Gift Ideas – Rare Editions

Rare first edition illustrated with 10 folding plates, including 5 grammatical tables and 5 plates of calligraphy.

Not recorded in Blackmer, Atabey or Hage Chahine.

Half olive-green calf, spine with four raised bands framed with gilt garlands and decorated with small blind-stamped floral tools, black morocco title and author labels, marbled paper boards, comb-marbled endpapers and pastedowns, modern binding.

Spine slightly darkened, small paper losses to the upper right corners of the first leaves not affecting the text, some foxing mainly at the end of the volume. Much better known for his role in the mission sent by Napoleon to the Shah of Persia to negotiate a counter-alliance against Turkey, Amédée Jaubert (1779–1847) was a distinguished orientalist, professor of Persian at the Collège de France, and of Turkish at the École des langues orientales, of which he became president in 1838.

First edition of this pamphlet devoted to the largest marshland in Italy, the Fucecchio wetlands.

Illustrated with a double-page engraved plate.

Disbound copy.

From the library of the economist, agronomist, industrialist, and lithographer Charles-Philibert de Lasteyrie du Saillant (1759–1849), with his ownership stamp on the title-page.

First edition on standard paper.

A handsome copy, complete with its publisher’s wraparound band.

Fine presentation inscription signed by Milan Kundera: "Paris 1998. Pour Michel Tournier avec l'amitié fidèle de Milan Kundera."

First edition of this concise treatise on rural economy, attributed to the Duke of Sully, the famed minister of Henri IV, born at Rosny and who bore the name of that estate.

His well-known commitment to the development of agriculture has passed into national lore. However, it cannot be excluded that another author, sharing the same territorial designation, may be responsible for the text.

Contemporary full mottled fawn sheep, spine with five raised bands decorated with gilt compartments and gilt tools, gilt fillets, Havana morocco lettering-piece, gilt rolls to the headcaps, gilt fillets to board edges, red sprinkled edges.

Some repairs to the binding. Manuscript ex-libris inscriptions “Cousturier, Prieur de Champsanglard [Creuse]” and “Denesmond, prêtre” on the title-page of the first volume.

The booklet is followed, as very often with this title, by two short agronomic treatises, which vary from one copy to another.

In this copy:

• 1. A new edition of the Instruction pour le jardin potager (1678), attributed to an Aristote “jardinier de Puteaux”—obviously not his real name—who authored several small works on fruit trees and flowers (Musset-Pathay, 806).
• 2. A summary of the Nouvelle instruction pour connoistre les bons fruits (1670), attributed sometimes to Jean Merlet, sometimes to Claude Saint-Etienne. At the end is an interesting Catalogue des poires selon les mois de les manger (from July to September). Cf. Musset-Pathay 1390. Manuscript ex-libris inscriptions “Cousturier, Prieur de Champsanglard [Creuse]” and “Denesmond, prêtre”.

First edition of these observations and proposed reforms concerning the Navy. Pierre-Alexandre Forfait (1752–1807) served as Minister of the Navy from November 1799 to October 1801.

Contemporary full fawn calf, mottled and polished, smooth spine tooled with gilt decorative compartments and false bands, red shagreen lettering-piece, joints lightly rubbed, boards framed with delicate gilt rolls, a few abrasions and small losses to the leather at the lower edges, marbled endpapers and pastedowns, corners softened, all edges gilt, a period binding.

Pierre-Alexandre Forfait (1752–1807) served as Minister of the Navy from November 1799 to October 1801.

Forfait and Bonaparte met in Venice around 1798, and it was he who "forma" the future Emperor in the principles of naval warfare that Napoleon would later wage against England.

In this pamphlet, he characterises the English in the following terms « … ces dominateurs des mers ne donneront jamais le temps nécessaire pour recréer et former une marine par les moyens ordinaires, la navigation marchande ou la pêche … Comptez qu'ils vous déclareront toujours la guerre, ou vous la feront sans la déclarer, avant que vos forces navales aient pu atteindre son degré de développement qui puisse les inquiéter ».

The plan of 21 July 1803, in which the flotilla was to operate without the support of the Navy, clearly demonstrates the deep influence Forfait’s ideas had on Bonaparte.

However, the group formed by Decrès, Ganteaume, Bruix and Villeneuve during the Egyptian campaign exerted a powerful influence on Napoleon; and Decrès ultimately succeeded in definitively supplanting Forfait.

Provenance: manuscript ex-libris of Decrès mounted on a pastedown; he succeeded the author as Minister of the Navy and remained in office until 1814.

This work is in fact the reissue of the original edition, published under a new title: the 1772 edition was entitled "Dissertation sur les vins".

One hundred blank leaves have been bound at the end of the text.

The work saw an expanded edition in 1782, which was subsequently reprinted. (Cf. Simon BG: 510. Not recorded by Vicaire, Oberlé, or Bitting. Lacking from the Kilian Fritsch Collection.)

Contemporary half mottled tawny sheep with vellum-tipped corners, the spine with five raised bands decorated with gilt compartments, marbled paper sides, red edges.

An important treatise on vinification by a former wine merchant’s employee who had worked in France, England, and Holland.

The volume details the methods then used to preserve and improve wines, as well as to treat those that had spoiled. One chapter is devoted to the manner of making wines in Champagne (pp. 135–179). It is also, however, a veritable compendium of “fraudulent recipes”…

An open invitation to fraud, so much so that the censor responsible for granting approval was visibly unsettled: this dissertation "contient les formules suivant lesquelles on sophistique les vins, cependant on peut le laisser imprimer, parce qu'elle n'apprend aux frelateurs de vins que ce qu'ils savent bien faire et qu'elle fait connaître au public qui et prévenu, que les vins frelatés sont dangereux et les moyens qu'on emploie pour le tromper". [D. Denis, Histoire socio-économique de la vigne et du vin.]

First edition on ordinary paper.

A vertical crease along the right margin of the upper cover, which also shows a tiny blemish at the head; a complete copy retaining its publisher’s wraparound band.

Fine presentation inscription signed by Pascal Quignard: "Pour Michel Tournier cette terrasse à Rome, avec mon meilleur souvenir. Pascal Quignard."

Extremely scarce Toulon printing, illustrated with in-text figures and tables.

Only one copy recorded in the CCF (BnF).

Contemporary half brown sheep, the faded smooth spine gilt with fillets, garlands and floral tools, marbled paper boards slightly sunned at the head-margins, marbled endpapers and pastedowns, marbled edges.

A tear without loss to the foot of the half-title.

A professor at Franeker and later at Amsterdam, Jan Hendrik van Swinden (1746–1823) was the most renowned Dutch physicist of the eighteenth century.

Exceptional album comprising 54 original caricatures, some captioned, executed in India ink, pencil, and watercolour (including three small pencil sketches on loose leaves), together with several blank leaves.

This entertaining and highly personal album, evidently compiled by an amateur artist, appears to chronicle the various adventures and misadventures of a small cast of recurring characters, all seemingly connected in one way or another with the French Embassy to the Ottoman Porte, as suggested by a piece of official letterhead inserted between two leaves.

Contemporary full ivory vellum with yapped edges, smooth spine ruled in red, a restored split at the head of the spine, red fillets framing the boards, some marking to the covers, comb-marbled endpapers, red edges.

The album also includes one autograph letter signed in black ink, embellished with marginal caricatures, addressed to Mr H. Fournier and opening with "Cher Washington n°2".

The recipient of this satirical, illustrated letter appears to be the diplomat Hugues Marie Henri Fournier (1821–1898), appointed ambassador to Constantinople in 1877.

The adventures of the small group, identified by captions in black pencil, seem to begin in Florence in September 1872 and continue on to Rome.

The album includes, among other scenes, a watercolour depicting the Temple of Vesta.

In December 1872, according to an ink caption, the group—comprising the Vicomtes Bresson, de Mareuil, d'Hauterive, and d'Hérisson—is caricatured in Rome: at the theatre, on the Capitoline Hill, on horseback, and so forth.

A panoramic watercolour likewise satirises the Franco-Prussian War of 1870 and its protagonists.

Also portrayed in pencil alongside Fournier are General de Castelbajac and the Baron de Talleyrand.

The album further contains a fine pencil portrait of Khalil Bey.

The renowned Ottoman diplomat and collector, born in Cairo in 1831 and deceased in Istanbul in 1879, had indeed returned to Constantinople in 1872, after his ambassadorship in Vienna (1868), to marry the Egyptian princess Nazli Fazl. In addition to his role in the Crimean War, he is remembered for his celebrated art collection which, sold at auction in 1868, included works by Courbet (among them L'Origine du monde), Ingres, Delacroix, and others.

The Comte d'Osmond and Alfred de Courtois are likewise caricatured.

The album also features a view titled Pointe imaginaire du sérail and a watercolour depicting a game of lawn tennis.

A unique ensemble.

First issue of the series of fifty large hors-texte lithographs drawn from life by Henry John Terry (cf. Vicaire, VII, 1164).

