COLLECTIF

First edition.
Rich iconography.
Fine copy complete with its cellophane wrapper and soft slipcase.

First edition.
Rich iconography.
Handsome copy complete with dust jacket and protective wrapper.

First edition published in the Bibliothèque de La Pléiade.
Publisher's full brown grained sheep binding, smooth spine decorated with gilt fillets, handsome copy complete with its glassine wrapper as well as its soft slipcase.
Iconography.

First edition.
Publisher's full brown grained sheep binding, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its cellophane wrapper and soft slipcase.

First edition.
Publisher's full brown grained sheep binding, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its dust jacket, cellophane wrapper and soft slipcase.

First edition.
Publisher's binding in full brown grained sheep, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Fine copy complete with its cellophane wrapper and soft case.

First edition published in the Pléiade library.
Iconography.
Publisher's binding in full brown grained sheep, smooth spine decorated with gilt fillets.
Handsome copy complete with its cellophane wrapper as well as its soft slipcase.

First edition illustrated with photographs.
Two small dampstains to upper right corners of boards.
Rare pamphlet printed in honor of Charles Lindbergh's feat of crossing the North Atlantic non-stop and solo: taking off from New York on May 20, 1927, Charles Lindbergh landed 33 hours later at Le Bourget where he was triumphantly welcomed.

First edition with recipient's name, ours for Mr Cézilly, deputy chief of staff in the Interior Ministry.
Small marginal tears to rear board, boards lightly soiled.
Rare.

First edition.
Unlettered grey cloth spine, the title of the work has been added, certainly by the dedicatee, in blue ballpoint pen, some angular creases on the boards.
Moving autograph inscription dated and signed by Louis Ferrand: "A mon ami Marcovitch Louis, mon frère de chaîne à Buchenwald. Fraternel souvenir des années sombres. 11 septembre 1966. Louis Ferrand matricule 81.106." [To my friend Marcovitch Louis, my chain brother at Buchenwald. Fraternal memory of the dark years. September 11, 1966. Louis Ferrand registration number 81.106.]
Communist militant and resistance fighter, Louis Ferrand was arrested on November 1, 1943 and severely tortured to the point of being momentarily paralyzed. He was finally deported to Buchenwald camp on August 22, 1944 where he actively participated in the clandestine resistance, notably by diverting food to feed the children and the weakest of his companions in dreadful misfortune. He also took part in the battles for the liberation of Buchenwald camp on April 11, 1945.
Upon his return to France, Louis Ferrand, as one of the principal leaders of the National Federation of Former Deportees and Interned Resistance Fighters and Patriots, was the tireless defender of the rights of his fellow deportees in their struggle to recover their health and live with dignity.
Precious and poignant copy.

First edition complete with its folding map, at end of volume, detailing the Bruay mines visited by Sadi Carnot on June 1st & 2nd, 1889.
Copy tending to come apart.
Publisher's binding in full red cloth, smooth unlettered spine, black fillet frame on front cover.

First edition.
Publisher's brown grained sheepskin binding, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its glassine wrapper but lacking its slipcase.

First edition.
Publisher's brown grained sheepskin binding, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its glassine wrapper.

The first edition, of which there were no deluxe copies.
Dampstains around the staples, two folds on the first cover also affecting some leaves at the beginning.
Very rare.

First edition of this issue.
Light stains on the covers, a small lack to the lower right corner of the first cover, handsome interior condition.
The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Pierre Mac Orlan "Vieille et jeune Bretagne" ["Old and young Brittany"], Jacques Dyssord "Clemenceau", Pierre Ichac "Un auteur dramatique chez les mangeurs d'homme" ["A playwright among the cannibals"], Claude Aveline "Le souvenir de Bourdelle" ["The memory of Bourdelle"], Eli Lotar "Amsterdam", Louis Hirschauer "Retour du Soudan" ["Return from Sudan"], André Hunebelle "Art abstrait" ["Abstract art"]...
Issue illustrated with works by Carlo Rim and Georges Grosz as well as numerous photographs by Germaine Krull, Yvonne Chevalier, Eli Lotar, Jean Collar, Sougez...

