.

A vertical crease runs through the entirety of the booklet.

Inscribed and signed by Lambert-Adolphe Quetelet to Edmond Becquerel at the head of the title page.

A naturalist, mathematician, and astronomer, Lambert-Adolphe Quetelet (1796–1874) was the founder of the Brussels Observatory.

First edition, one of the review copies stamped "M.F." on the front cover and numbered in the colophon.

Small restored tears to the spine and upper part of the front cover, slight traces of creasing to the margins of the front cover.

Precious inscribed copy signed by Louis Pergaud to J.H. Rosny jeune, one of the historic members of the Goncourt Prize jury. Pergaud had won the 1910 Goncourt for his collection of short stories De Goupil à Margot.

First edition, with no deluxe paper copies issued.

Half aubergine shagreen binding, spine with four raised bands decorated with triple gilt compartments, marbled paper boards, marbled endpapers and pastedowns, speckled edges. Contemporary binding.

This collection of poems is followed by essays on Henry Murger by Théophile Gautier, Jules Janin, Arsène Houssaye, and Paul de Saint-Victor.

Our copy is enriched with an autograph note signed by Henry Murger, informing his correspondent that he will visit him soon.

First edition.

Half brown shagreen binding, spine faded with five raised bands, date gilt at foot, marbled paper boards, comb-marbled endpapers and pastedowns, marbled edges, contemporary binding.

Minor foxing, mainly at the beginning of the volume.

Signed autograph inscription from the Goncourt brothers to Mr. Simon.

First edition on ordinary paper.

Half red morocco binding, spine with five raised bands framed with gilt fillets and decorated with double gilt panels, gilt lettering at the foot of the spine reading "Ex. de Sainte-Beuve", double gilt fillets on the marbled paper boards, small black spots on the covers, comb-marbled endpapers and pastedowns, original wrappers preserved, gilt edges.

Scattered foxing.

Precious autograph inscription signed by Auguste Brizeux: "A Sainte-Beuve, au poète et à l'ami. A. Brizeux."

First edition, no copies printed on deluxe paper.
Pleasing copy.

Signed autograph inscription from Robert Badinter: "Pour Claude Moncorgé, affectueusement, son cousin. Robert."

 

First edition.
Contemporary half red shagreen over marbled paper boards, (a few discreet repairs), spine in six compartments, date to foot, marbled paper-lined endpapers and pastedowns, covers preserved, top edge red.
A very handsome autograph inscription signed by Victor Hugo to Alphonse Daudet.
Mrs. Daudet's collection stamp to first endpaper.

Victor Hugo represented for Alphonse Daudet, as for the other writers of his generation, the incontestable master of the Pantheon of the arts. His benevolent attention runs through Daudet's work, often listed side by side with Rousseau, Byron, Sand and Delacroix.
If during Daudet's childhood and youth, Hugo, an

First edition on ordinary paper.

Bradel binding in half grey percaline, smooth spine decorated with a central gilt ornament, gilt double fillet and date at foot, brown shagreen title-piece, cat's-eye patterned paper boards, blue paper endpapers and pastedowns, contemporary binding.

Precious signed autograph inscription from Jean Richepin to Léon Deschamps.

First edition, of which there were no large paper copies.

Complete with dj (slightly sunned at edges of spine and covers), small tears to head of upper cover. 
Handsome autograph inscription, signed and dated by Canetti to Raymond Queneau : " Für Raymond Queneau aus Freude über eine unerwartete Begegnung, Juni 1951 [for Raymond Queneau, the pleasure of an unexpected meeting, June 1951]".

First edition printed in 245 numbered copies, the only printing after 10 copies on heavy paper.

Bradel binding in half blue cloth, smooth spine decorated with a gilt floral motif, double gilt fillet at foot of spine, red morocco title label with a very small defect, marbled paper boards, wrappers preserved, contemporary binding.

Inscribed and signed by Paul Fort.

First edition, one of the review copies.

Slight sunning at head and foot of spine, without seriousness.

Precious signed presentation from Francis Ponge: "Pour Marthe et Henri Calet leur ami. Francis Ponge."

First edition, one of 100 numbered copies on Holland paper.

Some minor foxing, two tears and slight losses to the spine.

Paul Léautaud’s handwritten signature beneath the colophon.

First edition, published at the author’s expense and in a small print run.

A few minor spots of foxing.
Bradel binding in full paper echoing the work’s gilt checkered cover, smooth spine, red morocco lettering-piece, fragile original wrappers preserved, gilt edges, binding signed by Thomas Boichot.
Rare signed autograph inscription from Auguste Villiers de l’Isle-Adam to the Marquis de Monthec.

 

First edition in English.
Elegant pastiche marbled paper Bradel binding by Thomas Boichot, black morocco title-piece, covers preserved (small marginal repairs to upper cover).
Autograph inscription signed by Josselin de Jong to head of upper cover.

First edition, one of 10 numbered copies on Holland paper, deluxe issue.