Publisher’s binding in full red cloth, smooth spine decorated with blind-ruled compartments and fillets, light rubbing to the head- and tailcaps, gilt-lettered title on the front board, yellow endpapers, trace of a removed bookplate on one pastedown, one lower corner softened, slight discoloration to the lower left corner of the rear board, occasional marginal foxing, a small loss to the foot of page 119, and minor wormholes at the foot of the last three leaves, not affecting the text.

The fifty striking black lithographs depict the most picturesque views of Haute-Savoie.

Henry John Terry, originally from England, studied in Geneva under Alexandre Calame, the foremost Swiss landscape painter of the nineteenth century, and later settled in the country.

A well-preserved copy in the publisher’s original cloth.

First edition of this paper on cassava and the cultivation of peanuts, read before the General Assembly of the Royal Aragonese Society on 22 August 1800.

Our copy is preserved in modern plain beige wrappers, with a few insignificant spots of foxing.

From the library of the comte de Lasteyrie du Saillant, the renowned agronomist, with his red printed stamp on the title-page.

Second illustrated edition, comprising 15 engraved plates outside the text. (cf. Kayser, Bücher-Lexicon VI, 265.)

Thirteen plates have been delicately hand-coloured at the time, several set against scenic alpine backgrounds; one of the two uncoloured plates depicts traditional alpine cheesemaking tools.

The French text is printed on the verso of the German text.

Very rare suite presented with its original upper wrapper, housed in a modern black box with flat spine, red morocco title-piece, and a large matching morocco label on the upper cover; light and inconsequential surface wear to the boards.

Some text leaves are toned and trimmed short in the margins; one marginal tear to the uncoloured plate; minor foxing in places.

Despite what the title might suggest (as the author explains in his preface), the work is dedicated to Swiss cattle breeds.

A rare and strikingly complete suite.

First edition of the French translation (cf. Atabey, 557 (text) and 569 (atlas). Blackmer, 788 (atlas). Hage Chahine, 2105.)

Contemporary half brown shagreen, spines uniformly sunned and faded, raised bands framed with black fillets, marbled paper boards, comb-marbled endpapers, gilt edges; a few lightly rubbed corners, one small defect to the foot of the edges of the fifteenth volume.

Some light foxing in the text volumes.

The atlas volume, folio, is issued in parts under ten beige paper wrappers with printed blue labels; the wrapper of part 6 is lacking; the general map of the Ottoman Empire has been restored in the final part; light foxing to the covers.

The original German edition was published in Budapest in ten volumes between 1827 and 1835. The illustrations comprise thirty-nine maps and plans—principally battle plans—prepared by the translator J. J. Hellert. The text includes eight folding genealogical tables of Ottoman princes and high dignitaries.

Joseph von Hammer, a renowned Austrian orientalist and diplomat, was born in Graz (Styria) in 1774. He entered the Royal Academy of Oriental Languages in Vienna, where he studied Turkish, Persian and Arabic. In 1799 he undertook his first journey to Constantinople; the following year he joined the British admiral Sidney Smith in the campaign against the French in Egypt as interpreter and translator. He attended the grand vizier’s council at Jaffa and the surrender of Alexandria. In 1802 he became secretary to the Austrian legation in Constantinople, from which he travelled into Asia Minor and Greece. Posted in 1806 to the consulate-general at Jassy in Moldavia, he was appointed interpreter at the Viennese chancellery in 1807. In 1817 he rose to the rank of court councillor. After inheriting the estates of the Counts of Purgstall, he added their name to his own and was created baron in 1835. He translated numerous oriental works into German and played a major role in the founding of the Austrian Academy of Sciences, serving as its first president from 1848 to 1849. He died in Vienna in 1856. "Aucun orientaliste avant lui n'a connu plus intimement les peuples musulmans et n'a autant contribué à nous faire connaître leurs mœurs, leur histoire et leur littérature […]. Il passa trente ans à réunir les documents [de son Histoire de l'Empire ottoman], qu'il a tirée de manuscrits orientaux et des archives de Saint-Marc à Venise, de celles de Vienne, et de tous les ouvrages publiés en Europe sur l'Empire ottoman" (Hoefer, XXIII, 259-267). Provenance: S. H. Weiss bookshop in Constantinople, located on the Grande Rue de Pera opposite the Russian consulate (label in each text volume).

Rare work. 

New edition, partly original, revised, corrected and enlarged.

Bound in full red morocco, spines with five raised bands decorated with gilt garlands and compartments adorned with crowned “LL” monograms, gilt rolls on the caps, triple gilt fillets framing the covers, gilt armorial stamps of Louis XV at the centre of each board, gilt dentelle border on the turn-ins, gilt fillets along the edges, marbled edges. Slightly rubbed corners. Contemporary bindings.

Some leaves slightly yellowed, minor paper flaw on page 101 of the second volume.

Extensive and highly useful table of contents at the end of the second volume. Jean-Antoine Soulatges, lawyer at the Parliament of Toulouse, who died in that city around 1780, was also the author of a Traité des crimes.

A handsome copy, in red morocco, bearing the cipher and arms of Louis XV (OHR pl. 2495, tools 12 and 30).

First edition of the French translation.

Our copy is issued in its original state, preserved in a blue paper temporary wrapper and housed within a double chemise and slipcase in navy half-shagreen, smooth spine, marbled-paper boards; a modern binding signed by Devauchelle.

A rare and appealing copy.

Recorded in the CCF only at the BnF.

Sole edition of this theatrical jeu d’esprit, which bears little relation to China despite the purported setting of the action: "La scène se passe à Pé-King, l’an du monde 100, 857, et de Con-Fou-Tsée 6550". In reality, it is a play about the destructive nature of gambling, for which there was no real need to summon China as a pretext; moreover, the characters speak and behave like perfectly typical French petits bourgeois."

Second edition of this monumental work of historiography.

The collation of the text volumes (74 steel-engraved plates) conforms to the list of plates given in volume XX (with the exception of the plate depicting the French before Moscow, which is lacking), but does not match the plate count of the first edition, as certain plates were not reissued. The atlas corresponds to that of the first edition and is complete with its 66 maps.

Some foxing, mainly affecting the edges.

Handsome bindings of red half morocco with corners, the spines with five raised bands and triple blind-ruled compartments, a few minor abrasions without consequence to three spines, marbled paper sides, comb-marbled endpapers and pastedowns, gilt top edges, for the 21 text volumes; and a contemporary binding of red half sheep for the atlas, the smooth spine decorated with gilt fillets and tools, a few black marks to the spine, red paper-covered boards lightly soiled at the margins, corners rubbed.

Original edition reprinted at Smyrna (in reality Versailles), under the supervision of Mr. John Strafford (in fact by Moutardier); (cf. Quérard VI, 576; Drujon, Livres à clefs, I, 625.)

Contemporary half mottled fawn sheep, smooth spine tooled with gilt hatched fillets, brick-coloured sheep lettering-piece, a few small losses to the spine, yellow edges sprinkled with blue.

Sole edition of this manifestly pseudepigraphic and encrypted work, suppressed by order of the Consular government, which accounts for its marked scarcity.

A vehement critique of prevailing political and social institutions; however, it appears very difficult to connect the author with the renowned Lille bookselling dynasty of the same period.

First edition of the French translation, one of 25 numbered copies on pur fil, the only copies printed on deluxe paper.

Blood red morocco binding, gilt title lenghtwise, black stingray boards framed in morocco, gilt decorative paper endleaves, original wrappers preserved, top edge gilt, an elegant binding signed Boichot. Front free endpaper slightly toned, otherwise a handsome untrimmed copy.

Illustrated with original woodcuts by Jean-Gabriel Daragnès.

First edition of this rare album illustrated with 18 lithographed plates, including the title-frontispiece (see Inventaire du Fonds Français, VII, 243, no. 21).

This unbound suite is housed in a grey cloth chemise and matching modern slipcase, spine unlettered with two tears at head and tail, plain boards, light soiling to the lower board.

Some scattered foxing.

First edition of this periodical, comprising for the complete year 1781 (from 2 January to 28 December) 104 issues, the text printed in two columns with continuous pagination.

Contemporary half calf, mottled fawn, smooth spines decorated with gilt compartment tooling and floral ornaments, beige calf lettering-pieces and blue calf volume labels; minor losses and rubbing to spines and joints, a few scuffs to the blue paper boards, bumped corners, red edges; bindings contemporary to publication.

Transposition of ff. 357–58 and 359–60; initials in black ink and numbering to the endpapers; bookplate affixed and marginally torn in the first volume, another bookplate covered over in the second.

A biweekly periodical founded in June 1776, published until December 1792.

Its contributors included Serres de la Tour, Théveneau de Morande, and Brissot—already well-known publicists and scarcely “ministerial,” as was then said. Printed in England for readerships on both sides of the Channel, though primarily intended to inform a French audience about English institutions, it was avidly read in Paris, especially throughout the Anglo-French war over the American colonies. Along its columns one finds exceptionally rich documentation on that conflict (relative strengths, reports of naval and land engagements, debates in the English Parliament, diplomatic negotiations, etc.). Yet this was not its sole interest: what especially captured French readers of the Courier during this period of anglomania—and what chiefly accounts for the periodical’s value—were its detailed accounts of major English parliamentary sessions, together with numerous articles translated from and drawn from English and American newspapers.

