COLLECTIF

First edition, one of 100 numbered copies on pure rag paper, the only deluxe copies.
First page shaded due to the presence of the NRF bulletin inserted at the beginning of the review.
Handsome copy.
Other contributions by Katherine Mansfield "Lettres", André Pieyre de Mandiargues "Les Pierreuses", Marcel Jouhandeau "Nouveaux éléments", René Etiemble "D'un Orphée séminale"...

First edition with illustrations.
A rare and handsome copy of this pamphlet concerning the urban development project for the La Défense district in Paris.

Rare and fragile first edition of this recto-verso tract, printed clandestinely in 1942 by the French Communist Party (S.F.I.C.), denouncing the Service du Travail Obligatoire.
Horizontal fold to the document, small tears and minute marginal lacks.
The tract begins with the stirring slogan "Tous unis contre l'odieux marchandage de LAVAL-HITLER" ("All united against the odious bargaining of LAVAL-HITLER") and concludes with a thundering: "VIVE LA REPUBLIQUE ! VIVE LA FRANCE, LIBRE ET INDEPENDANTE !" ("Long live the Republic! Long live France, free and independent!")

First edition, one of 45 numbered copies on alfa paper, the only deluxe copies after 23 on pur fil.
Neuf et une consists of a collection celebrating the tenth anniversary of the Prix Renaudot (first awarded in 1926), bringing together a text from each of the first ten winners: Marcel Aymé with "Knate", Germaine Beaumont with "Cinquième acte", Charles Braibant with "La cagoule" - Louis-Ferdinand Céline with "Secrets dans l'île", Louis Francis with "Les Cyclamens", Philippe Hériat with "En présence de l'ennemi", Armand Lunel with "Les assiettes", Bernard Nabonne with "La double Gervasie", André Obey with "Vénus et Adonis" and François de Roux with "Mirage".
Some light foxing to endpa

The first edition, of which there were no deluxe copies.
Handsome copy.
Charming autograph inscription signed by Edgar Morin to Bernard Kouchner in the form of a quatrain: "Ce livre a-t-il le droit d'ingérence / Dans l'esprit de Bernard Kouchner. / Ceci est mon espérance. Mais aurai-je ce bonhèr ?" (Does this book have the right of interference / In Bernard Kouchner's mind. / This is my hope. But will I have this happiness?)

First edition illustrated with photographs.
Fine copy.
Manuscript signature dated by Lech Walesa.

First edition.
Number 14 contains the following articles: "Vers la conquête des masses", "Le "Front unique" de M. Brandler", "La ligue pour la libération de l'Ukraine" by N. Skrypnik, "Le parti communiste et le travail parmi les paysans" by G. Gold, "Le bilan du 6 mars et la lutte pour la conquête de la majorité de la classe ouvrière", "Le 6 mars aux Etats-Unis", "La presse communiste internationale et le 6 mars" by Fogorasi.
Rare and handsome copy.

First edition.
Issue 8 contains the following articles: "The Holy Father and the liquidation of the kulak as a class", "For Bolshevik municipal action", "The political situation in France" by P. Semard, "The decomposition of capitalism and the fascization of the bourgeois state" by A. Martynov.
Rare and handsome copy.

First edition.
Issue 7 contains the following articles: "Furious offensive on the anti-Soviet front", "The tasks of revolutionary parliamentarism", "The liquidation of the kulak as a class" by S., "The theory of Bonapartism" by H. Remmelé, International Women's Day: "For the international revolutionary day of working women" by Moïrova.
Rare and handsome copy.

First edition of this issue entirely devoted to Alfons Mucha.
Two tears and a lack to spine, a light dampstain at head of first cover, small stains at head of second.
Numerous literary contributions including those by Léon Deschamps, Frantz Jourdain, Sarah Bernhardt, Paul Redonnel, Yvanoé Rambosson, Charles Chincholle...
Issue decorated with 127 illustrations by Alfons Mucha, including the cover, and a portrait of the latter by David Ossipovitch Whidhopff.