First edition of this issue.
Some tears to the spine, a lack to the lower left corner of the back cover.
The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Léo Larguier "La brocante en l'an 2030", Jacques Maret "Peintures sous verre", Emile Condroyer "Islande", André Beucler "Batoum", Jean Schlicklin "Bréhat"...
Issue illustrated with numerous photographs by Germaine Krull, Sébastien Gallais, Paul Nadar, Henri Manuel, De Smet...

First edition of this issue.
Two tears to the spine, some stains to margins of covers.
The magazine "Jazz" celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Joseph Conrad "Atterrissages et départs", Henri de Montherlant "Les conduites de taureaux en Camargue", Florent Fels "La route", Titaÿna "Panama", Pierre Lazareff "Vie intime des artistes du music-hall", Paul Chauveau "Jean Cocteau l'imposteur", Urbain Faure "plongeurs de nacre... pêcheurs de perles"...
Issue illustrated with works by Jean Cocteau, Henri-Pierre Gassier as well as numerous photographs by Jean Dreville, Eli Lotar, Kertesz, Carlo Rim, Titaÿna, Pierre Ichac, Germaine Krull, Urbain Faure...

First edition of this issue.
Small tears of no consequence to spine, some light stains at foot of front cover.
The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Jacques Dyssord "Rue de Lappe," Florent Fels "Le port d'Amsterdam," Joseph Delteil "Le Paradis terrestre," Henri Thétard "Fêtes foraines," Waldemar George "Expressionisme," Carlo Rim: "La rue chinoise"...
Issue illustrated with works by Moïse Kisling, Louis Touchagues, Jean Cocteau, Bécan, Carlo Rim as well as numerous photographs by Germaine Krull, Achay, Manuel frères...

First edition of this issue.
Very light marginal worming to covers, handsome copy.
The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Titaÿna "La vie à bord des grands paquebots," Carlo Rim "Lubaki, peintre nègre," Georges Altman "Vladimlir Iliitch Lénine," Serge "Promenade en avion," André Hunebelle "Images du verre," Legrand-Chabrier "Contorsions," Ivan Goll "Sodome et Berlin," Georges Thiry "Antoine, photographe nègre"...
Issue illustrated with works by Carlo Rim, Antoinette Lubaki and Sem as well as numerous photographs by Eli Lotar, Antoine, Rap, Gergely, Hansa Luftbild, Sougez, Keystone, Jean Painlevé...

First edition of this issue.
Marginal stains to covers, pleasant interior condition.
The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and was published monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Titaÿna "Bagdad", Ilya Ehrenbourg "Slovaquie", Marcel Zahar "Centenaire du bec de gaz", Carlo Rim "Rues", Pierre Scize "Le cinéma"...
Issue illustrated with works by Carlo Rim, Honoré Daumier, Eugène Delacroix, Francisco de Goya, Paul Gavarni as well as numerous photographs by Germaine Krull, Laszlo Moholy Nagy, Ilya Ehrenbourg, Achay, Plicka...

First edition of this issue.
Light marginal foxing to the covers, minor tears to the spine without consequence, handsome interior condition.
The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Titaÿna "Alep", Florent Fels "Joris Ivens", Jean Dorsenne "L'Océanie à travers les artistes", Carlo Rim "Rues", Legrand-Chabrier "Frégoli"...
Issue illustrated with works by Carlo Rim, Serge and Sennep as well as numerous photographs by Germaine Krull, Joris Ivens, Brunoff, Titaÿna, Castelli, Douaze, Manuel...

First edition of this issue announcing the forthcoming publication by "Sans pareil" of "Plan de l'aiguille" by Blaise Cendrars photographed with a cigarette between his lips.
Minor marginal foxing.
The magazine "Jazz," famous for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Titaÿna "Jérusalem," Jacques Dyssord "Défense et illustration du chantage," Florent Fels "Acier," Paul Chauveau "Ubu de chair," Pierre Scize "Lorsque Charlot parut...," Jacques Heller "Le voyageur, le sauvage et le sociologue..."
Issue illustrated with works by Alfred Jarry, Louis Touchagues, Carlo Rim and Serge as well as numerous photographs by Germaine Krull, Eli Lotar, Jacques Heller, Achay, Titaÿna...