Very rare first edition, illustrated in each volume with a copper-engraved frontispiece by Tardieu after Monnet.

Half black grained cloth bindings, smooth spines decorated with blind fillets, marbled paper boards with light rubbing, sprinkled edges, modest late 19th-century bindings.

Some foxing and a few pale waterstains at the end of the second volume.

This work is an essay whose concerns are strikingly close to our own, though expressed in a very different context.

A founder of French ecological thought, the civil engineer François-Antoine Rauch (1762–1837) demonstrated the direct relationship between deforestation and the increase in extreme weather, calling for the preservation of nature in the interest of humankind. He denounced the large-scale clearing of forests undertaken across continents and advocated the restoration and protection of woodland areas.

In the same spirit, he defended wetlands and marshes, to be made healthy without being drained. The first volume is almost entirely devoted to the dangers and imbalances caused by deforestation; the second focuses on the regeneration of rivers and streams, as well as the drainage of marshes, the whole promoting a return to the “primordial harmony.”

A rare first edition, of which no subsequent reprint exists, complete with all his Neo-Latin poems, chiefly composed in Rome. The volume also contains two Greek poems at ff. 60 and 62, together with a poem which inspired the celebrated sonnet Happy he who like Ulysses.

Modern binding in full limp vellum, smooth spine, red edges, white pastedowns and endleaves.

Some defects within: discreet restoration to inner margin of title verso; small tear without loss at foot of ff. 2-3; dampstaining to lower margin of ff. 25-28 and 45-48; minimal marginal defect to f. 44, not affecting text.

Published in March 1558, this precious copy contains four books of Latin poems - Elegiæ, Varia Epigr[ammata], Amores [Faustinae], Tumuli - written by Du Bellay in Rome and Paris between 1553 and 1557. The collection, also referred to as Poemata or Œuvres latines, appeared in the same year as three other works from his Roman period: Les Regrets, Divers Jeux Rustiques, and Les Antiquitez de Rome.

Very rare first edition of the new laws enacted in 1775 by Catherine II, Empress of Russia, here translated into Turkish for the recently annexed Turkic-speaking provinces taken from the Ottoman Empire.

The work is divided into two parts: the first, dated 12 November 1775, comprises the first 28 chapters (pp. 1–190); the second contains chapters 29 to 31 (pp. 191–248).

Contemporary-style half mottled sheep with small corners, unlettered spine with five raised bands decorated with double gilt fillets and gilt thistle tools, marbled paper boards, red edges, modern binding.

Pale marginal dampstaining to the upper right corner of the initial leaves.

Rare edition presenting the bilingual text in two facing columns (French–Piedmontese).

No copy recorded in the CCF.

A scarce version in the Piedmontese dialect (then the vehicular language for much of the population of the former duchy), issued by one of the Protestant Bible societies, likely intended for the Waldensian and related communities still well established in the valleys.

Contemporary full black shagreen binding, spine with five raised bands ruled in blind, rubbing to the spine, triple blind-ruled panels on the covers, yellow endpapers and pastedowns, inner hinge split, all edges gilt, corners lightly worn.

Copy presented to Wilbraham Taylor by The Foreign Conference and Evangelization Committee in 1851 (printed presentation label mounted on the front endpapers).

Embossed stamp and label of the Forbes Library in Northampton on an endleaf and on the title-page.

First edition.

Contemporary half calf in a bronze tone, the spine with four raised bands framed by double gilt rules and gilt pointillé work, together with broad black fillets; joints rubbed, marbled paper sides, marbled endpapers, edges sprinkled; a period binding.

Scattered foxing.

Second edition, partly original as it was revised and enlarged, and the most complete form of this celebrated manual of local law for the island of Réunion (cf. Ryckebusch 2407; Toussaint & Adolphe D439).

The work is illustrated with three folding tables inserted out of text (two in the fifth volume, one in the last).

Contemporary half-sheep bindings in dark green, smooth spines gilt-tooled with dotted ornaments, fillets and garlands, gilt rolls at head and foot, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges.

Some rubbing to a few headcaps and spines, the upper headcap of the sixth volume torn, restorations to several spines.

Handsome and uncommon album comprising 36 vintage silver-print photographs (18.5 × 23 cm, mounted and captioned by hand), depicting exterior views—façades, gardens, and architectural perspectives—of this English neo-Gothic estate built between 1868 and 1872 by Thomas Smith and the Cannes contractor Scavy for one Michael Hugh Scott, who never lived in it: the property quickly passed to the businessman Debionne, who resold it to Lord Wolverton after furnishing and decorating the interior.

Publisher’s blue percaline binding, smooth unlettered spine, blind-ruled frame on the boards, gilt-lettered title to the upper cover, marbled endpapers and pastedowns; contemporary binding.

A few black spots to the slightly warped upper board; pleasing internal condition.

Facing the first photograph, presentation inscription from the second owner, Alexandre-Louis Debionne, to his brother-in-law, dated 15 April 1878.

Very rare first edition of this splendid photographic album, produced in Cairo in 1871, representing the first illustrated catalogue of the earliest museum devoted to Egyptology.

The photographs by Hippolyte Delié and Émile Béchard depict the rooms and antiquities of the Boulaq Museum, founded in Cairo in 1863 by the eminent Egyptologist Auguste Mariette (1821–1881).

The album comprises forty albumen prints (approx. 24.5 × 18 cm), mounted on thick card leaves set on guards, each accompanied by a letterpress commentary leaf (except plates 4 and 11, which each have two). The prints are mounted on the versos of the plates, the rectos bearing the printed captions.

Contemporary half brown shagreen, spine with five raised bands decorated with blind-tooled compartments and gilt floral tools, minor rubbing to spine and joints, headcaps slightly softened, blind-tooled interlaced borders on the boards, gilt title on upper board, endpapers and pastedowns in white moiré silk with a few light spots, all edges gilt.

Repairs to the spine and one joint at head, a few scattered internal spots.

First edition, one of 70 numbered copies on Arches wove paper.

Our copy is enriched with the autograph signatures of Jacques Prévert — who signed as Jacques Rêve-vert (with the word “vert” highlighted in green) — and of André Pozner, each accompanied by two small drawings: a little cat for Jacques Prévert and a camel’s hump for André Pozner.

A fine copy, complete with its slipcase.

New edition and the first printing of Jacques Tardi’s illustrations.
Publisher’s full white boards, smooth spine.
A handsome copy.
Presentation inscription, dated and signed by Jacques Tardi to Joëlle Passani, enriched with an original black-felt drawing depicting, in a small vignette, a sorrowful-faced Bardamu.
 

Very rare edition (cf. Saffroy III, 35 251).

Disbound copy, with a faint dampstain in the left margin of the title-page and a few insignificant spots of foxing.

This separately published tract was later inserted into the first volume of the celebrated *Histoire généalogique de la maison d’Auvergne* (1708).

Appended here, detached from the first volume and forming the origin of the controversy: [BALUZE, MABILLON et RUINART]: Procez verbal. Contenant l'examen & discussion de deux anciens cartulaires & de l'obituaire de l'église de saint Julien de Brioude en Auvergne, de neuf anciens titres compris en sept feüillets de parchemin, & de dix autres anciens feüillets aussi en parchemin, contenant des fragmens de deux tables, l'une par ordre des chiffres, & l'autre par alphabet, lesquels ont esté destachez d'un ancien cartulaire de la mesme église. Le tout pour faire voir que Géraud de la Tour, I. du nom, duc de Guyenne & comte d'Auvergne, comme il paroist par la table généalogique qui suit. Printed in Paris by Théodore Muguet, 1695, title-leaf and 22 pp. (cf. Saffroy III, 35 252).

This tract, drafted at the request of Cardinal de Bouillon, was likewise inserted into the *Histoire généalogique de la maison d’Auvergne*.

New edition, embellished at the close of the first volume with a folding plate printed out of text (cf. Palau 17346).

Cherry half-shagreen bindings, spines with four raised false bands decorated with gilt fillets and double gilt panels, gilt lettering at the foot of the spines, slight rubbing to the headcaps, blind-tooled frames on the textured cloth boards, pebble-paper endpapers and pastedowns, a few bumped corners, period bindings.

Rear board of the first volume partially soiled.

New edition prepared under the supervision of the physician Rafael Ángel Cowley Valdés-Machado (1837–1908) and Andrés Pego, gathering three major sources for Cuban historiography: José Martín de Arrate y Acosta’s (1701–1765) Llave del Nuevo Mundo. Antemural de las Indias Occidentales, a meticulous portrait of eighteenth-century Cuban society first published only in 1830; Ignacio Urrutia y Montoya’s (1735–1795) Teatro Histórico, Jurídico, Político, Militar de la Isla Fernandina de Cuba, of which only the first part had appeared in 1795; and finally Antonio José Valdés’s (1770–1824) Historia General de la Isla de Cuba y en especial de la Habana, published in 1811.

Provenance: from the library of Ricardo Quintiliano Garcia, his name gilt-stamped at the foot of the spines; with his presentation inscription to his brother dated 15 July 1877 on the front flyleaf of the first volume.

Rare edition printed on laid paper, very likely produced in a small run for Picard bibliophiles (cf. Hage Chahine, 4071).

