Paris

First editions printed on laid paper.
Blue working binding.
This comprises the complete run for two full years, 1884 and 1885.

First edition, one of 150 numbered copies on Marais laid paper, the only deluxe copies.
Work illustrated with 75 black illustrations and a handsome colored cover.
Fine copy, retaining its deckled edges.

First edition, of which no deluxe copies were printed.
Small tears repaired to spine with very slight lack at head, some foxing, tear with lack to final endpaper not touching text.
Rare.

First edition, an advance (service de presse) copy, of which there were only 20 large paper copies.
Autograph inscription from Robert Poulet to Nathalie Clifford-Barney.

First edition.
From the series 'Le Faubourg Saint-Germain-Moscovite'.
A marginal lack to the first leaf of the first volume, tears reglued to the joints of both volumes, a corner lack to the rear board of the second volume, otherwise handsome copies free from foxing.

First edition printed in 750 copies, ours one of 658 numbered copies on Arches blanc paper.
Work illustrated with three wood engravings by J. Kéfalinos.
Handsome copy.

Second edition.
Light worming to the first cover, two small lacks to the spine, some interior foxing, one joint cracked.
Rare.

Edition préoriginale, one of rare numbered copies on pur fil paper, the only large paper copies.
Spine slightly sunned, otherwise a very good copy retaining the publisher's catalogue.

First edition of which there were no deluxe copies.
Half purple sheep binding, smooth spine decorated with two gilt fleurons, contemporary binding.
Handsome copy.

First edition, one of the rare author's copies on Holland paper, no mention is made of deluxe copies.
Autograph inscription signed by Paul Adam to Gustave Larroumet.
Handsome full-margined copy.

New edition.
Some slight foxing, otherwise a very good copy.

First edition.
This copy retains the portraits of Enfantin, Michel-Chevalier, Barrault and C. Duveyrier lithographed by Cals and Bénard after Cogniet.
A very good and rare copy, almost without foxing.

First edition in French.
Marginal spots to covers (slightly faded) otherwise a good copy.

First edition, one of 55 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy.

First edition.
A very good and rare copy.

First edition, one of the rare author's copies on Holland paper, no mention of deluxe copies is made.
Very fine full-page autograph inscription by the author.
Small stains of no consequence to boards, one marginal lack affecting the second board, otherwise handsome full-margined copy with some light foxing.

First edition, rare.
Full speckled brown calf binding, spine with raised bands decorated with 5 fleurons. Skillful contemporary pastiche of a period binding. Title page yellowed, light yellow dampstain on 30 pages in the middle of the work. One leaf missing, the last page of the preface. Handsome copy.
After having expounded the theory of excretory crisis among the ancients, and especially in Hippocrates, its founder, the author studies with the greatest circumspection the validity and pertinence of this medical thesis: do crises, linked to a form of excretion, that is a critical evacuation, cure the patient? Numerous case observations are added at the end of the work.

First edition of the French translation established by Bernard Derosne, no mention is made of deluxe copies.
Occasional light foxing, otherwise handsome copies.

New edition, this one being definitive.
Half sheep binding in caramel, smooth spine decorated with gilt fillets and rules, shagreen title-label.
Light foxing to edges, otherwise a handsome copy.

First edition printed on ordinary paper.
Publisher's full white cloth binding, smooth spine.
Fine full-page autograph inscription signed by Lucie Faure to Georges Simenon.
Handsome copy complete with dust jacket.

First edition, one of 100 numbered copies on Ingres paper, the only deluxe copies.
Respectful autograph inscription from the author, who ranks among the first bio-bibliographers of Georges Simenon, to the latter.
Minor stains of no consequence to the front cover, otherwise handsome copy.

First edition.
Half-shagreen binding in brown, spine with five raised bands showing some light rubbing, decorated with gilt fleurons, contemporary binding.
Gift inscription on the front endpaper, copy almost entirely free of foxing.
Rare.

First edition for which there were no large paper copies.
A very good and rare copy.