First edition.
Contributions by Paul Adam "De la pudeur", Debagori-Mokrievitch "Souvenirs sur Bakounine", Gutave Kahn on Jules Soury, the memoirs of General Rossignol (1793), Raoul Chélard "Le millénaire de la Hongrie", Jean de Mitty, Tristan Bernard...
Issue illustrated with 3 woodcuts by Charles Maurin.
Spine slightly warped, small marginal tears to boards.

First edition.
Minor losses to warped spine, handsome interior condition.

First edition.
Contents: Marc Boasson "Lettres (septembre 1916 et Octobre 1917)", Julien Lanoë "Hilaire, discours illustré sur le coeur", Roger Lesbats "Un musicien d'extrême-orient : E.C. Grassi".
Light marginal worming to front cover.

First edition.
Contributions by Marcel Martinet "Le vert grandit. Les peupliers", Daniel-Rops "Pluie", Maurice Fombeure "Nocturne", Jean Follain "Mélodrame", Fernand Marc "Chanson"...
Issue illustrated with drawings and wood engravings by Amedeo Modigliani, Auguste Clergé, Auguste Sandoz, Albert Rièra, Celso Lagar, Engel-Rozier.

First edition.
Light tears and marginal foxing to boards, one stain to first cover.
Rare.

First edition.
Three bound volumes, complete collection of 52 issues from 1834 and 1835, as well as 51 issues from 1836, gathered under a new title page dated 1837.
Continuous pagination within each volume.
Half-shagreen binding in fawn, smooth spine decorated with gilt fillets and fleurons.
Each volume is illustrated with more than 600 wood-engraved figures, in black and white within the text.
First edition.
Copy from the André Vasseur collection, bearing his bookplate in each volume, as well as a sheet of manuscript bibliographical notes pasted into the first volume.
Spine, headcaps and corners rubbed, small holes at foot of spine, scattered foxing and fold marks on some pages, otherwise good condition for this rare complete collection, abundantly illustrated.
Bearing the subtitle "Livre de tout le monde et de tous les pays", this encyclopedic review gathered articles corresponding to sections such as "Monuments de France", "Monuments étrangers", "Histoire", "Histoire naturelle", "Biographie", "Vues", "Sciences, Arts, Industrie", "Peinture, Gravure, Statuaire", "Religions, Moeurs et Usages", or "Géographie, Voyages.". It was published in weekly fascicles from 1834 to 1836, when publication very likely ceased, since the end of volume 3 bears the mention "Fin du troisième et dernier volume".

First edition.
First of collection, two volumes bound in one, complete first year of publication, from issue no. 1 of March 10, 1876 to no. 24 of February 25, 1877. Continuous pagination in each of the two volumes.
Half-vellum binding in cream, smooth spine, black shagreen title and volume labels, marbled paper boards, combed paper endpapers and pastedowns, corners slightly bumped.
Copy from the André Vasseur collection bearing his bookplate.
Spine soiled, some marginal foxing, otherwise rare and handsome copy.
Contributions by: André Lemoyne, André Lefèvre, Charles Bigot, Jules Levallois, Célestin Hippeau, Marc Monnier, François Coppée, Gabriel Monod, among others.
The journal published sections on "Literary Fortnight" and "Dramatic Bulletin," covering the history and current events of literature and theater, "Studies" devoted to a particular work or author, "Correspondence" from the rest of Europe, a "Periodicals Bulletin" listing a selection of French and European publications, as well as an extensive "Bibliography" presenting contemporary works covering fields as varied as Poetry, the Novel, History, the Arts, Geography, Philosophy, Social Sciences, Literary Criticism, and the Sciences.