Listed in the CCF only at Arras, Amiens, and Compiègne.

A few minor spots.

Half cherry morocco binding, spine lightly faded and raised on five bands, a few rubs to the spine, marbled paper sides, comb-marbled endpapers and pastedowns, gilt top edge, a period binding signed by Petit, successor to Simier.

Robert de Clari (c. 1170 – after 1216) was a Picard knight, vassal to the castellan Pierre d’Amiens.

He took part in the Fourth Crusade alongside his lord Pierre d’Amiens. After the deaths in 1205 of his direct suzerains Pierre d’Amiens and Hugues IV de Campdavaine, Count of Saint-Pol, he returned swiftly to Picardy.

From the sack of Constantinople he brought back, among other things, relics which he donated to the abbey of Corbie. He then composed, in French and in Picard, La Conquête de Constantinople, a narrative in one hundred and twenty chapters recounting the Fourth Crusade and its immediate aftermath up to 1216.

He therefore died sometime after this date, though nothing further is known about him.

A pleasant copy in a binding signed by Petit, successor to Simier.

First edition (cf. O'Reilly, 2192.)

Modern Bradel binding in brown half-cloth, forest-green morocco lettering-piece, marbled paper boards, beige endpapers and pastedowns, original wrappers retained albeit lightly soiled; binding signed by Boichot.

Illustrated with 49 photographic plates hors texte.

"Minutieuse histoire analytico-chronologique des trente premières années de la Calédonie européenne. Il annonçait une suite qui n'a jamais vu le jour" (O'Reilly).

First French edition, illustrated by Arthur Rackham with 40 mounted color plates on thick brown paper, each protected by a captioned tissue guard, along with 30 black-and-white line drawings within the text, one of the extremely rare 30 copies printed on Japon, signed by Arthur Rackham on the limitation page; the deluxe issue.
Publisher's Bradel binding in full vellum-style boards, smooth gilt-titled spine, upper board gilt-stamped with title and a tree design, top edge gilt; the silk tie on the lower board is lacking.
A very handsome copy, one of the exceedingly scarce Japon copies.

Provenance: manuscript ex-libris on the half-title of Maurice Feuillet, renowned press illustrator, notably for major legal trials, as well as art critic and founder of the Figaro artistique. Feuillet is best remembered for his courtroom sketches during the trials of Émile Zola in 1898 and Alfred Dreyfus in 1899.

First edition, one of 60 copies on large paper signed on the justification by Leonor Fini and Jean Paul Guibbert, the only copies to include four etchings by the Surrealist artist. This copy numbered on grand vélin de Rives.

Minute tear at head of joint.

Enriched with a precious presentation inscription from Leonor Fini to the Surrealist Lise Deharme: "Pour Lise à qui je plais(t) et qui me plais(t) \ Leonor" [To Lise who delights in me and in whom I delight], accompanied by an original drawing of a mischievous cat beside the artist's signature.

First trade edition, one of only 50 numbered copies printed on alfa paper, the only deluxe issue.
Rare and very attractive copy in original condition.

First edition, printed on Vélin d’Angoulême, with the usual typographical errors, and containing the six proscribed poems; one of the few copies presented to the author and "intended for friends who render no literary services".

Full claret morocco binding, spine with five raised bands richly decorated with multiple gilt- and blind-tooled fillets; third-state covers; boards framed with multiple blind-tooled fillets; marbled endpapers; gilt turn-ins; all edges gilt; marbled paper slipcase with morocco border; signed binding by Semet & Plumelle.

Precious copy, enhanced with an autograph dedication in ink by the author on the dedication page, addressed to Paul Meurice, playwright, journalist, and close collaborator of Victor Hugo, « à Paul Meurice, témoignage d'amitié. Ch. Baudelaire » ["To Paul Meurice, in token of friendship. Ch. Baudelaire"]. Featuring twenty autograph corrections by the author to the printed dedication and four poems:

- At the dedication: two pencil corrections to the last words of the first line. Baudelaire adds a plural to “es langueS françaiseS,” “es” being, in fact, the contraction of “en les.” A surprising syntactical correction, sacrificing coherence, which the author later amended in 1861 to “Magicien es Lettres Françaises”.

- “La muse vénale”, p. 29: one ink correction to the final word of the last line of the first tercet, “Guère S,” one of the earliest misprints corrected by Baudelaire, which had nevertheless escaped him on the proofs, as with the following.

- “Le chat”, p. 110: one ink correction in the second line of the sixth quatrain, “au” logically changed to “un.”

- “Don Juan aux enfers”, p. 43: three ink corrections to the third line of the third tercet. The first, a simple misprint, “errant S,” had already troubled Baudelaire on the proofs, but its earlier correction had not been carried over.

The other two, “leS rivageS,” are not orthographic corrections but represent one of the very first poetic variants, absent from most presentation copies, foreshadowing the forthcoming complete revision of Les Fleurs du mal and the new original edition of 1861.

-"Le reniement de Saint Pierre", p. 217: a pencil correction on the fourth line of the second quatrain. The “D” replacing the “C” in “Cieux” is underlined three times. Curiously, the proofs reveal the exact opposite: “Les Dieux” was then corrected with a “C,” equally emphatically underlined. Anti-clerical remorse or altered alliteration? This correction, found in only a few copies, drew the poet’s attention to another misprint, still intact in our copy, later corrected in subsequent presentation copies: “au X doux bruit.”

-Baudelaire also inscribed a large “C” in pencil on pp. 52, 73, 91, 187, 191, and 206, at the head of the six poems condemned on 20 August 1857 for removal from copies in circulation. He transferred the same “C.” to the table of contents, opposite the six incriminated titles: Les Bijoux, Le Léthé, À celle qui est trop gaie, Lesbos, Femmes damnées: À la pâle clarté, and Les Métamorphoses du Vampire.

In total, twenty autograph interventions by Charles Baudelaire.

First edition, one of the copies printed on vellum paper.

Minor, inconsequential loss at the foot of the spine; light foxing chiefly affecting the rear cover.

Very scarce presentation inscription signed by René Guénon to the French journalist, writer, royalist activist and later collaborationist Jean Héritier.

Very rare first edition, bilingual, quarto in format and printed on laid paper, of the Corsican cahier de doléances.

(Cf. Starace 4747. Not in Roland Bonaparte. Conlon, xxiv, 89:1617, who notes only the 32-page octavo edition. No copy located in CCF or Worldcat.)

Our copy is preserved in a plain grey paper wrapper, with minor internal flaws, a few discreet paper restorations to the lower right margin of the opening leaves, not affecting the text.

"Les cahiers des Tiers, en même temps que des mesures spécifiques, exigent les mêmes réformes que le reste du royaume. Cette imbrication du régional et du national est jalonnée d'événements illustrant la dynamique révolutionnaire: agitation lors des assemblées primaires, émeute de Bastia le 1er mai 1789, "révolution municipale" du mois d'août à l'annonce du 14 Juillet parisien et sous le signe de la cocarde tricolore..." Soboul, Dict. hist. de la Révolution française.

Among the specific measures requested are the following: authorisation for Corsican vessels to fly the Moor’s Head on the French white ensign (as several towns and provinces of the kingdom already displayed their own arms); establishment of a university at Corte funded by the former revenues of the Carthusians, Jacobins, and Olivetans; establishment of a lazaretto to facilitate trade with the Levant; creation of a free port; preference in appointments to be given to Corsicans or to French inhabitants established on the island, etc.

Light foxing to the lower and upper right corners of the leaves, not affecting the text.

A well-preserved and appealing copy.

First edition, limited to 200 numbered copies.

Inner sides of the wrappers showing slight, harmless shadowing; a pleasing copy.

The volume includes two large folding leaves.

Signed presentation inscription by René Etiemble: "... ce produit d'un tout petit éditeur alexandrin, 'le scarabée', alias Etiemble."

First edition, complete in 23 instalments, of the second series of this magic periodical (cf. Fechner, p. 503).

Text in two columns; each instalment, richly illustrated, comprises between 12 and 16 pages (20 for the final one).

Contemporary half-sheep bindings: the first volume in brown, the second in tan, the spines with four raised bands tooled with gilt ornaments, moiré-patterned paper sides, marbled endpapers and pastedowns, sprinkled edges; one original wrapper preserved. Bindings from the period, though mismatched in tone between the two volumes.

Complete collection of the second series of this Swiss periodical, whose first publication appeared in 1941–42 as the “journal officiel du Cercle magique suisse”. A third and final series was issued from 1949 to 1963, though only 11 numbers were published.

The Geneva-born Charles-Émile Sauty, known as “Rex” (1900–1967), was a journalist and poet with a keen interest in cinema and magic, and a friend of Marcel Vassal and Ruegg. In 1928 he founded the Académie de magie.

First edition of the French translation prepared by Michel Vaucaire, who would later write the lyrics to the famous song Non, je ne regrette rien, singed by Édith Piaf. One of the rare named copies printed on japon. 

Vertical creasing to spine, minor corner losses to spine and boards, traces of erasure to first two leaves, as issued.

Illustrated with 9 black-and-white photographs, including one on the cover.

Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on Japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.
Publisher’s full vellum binding, smooth spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic creatures, illustrated endpapers, top edge gilt. Occasional light foxing.
A handsome copy of the most sought-after of Rackham’s illustrated works, one of the exceedingly rare copies on Japon paper.

Provenance: manuscript ex-libris on the half-title of Maurice Feuillet, celebrated press illustrator, notably for major legal trials, as well as art critic and founder of the 'Figaro artistique'. Feuillet remains renowned for his courtroom sketches during the trials of Émile Zola in 1898 and Alfred Dreyfus in 1899.

Illustrated edition with 24 colour plates by Arthur Rackham tipped in with captioned tissue guards, 8 full-page black-and-white illustrations, together with numerous ornaments and vignettes in the text by Arthur Rackham, one of 300 copies printed on vélin à la forme, signed by Arthur Rackham on the limitation page.
Publisher’s Bradel binding in full bright white vellum, smooth spine lettered in gilt, upper cover gilt-stamped with the title and a design of fantastic animals within a vertical gilt rule, illustrated endpapers and pastedowns, top edge gilt, untrimmed edges preserved. 
A very well-preserved copy of Milton's baroque and Dionysian spectacle, superbly illustrated by Rackham.

Provenance: manuscript ex-libris on the half-title of Maurice Feuillet, a renowned press illustrator, particularly noted for major court cases, as well as an art critic and founder of the Figaro artistique. Feuillet is remembered for his courtroom sketches during the trials of Émile Zola in 1898 and Alfred Dreyfus in 1899.

First French edition of the 50 colour plates by Arthur Rackham, tipped in with captioned tissue guards, a black vignette on the title page, and a further black vignette hors texte by Arthur Rackham, one of 200 copies on Whatman paper.
Publisher’s full vellum, smooth spine gilt-lettered, upper cover gilt-stamped with the title and a gilt illustration of Rip Van Winkle, illustrated endpapers, top edge gilt, uncut, original silk ties preserved. Occasional light foxing.

A splendid copy, remarkably fresh, of Washington Irving’s fantastical tale profusely illustrated by Arthur Rackham.

New edition, revised, corrected, and considerably enlarged.

Contemporary bindings in half mottled fawn calf over corners, smooth spines gilt with fillets, morocco title and volume labels, brown paper-covered boards, sprinkled edges.

Some minor rubbing to the spines, a few corners slightly bumped.

L'Esprit des lois occupies volumes I to IV; La Défense de l'Esprit des lois volume V (with a general index); Lettres persanes volume VI; volume VII gathers the Considérations and related pieces; volume VIII contains the posthumous works.

This collected edition of Montesquieu's works offers no particular bibliographical peculiarities in its contents but constitutes a very rare Zweibrücken printing bearing the false Saarbrücken imprint: Deux-Ponts was in fact an autonomous and conveniently located printing centre (by virtue of its proximity) for introducing into France titles that could not otherwise evade censorship.

Uncommon first edition.

An early controversy over the skin color of the first known anthropoids, marked by sharply divided opinions rooted as much in common preconceptions as in anthropological analysis.

All participants in the debate were recognized authorities in their respective fields: Pierre-Toussaint Marcel de Serres de Mesplès (1780–1862) in geology; Pierre Lacour (1778–1859) in art history and techniques; and Charles Des Moulins (1798–1875) in botany.

Minor tears and slight losses at the corners of the wrappers, without affecting integrity.

Manuscript ex-libris “La Neufville” at the head of the front cover.

First edition illustrated with two etched plates under tissue guards.

Claude Bernard’s (1813–1878) laboratory notes on alcoholic fermentation (see pp. 3–33) record his experiments on the search for yeast germs on grape clusters, the formation of alcohol in grape juice without ferment, on sound and rotten grapes, on the search for a soluble alcoholic ferment and the influence of decay, and on the production of alcohol. All these experiments were conducted on his estate at Saint-Julien in October 1877, during the grape harvest.

This conception of a soluble ferment as the origin of yeast, a living organism, marked the starting point of the famous controversy between Pasteur and Berthelot.

Rare and appealing copy, largely uncut.

First edition of the French translation, one of the scarce lettered copies printed on pur fil for private circulation, ours bearing the letter A, the only deluxe-paper copies together with 25 numbered copies on pur fil.
Wide-margined copy, boards and spine lightly and marginally sunned, a few scattered foxmarks affecting some leaves and deckle edges.

Near-complete run of this scarce bi-monthly magic periodical.

Profusely illustrated (lacking only issues 1, 4 and 5 for the year 1947), Robelly having voluntarily ceased publication after issue 121.

Contemporary half sheep bindings in shades of fawn, brown or beige, spines with four raised bands gilt-tooled with floral ornaments, most spines faded or discoloured, a few minor rubs to some spines, marbled paper boards, endpapers and pastedowns, sprinkled edges; modest period bindings.

Robert Rouet, known as Robelly (1894–1975), was something of the historiographer of the "magician’s" profession, assembling a remarkable body of information and documentation.

At the beginning of the first volume appear issues 1, then 7–19 (January–February 1944, then November–December 1944 to November–December 1946) of the CRMT – Bulletin officiel de l’Amicale Robert-Houdin, Groupe régional des magiciens de la Touraine (8 pp., then pp. 57–254, including two special issues).

A pleasing and uncommon near-complete set of this illustrated magic periodical.

First edition on ordinary paper.

Half black long-grain morocco binding, smooth spine tooled in palladium with author, title, and date, anthracite-grey paper boards, original wrappers and spine preserved (the latter with two small stains at head and foot), endpapers and pastedowns of anthracite-grey paper, binding signed Thomas Boichot.

Precious and exceptional signed presentation inscription by Louis-Ferdinand Céline: "A Mac Orlan son admirateur et ami fidèle. LFerd"

Fourth edition, partly original, revised and considerably enlarged from these lectures given at the Paris School of Pharmacy. The work is illustrated with 600 figures within the text. 

Slight losses or small corner tears to the spines and boards, minor scattered foxing.

A pleasant copy.

Very rare first edition of the Japanese translation, accompanied by Taiichi Ogawa’s annotated commentary.

Illustrated with a frontispiece portrait of Alphonse Daudet.

Spine with two tears at head and foot, soiling to the wrappers, a few minor spots internally.

First Japanese edition of Alphonse Daudet’s masterpiece. Harshly received in Provence upon its publication in 1872, despite the support of Frédéric Mistral, the novel soon came to be regarded as one of the landmarks of French literature, and the character of Tartarin became the emblem—and finest ambassador—of the city of Tarascon.

Rare first edition (cf. Martin & Walter 25 395).

Contemporary half-sheepskin bindings, the spines smooth and gilt-ruled in double fillets, boards covered in rose-papered pasteboard, red sheepskin lettering-pieces and green volume labels, yellow edges; corners rubbed, bindings of the period.

Some rubbing and faint staining to the spines and boards with small losses to the rose paper, a tiny hole at the head of the spine of the first volume, scattered foxing and a few marks to the edges, not affecting the text.

Bound at the end of volume II is another work by the same author: "Appel au tribunal de l'opinion publique. Du rapport de M. Chabroud, et du décret rendu par l'Assemblée nationale le 2 octobre 1790. Examen du mémoire du Duc d'Orléans, et du plaidoyer du comte de Mirabeau, et nouveaux éclaircissemens sur les crimes du 5 et du 6 octobre 1789", printed in Geneva, s.n., 1790 (title, ij pp., pp. 3–352). First edition as well, and uncommon, of this refutation of the tendentious report delivered by Chabroud, president of the Constituent Assembly, concerning the riots of 5 and 6 August 1789.

Very rare first edition (cf. Monglond VII 661).

Contemporary half brown sheep with corners, smooth spine gilt with floral tools and fillets, rubbing to spine and joints, marbled paper boards, grey endpapers and pastedowns, corners softened, yellow edges.

Pleasant, clean interior.

A shadowy figure who was by turns (and at times simultaneously) a secret agent, Tallien’s associate, a Revolutionary pamphleteer, and a double agent under the Directory and the Empire, Méhée de La Touche (1762–1827) left in 1784 on a covert diplomatic mission to Poland and Russia, from which he was expelled at the end of 1791. The correspondence he publishes here (running from 1788 to July 1791) abounds in valuable information on the social and political situation of these countries at the close of the eighteenth century.

Rare collection, in first edition, of political texts relating to the affairs of Belgium (shaken by the Brabant Revolution since 1787) and the Netherlands (whose opponents of the Stadtholder had often taken refuge in France).

As indicated by the handwritten table bound at the beginning of the volume, this copy constitutes only the first of a series of collections compiled by Roederer (see below) from the memoirs and pamphlets he received while serving as a member of the Constituent Assembly.

Contemporary full mottled fawn calf, smooth spine gilt-decorated with garlands and urns (partly faded), rubbed head- and tailpieces, green morocco title-piece, gilt dentelle and garland borders on the covers, gilt fillet on the edges, corners rubbed, yellow edges sprinkled with red.

Some foxing at the end at the last booklet.

The contents are as follows:

 - I. Mémoire pour les patriotes Hollandois réfugiés en France. S.l.n.d. [Paris, 1790], 40 pp. 

