Fascism, Nazism, Stalinism: analyses, testimonies, resistance and totalitarian regimes literature

New edition, issued a few months after the first edition.

Copy complete with its wraparound band : """Prix Goncourt 1970 à l'unanimité"

Autograph inscription signed by Michel Tournier to Monsieur Deslignières.

First edition, of which no deluxe paper copies were issued.

A pleasing copy.

Signed autograph inscription from Georges Didi-Huberman to a couple of friends named Dominique and Danielle: "... cette trace d'année ombre. Je n'oublie pas vos paroles de coeur..."

First edition, with no deluxe paper copies issued.

Two small, insignificant tears at the head and foot of a joint.

A pleasant copy.

Deluxe first edition on Oikos paper, limited to 200 copies, this copy being one of 5 presentation copies signed by the publisher and enriched with unpublished documents relating to the discovery of the manuscript.

Swiss binding with exposed stitching, smooth cloth spine, illustrated boards and slipcase.

Original French translation of the last manuscript recovered from a deportee assigned to the Sonderkommandos.

Marcel Nadjary (1917-1971), a Greek Jew from Thessaloniki, deported to Auschwitz in the spring of 1944, was assigned to the Sonderkommando. He wrote a letter to dear friends to bid them farewell and describe the horrific work he was forced to carry out. He then buried his clandestine manuscript in the soil of Birkenau. This document was recovered thirty-six years later, on October 24, 1980.

This testimony, written at "the epicenter of the catastrophe," is published here for the first time in French translation, together with a second manuscript that Marcel Nadjary wrote in 1947 to preserve a record of his experience at the heart of the Birkenau inferno.

Texts by Serge Klarsfeld, Nelly Nadjary, Alberto Nadjary, Fragiski Ampatzopoulou, Georges Didi-Huberman, Tal Bruttmann, Loïc Marcou, and Andreas Kilian accompany and illuminate these two exceptional documents.

Translated from Greek by Loïc Marcou

First edition of the French translation, one of the scarce lettered copies printed on pur fil for private circulation, ours bearing the letter A, the only deluxe-paper copies together with 25 numbered copies on pur fil.
Wide-margined copy, boards and spine lightly and marginally sunned, a few scattered foxmarks affecting some leaves and deckle edges.

First edition, with no copies printed on deluxe paper.

Minor spots to the covers, not affecting the condition.

Inscribed and signed by Georges Didi-Huberman to a friend named Annick.

First edition, one of the review copies.

Bradel binding in full patterned paper with abstract motifs, smooth spine, date gilt at foot, rust-coloured morocco title label, wrappers preserved, binding signed by P. Goy & C. Vilaine.

Signed autograph inscription from André Malraux to J. Ernest-Charles.
 

First edition of the French translation, one of 200 copies numbered on Marais vellum, the only deluxe paper issue.

Minor rubbing along the joints. A rare and attractive copy.

First edition, no copies printed on deluxe paper.
Pleasing copy.

Signed autograph inscription from Robert Badinter: "Pour Claude Moncorgé, affectueusement, son cousin. Robert."

 

First edition, one of 265 numbered copies on alfa paper.

A handsome copy, notwithstanding a small marginal tear to the lower cover.

First edition published under the pseudonym Cévennes and completed under oppression in Paris on August 1, 1944.

Pleasant copy.

First edition.

Illustrated with 16 drawings by Georges Adam.

A superb copy of this rare booklet by Louis Aragon, a true "anti-clerical, anti-capitalist, anti-colonialist, anti-patriotic" (Pierre Juquin) catechism for the children of the exploited working masses.

"On June 25, 1932, the Imprimerie centrale completed printing for the Bureau des éditions et de diffusion, 132, Faubourg Saint-Denis, Paris, a beautiful pamphlet, now a bibliophilic rarity [...] On the cover, a large red star - an important and recurrent image in Aragon's work - appears imprinted on children's brains. Sixteen quatrains, droll and didactic, punctuated for ease of reading, alternate with drawings by Georges Adam, whose nearly expressionist mockery, reminiscent of Rouault's paintings, overturns taboos and myths." (Aragon. Un destin français 1897-1939)


After breaking with the Surrealists, Aragon threw himself wholeheartedly into the Journal de la lutte antireligieuse. He wrote this pamphlet from Moscow and published it on the Party's presses, to ignite the fervor of proletarian youth. French poet Jacques Prévert would later follow a similar path with his play Émasculée conception. Anticlerical activism within French Communist associations was in full swing at the time: every symbol and events of religious life were reinterpreted through the lens of class struggle. "Red baptisms" were organised, forming a community of "Godless" children (drawing their name from the Association of Godless Workers) who corresponded with their Soviet counterparts.
Aragon contributed to these new rituals with this particularly radical children's book, deemed excessively antipatriotic by Maurice Thorez, which he would later disavow at the end of his life.