First edition.
One volume bound, collecting the 36 issues from the first half of 1838, the eleventh year of publication of the journal. Continuous pagination.
Half-sheep binding with corners in tawny color, spine decorated with four false raised bands set with gilt and blind fillets and gilt dentelle, burgundy shagreen title and volume labels.
Complete copy, except for the announced engravings.
Copy from the André Vasseur collection bearing his bookplate.
Traces of rubbing to spine, some scuffing to boards, gilding partially faded, corners rubbed, some scattered foxing, otherwise handsome interior condition for this rare example of a general interest journal from the early nineteenth century.
Contributions by Charles de Bernard, Chateaubriand, Alexandre Dumas, Léon Gozlan, Eugène Guinot, Jules Janin, Alphonse Karr, Lamartine, Paul de Musset, Frédéric Soulié, Stendhal, Talleyrand, among others.
Published every five days, the journal covered literature as well as science, fine arts, and social customs. It primarily published historical, travel, and society chronicles dealing with France or foreign countries, stories and novellas, as well as sections devoted to theater, fashion, court news, and miscellaneous news items, most often reprinted from other contemporary newspapers.

First edition.
One bound volume, collecting the 36 issues from the second half of 1838, eleventh year of the review's publication. Continuous pagination.
Half tawny sheep binding with corners, surface wear to boards, spine decorated with four false raised bands set with gilt and blind fillets and gilt dentelle, burgundy shagreen title and volume labels.
Complete copy, except for the announced engravings.
Copy from the André Vasseur collection bearing his bookplate.
Some rubbing to spine and headcaps, gilding partially faded, front board joint cracked at head, rear board joint cracked at foot, corners rubbed, some scattered foxing, otherwise handsome interior condition for this rare example of a general review from the early 19th century.
Contributions by Emile Deschamps, Alexandre Dumas, Théophile Gautier, Emile de Girardin, Léon Gozlan, Eugène Guinot, Arsène Houssaye, Jules Janin, Lamartine, Alfred de Musset, Stendhal, Eugène Sue, among others.
Appearing every five days, the review was interested in literature as well as science, fine arts and social customs. It published mainly historical chronicles, travel and society pieces about France or foreign countries, stories and novellas, as well as sections devoted to theater, fashion, court news and current events, most often reprinted from other newspapers of the time.

First editions of the 36 issues from the second half of 1840, 13th year, bound together in one volume with continuous pagination and not containing the announced engravings.
Half tawny sheep binding with corners, spine with four raised bands set with gilt and blind fillets and gilt dentelle, black shagreen title and volume labels. Surface wear and rubbing to spine and joints, corners slightly bumped.
Contributions by C. Nodier, A. Karr, A. Dumas, L. Gozlan, E. Arago, E. Guinot, H. de Balzac, T. Gautier, E. de Girardin, F. Soulié, A. de Musset, A. de Lamartine, J. Janin, A. Houssaye, E. Sue, G. Sand, V. Hugo...
Founded in 1825 by Charles Lautour-Mezeray and Émile de Girardin, the review appeared every five days and was interested in literature as well as science, fine arts and social customs. It published mainly historical chronicles, travel and society pieces about France or foreign countries, stories and novellas, as well as sections devoted to theater, fashion, court news and current events, most often reprinted from other newspapers of the time.
Copy from the André Vasseur collection bearing his bookplate.
Some foxing and crease marks, otherwise handsome interior condition for this rare example of a literary and general review from the early 19th century.

First edition.
Cover illustrated with a color drawing by Hermann-Paul "Les rameaux", back cover illustrated with a color drawing by Abel Faivre "Interpellation".
Literary contributions by Charles-Louis Philippe "Le dimanche des rameaux", Jules Renard "Au théâtre", Franc-Nohain "Choses à dire", Alfred Jarry "André Médaillé"...
Issue illustrated with drawings by Lucien Pissarro, Théophile Alexandre Steinlen, Louis Morin, Félix Vallotton...

First edition.
Cover illustrated with a color drawing by Steinlen "Vive la liberté!", back cover illustrated with a color drawing by Félix Vallotton.
Literary contributions by Charles-Louis Philippe "Leur vérité", Franc-Nohain "Le vieux libéral", Alfred Jarry "Le tribunal de Dieu"...
Issue illustrated with drawings by Kupka "La sortie de la synagogue", Théophile Alexandre Steinlen, Sancha, Hermann-Paul, Paul Iribe...

First edition, one of the few numbered copies on pure linen paper.
Other contributions by Julien Benda "Les démocraties devant l'Allemagne", Jean Giraudoux "Choix des élues (Partie I)", Armand Petitjean "Prière pour les copains", Jean Schlumberger "Contre l'humiliation", Marcel Arland, Jean Grenier...
Spine and covers marginally sunned, first page and rear endpaper darkened.