• II. Mémoire remis au Comité des pensions de l'Assemblée nationale, par quelques Hollandois réfugiés en France, le 19 novembre 1790. S.l.n.d. [1790], 16 pp.
• - III. Note instructive remise en mai 1791 aux membres de l'Assemblée Nationale, par quelques Hollandois actuellement à Paris. [Paris], Imprimerie de H. J. Jansen, s.d. [1791], 23 pp.
• - IV. Manifeste du peuple brabançon. S.l., 1789, 40 pp.
• - V. [DUMOURIEZ (Charles-François):] Le Guide des nations, ou Correspondance politique et morale sur la France et les Pays-Bas. Paris, Imprimerie d'A.J. Gorsas, s.d. [1790], 110 pp.

Provenance: from the library of the lawyer, playwright, journalist and statesman Pierre-Louis Roederer (1754–1835), with his printed ex-libris on a pastedown, and at the head of part V, a signed presentation inscription from Charles-François Dumouriez to Pierre-Louis Roederer.

First edition, one of 32 numbered copies on alfa paper, the only deluxe issue.

Illustrated with 16 heliogravure plates, with a preface by René Schoeller.

A faint transverse crease to the head of the front cover.

A handsome and uncommon copy.

First edition, one of 24 numbered copies on alfa paper, the only deluxe issue.

With sections devoted in particular to Cesare Pavese and Alberto Moravia...

A rare and attractive copy of Dominique Fernandez’s first published work.

First edition of the first of Augustin Sageret’s (1763–1851) two memoirs on cucurbits. Sageret was a pioneer in plant hybridization, particularly through his experiments with melons.

Only two copies of this edition are recorded in the CCF (Muséum and Lyon). Extracted from the Mémoires de la Société royale et centrale d’agriculture, year 1825. Pritzel 7969. Oberlé, Fastes, 708.

Half green long-grain morocco binding, spine faded and slightly darkened, decorated with gilt and black double fillets and blind-stamped floral tools, gilt rolls at head and tail, gilt date at foot, marbled paper boards, marbled endpapers, marbled edges, modern binding.

Some foxing mainly affecting the last work, partial shadowing on the title pages of the last two parts, trace of a label at the head of the rear pastedown.

Bound at the end, also in first editions and by the same author:

• I. Deuxième mémoire sur les cucurbitacées, principalement sur le melon, contenant la culture en pleine terre de celui-ci, etc., et les perfectionnemens dont elle serait susceptible. Printed in Paris, Imprimerie de Madame Huzard (née Vallat-la-Chapelle), 1827, 118 pp. Extracted from the Mémoires de la Société royale et centrale d’agriculture, year 1827.
• II. Notice sur le melon de la Chine, fait singulier observé sur un de ces melons, et considérations physiologiques sur la fécondation et sur l’hybridité relatives de ce fait. [Paris], Imprimerie de Madame Huzard (née Vallat-la-Chapelle), n.d. [1828], 16 pp. Extracted from the Annales de la Société d’horticulture de Paris, March 1828. Very rare. Only one copy in the CCF (Muséum).
• Handsome set finely bound by Lobstein-Laurenchet.

First edition, printed on thick wove paper.
Bound in contemporary half brown shagreen, smooth spines decorated with black typographic motifs, marbled paper boards, hand-marbled endpapers and pastedowns, modern slipcase edged in brown morocco with matching marbled paper sides and olive-green felt lining. 
Some occasional foxing, the note "Henri Beyle" in black ink at the upper corner of the title page of the first volume, final catalogue leaf present at the end of the second volume, small corner restorations to four leaves of the first volume.
"Very rare and extremely sought after. Usually quite simply bound at the time. Often foxed" (Clouzot). "This work is of great rarity in fine condition" (Carteret).
A handsome and very rare copy, large-margined and attractively bound at the time, of this masterpiece by Stendhal—rarer still than Le Rouge et le Noir.

First illustrated edition, with a frontispiece portrait of the author and a plate of music inserted at the end.

Not listed in Schwab.

Contemporary binding in half polished Havana calf, smooth spine decorated with gilt fillets, chain motifs and floral tools, saffron paper boards, marbled edges.

Joints split at foots and slightly at heads, a pleasant copy overall.

An important work by the renowned Austrian orientalist (1774–1856) devoted to ancient Persian poetry, containing a large number of extracts translated into German and an extensive index.

The work, dedicated to the great French orientalist Silvestre de Sacy, was carefully printed in Gothic type; the Persian translations are presented in two columns.

A handsome, large-margined copy in a period binding.

First edition of this very rare memorandum advocating the establishment of a Chair of Natural Law at the Collège d’Autun (entrusted to the lawyer Bouheret).

No copies recorded in either CCFr or WorldCat.

The authors of this Dijon-printed text, mindful of their educational mission, examine the Utility of Natural Law from several perspectives—Religion, Government, and the various orders of society. They refer to Abbé Gédouin and his Dissertation sur l’éducation, to Mably’s Entretiens de Phocion, and to La Chalotais’s Essai d’Éducation nationale ou Plan d’études pour la jeunesse, both published the previous year. Burlamaqui’s Principes du droit naturel et politique (1694–1748), likewise issued posthumously at the same period, are mentioned, as are Cumberland’s Loix naturelles, translated in 1744, whose theses—close to Pufendorf and refuting Hobbes—reinforce the authors’ position. Printed in Dijon, this work reflects the depth and importance of the contemporary debate on natural law, a principle central to the Physiocrats, whose theories would shortly be developed and formulated by Quesnay in his celebrated Physiocratie ou constitution naturelle du Gouvernement le plus avantageux (Leiden and Paris, 1767–1768).

A handsome copy, as issued, preserved in its original plain temporary wrappers, with small tears to the spine.

First edition, illustrated with four plates, including a folding world map (cf. Sinkankas 3466; Agassiz III, 370).

Full fawn calf, spine with five slender raised bands, gilt-tooled compartments with occasionally softened floral tools, rubbed gilt headcaps, brown morocco lettering-piece, marbled endpapers and pastedowns, gilt dentelle framing the pastedowns, gilt fillets to board edges, marbled edges, contemporary binding.

Repairs to the spine, one joint split at head and foot, browning along the board margins with surface scratches, scattered foxing, a waterstain at the head of all leaves.

A noteworthy treatise devoted to yellow amber and above all to ambergris, the fragrant substance derived from the intestinal concretions of sperm whales which, once expelled, float on the surface of the sea and yield a highly prized perfume.

The plates depict a frog and a lizard embedded in amber, a world map (Africa, Europe, Asia and part of the Southern Lands), figures collecting bird droppings, and various animals.

"This book commonly appears in bibliographies on amber when in fact it is about ambergris, but Klobius examines both substances and notes their differences on p. 26-9. One of the plates shows a frog and a lizard imbedded in amber, both of which are fakes" [Sinkankas].

On the title-page, a distinguished manuscript ex-libris in black ink

First edition on vélin d'Angoulême (laid paper), complete with all six condemned pieces, with the usual typographical errors.
Contemporary red half sheepskin binding, spine with four raised bands framed in gilt adorned with gilt fleurons, red percaline boards,  marbled endpapers , speckled edges.

Rare first edition comprising a fine suite of 40 two-tone lithographs by Yuko Watanabe depicting Japanese types, scenes of traditional life, costumes, and more: Ronin, hara-kiri, samurai, the attack on Shogun Nobunaga, a geisha’s visit, young women paying a call, a game of go...

Not in Colas, nor Hiler & Hiler; lacking from the Bn; not in Nipponalia or Cordier. Wenckstern, I, p. 228 (gives the Yokohama address, undated, and mentions two volumes, the second—of which no trace could be found—containing 25 plates).

Bound in full beige cloth, smooth spine without lettering, lithograph mounted on the upper cover; twentieth-century binding.

Minor tears affecting three remargined plates and the final leaf (backed); a few small spots of foxing; small green ink stain touching most of the prints in the margin only, not affecting the image.

First edition, illustrated with woodcut armorial bearings at the head of the first page of text.

Description of the equestrian procession that accompanied through Rome the new Roman senator, Count Nils Bielke (1706–1765), a Swedish knight, chamberlain to the King of Sweden and papal chamberlain following his recent conversion to Catholicism.

The text gives a detailed account of the sumptuous costumes worn by the participants and of the various decorative settings. It concludes with the names and titles of all those who took part in the procession.

Ink annotations at the head of the final page.

Our copy is preserved in its original wrappers, now protected by modern plain paper covers.

A rare and attractive copy.

First edition of this offprint of great rarity.

Not listed in Musset-Pathay. Only two copies recorded in the Catalogue Collectif de France (Institut and Orléans).

Our copy is presented in a modern temporary wrapper made to resemble old paper.

Wine and cherry brandy, homemade kirschen-vasser, gin, juniper wine, poor man’s wine, currant wine, raisin and other dried fruit wines, etc.

First edition of the French translation by Jean Mourier.

Only one copy listed in the CCF (BULAC).

Full burgundy cloth binding, smooth spine with gilt lettering running lengthwise, pink paper pastedowns and endpapers, a modest modern binding.