First edition on ordinary paper for the first and third volumes, one of the rare copies on vergé for the second.
Half black morocco, spine in six compartments, covers of first volume preserved, top edge gilt.
Numerous contributions, including from C. Mauclair, Saint-Pol-Roux, H. Rebell, R. de Gourmont, C. Morice, C.H. Hirsch, K. Boès, H. Mazel, among others.
Very good and rare copies nicely bound.

First edition of some parts, the first published in simplified orthography, with no mention of deluxe copies.
Handsome and rare copy.

First edition, of which there were no deluxe copies.
Bradel binding in sand half cloth, smooth spine, corners slightly bumped, contemporary binding.

First edition published in a small number of copies.
Bradel binding in blue half cloth, smooth spine, date and double gilt fillet at foot, garnet morocco title-label, contemporary binding.
Preface by Alexandre Dumas.

First edition.
An important lack to head of spine, internal foxing.

First edition in French, one of the numbered copies on Alfa paper, the only issue.
A handsome copy.

First edition on ordinary paper, only 15 deluxe copies were printed.
Autograph inscription signed by Dominique de Roux to André Bourin.
Handsome copy despite a slight tear without loss affecting the front cover.

First edition, one of 60 numbered copies on Holland paper, the only deluxe copies with 35 on Japan paper.
Autograph inscription by André Maurois below the justification page.
Illustrated cover, lacking at foot of spine, some foxing, a full-margined copy.

First edition, one of 170 numbered copies on pur fil, deluxe copies after 62 Madagascar.
Shadows on the endpapers.

Second edition, largely first edition, no mention is made of deluxe copies.
Two small lacks to head and foot of spine, dampstain and slight marginal lacks affecting the first cover, dampstain affecting the final leaves.
Rare.

First French edition, translated from Italian by M. Jansen (the work was indeed first published in Italian by Bodoni).
Near-contemporary full sheep bindings with smooth spines, bronze title and volume labels. Handsome copy.
The work begins with memoirs on the life and works of Mengs (1728-1779) by Chevalier d'Azara and a notice on Mengs's paintings, followed by the painter's treatises on painting, covering beauty, taste, technical aspects of painting as well as various celebrated painters (Raphael, Correggio, Titian). The preface contains a paragraph by Klopstock (the German editor) and Fuessli. Court painter to the King of Poland, he joined the Spanish court at the behest of Charles III, King of Spain; his paintings, quite early in the neoclassical taste (see his Cleopatra), secured him fame and wealth, and the writings he left on painting and the arts are marked by research and subtlety.

First edition on ordinary paper.
Nice autograph inscription from the author to Paul Morand.

Rare first edition of this roman à clef (catalogue of keys at the end of the work) printed by Marc-Michel Rey in Amsterdam.
Full brown speckled paper boards binding, late 18th or early 19th century.
« Cet ouvrage a été attribué à Crébillon fils, dont on retrouve l'anagramme dans le nom du prétendu voyageur », Quérard II, 454. but it was attributed to him in error, Crébillon being the author of the amours de Zéonizikul, roi des Kofirans, satire of the relations between Louis XV and Mme de Pompadour, this sequel was in fact written by M de la Baumelle (1726-1773 Laurent Angliviel de la)
Barbier I, 305.

First edition containing the complete first series except Volume III No. 1.
Bound in half fawn shagreen with corners, spines with four raised bands, volume dates inverted at foot of spine, covers and spines preserved, contemporary bindings.
Contributions by: E. de Goncourt "Une Passionnette" "Idées et Sensations d'un vieux civilisé", E. Monteil "Le Manuel d'Instruction laïque et la Critique", J.-K. Huysmans "La Genèse du Peintre" "Le Salon de 1884" "Un Dilemme", P. Verlaine "Les Amies" "Le Parnasse Contemporain" "La Pendule", S. Mallarmé "Sonnets", E. Hennequin "Les Romans d'Edmond de Goncourt" "J.-K. Huysmans", R. Caze "Fête de famille", E. Zola "Théâtre de Campagne", C. Lemonnier "Une Tentation de St-Antoine de Félicien Rops", A. Lefèvre "L'Univers et la Vie" "L'Intelligence", "Documents sur le marquis de Sade", "Lettres inédites de Vallès à M. Emile Gautier", M. M. de Goncourt "Un Daumier", J. Christophe "Duranty"
Extremely rare set for the head of a collection.

