Ecology: Words of the World

The second édition originale on ordinary paper. Fifteen hundred copies had been printed, plus 4 on chine paper, a few copies on hollande and on vélin.
Complete with the portrait of the author by Félix Bracquemond (often missing), here in first state on papier chine pasted on the page (before letters, i.e. “L'Artiste” on top of the portrait).
Orange half cloth Bradel binding, smooth spine double ruled in gilt, gilt date at foot, slightly scratched brown shagreen title-label, marbled paper boards, slightly later 19th-century binding.

Mistakenly considered as “partly original”, this edition was entirely revise

First edition of the French translation, one of 75 numbered copies on Rives laid paper, the deluxe issue.
A fine copy.

First edition.

Half brown shagreen binding ca 1860. Jansenist spine with raised bands. Gilt title. Rubbing to corners. Good copy.
Treatise on animal magnetism by a disciple of Mesmer. Demonstrations and proofs. The work concludes with considerations on the movement by the Marquis de Chastellux.

Collection of documents formed of 33 original contemporary silver halide print photographs, a reproduction of a press clipping from La Voix du Nord and three mimeographed technical plans, united in a black binder with a label with the inscription «Production Report «press» – press-forming of the ½ spheres of Ct Cousteau's diving saucer – February 1964.» Handwritten title page.
Signed, handwritten presentation: «Avec les amitiés du reporter photographe Wallemme Raoul» «With love from the photojournalist Wallemme Raoul.»
Very beautiful and unique collection, testifying to the genius of the making of the Deep Star 4000, a diving saucer invented by Comm

Rare first edition of the catalogue of the first exhibition of Benjamin Rabier's watercolors, showing 41 works at the Galerie d'art Deplanche from 8 June to 4 July 1910.
A very good copy despite slight staining to edge of upper cover.
An important and amusing preface by Guillaume Apollinaire who awards Rabier the prize for the "most spiritual of our animal painters."
The catalogue is illustrated with a reproduction of one original watercolor by Benjamin Rabier on the cover.

First edition, one of 15 numbered copies on Hollande Van Gelder paper and signed with the publisher's initials.
Full green morocco, the spine in five compartments, the first cover inlayed with a large and superb plate by Marguerite Lecreux of a horn sculpted in Cameo, featuring a sailboat with its sails unfurled, on the calm sea appears an engraved silverfish set under the plate of the horn and visible in transparency, pastedown in silk decorated with a submarine pattern (coral, jellyfish, starfishes and algae) framed in morocco embellished with quintuple gilt fillets, endpages of iridescence cloth, the following pages in marbled paper, the headband highlighted with a

Second edition, illustrated with two musical plates (examples of tunes that can be taught to canaries) and one depicting cages.

Contemporary binding in full speckled brown sheep. Ornate spine with raised bands. Red morocco title label. Joints cracked at head and foot. Corners bumped and rubbed. Scuffing. Scattered foxing. Yellow dampstain on the first six leaves.

Treatise and manual on breeding Canary birds in captivity: feeding, nesting, care, prices, varieties... These aviary birds were particularly appreciated for their beauty, colors and song.