First edition, one of the few numbered copies on pure linen paper.
Other contributions by André Suarès "Un grand homme en enfer", Jacques Chardonne "Le bonheur de Barbezieux (Partie II)", Francis Jammes "Air de décembre", Jean Grenier "Sur Charles Maurras"...
Spine browned, covers marginally and lightly sunned, first page and rear endpaper darkened.

First edition of this issue.
Copy slightly warped at the head of the first cover.
Contributions by Marguerite Duras "Hiroshima on amour" and "Resnais travaille comme un romancier", Robert Pinget "Simultanément", Georges Limbour "Les arts", Louis Massignon "La guerre sainte de l'Islam"...

First edition of this issue.
Copy slightly warped at the head of the first cover.
Contributions by James Joyce "La nuit d'Ulysse" ["Ulysses' night"], Maurice Nadeau "Lettre ouverte à André Malraux" ["Open letter to André Malraux"], Georges Limbour "Les arts" ["The arts"], Marcel Jean "Clovis Trouille peintre-poète" ["Clovis Trouille painter-poet"]...

First edition of this issue.
Copy slightly warped at the head of the first cover.
Contributions by Maurice Blanchot, Lucette Finas, Georges Poulet, Jean Starobinski "Enquête sur la méthode critique" ["Survey on critical method"], Robert Paris "Entretien avec Giuseppe Ungaretti" ["Interview with Giuseppe Ungaretti"], Robert Lebel "Le scandale en art" ["Scandal in art"], Giuseppe Ungaretti "Le rire du djinn Roull" ["The laughter of the djinn Roull"]...

First edition.
The issue is illustrated with a drawing by Théophile Alexandre Steinlen "Au clair de la lune (drame sombre)".
Other contributions by Jules Jouy, J. Chevalier, Léopold Stapleaux "Hugo ne mourra pas"...
One fold to right margin of the third and final pages.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It constitutes, moreover, an important literary and artistic testimony of the late nineteenth century, centered around bohemian life and the Parisian effervescence that characterized it.

First edition of this program illustrated with photographs.
A slight fold at head of second board.
Rare and handsome copy, the black velvet cover, illustrated by Vinci being well preserved.

First edition.
Rich iconography.
Fine copy complete with its cellophane wrapper but lacking its soft case and dust jacket.

First edition.
Rich iconography.
Handsome copy complete with its glassine wrapper but lacking its slipcase.

First edition.
This issue consists of 4 pages.
Literary contributions by Edmond Haraucourt, Félicien Champsaur, Vingtscholle, Emile Goudeau.
Some minor marginal tears of no consequence.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It is, moreover, an important literary and artistic testimony of the late 19th century, centered on bohemia and the Parisian effervescence that characterized it.

First edition, one of the rare copies on laid paper.
The issue consists of 4 pages and is illustrated with a double-page interior drawing by Adolphe Willette "C'est un conte blanc - C'est un conte noir".
Literary contributions by Georges Auriol, Rodolphe Salis, Xernand Fau, Adolphe Willette...
Handsome copy.
Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes, moreover, an important literary and artistic testimony of the late nineteenth century, centered around bohemian life and the Parisian effervescence that characterized it.

First edition, one of the rare copies on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette on an interior page: "Monstres de Paris. Les peintres incompris : M. Carolus Durand".
Literary contributions by Alphonse Allais "Moeurs de ce temps-ci", Georges d'Esparbès "Les juges", Jean Lorrain "Miss Miser", Camille de Sainte-Croix "La chanson de la mer de Victor Margueritte" under the semi-pseudonym of Xernand Fau "La guerre aux abus"...
Handsome copy.
Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes, moreover, an important literary and artistic testimony of the late nineteenth century, centered around bohemian life and the Parisian effervescence that characterized it.

