Paris

First edition printed on Hollande.
Couvertures illustrées, frontispices by F. Besnier.small manques to head du premier volume, Some Light foxing on certains volumes, otherwise a rare and a good complete set.

New edition, corrected and augmented.
Half glazed caramel calf bindings, later (1850). Spine with raised bands, decorated. Red morocco title-label and brown morocco volume labels. Handsome set. Excellent condition.
Series of humorous and satirical tales of daily life. The first edition of Contes à rire appeared in 1681 (2 parts in one volume), a third volume appeared in 1762, a fourth volume was added for this edition.

Original etching before letters heightened with aquatint.
Created on laid paper at the request of publisher A. QUANTIN to illustrate La Fontaine's fable: "The Lark and her Young Ones, with the Master of a Field".
Very fine condition, presented in a modern black mat and protected by tissue guard.
Auguste Delierre (1829-1891) is referenced thus in Bénézit, dictionary of painters, sculptors, draughtsmen and engravers: "history painter, genre scenes, animated landscapes, still lifes, illustrator. Student of Eugène Ciceri, he participated in the Paris Salon between 1852 and 1889. His compositions of landscapes animated with hunting dogs show the influence of works by Desportes and Oudry which he long copied. He moreover shows a predilection for still lifes. He also illustrated La Fontaine's Fables." Alain-Marie Bassy in his book "Les Fables de La Fontaine, quatre siècles d'illustration" ["La Fontaine's Fables, Four Centuries of Illustration"] analyzes his style for the representation of fables: "S'il recherche le même angle de vue sur l'animal que Gustave Doré, il écarte tout sens de l'effroi. L'oiseau blessé d'une flèche n'est plus un grand oiseau migrateur mais la caille délicieusement colorée des natures mortes. [...]Devant [les animaux au milieu desquels nous vivons], l'œil de Delierre est aussi froid que celui d'un entomologiste. L'art de la fable devient chez lui le plus bel exemple de naturalisme pictural." ["If he seeks the same angle of view on the animal as Gustave Doré, he dismisses all sense of fear. The bird wounded by an arrow is no longer a large migratory bird but the deliciously colored quail of still lifes. [...] Before [the animals among which we live], Delierre's eye is as cold as that of an entomologist. The art of the fable becomes in his work the finest example of pictorial naturalism."] A deluxe edition in two volumes: Fables de La Fontaine. Edition illustrée de 75 planches à l'eau-forte par A. Delierre, Paris, Quantin, 1883, is catalogued at the Bibliothèque Nationale. The etchings of the fables are before letters and enclosed in handsome Louis XVI frames."

First edition, one of 1050 copies numbered on alfa.
With a frontispiece portrait of the author by Francis Picabia, illustrated cover by Franz Masereel.
Spine very slightly faded, otherwise a good copy, almost without foxing.

First edition, one of 50 numbered copies on Japan paper, the only deluxe copies.
A fine copy.

First edition, one of 109 numbered copies on Lafuma Navarre and re-imposed in Tellière quarto format, tirage de tête.
Small traces of adhesive paper to head and foot of endpapers, spine slightly faded, a small stain in the margin of half-title page, otherwise internally good.