Some light, insignificant foxing.

Very rare work tracing the origins of the Kingdom of Georgia up to the introduction of Christianity.

Rare and sought-after first edition.
 
Half-black shagreen binding, spine in four compartments, marbled paper boards, pebbled endpapers and pastedowns, speckled edges, contemporary binding.
Some occasional light foxing as usual.
 
Rare copy in strictly contemporary binding.

Rare first edition illustrated with 31 figures in the text.

Contemporary half blond calf, the spine slightly sunned, with five raised bands decorated with gilt and black fillets, fawn morocco lettering-piece, marbled paper sides, comb-marbled endpapers and pastedowns, sprinkled comb-marbled edges.

Christophe-Edouard Mauss (1829–1914), architect to the Ministry of Foreign Affairs, undertook several archaeological missions in the Levant (Salonika, Smyrna, Alexandria) before being sent by the French government to Jerusalem (1862–1874) to restore the Church of Saint Anne.

He was also deeply interested in ancient metrology, on which he wrote several monographs (the final section of the present work provides a notable example).

Our copy is enriched with a substantial autograph contribution by Christophe-Edouard Mauss, mounted on a guard at the front of the volume and addressed to the archaeologist Alban-Emmanuel Guillaume-Rey (1837–1916), a specialist in medieval Syria: Note pour Mr. Rey sur le stade philéterien de 159 m 963,428 ([9] unnumbered ll., unbound, written on one side only, in a medium and very legible hand). This is an early version of an article supplementing the present work and published in 1894 under the title: Note additionnelle sur le stade de 159 m 963 et sur les mesures philétériennes.

Very rare first edition.

Only three copies recorded in the CCF (BnF, Sainte-Geneviève, CNAM).

Half blond calf, spine lightly sunned, with five raised bands decorated with gilt and black fillets, tan morocco lettering-piece, marbled paper boards, comb-marbled endpapers and pastedowns, mottled comb-marbled edges, original front wrapper preserved; contemporary binding.

The architect of the French Ministry of Foreign Affairs, Christophe-Edouard Mauss (1829–1914), undertook several archaeological missions in the Levant (Salonika, Smyrna, Alexandria) before being sent by the French government to Jerusalem (1862–1874) to restore the Church of Saint Anne. He also developed a keen interest in ancient metrology, on which he produced several monographs (including this one).

Bound after it, by the same author: 

 I. La Pile de Charlemagne et le Sâ du prophète. Le pied d'Egypte et le ratl de Bagdad. Les poids français comparés aux poids anglais. Le ratl wâfy du Musée égyptien du Louvre. Paris, Ernest Leroux, 1897, 2 ff.n.ch., 79 pp.

II. Loi de la numismatique musulmane. Classement par séries et par ordre de poids des monnaies arabes du Cabinet des médailles de Paris. Paris, Ernest Leroux, 1898, 2 ff.n.ch., VIII pp., 48 pp.

At the head of each fascicle, an autograph presentation inscription from Christophe-Edouard Mauss to the archaeologist Alban-Emmanuel Guillaume-Rey (1837–1916).

First edition, illustrated with in-text vignettes (cf. Vicaire 733; Bitting 391; Cagle 273; NUC: only 2 copies listed. Not in Oberlé, "Fastes").

At the CCF, copies only at the BnF and Sainte-Geneviève.

Contemporary half green sheep binding, spine darkened and faded, decorated with triple blind fillets, marbled paper boards, endpapers and pastedowns, speckled edges.

"Une des particularités de ce traité culinaire, c'est qu'il est 'dédié à la Sainte Vierge, mère de Dieu'" [Vicaire].

Another distinctive feature is that the work, divided into 1,187 paragraphs, exemplifies a scientific method and clarity worthy of a publication by Baillière.

Manuscript ownership inscription at the foot of the title page, occasional foxing.

Reculet (as stated on the title page) was “cook to Madame la comtesse d’Auteroche and Madame la marquise de Courtarvelle at the châteaux of Touchaillon and Lierville.” Which, however, hardly explains why the Virgin Mary should be the dedicatee of a work “qui traite d'une science à laquelle la décence convient si bien” [sic]. Rare and curious.

First edition, one of 45 numbered copies on Holland paper, the deluxe issue.

Full chocolate-brown morocco binding, spine with five raised bands framed with black fillets, date gilt at foot, gilt rolls on the caps, marbled paper endpapers and doublures, gilt double fillet borders on the doublures, gilt fillets along the edges, original wrappers and spine preserved, all edges gilt, slipcase edged with matching chocolate morocco, sides in marbled paper, interior lined with grey felt. A splendid binding signed by Semet & Plumelle.

A very handsome copy, perfectly bound in full morocco by Semet & Plumelle.

Second illustrated edition, with five plates, including one hand-coloured, one partly coloured, and one aquatint (cf. Sinkankas 4286; Borba de Moraes 542; not in Sabin).

Half beige sheep binding, smooth spine with some rubbing, marbled paper boards, marbled endpapers and pastedowns; modern binding signed Houdart.

Some light foxing; numerical notes in the upper right corner of the half-title.

An interesting work, largely devoted to the diamonds of Brazil.

First published in 1813 and reprinted in 1815, this edition—despite the statement on the title page—would thus be the third rather than the second (cf. Borba de Moraes). “Largely concerns Brazilian diamonds and their comparison with stones found elsewhere” (Maggs).

The plates depict: “Colored Stones” (hand-coloured frontispiece), “Peculiar Diamonds” (partly coloured), various types of diamonds (black plates nos. I and II), and “Diamond cutter [and] Diamond polisher” (two aquatint vignettes).

Very rare first edition of this address delivered on the seventy-eighth anniversary of the Declaration of Independence.

No copy listed in the CCF. Not in Sabin.

Rear wrapper missing, a few minor marginal foxings.

Born in Pennsylvania, David Lawrence Gregg (1819–1868) was appointed by President Franklin Pierce to negotiate the annexation of the Kingdom of Hawaii with King Kamehameha III, a mission that ultimately failed. The king died on December 15, 1854, and the attempts to integrate Hawaii into the United States were abandoned by his successor, Kamehameha IV.

First and only edition of the author's sole work.

Adorned with a fine engraved portrait of Jacques-Nicolas Colbert (1655–1707), youngest son of the minister and Archbishop of Carthage, to whom the book is dedicated.

Bound in full red morocco, spine with five raised bands, richly gilt compartments decorated with gilt fleurs-de-lys, gilt fillets, and Du Seuil-style panels on the covers; gilt tooling to headcaps and board edges, all edges gilt. Contemporary binding.

Some foxing, small wormholes at head and foot of spine, three black spots at the head of the upper cover.

Provenance: from the library of Alfred Massé (1911–1951), Radical-Socialist deputy for Nièvre under the Third Republic, with his bookplate.

Monogram stamps on the title page.

First edition of this very rare legal memorandum, most likely printed for limited circulation. The former deputy and Bordeaux merchant Laffon de Ladébat (1746–1829), compelled to return to private life due to Napoleon’s enduring hostility, had been appointed to preside over the liquidation committee of the Banque Territoriale, established in July 1799, which faced insolvency in May 1803 following the Banque de France’s refusal to rediscount bills amounting to 255,000 francs.

No copies recorded in the CCF. Not listed in INED.

Our copy is preserved in its original temporary marbled-paper wrappers, modern but faithful to the period style.

Scattered foxing.

First edition of the French translation, based on the sixth English edition.

Copies listed in the CCF only at the BnF, Dijon, and Rouen libraries.

Our copy is preserved in its original state, in contemporary marbled paper wrappers.

The only edition of this curious political pamphlet, seemingly without any real connection to an English original, which proposes to reorganize Europe through joint—particularly military—control by the four principal continental powers (Austria, France, Spain, and Prussia) over all the others, in order to ensure peace and balance across the continent.

These prophetic, if still utopian, reflections are preceded by an analysis of Europe’s situation since the Seven Years’ War.

First edition, one of 40 numbered copies on Ingres paper, deluxe issue.

A fine copy.

A collection of extremely rare prospectuses, prefaces, prolegomena, and appendices to a monumental work of political and economic philosophy by the Le Havre lawyer J.-B.-J. L'Aignel (1741-1806), former mayor of Le Havre.

The work was intended to be published in several volumes, but illness prevented the author from completing it.

Contemporary full marbled calf binding, spine with five raised bands ruled in gilt (partly faded) and decorated with double gilt compartments, black morocco title labels, gilt fillet borders on the edges (partly rubbed), red edges.

Worming in the lower margin of the final section, not affecting the text; small restorations to the boards.

Printed in Le Havre or nearby Montivilliers, these pieces were meant to be issued separately and have very rarely survived (Frère knew of only three).