First edition.
Bound in half black shagreen, second half of the 19th century, with title along the spine. Smooth spine.
A sort of satirical pamphlet denouncing French refugees abroad and particularly in London, who hide from French justice with complete impunity, in the form of a narrative. Interesting historical information, it is also an inflammatory work on justice and freedom.
'Pierre Le Roux' is the Marquis de Pelleport. Cf. Quérard, IV, p. 395, BN, v. 85, col. 960.

First edition, one of 1000 copies on laid paper, the only issue with 25 on Japan paper.
Work illustrated with a frontispiece reproduction of the Frédéric Brou monument.
Handsome copy.

First collected edition of this selction of text choosen by Suzy Leparc, one of 10 numbered copies on Japan paper, the tirage de tête.
A very good copy.

Second edition.
Spine cracked with a tiny lack at head, foxing to boards, light spotting to interior.
Rare.

First edition.
Bradel binding in half sea-green cardboard with corners, smooth spine decorated with gilt floral motif, date at foot, brown shagreen title-label showing traces of wear, covers and spine preserved, contemporary binding signed by Poulnays.
With frontispiece portrait of the author, illustrated cover.
Worming and shadows on binding endpapers, copy almost entirely free of foxing.

New edition after the first edition of 1570 (privilege of 1572), the summary history of the counts of Anjou has its own title page. The edition includes a portrait of the author. Although this book was reprinted several times, the 16th-century editions are now quite uncommon. 4th edition 'of a work that was very successful and is still worth consulting.' Brunet II, 1612.
Contemporary full brown sheep binding from the first half of the 19th century, spine with raised bands, fillets and date at foot. Copy trimmed short.
Bernard de Girard (1535-1610) was born and died in Bordeaux, after having been secretary to François de Noailles and having made himself known as a poet and historian, he was appointed by Charles IX in 1571 as historiographer of France, then genealogist of the order of the Holy Spirit by Henri III. He was the first French writer to have composed a body of national history, and if he adopted certain fables, he rejected numerous generally accepted traditions.

Second edition.
Half navy blue shagreen binding, spine with four raised bands decorated with gilt floral motifs. About Guizot, L. Ratisbonne, M. de Falloux, poetry and poets in 1855, M. Brizeux, Maxime du Camp...
Handsome and interesting work.

First edition.
Half sheep binding in cherry red, spine with four raised bands showing traces of rubbing, decorated with blind-tooled compartments.
Fresh interior, rare.

New edition. Half tanned sheep binding, smooth spine decorated with gilt fillets, red shagreen title-label, traces of rubbing to joints, contemporary binding. Copy almost free of foxing.

First edition, one of 50 numbered copies on vergé américain, the only large paper copies.
A rare and very good copy.

Elzevirian edition with some parts of the text in first edition.
Full black paper boards binding, spine in four compartments decorated with gilt compartments and gilt fillets, two small tears without loss to joints, boards with blind frames, top and edges gilt.
Handsome copy almost free from foxing.

First edition.
Bradel binding in full boards, smooth spine faded, shagreen title-label, original wrappers preserved, headcaps rubbed.
Headcap torn.
Work preceded by an introduction on the temporal power of the Pope and followed by considerations on the future of Italy.
Scattered foxing.

First edition printed on ordinary paper.
Autograph inscription by the author.
A tiny lack at foot of spine, handsome copy.

First edition.
Black half cloth.
Black and white illustrations to text.
Rare.

New edition.
With a frontispiece portrait of P.J. Proudhon.
A very good copy.

First edition, of which there were no deluxe copies.
About G. Sand, A. de Musset, C. Nodier, P. Mérimée among others.
Very slight lack at foot of spine.

First edition of the adaptation in French by Jean Richepin, one of the copies on red paper.
One joint glued.
Rare.