First edition.
Contributions by Paul-Jean Toulet "Héloïse & "La main qui se pose" & "A un journaliste allemand", Philippe Chabaneix "Petits poèmes", Claude Misery "Rytrhme"...
Issue illustrated with 4 unpublished drawings by Emile Bessler.
Worming and small marginal tears to covers, handsome interior condition.

First edition composed of 33 short stories (travels, historical anecdotes, descriptions...) by Amable Tastu, Champagnac, Léon Guérin, J. de Mirval, Eugénie Foa... illustrated with 12 lithographs.
Publisher's binding in full black shagreen signed Boutigny, with his label at the top of the first endpaper. Smooth spine decorated with rococo tools. Boards hot-stamped with a large central decorative ornament and a black frieze on gilt ground forming a border. Edges gilt. Traces of rubbing, particularly at corners. Scattered foxing.
Very handsome copy in its publisher's binding by Boutigny.

First edition of this famous anthology reflecting Romantic taste. Printed on tinted vellum illustrated with 90 steel-engraved vignettes as headpieces and tailpieces. 2 title-frontispieces on heavy vellum.
Publisher's binding in full pale green striped boards. Smooth spine composed of interlaced foliage forming cartouches for the titles. Gilt urn at center of boards, blind-stamped decoration framing the urn. Spines uniformly darkened. Minor traces of rubbing. Micro-cuts to joints at head. Copy with very fresh paper, entirely free of foxing except the two title-frontispieces. Some engravings with ink offset on facing page. In margins of some engravings the tissue guard has been removed le

First edition.
Small marginal tears to feet of covers, last endpaper lightly soiled.
Contributions by Pierre Albert-Birot, Gabriel Audisio, Claire & Ivan Goll, Luc Durtain "Au large de l'Indochine", Fernand Marc "Les expositions"...
Reproductions of works by Marc Chagall, H. Bégué, André Lhote, Jean Marembert...

First edition.
Publisher's full brown grained sheep binding, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography assembled and annotated by Georges Poisson, autograph inscription signed and dated by the latter to Madame Durand on the half-title page.
Handsome copy complete with its rhodoid which has a small cut at the level of the first cover, its dust jacket and its flexible slipcase.

First edition.
Handsome copy despite small stains on the back cover.
Contributions by Géo Norge "Dieu, mon dieu", Adrien Copperie "Confusion des arts", Fernand Marc "Cette monnaie d'oiseaux"...
Issue illustrated with reproductions of works by Roger de La Fresnaye, Jean Marembert, Georges Papazoff...

First edition.
A handsome copy despite small marginal foxing on the boards, a minute tear at the head of the second board.
Contributions by Lorna Rea "L'esprit souffle où il veut" translated by Odette Chauvet-Villard, Géo Norge "Poëmes", Ivan Goll "Mélusine"...
Issue illustrated with reproductions of works by Pablo Picasso, Giorgio de Chirico, Marie Laurencin, Victor Servranckx, Alexander Calder, Jacques Maret...

Pléiade library edition printed on Bible paper.
Publisher's full red grained sheep binding, grey top edge, smooth spine decorated with gilt fillets, fine copy complete with its cellophane wrapper and soft slipcase.

First edition.
Publisher's binding in full brown grained sheep, smooth spine decorated with gilt fillets.
Rich iconography.
Fine copy complete with its cellophane wrapper and soft slipcase.

First edition.
Rich iconography.
Fine copy complete with its cellophane wrapper and soft slipcase.

First edition.
Rich iconography.
Handsome copy complete with dust jacket and protective wrapper.

First edition published in the Bibliothèque de La Pléiade.
Publisher's full brown grained sheep binding, smooth spine decorated with gilt fillets, handsome copy complete with its glassine wrapper as well as its soft slipcase.
Iconography.

First edition.
Publisher's full brown grained sheep binding, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its cellophane wrapper and soft slipcase.

First edition.
Publisher's full brown grained sheep binding, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its dust jacket, cellophane wrapper and soft slipcase.

First edition.
Publisher's binding in full brown grained sheep, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Fine copy complete with its cellophane wrapper and soft case.