The present copy was assembled by the author himself and is one of the two most complete known, along with the copy held by the Bibliothèque municipale du Havre (although with slightly different contents): 1) Souscriptions proposées au public par le jurisconsulte L'Aignel… Pour ses deux Ouvrages intitulés : le premier, les Loix commerciales : le deuxième, la France commerçante. 1er Avril 1797. 4 pp. 2) Loix commerciales et France commerçante. Adresse Aux deux Conseils du Corps Législatif. 1er Avril 1797. 12 pp. (Lechevalier, Biblio. arr. du Havre, 4698) 3) Discours historique sur le commerce (par Savary). 44 pp. (Lechevalier 4699) 4) Discours sur la navigation (par L'Aignel). 71 pp. (Lechevalier 4697) 5) Les Phares de Normandie et du Havre, Allumés à l’avènement de Louis XVI (par L'Aignel); Ode… Présentée à Sa Majesté étant aux Phares du Havre, le 28 Juin 1786. 8 pp. (Frère II 133, Lechevalier 1496) 6) Les Livres XX, XXI & XXII, de l'Esprit des Loix Par Montesquieu : Relatifs au Commerce, Considéré comme une des bases de l'Ordre Social. Montivilliers, Imprimerie des Administrations municipales, s.d. 112 et 6 pp. (Lechevalier 4700) 7) Analyse satyrique de l'Esprit des loix Par M. de Bonneval. 1 f.n.ch. 8) L'Ordre Social. Prospectus. - L'Ordre Social, Propre à tout Gouvernement quelqu'il soit, républicain ou Monarchique; distribué en neuf Législations proposées : précédé de l'Examen des loix hébraïques, romaines, françaises, et autres, tant anciennes que modernes… Par le Jurisconsulte l'Aignel,… Au Havre, Chez l'Auteur, de l'imprimerie de Patry, (1795). 1 f.n.ch. et 27 pp. (Frère II 134, Lechevalier 4690: autre éd. en 24 pp.?) 9) La Confédération générale de l'Europe : ou Extrait du projet de paix perpétuelle de l'abbé de Saint-Pierre. Montivilliers, de l'Imprimerie du District (vers 1796). 15 pp. (Lechevalier 4700 (2)) 10) L'Ordre social, propre à tout gouvernement, Et distribué en neuf Législations …Par le Jurisconsulte l'Aignel,… S.l., (1795). 4 pp. 11) Les Pairies populaires et leurs assemblées Proposées par le Jurisconsulte l'Aignel… S.l., (1796). 20 pp. (Lechevalier 4696) 12) Le Comice patriotique et universel. Au Havre, de l'Impr. de Le Picquier, (vers 1795). 23 pp. (Frère II 134, Lechevalier 4693) 13) Les Hospices, Ci-devant dits Hôpitaux, Aumôneries, Maladreries, Léproseries, Hôtels ou Maisons-Dieu. S.l. (vers 1795). 32 pp. (Lechevalier 4695: autre éd. en 32 pp.?) 14) Les Tributs directs et fixés. Observation préliminaire. Au Havre, de l'Impr. de Le Picquier (vers 1795). 27 pp. (Lechevalier 4694) 15) L'Appendice de la France commerçante en 1789 Par le Jurisconsulte l'Aignel… Au Havre, chez l'Auteur, de l'Imprimerie de Patry, (1796). 2 ff.n.ch., 4 pp. 16) Le Spectacle de la France, lors de la convocation des États Généraux en 1789. S.l., (1796). xij pp. 17) Remarques particulières sur le gouvernement français Par le Président Hénault. Montivilliers, de l'Imprimerie des Administrations municipales, (vers 1795-1796). 54 pp. (Lechevalier 4700 (3)) 18) Histoire sommaire du droit français Par Gabriel Argou,… Montivilliers, de l'Imprimerie du District, (vers 1795-1796). 56 pp. (Lechevalier 4700 (4)) 19) Le Spectacle de la France, lors de la convocation des États Généraux en 1789. S.l. (vers 1795). 107 pp. (Lechevalier 4688) 20) Commerce général de la France en 1789 S.l.n.d. 23 pp. (Lechevalier 4691) 21) Salines et sel, Particulièrement en France S.l.n.d. 44 pp. (Lechevalier 4692). L'Aignel affixed to the front flyleaf an in-8 printed leaf containing two of his poems in honor of the First Consul and Josephine during their official visit to Le Havre on 15 Brumaire Year XI (6 November 1802).

This copy remained in the author’s family until his grandson René, also a lawyer in Le Havre, presented it on 6 November 1882 to a certain E. Seguin, as indicated by a pencil note on the front pastedown.

First edition of the thesis presented by Paul Bert to the Faculty of Sciences in Paris in fulfilment of the requirements for the degree of Doctor of Natural Sciences.

Illustrated with two lithographed plates at the end of the volume.

Some occasional foxing.

Contemporary half red morocco-grained shagreen binding, smooth spine decorated with gilt floral tools, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved (rear cover restored with an adhesive patch), modern binding.

Rare biological thesis by Paul Bert (1833–1886), who was a physician, physiologist, educator, and above all a committed republican politician.

Inscribed and signed by Paul Bert at the head of the title page, addressed to Dr. Comol.

Rare first edition of the French translation, illustrated with 12 double-page plates mounted on guards. (Not in Ferguson.)

Contemporary soft pink paper boards, spine renewed, with a small stain and some paper losses to the covers.

Johann Bartholomäus Trommsdorff (1770–1837), a disciple of Buchholz, was professor of chemistry and physics at Erfurt, but is generally regarded in Germany as a pharmacist. Throughout his career, he sought to establish pharmacology on the foundations of pure chemistry. The translator, Philippe-Xavier Leschevin de Précour (1771–1814), a brilliant young chemist, died prematurely while serving as chief commissioner of powders and saltpetre in Dijon.

A pleasant and uncommon copy.

First edition illustrated with a copper-engraved plate (showing some dampstains) from the second part of this brief communication, which served as an invitation to the public meeting of the Imperial Society of Naturalists of Moscow.

According to the CCF, only the Natural History Museum holds all three parts, published respectively in 1809, 1810, and 1811.

Very rare copy preserved in its original stitched wrappers with the printed pink cover.

Covers slightly discoloured and foxed at the margins, two dampstains affecting the lower edge throughout. Manuscript notes at the head of the front wrapper identifying the author and title.

The Saxon naturalist Fischer von Waldheim (1771–1853) was, in 1805, the founder of the Imperial Society of Naturalists of Moscow, whose aim was to promote the study of natural history in Russia—a society still active today under a different name.

He worked across all fields of natural history, carrying out extensive research on the classification of invertebrates, and published Entomographia Imperii Rossici, issued between 1820 and 1851.

He also studied fossils in the region of Moscow, as well as molluscs and other marine organisms.

Copy from the library of the French naturalist André-Constant Duméril (1774–1860), with his handwritten ex-libris at the lower right corner of the front cover.

Very rare document on the so-called "Eau de Cologne," illustrated with a headpiece depicting the city of Cologne.

Written by Giovanni Antonio Farina (1718–1787), one of the heirs and successors of the inventor of the famous lotion, the Italian perfumer Giovanni Paolo Feminis (1660–1736), who had settled in Cologne.

Jean-Antoine Farina would later transmit the formula to his descendants, the last of whom, Jean-Marie Farina (1785–1864), successfully marketed the celebrated water during the first half of the 19th century.

This pamphlet details the various medicinal applications of Eau de Cologne (the names of the ailments are printed in capitals). "Il y a environ un siècle que cette Eau a été inventée et composée par le Sr. Paul Feminis, Italien, et ancien Distillateur à Cologne, et qu'elle est en grande réputation dans toute l'Europe. On ne peut donner à cette Eau tout l'éloge qu'elle mérite : ses vertus sont au dessus de tout ce qu'on peut en dire, et l'expérience constante qu'on en a par les effets surprenans que dans une infinité de Maladies elle opère continuellement, sur toutes les Personnes, de quelque sexe et âge qu'elles soient, en est une preuve si convaincante, que c'est à juste titre qu'on lui donne le nom d'admirable".

Rare first edition with bilingual text (French with facing Italian translation).

Our copy is preserved in its original state, uncut and unbound in temporary dominoté paper wrappers (with pen and black ink accounts and trials on the verso of the second cover). Minor foxing.

Only one copy recorded in the CCF (Avignon). Not listed in Starace.

A very rare collection documenting a little-known aspect of the famous "Miot decrees", which have given rise to much commentary, though only concerning their fiscal and customs provisions.

The regulatory activity of this unflinching State official extended into many other areas. When he disembarked from the Hirondelle on 25 March 1801 in Bastia, it was the second mission undertaken by Miot (1762–1841) in Corsica to implement continental legislation (the first had taken place in 1796–1797).

Settled in Ajaccio in the Bonaparte house, he exceptionally held full military, administrative, and judicial powers, tasked with bringing, as far as possible, the islanders under the French legal system, the constitutional regime having been temporarily suspended on the island by the First Consul.

The task was far from easy, hampered by numerous personal oppositions, and until his departure on 14 September 1802, he was often compelled to adapt the legal requirements to local customs and institutions.

First edition, illustrated on the title page with a small woodcut showing a bull and a mounted horseman charging, and at the end of the volume with a curious wood-engraved vignette depicting the poet (wearing spectacles) and his muse.

Rare and engaging bullfighting pamphlet containing a verse account of a mounted bullfight held in Lisbon on 26 September 1752.

Pleasing copy preserved in its original sewing with later plain marbled paper wrappers.