First edition.
Half brown sheep.
Numerous contributions, including from J.-K. Huysmans, Jules Bois, Louis Ménard and Pierre Quillard.
Rare.

First edition, another edition appeared on the same date published by Besongné. A relatively rare but celebrated book.
Contemporary full calf binding, spine with raised bands decorated. Overall rubbed. The head cap is missing by 2/3, one corner lacks leather, part of the edges are without leather, some lacks at the raised bands.
Gabriel Naudé (1600-1653) was born in Paris. He was a physician but more of a philosopher as he had also studied literature and philosophy; of all his books, the apology is the only one that remains to us. He was successively attached to Cardinal Barberini, to Cardinal Mazarin (he was responsible for collecting the works for Mazarin's library), to Cardinal Richelieu then to Queen Christina, also as librarian, apart from the famous 'Advis pour dresser une bibliothèque'. He is an heir to humanism who advocates a return to strict rationalism; this work is its application, establishing that one must exercise judgment and study causes and effects before condemning. One finds much precious information on the accusations and practices of numerous men, Galen, Raymond Lull, Albertus Magnus, Saint Thomas Aquinas, along with a defense of the accusations that were brought against these men. Naudé dismantles beliefs about demons, the philosopher's stone and what they encompass.

First edition, a Service de Presse (advance) copy.
Handsome copy complete with publisher's (advertising) slip.
Bilingual full-page autograph inscription from the author to Nathalie and Raymond Sarraute.

First edition. Original blue wrappers. Lacks to temporary covers. First and last leaves folded at corners. A pale yellow dampstain at the end of the work. General Moreau was a hero of the Revolution. He received command of the Army of Italy, helped Bonaparte in the coup d'état of 18 Brumaire, then allied with conspirators against Napoleon whose growing power worried him. Found guilty, Napoleon banished him from France.

First edition in French.
A lack affecting a joint, another marginal one affecting upper cover, occasional foxing.

Twenty-second edition, with some parts in first edition.
Publisher's binding in full red cloth, smooth spine decorated with gilt fillets and compartments, boards illustrated with gilt motifs.
Work illustrated with engravings printed in two colors.
Front and back boards slightly and marginally browned, some light foxing.

Second edition, the first edition having appeared the previous year.
Contemporary limp vellum binding, unlettered spine. One tear to the vellum at foot, the sewing is somewhat loose. At the end of the work, 10 pages folded at the corner.
The book consists of a political tableau of Europe under Louis XIII tempered with examples borrowed from antiquity (one notices a curious table of contents). The author establishes therein the portrait of a prince endowed with all the qualities of the 17th-century honest man, whom some will designate as being a flattering portrait of Louis XIII. The work is reputed remarkable for the clarity of its language and the perfection of its eloquence. Tchemerzine, I, 359. The work was censored 3 years after its publication by the Sorbonne.
'This edition has undergone the cuts indicated by the faculty of the Sorbonne'. Brunet, I, 631

First edition on ordinary paper, false statement of edition, service de presse stamp.
Half black sheep with corners, spine with five raised bands, covers and spine preserved.
Autograph inscription by the author to A. Godoy.

First collected edition, of which there were no deluxe copies.
Half dark green shagreen binding, spine slightly faded with five raised bands, covers preserved, top edge gilt.
Contributions by L. Tailhade, Sully-Prudhomme, V. Margueritte, L. Dierx among others.

First edition, there were no large paper copies.
A rare copy.

First edition, of which there were no deluxe copies.
Half red morocco binding, spine in five compartments with slight damage, date at foot, covers and spine preserved, top edge gilt, binding signed by Canape.
Autograph inscription from Ernest Prévost to A. Godoy.
Handsome copy elegantly bound.

First edition, one of 200 numbered copies on Holland paper, the deluxe edition after only 1 vellum and 20 Japan copies.
Half red sheep binding with corners, spine with five raised bands, date at foot, covers and spine preserved, top edge gilt.
Handsome copy attractively bound.

First edition on ordinary paper.
Affectionate autograph inscription from Raymond Queneau.
Contributions from L. Calaferte, R. Fallet, Y. Gibeau, among others.

Second edition.
Half chocolate sheep binding, smooth spine decorated with dotted lines and gilt fillets.
A dampstain affecting the first leaves, heavy foxing on the last pages, scattered foxing.

First edition.
Half bottle-green sheep binding, smooth spine decorated with quadruple gilt fillets, spine detached but present.
Freedom of conscience, freedom of the press, divorce, regicide, relations between the spiritual and temporal...

New edition of the French translation established by Léon de Wailly.
Half red sheep binding, spine with four raised bands decorated with blind-tooled compartments, slight marginal tear to front cover, contemporary binding.
Some minor foxing, otherwise a handsome copy.

First edition, one of 20 numbered copies on pure rag vellum, the only deluxe copies.
A very handsome copy.

First edition, one of 50 numbered copies on Arches vellum, deluxe copies.
Three tiny tears without loss to spine, otherwise handsome copy.

First edition.
Half black sheep binding, spine showing a trace of rubbing at head with four raised bands decorated with blind compartments.
Head of spine missing.
Some light foxing.

First edition printed in 355 copies, ours one of 145 numbered by hand on laid paper.
Half burgundy morocco binding, spine with five raised bands showing slight traces of rubbing, top edge gilt, binding signed by Herluison.
Occasional light worming.

First edition.
Publisher's grey soft paper boards.
Illustrated with 38 portraits and documents.
Handsome copy.

First edition, one of 72 numbered copies on Hollande, tirage de tête after 10 Japon.
Illustrated with numerous etchings and unpublished photographs.
A very good and rare copy.

First edition, of which there were no deluxe copies, an advance copy.
Half raspberry cloth binding with corners, smooth spine, bordeaux shagreen title-label, covers and spine preserved.
Autograph inscription by the author to A. Godoy, handsome copy.
Concerning P.L Courier, Madame de Sévigné, Bossuet among others.

First edition on ordinary paper, only 5 deluxe copies were printed.
Half bottle-green shagreen binding, spine with five raised bands, original wrappers preserved, top edge gilt.
About the precocity of J.A. Rimbaud, Rachilde's imagination, Verlaine's renown, the relevance of Leconte de Lisle... Handsome copy.

First edition, of which there were no deluxe copies.
Half red shagreen binding with corners, spine with five raised bands, original wrappers preserved, top edge gilt, binding signed by Hustner.
Autograph inscription from J. Second to A. Godoy.
Handsome copy.

Illustrated edition with drawings by the author in black and in colors.
Half red cloth binding with corners, smooth spine decorated with fleurons and gilt fillets.
Artists' balls, painters of the Butte, public balls, the Opera, the Moulin Rouge, students, the Boeuf gras, washhouses.
Some minor foxing affecting mainly the edges.

First edition in French, of which there were no deluxe copies, false statement of eleventh edition.

First edition.
Half-shagreen binding in purple, spine with four raised bands decorated with fleurons, double fillets and gilt dots. Some foxing, otherwise handsome copy.

First edition on ordinary paper.
Half bottle-green shagreen binding, spine with five raised bands decorated with gilt fillets, bookplate pasted to verso of front board.

First edition.
Half olive calf bindings, smooth brownish spines decorated with gilt typographical motifs.
Rare autograph inscription from Bonnejoy-Perignon to the Countess of Chalon.
Foxing affecting almost exclusively the endpapers, half-title and title pages.

First Gallimard edition of the French translation, one of 90 numbered copies on pure laid paper, the only deluxe copies.
Half vellum-style boards with corners, smooth spine, chocolate shagreen title-label, gilt fillet frames on boards, small marginal stains on first cover, covers and spine preserved, contemporary binding.
Fine interior condition.

New edition.
A repaired tear at head of spine, some foxing.

First edition.
Foxing, a rare copy with softcover, as issued.

First edition.
Half sheep binding in burgundy, smooth spine decorated with blind-tooled compartments, dotted lines and gilt fillets.
A handsome copy.