First edition published in the Pléiade library.
Iconography.
Publisher's binding in full brown grained sheep, smooth spine decorated with gilt fillets.
Handsome copy complete with its cellophane wrapper as well as its soft slipcase.

First edition illustrated with photographs.
Two small dampstains to upper right corners of boards.
Rare pamphlet printed in honor of Charles Lindbergh's feat of crossing the North Atlantic non-stop and solo: taking off from New York on May 20, 1927, Charles Lindbergh landed 33 hours later at Le Bourget where he was triumphantly welcomed.

First edition with recipient's name, ours for Mr Cézilly, deputy chief of staff in the Interior Ministry.
Small marginal tears to rear board, boards lightly soiled.
Rare.

First edition.
Unlettered grey cloth spine, the title of the work has been added, certainly by the dedicatee, in blue ballpoint pen, some angular creases on the boards.
Moving autograph inscription dated and signed by Louis Ferrand: "A mon ami Marcovitch Louis, mon frère de chaîne à Buchenwald. Fraternel souvenir des années sombres. 11 septembre 1966. Louis Ferrand matricule 81.106." [To my friend Marcovitch Louis, my chain brother at Buchenwald. Fraternal memory of the dark years. September 11, 1966. Louis Ferrand registration number 81.106.]
Communist militant and resistance fighter, Louis Ferrand was arrested on November 1, 1943 and severely tortured to the

First edition complete with its folding map, at end of volume, detailing the Bruay mines visited by Sadi Carnot on June 1st & 2nd, 1889.
Copy tending to come apart.
Publisher's binding in full red cloth, smooth unlettered spine, black fillet frame on front cover.

First edition.
Publisher's brown grained sheepskin binding, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its glassine wrapper.

The first edition, of which there were no deluxe copies.
Dampstains around the staples, two folds on the first cover also affecting some leaves at the beginning.
Very rare.

First edition of this issue.
Light stains on the covers, a small lack to the lower right corner of the first cover, handsome interior condition.
The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Pierre Mac Orlan "Vieille et jeune Bretagne" ["Old and young Brittany"], Jacques Dyssord "Clemenceau", Pierre Ichac "Un auteur dramatique chez les mangeurs d'homme" ["A playwright among the cannibals"], Claude Aveline "Le souvenir de Bourdelle" ["The memory of Bourdelle"

First edition of this issue.
Some tears to the spine, a lack to the lower left corner of the back cover.
The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Léo Larguier "La brocante en l'an 2030", Jacques Maret "Peintures sous verre", Emile Condroyer "Islande", André Beucler "Batoum", Jean Schlicklin "Bréhat"...
Issue illustrated with numerous photographs by Germaine Krull, Sébastien Gallais, Paul Nadar, Henri Manuel, De Smet...

First edition of this issue.
Two tears to the spine, some stains to margins of covers.
The magazine "Jazz" celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Joseph Conrad "Atterrissages et départs", Henri de Montherlant "Les conduites de taureaux en Camargue", Florent Fels "La route", Titaÿna "Panama", Pierre Lazareff "Vie intime des artistes du music-hall", Paul Chauveau "Jean Cocteau l'imposteur", Urbain Faure "plongeurs de nacre... pêcheurs de perles"...
Issue illustrated with

First edition of this issue.
Small tears of no consequence to spine, some light stains at foot of front cover.
The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Jacques Dyssord "Rue de Lappe," Florent Fels "Le port d'Amsterdam," Joseph Delteil "Le Paradis terrestre," Henri Thétard "Fêtes foraines," Waldemar George "Expressionisme," Carlo Rim: "La rue chinoise"...
Issue illustrated with works by Moïse Kisling, Louis Touchagues, Jean Cocteau, Bécan, Carlo Rim

First edition of this issue.
Very light marginal worming to covers, handsome copy.
The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Titaÿna "La vie à bord des grands paquebots," Carlo Rim "Lubaki, peintre nègre," Georges Altman "Vladimlir Iliitch Lénine," Serge "Promenade en avion," André Hunebelle "Images du verre," Legrand-Chabrier "Contorsions," Ivan Goll "Sodome et Berlin," Georges Thiry "Antoine, photographe nègre"...
Issue illustrated with works by C

