Handsome copy retaining publisher's wraparound band: "Prix Goncourt 2016."
Autograph inscription dated and signed by Leïla Slimani: "A Gilbert, un conte pour grands enfants." ("To Gilbert, a tale for grown children.")
First edition, one of 41 numbered copies on Hollande paper, from the deluxe issue.
Contemporary half black morocco binding, smooth spine, wood-effect paper boards, marbled paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, other edges untrimmed, binding signed L. Bergeron.
A fine copy.
First edition illustrated by Myrbach with plates, headpieces and vignettes, from the Guillaume and Lemerre collection.
Contemporary half grey morocco binding with corners. Slipcase with morocco entry and covered with peacock-eye paper. Original wrappers preserved, lacking spine. Spine with 4 raised bands in Jansenist style. Top edge gilt. Uncut paper, with wide margins, fresh paper, free from foxing. Light rubbing to slipcase.
Very handsome copy.
After "Mon frère Yves" and "Pêcheur d'Islande", "Matelot" completes, in 1893, Pierre Loti's trilogy of sea novels and recounts the adventures of Jean Berny who, after failing the Naval Academy entrance exam, enlists in the merchant marine as an ordinary sailor.
Exhibition catalogue listing 66 paintings by Félix Vallotton exhibited at the Druet gallery, 20, rue Royale in Paris, from 22 April to 3 May 1929.
Light worming to the first cover, otherwise a handsome copy.
Catalogue illustrated with 7 photographic reproductions of works by Félix Vallotton.
First edition, one of 120 numbered copies on laid paper, deluxe copy.
Handsome copy.
Complete set of 13 original lithographs by Eugène Delacroix, in first edition, first issue with the letter, one of 20 copies on Chine paper pasted on laid paper:
"It was originally printed in a few proofs on Chine, the format of which exceeds the square line by one or two centimeters. They are highly sought-after, even though they bear the letter" (Robaut).
Bound in the original publisher's brown half-shagreen binding, title gilt stamped on first board, original first cover wrapper preserved. Small restored tear to the margin of the wrapper over 5 cm, sunned spine, joints and corners rubbed, scattered foxing and a dampstain to the lower part of the laid paper on which the lithographs are pasted on, without affecting the lithographs themselves.
Exceptional and rare set of original lithographs by Eugène Delacroix on Chine paper, illustrating Shakespeare's masterpiece.
A cornerstone of Romantic art, this series was "made at M. Delacroix's personal expense. Only 80 copies were printed, 60 on blanc and 20 on chine, and these were sold out at the time of the author's death" (Henri Béraldi). It is now esteemed as Delacroix's most accomplished graphic undertaking, which took him more than ten years to achieve and generally considered to be one of the first modern livres de peintre.
First edition of this rare and fragile advertising object for the Galeries Lafayette consisting of 47 cardboard pieces with a medallion illustration designed by Jack Roberts and a children's song of four verses.
Handsome copy complete with its original crystal paper envelope.
New edition following the original of 1573. A handsome edition well printed in italics. It contains the Christian poetry, absent from the 1600 edition. Copy enhanced with a portrait of the author from around 1820.
Full glazed blonde calf Restoration binding signed at foot F. Bozérian jeune. Spine with raised bands decorated with 5 fleurons, fillets and roulettes on the bands. Date at foot in blind. Boards ruled in blind with frame roulette composed of interlaced circles. Interior Greek key border. Edges gilt. A small fragment missing from head. Some traces of rubbing. Paper very fresh, the engraving has caused slight uniform foxing on the title page. A handsome copy.
The volume contains: Les amours de Diane; Les amours d'Hippolyte; Les dernières amours de Cléonice; Les Elégies; Les imitations de l'Arioste; Les meslanges contenant Les diverses amours, les bergeries et masquarades, les épitaphes, les prières et oeuvres chrétiennes.
Desportes' poetry was durably influenced and shaped by Italian literature. The author indeed returns to France after a journey to Italy where he underwent the influence of Petrarch - his first poems are moreover criticized as neo-Petrarchan. His first book appeared in a collective collection and gathered his poetry imitated from Ariosto. His clear, frank, mannerist and refined poetry, court poetry, eclipsed that of Ronsard at the court of Henri III. It was in turn criticized and replaced by that of Malherbe. Desportes' literature nonetheless constitutes an important aspect of Renaissance poetry.
First edition.
Half blue morocco shagreen, smooth spine, gilt date at foot of spine, marbled paper boards, contemporary binding.
Exceptionally inscribed by Emile Zola to the playwright and opera librettist Ludovic Halévy, with the autograph signatures of Guy de Maupassant, Joris-Karl Huysmans, Léon Hennique, Paul Alexis and Henri Céard on the first flyleaf.
Provenances: from the libraries of Ludovic Halévy and Marcel Lecomte, with their bookplates on front pastedown.
Our copy also includes, on a flyleaf, an autograph note by Ludovic Halévy: "See a letter by Guy de Maupassant at the end of the volume. L.H. Inscribed by the six authors of the volume. Ludovic Halévy." (Voir une lettre de Guy de Maupassant à la fin du volume. L.H. Envoi autographe des six auteurs du volume. Ludovic Halévy).
The reproduction of the famous letter sent by Guy de Maupassant to Halévy in 1880 is pasted onto six additional leaves at the end of the volume. It bears Halévy's penned note at the beginning and end of the letter: "Cette lettre est de 1880 / 1880." (Cette lettre est de 1880 / 1880).
First edition. Illustrated with a lithograph showing sections and views of the Tain-Tournon bridge project, then under construction.
3/4 marbled roan binding, spine framed and decorated in gilt, red morocco title-piece, marbled paper boards, marbled paper endpapers and flyleaves. Spine, spine-ends and corners rubbed, contemporary binding signed by Stroobants.
Extremely rare pamphlet by Seguin on a prototype suspension bridge built over the Galore river at Saint-Vallier in Isère. It served as an experimental construction for the Tain-Tournon bridge, the world's first large suspension bridge invented by Seguin using metal wires.