First edition of the French translation, one of 325 numbered copies on alfa paper, the only deluxe issue together with a few alfa mousse copies not for sale.
Minor tears without loss at the head of the spine, which also shows slight sunning at the foot, final endpaper partially shaded.
A rare and pleasing copy.

Black and white photographic portrait depicting the Philippine dictator seated at his desk.

Accompanied by an official letter on the headed paper of the Office of the President of the Philippines, together with its envelope.

Manuscript signature of Ferdinand Marcos in black ink.

Provenance: from the collection of renowned autograph collector Claude Armand.

Black-and-white photograph depicting cosmonaut Boris Yegorov in uniform adorned with his military decorations.

A handsome copy.

Rare autograph signed in blue felt-tip pen by Boris Yegorov in the left margin of the print.

On October 12, 1964, aboard Voskhod 1, Boris Yegorov completed his sole spaceflight as a physician, participating in the first mission in history to carry a crew of three.

Provenance: from the collection of renowned autograph collector Claude Armand.

Black and white portrait photograph showing Tito facing the camera.

A well-preserved example. Included are an envelope bearing the letterhead of the Yugoslav Embassy, a printed card from the same embassy, and a typewritten letter from the Yugoslav Consulate thanking Claude Armand for his request for a photograph of Tito.

Bold blue ink autograph by Tito in the right-hand margin of the photograph.

Provenance: from the collection of noted autograph collector Claude Armand.

First edition, one of 34 copies printed on Japan paper, this copy being one of 5 not-for-sale copies printed for presentation, a deluxe issue following the unique copy on Japan Imperial.

Illustrated with 9 original wood engravings by Maurice Savin.

Minor loss at foot of spine, occasional light spotting on some deckle edges, a handsome copy with full margins.

As stated in the colophon, our copy includes the additional suite of wood engravings printed on antique Japan paper.

Inscribed and signed by André Spire to Claude Aveline, for whom this copy was printed

First edition of the French translation, illustrated with 105 plates out of text (including 2 folding tables, 21 plans and maps, and 82 views and reproductions of documents). A remarkable record of one of the most significant instances of international opinion manipulation carried out by China and North Korea in the early stages of the Korean War: as early as 1952, North Korean and Chinese officials (including Zhou Enlai) accused the American army of using "insect vectors" on a large scale to spread various diseases among the populations of Korea and Manchuria (plague, cholera, etc.).

The entire operation had been meticulously staged, as definitively revealed by Soviet documents published in 1998.

Head and tail of spine with some losses, minor stains and marginal tears to the covers, two small holes to the lower edge of the rear board also affecting the rear endpaper, otherwise clean and sound throughout.

Rare.

First edition of the English translation by Michael Glenny, who first came to prominence with his translation of Bulgakov’s Master and Margarita in 1967. No deluxe paper copies issued.

Publisher’s binding in full black cloth, flat spine which shows some inherent creasing due to the laminated covering.

A handsome copy, with illustrations.

Very rare inscribed copy dated 27 April 1990 and signed by Boris Yeltsin.

From the library of Sam Yossman (Sam Jones) of the BBC Russian Service.

First collected edition. No deluxe paper copies issued.
Publisher’s binding in full green cloth, smooth spines, with their dust jackets designed by Adam Rusak, showing only minor and insignificant marginal tears.

Rare presentation copy dated May 1, 1992 and signed by Solzhenitsyn to USSR émigré journalist and writer Sam Yossman, on the title page of the first volume.

First edition, one of 30 numbered copies on alfa paper, the only deluxe copies.

Spine very slightly faded, a pleasing copy.

First edition, one of 30 numbered copies on pure rag vellum, the only copies printed on deluxe paper.

A fine copy.

First edition, one of 30 numbered copies printed on Corvol l'orgueilleux, the only copies on deluxe paper along with a few hors commerce copies on the same paper.

A handsome copy.

Inscribed and signed by Armand Lanoux to Maurice Gorrée: "voici le commandant Watrin histoire d'hommes de bonne volonté," with an original drawing of a flower.

Partly first edition, revised and corrected, of which no deluxe copies were issued; one of the review copies.

Spine and covers slightly and marginally sunned, as usual.
Rare and valuable signed presentation inscription from Robert Antelme to Geneviève Hirsch.