First edition of this issue.
Marginal stains to covers, pleasant interior condition.
The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and was published monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
Contributions by Titaÿna "Bagdad", Ilya Ehrenbourg "Slovaquie", Marcel Zahar "Centenaire du bec de gaz", Carlo Rim "Rues", Pierre Scize "Le cinéma"...
Issue illustrated with works by Carlo Rim, Honoré Daumier, Eugène Delacroix, Francisco de Goya, Paul Gavarni as well as numerous photographs by Germaine Krull, Laszlo Moholy Nagy, Ilya Eh

First edition of this issue.
Light marginal foxing to the covers, minor tears to the spine without consequence, handsome interior condition.
The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Titaÿna "Alep", Florent Fels "Joris Ivens", Jean Dorsenne "L'Océanie à travers les artistes", Carlo Rim "Rues", Legrand-Chabrier "Frégoli"...
Issue illustrated with works by Carlo Rim, Serge and Sennep as well as numerous photographs by Germaine Krull, Joris Ivens, Brunof

First edition of this issue announcing the forthcoming publication by "Sans pareil" of "Plan de l'aiguille" by Blaise Cendrars photographed with a cigarette between his lips.
Minor marginal foxing.
The magazine "Jazz," famous for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
Contributions by Titaÿna "Jérusalem," Jacques Dyssord "Défense et illustration du chantage," Florent Fels "Acier," Paul Chauveau "Ubu de chair," Pierre Scize "Lorsque Charlot parut...," Jacques Heller "Le voyageur, le sauvage et le sociologu

First edition.
Contributions by Paul Adam "De la pudeur", Debagori-Mokrievitch "Souvenirs sur Bakounine", Gutave Kahn on Jules Soury, the memoirs of General Rossignol (1793), Raoul Chélard "Le millénaire de la Hongrie", Jean de Mitty, Tristan Bernard...
Issue illustrated with 3 woodcuts by Charles Maurin.
Spine slightly warped, small marginal tears to boards.

First edition.
Minor losses to warped spine, handsome interior condition.

First edition.
Contents: Marc Boasson "Lettres (septembre 1916 et Octobre 1917)", Julien Lanoë "Hilaire, discours illustré sur le coeur", Roger Lesbats "Un musicien d'extrême-orient : E.C. Grassi".
Light marginal worming to front cover.

First edition.
Contributions by Marcel Martinet "Le vert grandit. Les peupliers", Daniel-Rops "Pluie", Maurice Fombeure "Nocturne", Jean Follain "Mélodrame", Fernand Marc "Chanson"...
Issue illustrated with drawings and wood engravings by Amedeo Modigliani, Auguste Clergé, Auguste Sandoz, Albert Rièra, Celso Lagar, Engel-Rozier.

First edition.
Light tears and marginal foxing to boards, one stain to first cover.
Rare.

First edition.
Three bound volumes, complete collection of 52 issues from 1834 and 1835, as well as 51 issues from 1836, gathered under a new title page dated 1837.
Continuous pagination within each volume.
Half-shagreen binding in fawn, smooth spine decorated with gilt fillets and fleurons.
Each volume is illustrated with more than 600 wood-engraved figures, in black and white within the text.
First edition.
Copy from the André Vasseur collection, bearing his bookplate in each volume, as well as a sheet of manuscript bibliographical notes pasted into the first volume.
Spine, headcaps and corners rubbed, small holes at foot of spine, scattered foxing and fo

First edition.
First of collection, two volumes bound in one, complete first year of publication, from issue no. 1 of March 10, 1876 to no. 24 of February 25, 1877. Continuous pagination in each of the two volumes.
Half-vellum binding in cream, smooth spine, black shagreen title and volume labels, marbled paper boards, combed paper endpapers and pastedowns, corners slightly bumped.
Copy from the André Vasseur collection bearing his bookplate.
Spine soiled, some marginal foxing, otherwise rare and handsome copy.
Contributions by: André Lemoyne, André Lefèvre, Charles Bigot, Jules Levallois, Célestin Hippeau, Marc Monnier, François Coppée, Gabriel Monod, among others.<

