Correspondance Tome I : 1704-1738
Publisher's binding in full blue grained sheep, smooth spine decorated with gilt fillets, complete with dust jacket and cellophane wrapper.
Do you have information to share about this place of publication?
New edition. Printed in italics. Title page within a Renaissance engraved border.
Full red morocco binding, 18th century. Spine with raised bands richly decorated with small tools. Dotted fillet border on covers with corner tools and small tools. Decorative gilt board-edges. Edges gilt. Rubbing to joints and corners. Handsome contemporary binding. Fine copy.
The Pharsalia or Civil Wars (between Pompey and Caesar) is the only preserved work by Lucan, an unfinished epic poem in ten cantos.
First edition. One title-frontispiece.
Contemporary full red morocco binding à la Du Seuil. Spine with raised bands richly decorated. Gilt title. Covers decorated with a central frame of three fillets and a dotted fillet, with corner tools; second frame similar to the first with small angular tools. Lacking the two endpapers pasted down on the first and last leaves. Very handsome copy.
Antoine Godeau (1605-1672), Bishop of Grasse, poet and exegete, from the moment he became a priest (March 16, 1636) then bishop appointed by Richelieu, Godeau abandoned literature and turned to religious writings. He is the author of several paraphrases, notably on the famous psalms of David, the epistles of Saint Paul...
First edition.
Full aubergine morocco binding, late 19th century, signed by Chambrolle-Duru. Jansenist spine with raised bands. Rich decorative gilt board-edges. All edges gilt. Spine uniformly faded to dark green. A handsome copy, nevertheless.
Sermons by one who was considered the greatest preacher of his time. The sermons went through many editions and were widely read in the 19th century.
First edition of the French translation established by mademoiselle R. du Puget.
Half navy blue shagreen binding, spine with five raised bands set with black fillets decorated with double black compartments at whose centers the gilt monogram of the great bibliophile Roger de Cormenin is repeated five times, joints lightly rubbed at head and foot, marbled paper boards, marbled endpapers and pastedowns, a slight nick to one leading edge, speckled edges.
Some foxing.
Provenance: from the library of Roger de Cormenin, son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert.