First edition.
Half dark green morocco with corners, spine with five raised bands decorated with double compartments and black fillets, gilt monogram of Gabriel du Tillet at foot of spine, some light rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, top edge gilt, corners slightly bumped, binding signed Canape-Belz.
Some foxing.
First edition, superbly illustrated with 50 engraved and hand-coloured plates, all numbered and signed by William Ellis. Bilingual text, first in English, followed by the French translation on facing pages. Printed on deluxe wove paper.
English binding. Spine entirely rebacked in chocolate shagreen, decorated with five blind-stamped romantic floral tools. Brown calf boards adorned with a large central lozenge composed of leafy friezes. Blind-stamped border frieze with corner tools, and a second leafy border. Upper board split along the joint and nearly detached, lower joint open at the foot over 5 cm, with a continuing crack of 10 cm though the leather remains closed. Corners heavily w
First edition. Royal families of Europe. Set of the French administration.
Copy with the cipher of Marie Amélie d'Orléans, wife of Louis-Philippe, who also used a simple monogram for bindings from the time he became king. Some of the almanacs were directly bound by the publisher for the royal family, these copies often bear simple marks, the publisher not having the stamps belonging to the sovereigns. Nothing formally attests however that this is a copy for Marie Amélie d'Orléans, it is on the other hand certain that this copy was intended for a member of the royal family whose M is the first name. Furthermore Marie Amélie is only the name known today of the queen, who,
First edition illustrated with 47 charming emblematic figures arranged on 13 plates on fine paper and a title headpiece. Only the title vignette is signed Gaudier. Lacking the frontispiece. Each figure in a medallion features the sun in a dominant position and a symbolic element such as a musical instrument, a landscape, an animal, as well as a Latin motto. Rare printing from Aix-en-Provence.
Late 19th-century Bradel binding in half beige cloth. Smooth spine with dark red shagreen title label running lengthwise. The plates have slightly narrower outer margins than the leaves. Some foxing, particularly on the title page.
First edition, second issue. The first of 1784 contains only 212pp. against 403 for this one, which has been expanded with the translation of Price's work: "Observations on the Importance of the American Revolution". Turgot's letter and Price's book benefit from a half-title.
Later, modern binding. Pastiche blonde cardboard Bradel binding. Smooth spine with pink sheep title and volume labels. Spine lightly darkened. Rubbing. Uncut copy, bound directly from the original wrappers. The first 2 leaves browned. Scattered browning. Last leaf with lack to lower right corner.
The rare first edition, illustrated with a handsome frontispiece by Van der Laan and engraved by Bernart. Title pages printed in red and black. Attribution to Bruys is sometimes contested by bibliographers. Two letters defending the work against criticism can be found in volumes I and III.
Contemporary mottled sheep binding. Richly decorated raised spine. Red morocco title labels, brown morocco volume labels. Head of volume I partly lacking, volumes III and IV torn away, same at tail of volume IV. Worming to boards, quite present on the boards of volume IV. Joints of volume IV cracked. Despite the defects, spines in good appearance.
The work became a constantly expl
First edition. The second part is regarded as rare, since Prussia ordered the manuscript to be seized and the copies burned, although in fact the second part is found in many sets.
Contemporary full mottled brown calf binding. Spine with raised bands richly gilt. Red morocco lettering-piece. Lower headcap partly torn. Abrasion to the lower cover with loss along the joint. Two corners rubbed. A brown stain in the upper margin of p. 49, about 2 cm. Loss in the margin at the corner of p. 144, not affecting the text. Marbled endpaper with a cut along the outer margin. Some gatherings browned. A good copy.