First edition.
One volume bound, collecting the 36 issues from the first half of 1838, the eleventh year of publication of the journal. Continuous pagination.
Half-sheep binding with corners in tawny color, spine decorated with four false raised bands set with gilt and blind fillets and gilt dentelle, burgundy shagreen title and volume labels.
Complete copy, except for the announced engravings.
Copy from the André Vasseur collection bearing his bookplate.
Traces of rubbing to spine, some scuffing to boards, gilding partially faded, corners rubbed, some scattered foxing, otherwise handsome interior condition for this rare example of a general interest journal from the

First edition.
One bound volume, collecting the 36 issues from the second half of 1838, eleventh year of the review's publication. Continuous pagination.
Half tawny sheep binding with corners, surface wear to boards, spine decorated with four false raised bands set with gilt and blind fillets and gilt dentelle, burgundy shagreen title and volume labels.
Complete copy, except for the announced engravings.
Copy from the André Vasseur collection bearing his bookplate.
Some rubbing to spine and headcaps, gilding partially faded, front board joint cracked at head, rear board joint cracked at foot, corners rubbed, some scattered foxing, otherwise handsome interior conditio

First editions of the 36 issues from the second half of 1840, 13th year, bound together in one volume with continuous pagination and not containing the announced engravings.
Half tawny sheep binding with corners, spine with four raised bands set with gilt and blind fillets and gilt dentelle, black shagreen title and volume labels. Surface wear and rubbing to spine and joints, corners slightly bumped.
Contributions by C. Nodier, A. Karr, A. Dumas, L. Gozlan, E. Arago, E. Guinot, H. de Balzac, T. Gautier, E. de Girardin, F. Soulié, A. de Musset, A. de Lamartine, J. Janin, A. Houssaye, E. Sue, G. Sand, V. Hugo...
Founded in 1825 by Charles Lautour-Mezeray and Émile de Girardin, t

First edition.
Cover illustrated with a color drawing by Hermann-Paul "Les rameaux", back cover illustrated with a color drawing by Abel Faivre "Interpellation".
Literary contributions by Charles-Louis Philippe "Le dimanche des rameaux", Jules Renard "Au théâtre", Franc-Nohain "Choses à dire", Alfred Jarry "André Médaillé"...
Issue illustrated with drawings by Lucien Pissarro, Théophile Alexandre Steinlen, Louis Morin, Félix Vallotton...

First edition.
Cover illustrated with a color drawing by Steinlen "Vive la liberté!", back cover illustrated with a color drawing by Félix Vallotton.
Literary contributions by Charles-Louis Philippe "Leur vérité", Franc-Nohain "Le vieux libéral", Alfred Jarry "Le tribunal de Dieu"...
Issue illustrated with drawings by Kupka "La sortie de la synagogue", Théophile Alexandre Steinlen, Sancha, Hermann-Paul, Paul Iribe...

First edition, one of the few numbered copies on pure linen paper.
Other contributions by Julien Benda "Les démocraties devant l'Allemagne", Jean Giraudoux "Choix des élues (Partie I)", Armand Petitjean "Prière pour les copains", Jean Schlumberger "Contre l'humiliation", Marcel Arland, Jean Grenier...
Spine and covers marginally sunned, first page and rear endpaper darkened.

First edition, one of the few numbered copies on pure linen paper.
Other contributions by André Suarès "Un grand homme en enfer", Jacques Chardonne "Le bonheur de Barbezieux (Partie II)", Francis Jammes "Air de décembre", Jean Grenier "Sur Charles Maurras"...
Spine browned, covers marginally and lightly sunned, first page and rear endpaper darkened.

First edition of this issue.
Copy slightly warped at the head of the first cover.
Contributions by Marguerite Duras "Hiroshima on amour" and "Resnais travaille comme un romancier", Robert Pinget "Simultanément", Georges Limbour "Les arts", Louis Massignon "La guerre sainte de l'Islam"...

First edition of this issue.
Copy slightly warped at the head of the first cover.
Contributions by James Joyce "La nuit d'Ulysse" ["Ulysses' night"], Maurice Nadeau "Lettre ouverte à André Malraux" ["Open letter to André Malraux"], Georges Limbour "Les arts" ["The arts"], Marcel Jean "Clovis Trouille peintre-poète" ["Clovis Trouille painter-poet"]...

First edition of this issue.
Copy slightly warped at the head of the first cover.
Contributions by Maurice Blanchot, Lucette Finas, Georges Poulet, Jean Starobinski "Enquête sur la méthode critique" ["Survey on critical method"], Robert Paris "Entretien avec Giuseppe Ungaretti" ["Interview with Giuseppe Ungaretti"], Robert Lebel "Le scandale en art" ["Scandal in art"], Giuseppe Ungaretti "Le rire du djinn Roull" ["The laughter of the djinn Roull"]...

First edition.
The issue is illustrated with a drawing by Théophile Alexandre Steinlen "Au clair de la lune (drame sombre)".
Other contributions by Jules Jouy, J. Chevalier, Léopold Stapleaux "Hugo ne mourra pas"...
One fold to right margin of the third and final pages.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It constitutes, moreover, an important literary and artistic testimony of the late nineteenth century, centered around bohemian life and the Parisian effervescence tha

First edition of this program illustrated with photographs.
A slight fold at head of second board.
Rare and handsome copy, the black velvet cover, illustrated by Vinci being well preserved.

First edition.
Rich iconography.
Fine copy complete with its cellophane wrapper but lacking its soft case and dust jacket.

First edition.
Rich iconography.
Handsome copy complete with its glassine wrapper but lacking its slipcase.

First edition.
This issue consists of 4 pages.
Literary contributions by Edmond Haraucourt, Félicien Champsaur, Vingtscholle, Emile Goudeau.
Some minor marginal tears of no consequence.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It is, moreover, an important literary and artistic testimony of the late 19th century, centered on bohemia and the Parisian effervescence that characterized it.

First edition, one of the rare copies on laid paper.
The issue consists of 4 pages and is illustrated with a double-page interior drawing by Adolphe Willette "C'est un conte blanc - C'est un conte noir".
Literary contributions by Georges Auriol, Rodolphe Salis, Xernand Fau, Adolphe Willette...
Handsome copy.
Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes, moreover, an important literary and artistic testimony of the late nineteenth century, c

First edition, one of the rare copies on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette on an interior page: "Monstres de Paris. Les peintres incompris : M. Carolus Durand".
Literary contributions by Alphonse Allais "Moeurs de ce temps-ci", Georges d'Esparbès "Les juges", Jean Lorrain "Miss Miser", Camille de Sainte-Croix "La chanson de la mer de Victor Margueritte" under the semi-pseudonym of Xernand Fau "La guerre aux abus"...
Handsome copy.
Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name whose memor

First edition, one of the rare copies printed on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Louis Blombed: "Un coup de roulis".
Literary contributions by Alphonse Allais "La mère", Rodolphe Salis, Victor Meusy, Albert Tinchant "Passe-temps"...
Handsome copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the purpose of promoting the famous cabaret of the same name, of which it serves as a record. It published the texts recited during the performances. It is, moreover, an important literary and artistic testimony of the end of the 19th century, centered around bohemia

First edition, one of the rare copies printed on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette: "John Bull au Congo".
Literary contributions by Albert Samain "Tsilla", Georges Auriol "Les neiges de Bretagne", Maurice Montégut "Les confidences de l'abîme"...
Handsome copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the purpose of promoting the famous cabaret of the same name, of which it serves as a record. It published the texts recited during the performances. It is, moreover, an important literary and artistic testimony of the end of the 19th centu