First edition, one of the rare copies printed on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Louis Blombed: "Un coup de roulis".
Literary contributions by Alphonse Allais "La mère", Rodolphe Salis, Victor Meusy, Albert Tinchant "Passe-temps"...
Handsome copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the purpose of promoting the famous cabaret of the same name, of which it serves as a record. It published the texts recited during the performances. It is, moreover, an important literary and artistic testimony of the end of the 19th century, centered around bohemia and the Parisian effervescence characteristic of that era.

First edition, one of the rare copies printed on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette: "John Bull au Congo".
Literary contributions by Albert Samain "Tsilla", Georges Auriol "Les neiges de Bretagne", Maurice Montégut "Les confidences de l'abîme"...
Handsome copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the purpose of promoting the famous cabaret of the same name, of which it serves as a record. It published the texts recited during the performances. It is, moreover, an important literary and artistic testimony of the end of the 19th century, centered around bohemia and the Parisian effervescence characteristic of that era.

First edition.
The issue consists of 4 pages and is illustrated with a drawing by Latude.
Literary contributions by Jules de Marthold, Amélie Villetard, Constant Chaouard, A. Kempis for the funeral eulogy of Rodolphe Salis who was still alive...
A few small marginal tears of no consequence.
Le Chat noir was a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It forms, moreover, an important literary and artistic testimony of the late 19th century, around bohemia and the Parisian effervescence that was characteristic of it.

First edition.
The issue consists of 4 pages and is illustrated with a drawing "Le Chat noir. Oui !! mort aux lapins !... qu'on voudrait lui poser !!!".
Literary contributions by Edmond Haraucourt, A' Kempis, Félix Decori...
Handsome copy.
Le Chat noir was a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It forms, moreover, an important literary and artistic testimony of the late 19th century, around bohemia and the Parisian effervescence that was characteristic of it.

First edition, one of the rare copies printed on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen "La rose".
Literary contributions by Charles Cros "Un drame interastral", Caran d'Ache "Carnet de la semaine", Albert Tinchant "Philanthropie"...
Handsome copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name of which it considered itself the memory. It published texts recited during the shows. It is, moreover, an important literary and artistic testimony of the late nineteenth century, around the bohemia and the Parisian effervescence that was characteristic of it.

First edition.
This issue consists of 4 pages and is illustrated with a full-page comic strip by Théophile Alexandre Steinlen "Le chat et la grenouille" ["The cat and the frog"].
Literary contributions by Georges Auriol "Fleur d'orange" ["Orange blossom"], Rodolphe Salis, Léo Niversac "Bulletin du Chat Noir" ["Chat Noir bulletin"], Jules Jouy...
A few minor marginal tears of no consequence.
Le Chat noir was a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, of which it served as the memory. It published texts recited during the shows. It is, moreover, an important literary and artistic testimony of the end of the 19th century, centered around the bohemian lifestyle and the Parisian effervescence that characterized it.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this fervent issue, with its front page exalting the memory of the Paris Commune.
Texts by Alain Krivine, Camille Foutrier, André Marty and Léon Trotsky on the Commune, Alain Bertrand and various correspondents of the review.
Handsome and rare copy.

First edition of this issue condemning the Francoist dictatorship.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue condemning American bombing in Vietnam.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the journal.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the journal.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this triple special issue in honor of Léon Trotsky.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this issue partly devoted to supporting the National Liberation Front of South Vietnam.
Texts by S. Niemetz, C. Michaloux, J. Pesquet, C. Scalabrino and various correspondents of the review.
Handsome and rare copy.
The front page is illustrated with a drawing by Giroud.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this issue.
Texts by Jean Metais, Jean-François Dumas and various correspondents of the review.
Handsome and rare copy.

First edition of this issue partly devoted to the Francoist dictatorship.
Texts by Michel Thomas, Michel Rotman and various correspondents of the journal.
Handsome and rare copy despite a small crease to lower right corner of front cover.

First edition of this issue.
Texts by Michel Thomas, Maurice Buzard, Boris Coutlat and various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue partly devoted to the Franco dictatorship.
Texts by Michel Rotman, C. Scalabrino and various correspondents of the magazine.
Handsome and rare copy.
The front page is illustrated with a drawing by Giroud.