Some minor foxing mostly at the beginning and end of the volume.

Inscribed and signed by Maurice Genevoix to Jacques Gommy: "... en pensant aux forêts qu'il aime, avec les hommages et les amitiés de Maurice Genevoix."

First edition, printed in a small number of copies, of this offprint from the Revue de Paris dated 15 February 1906.

Émile Boutmy was the founder of the École libre des sciences politiques, which would later become the Institut d'études politiques de Paris, now widely known as Sciences Po.

Wrappers slightly toned at the margins, inevitable minor edge tears and small losses consistent with the fragile nature of the pamphlet.

Inscribed and signed by Lucien Lévy-Bruhl: "A Emile Durkheim, affectueusement, L.L.B."

First edition, one of 150 numbered copies, the only copies on deluxe paper.

Inscribed and signed by Jean-Pierre Abel to Paul Devivat.

Rare and handsome copy with full margins.

First edition, an advance (service de presse) copy.
Covers and spine very skillfully repaired.
Handsome autograph inscription from Pierre Drieu La Rochelle to Henri Béraud.

First edition, one of the review copies.
Bradel binding in full wood-patterned boards, smooth spine, red morocco title-piece, covers and spine preserved, binding signed by Thomas Boichot.

A fine copy, handsomely bound.
Precious autograph presentation signed by Jacques Chardonne to Henri Béraud.

First edition.
Elegant half navy blue morocco over marbled paper boards by Pierre-Lucien Martin, spine in six compartments with gilt fillets to bands and geometric decoration of red morocco onlays, date gilt at foot of spine, gilt fillet to boards, marbled endpapers and pastedowns, gilt dentelle frame to pastedowns, covers and spine preserved, top edge gilt.

A very good copy in a handsome binding. 
Exceptional autograph inscription from Claude Farrère : "A Pierre Louÿs son très petit disciple [To Pierre Louÿs, his very humble disciple]", along with Chinese ideograms.

First edition, one of 1,200 numbered copies on alfa paper, the only large paper copies after 50 on Marais.

Spine very slightly faded as usual.
Handsome autograph inscription signed by Henri Michaux to Raymond Queneau.

First edition published in the author’s collected works.
Some occasional foxing.
Half black morocco shagreen binding, smooth spine decorated with triple blind fillets and gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Signed autograph inscription by George Sand : "to my friend Charles Fournier."
Handwritten note by George Sand beneath the title on the title page: "suite de Flamarande" published the same year and by the same publisher as "Les deux Frères".
 

First edition, printed in a very small number of copies, of this extract from the Revue archéologique.

The booklet is illustrated with several figures in the text and, at the beginning of the volume, a full-page plate.

Charles Simon Clermont-Ganneau (1846-1923), orientalist and archaeologist, made major archaeological discoveries in Palestine, where he had resided since 1867 as dragoman-chancellor at the French consulate. Appointed consul in Jaffa in 1881, he accepted a mission on the Egyptian coast east of the Nile, in Philistia, Phoenicia and Palestine; he published the results in the Archives des missions scientifiques.

Until his death, he pursued a dual

First edition, an advance (service de presse) copy.
Half mustard-colored morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, brown paper endpapers and pastedowns, covers and spine (sunned) preserved, top edge gilt.
Handsome autograph inscription signed by Robert Desnos to Colette Clément, whose name he plays on: "A Madame Colette Clément / Clément Marot non Jacques Clément (ces mots barrés) / non / hommage de l'auteur Robert Macaire."
Ex libris of recipient pasted in underneath justification.

First edition, an advance (service de presse) copy.
Some lacks to foot of spine, clear stains and scratches to head and foot of upper cover, tiny foxing to the endpapers, the last endpaper is covered with notes in pencil made by the dedicatee.

Autograph inscription from Irène Némirovsky to Michel Corday.

First edition printed in 2,000 numbered copies, ours preserved in its original wrappers with Gallimard's resale label.

Fine autograph inscription signed by Jules Roy: "A Jean-Paul Bonnafous ces vieux chants d'un temps de misère, cordialement, Jules Roy."

First edition, one of the press copies.
Half brown shagreen binding, smooth spine with gilt floral panels, gilt initials C.T. at foot, marbled paper boards, marbled endpapers, covers preserved, gilt edges, one upper corner slightly rubbed, binding dating from some years later.
Inscribed by Charles Terrasse (son of Claude) in ink at the head of a flyleaf.

Discreet restorations to the joints.
Precious presentation copy signed and inscribed by Alfred Jarry: "A Claude Terrasse son admirateur et son ami. Alf. Jarry" [his admirer and friend]

 

First edition on ordinary paper.

Spine slightly sunned with a small defect and a repaired tear at the foot.
Inscribed and signed by Georges Bernanos to Robert Garric: "... bien fraternellement et fidèlement..."

First edition; no copy recorded in the CCF or Worldcat, with a single copy held at the Real Academia Española.