First edition.
The issue consists of 4 pages and is illustrated with a drawing by Latude.
Literary contributions by Jules de Marthold, Amélie Villetard, Constant Chaouard, A. Kempis for the funeral eulogy of Rodolphe Salis who was still alive...
A few small marginal tears of no consequence.
Le Chat noir was a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It forms, moreover, an important literary and artistic testimony of the late 19th century, around bohemia and the Parisian effervescence that was c

First edition.
The issue consists of 4 pages and is illustrated with a drawing "Le Chat noir. Oui !! mort aux lapins !... qu'on voudrait lui poser !!!".
Literary contributions by Edmond Haraucourt, A' Kempis, Félix Decori...
Handsome copy.
Le Chat noir was a weekly review created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, serving as its memory. It published texts recited during performances. It forms, moreover, an important literary and artistic testimony of the late 19th century, around bohemia and the Parisian effervescence that was characteristic of it.

First edition, one of the rare copies printed on laid paper.
The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen "La rose".
Literary contributions by Charles Cros "Un drame interastral", Caran d'Ache "Carnet de la semaine", Albert Tinchant "Philanthropie"...
Handsome copy.
Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name of which it considered itself the memory. It published texts recited during the shows. It is, moreover, an important literary and artistic testimony of the late nineteenth century, around

First edition.
This issue consists of 4 pages and is illustrated with a full-page comic strip by Théophile Alexandre Steinlen "Le chat et la grenouille" ["The cat and the frog"].
Literary contributions by Georges Auriol "Fleur d'orange" ["Orange blossom"], Rodolphe Salis, Léo Niversac "Bulletin du Chat Noir" ["Chat Noir bulletin"], Jules Jouy...
A few minor marginal tears of no consequence.
Le Chat noir was a weekly magazine created by Rodolphe Salis and Emile Goudeau, published from 1882 to 1897, with the aim of promoting the famous cabaret of the same name, of which it served as the memory. It published texts recited during the shows. It is, moreover, an important liter

First edition of this issue.
Texts by various correspondents of the review.
Handsome and rare copy.

First edition of this issue condemning American bombing in Vietnam.
Texts by various correspondents of the magazine.
Handsome and rare copy.

First edition of this issue.
Texts by various correspondents of the review.
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First edition of this issue.
Texts by various correspondents of the review.
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First edition of this issue.
Texts by various correspondents of the journal.
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First edition of this issue.
Texts by various correspondents of the journal.
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First edition of this issue.
Texts by various correspondents of the review.
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First edition of this triple special issue in honor of Léon Trotsky.
Texts by various correspondents of the review.
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First edition of this issue partly devoted to supporting the National Liberation Front of South Vietnam.
Texts by S. Niemetz, C. Michaloux, J. Pesquet, C. Scalabrino and various correspondents of the review.
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The front page is illustrated with a drawing by Giroud.

First edition of this issue.
Texts by various correspondents of the review.
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First edition of this issue.
Texts by various correspondents of the review.
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First edition of this issue.
Texts by various correspondents of the magazine.
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First edition of this issue.
Texts by various correspondents of the magazine.
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First edition of this issue.
Texts by various correspondents of the review.
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First edition of this issue.
Texts by Jean Metais, Jean-François Dumas and various correspondents of the review.
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First edition of this issue.
Texts by Michel Thomas, Maurice Buzard, Boris Coutlat and various correspondents of the magazine.
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First edition of this issue partly devoted to the Franco dictatorship.
Texts by Michel Rotman, C. Scalabrino and various correspondents of the magazine.
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The front page is illustrated with a drawing by Giroud.

First edition of this issue celebrating on its front page the ever-living memory of the Paris Commune, also devoted to the revolutionaries of Sri Lanka.
Texts by Michel Lesquenne, Patrick Fresnel, Gérard Vergeat, Alain Krivine, and various correspondents of the journal.
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First edition of this issue.
Texts by R. Norman, A. Bertrand and various correspondents of the journal.
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The last page of issue N°63 is a scathing critique of the film adaptation of "L'aveu" by Artur and Lise London by Costa-Gavras and Jorge Semprun.