First edition of this issue celebrating on its front page the ever-living memory of the Paris Commune, also devoted to the revolutionaries of Sri Lanka.
Texts by Michel Lesquenne, Patrick Fresnel, Gérard Vergeat, Alain Krivine, and various correspondents of the journal.
Handsome and rare copy.

First edition of this issue.
Texts by R. Norman, A. Bertrand and various correspondents of the journal.
Handsome and rare copy.
The last page of issue N°63 is a scathing critique of the film adaptation of "L'aveu" by Artur and Lise London by Costa-Gavras and Jorge Semprun.

First edition of this issue.
Texts by Michel Lenoir, Christiane Tilier and various correspondents of the review.
Handsome and rare copy.

First edition of this issue.
Texts by Christiane Tilier, Philippe Sabathé, Hélène Bertau and various correspondents of the review.
Handsome and rare copy despite minor tears of no consequence at the foot of the last page.

First edition of this issue.
Texts by J. Tonnac, M.S. Cherbourg and various correspondents of the review.
Handsome and rare copy complete with its double-leaf insert "L'Italie après Brescia" placed in the middle of the journal.

First edition of this issue denouncing the Franco dictatorship.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue denouncing the visit to France of a minister from General Pinochet's dictatorial regime.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue denouncing violence related to racism in France.
Texts by various correspondents of the review.
Handsome and rare copy.

The rare first edition, of which there were no deluxe copies.
Spine browned, small marginal tears to boards, string marks to front board, our copy having been packaged with several other works and placed at the top of the pile.

Pléiade edition printed on India paper.
Publisher's binding in full green grained sheep, grey top edge, smooth spine decorated with gilt fillets.
Fine copy complete with its glassine wrapper but lacking its slipcase.

First edition.
Two tears with slight lacks of no consequence at foot and head of spine, a light stain and a small scratch on the first cover.
Illustrated catalogue with 12 folding plates at rear of volume as well as in-text figures.
Rare.

First edition of this issue of the important humanist journal founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Contributions by Esprit: "Avortement, quelle liberté ?" ["Abortion, what freedom?"], Jack Jones: "Le socialisme des profondeurs" ["Socialism from the depths"], Louis Soubise: "Présence de Nietzsche" ["Presence of Nietzsche"], Hicham Djait: "L'idée d'unité arabe" ["The idea of Arab unity"], Marcio Moreira Alves: "La gauche chilienne au pouvoir" ["The Chilean left in power"], Michel Winock "Drumont et l'antisémitisme" ["Drumont and antisemitism"]...
Some worming to spine and boards, handsome interior condition.

First edition of this issue of the important humanist journal founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Contributions by Bernard d'Astorg: "La sirène et le mécano", Emmanuel Mounier: "Le décret du Saint-Office", J. Iwaszkiewisz: "Le moulin sur le Lutynia"...
Some light foxing.

First edition of this issue of the important humanist journal founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Other contributions by Albert Béguin: "Fidélité et imagination", Charles Piquois: "Au pays de mes pères", Antoine Pelletier: "Le protestantisme aux Etats-Unis", André Berthelot: "Le problème de l'élimination des armes atomiques"...
Light worming without significance.

First edition of this issue of this important humanist journal founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies. Contributions by P.C. Nappey: "Lettre sur l'homosexualité", Jacques Brault: "Patience", Robert Marteau: "Giacometti", André Clair: "Freud et le fait de la violence", Jacques Madaule: "Visages de Claudel", Michel Mesnil "Le jeune cinéma japonais"...
Three stains to covers, handsome interior condition.

First edition of this issue of this important humanist journal founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Contributions by Michel Winock: "Les élections présidentielles", Roger Errera: "L'indifférence au génocide", Robert Marteau: "Marat, de David", Pierre Vidal-Naquet: "Le procès stalinien"...
Handsome copy.

First edition of this issue of the important humanist review founded by Emmanuel Mounier, one of 50 numbered copies on alma du Marais paper, the only deluxe copies.
Contributions by Albert Béguin: "L'âge des robots", Paul Chauchard: "Psycho-physiologie des cerveaux artificiels", Raymond Barkan: "Films de gangsters", Jean Cayrol: "Chris Marker"...
Two stains to margins of covers, handsome interior condition.