Full red shagreen portfolio, smooth spine without lettering, double gilt and blind-tooled fillet borders with gilt garlands and rosettes at the corners on the covers, gilt title lettered in the center of the upper cover, moiré white silk endleaves and pastedowns, contemporary binding.

Inscribed and signed by Albertus Frederik Johan Reiger to Baron Joseph Louis Heinrich Alfred Gericke van Herwynen (1814–1899), Minister of the King of the Netherlands to the Court of Brussels, accompanied by an autograph signed note addressed to the same, dated 12 December 1881

First edition, a Service de Presse (advance) copy.
Some worming to margins of covers.
Precious autograph inscription signed by Marcel Aymé: "A monsieur Valery Larbaud en sincère hommage. Marcel Aymé." ["To Mr. Valery Larbaud with sincere homage. Marcel Aymé."]
 

First edition, of which no copies were issued on deluxe paper.

Publisher’s binding in full black cloth, smooth spine, a fine copy complete with its illustrated dust jacket.

Illustrations.

Inscribed and signed by Pierre Jakez Hélias to friends named Fanny and André.

First edition, on ordinary paper, of the French translation.
A small tear restored at the foot of the spine, a pleasing copy.
Letter-preface by Jean Cocteau, preface by Somerset Maugham.
Illustrated cover with a portrait of the Aga Khan by Kees Van Dongen, with iconography.

Rare and precious signed autograph presentation from the Aga Khan to Madame Avrillier.

 

First edition, one of the review copies.

Some light foxing to the spine and along the edges of the covers, a pleasing copy given the poor quality of the paper.

Inscribed by Raymond Queneau to Dominique Aury.

First edition on ordinary paper.

A moving and appealing copy.

Fine signed autograph presentation inscription from Dominique de Roux to his brother: "Pour mon cher Xavier père et maître des circonvolutions de ce récit. Et sans qui la vie n'aurait aucun sens. Affection fraternelle. Dominique."

First edition on ordinary paper.

Small pale dampstains on the spine.

Inscribed, signed and dated by Maurice Genevoix to Nicole and Philippe Derez.

First edition, for which there was not printed any grand papier (deluxe) copies.
Publisher's binding in full grey cloth.
Illustrations.

Copy complete of its dust jacket illustrated by Jimmy Ernst, the dust jacket being in a poor state with several tears and corners missing.

Very precious handwritten dedication signed by Harriet Janis to Boris Vian: “To Boris Vian with Paris greetings for Rudi Blesh & myself, Harriet Janis. May 1953.”

First collected edition of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
A nice copy despite a tiny tear to foot of upper cover.
Rare autograph inscription signed by Robert Desnos to Pierre Berger: " ces feuilles déjà bien vieilles..."

First edition, a numbered copy on alfa du Marais paper, this one not included in the justification.
Handsome autograph inscription signed and dated by Aimé Césaire to Raymond Queneau: “Très sympathique hommage de ces bucoliques de sang et de soleil... [a very affectionate homage of these bucolics of blood and sunshine...]”
Covers and spine slightly sunned at edges (but not seriously).

Rare first edition.

Contemporary full black cloth, spine gilt-stamped with a floral tool, double gilt fillet at foot of spine, red shagreen lettering-piece, blue paper endpapers and pastedowns, sprinkled edges, slightly frayed corners, contemporary binding.

A pleasing copy.

Very rare signed and inscribed copy by Georges Gilles de la Tourette: “À mon cher confrère et ami le Dr Diamantberger. Gilles de La Tourette.”

One of the very few copies bearing an autograph inscription—fewer than ten are recorded—of this first edition, containing the Marseillaise.
First edition illustrated with an engraved frontispiece by Charles-Étienne Gaucher after Jean-Jacques Le Barbier and four pages of engraved musical score at the end of the volume. La Marseillaise appears here in its true first edition, having first been pre-published in the Almanach des Muses in 1793 and circulated as separate leaves.
Contemporary half-sheepskin binding, smooth spine gilt-decorated with compartments, fleurons and fillets, red morocco title-piece, black pasteboard sides

Edition of wich no leading copies exists.
Binding of the editor in full black fabric.
Iconography.
Slips slightly warped in margins, the book that had stayed in a damp place previously, otherwise nice copy.

Rare autograph signed Kenzo Takada Gilles Brochard.

Press clipping illustrated with a photograph depicting Josephine Baker on stage.

Horizontal central fold, minor tears of no consequence along the right margin of the clipping.

Inscribed and signed by Josephine Baker in black felt-tip pen a few months before her passing: "A Claude Armand ami de Jospéhine Baker 1975".

First edition, with no mention of deluxe paper copies.
Precious signed autograph inscription from Octave Mirbeau to his friend Jules Renard.
Blue pencil mark by Jules Renard on the front cover.
Our copy is further enriched with Jules Renard's celebrated ex-libris, designed and engraved by Henri de Toulouse-Lautrec.