"Il n'y a pas d'espèces humaines, il y a une espèce humaine. C'est parce que nous sommes des hommes comme eux que les SS seront en définitive impuissants devant nous."
["There are no human races; there is only one human race. It is precisely because we are men like them that the SS will ultimately be powerless against us."]

This seminal work on the Nazi concentration camp experience was first published in 1947. It was the third and final publication of the short-lived publishing house founded by Marguerite Duras and Robert Antelme, her husband from 1940 to 1946.
Initially unnoticed upon its discreet release — only a handful of copies were sold — the book was reissued the following year with new covers by Robert Marin. It faced the competition of numerous postwar accounts and initially struggled to find a readership. Yet, as recounted by F. Lebelley, "at a time when narratives abounded, the unique power of this work, marked by a stark sobriety, moved readers as a founding text. A writer’s book as well, which, as Duras acknowledged, ‘stepped away from literature.’ Robert Antelme would never write another. Despite the praise and accolades, L'Espèce humaine remained the singular work of a lifetime." (in Duras, ou le poids d'une plume).
Thanks to Albert Camus’s intervention, the book was reissued a decade later, in 1957, by Gallimard and finally reached a broader audience.
Since then, it has taken its place in literary history as one of the most significant works confronting the painful but essential reflection on concentration camps and the human condition. In its wake, writers such as his friend Jorge Semprun would embark on new approaches to the unspeakable task of writing about the camps.
As early as 1947, Antelme wrote in his foreword: "We had just returned, bringing with us our memory, our vivid experience, and felt a frantic desire to recount it exactly as it was. And yet, from the first days, we became aware of the gap between the language at our disposal and that experience [...] How could we resign ourselves to not trying to explain how we had come to that point? We were still there. And yet it was impossible. As soon as we began to tell it, we suffocated. To ourselves, what we had to say already seemed unimaginable."

Shortly after Gallimard’s reprint, this testimony received its most profound tribute from Maurice Blanchot:
"When man is reduced to the extreme deprivation of need, when he becomes ‘he who eats peelings,’ we see him reduced to nothing but himself, and man is revealed as he who requires nothing more than need itself to, by denying what denies him, preserve the primacy of human relation. One must add that need then changes, becomes radical in the literal sense, becomes a barren need, devoid of pleasure or content — a bare relation to bare life — and the bread one eats responds directly to the demand of need, just as need is immediately the need to live." (Maurice Blanchot, L'indestructible, in La Nrf n°112, 1962, reprinted in L'Entretien infini)

Presentation copies signed by Robert Antelme are of exceptional rarity.

First edition, one of 110 numbered copies on Marais vellum, ours unnumbered but duly justified at the foot of each spine "Marais" and watermarked, the only copies printed on deluxe paper.

A tear to the upper right corner of the rear cover of the last volume.
Handsome complete set in 6 volumes; the author deliberately halted the writing of this work, which deals as much with history as with military history and was originally intended to comprise ten volumes.

First edition, one of 25 copies printed on pure wove paper, the only copies on deluxe paper.

A rare and handsome copy.

First edition printed in small numbers at the author's expense. This book exists only in proof state with blank wrappers and was never commercially sold. There were no deluxe copies printed.

The author distributed to his friends this set of printed proofs, with blank wrappers. The first cover, also blank, bears a printed stamp "proofs".

Foxing to covers, joints lightly rubbed.

Exceptional presentation copy: "to Monsieur Mauge this clandestine book most cordially Jacques Chardonne."

First edition, one of 90 numbered copies on alfal paper, the only copies on deluxe paper.
Fine copy, complete with the loose and folding map.

First edition of the French translation, one of 50 numbered copies on pur fil paper, the only deluxe issue.
Attractive copy, with minor foxing to the spine.

First edition, one of 158 copies printed on pur fil paper, following only 45 on Hollande.

A fine copy.

First edition, with no copies issued on deluxe paper.

Two unobtrusive creases to the front cover, a well-preserved copy.

Illustrated content.

First edition, one of the advance review copies.

Spine and covers slightly and marginally sunned, internally clean and well-preserved.
Work for which Patrick Modiano was awarded the "Prix Goncourt" in 1978.
Rare inscribed copy, signed by Patrick Modiano to Jean-François Revel.
 

First edition.
Some foxing to spine and boards.

Precious dated and signed autograph inscription from Irène Delmas, president of the National Association of Former Female Deportees and Prisoners of the Resistance (ADIR): "A monsieur Massin avec l'amitié et la reconnaissance des Anciennes Déportées de la Résistance. IRDelmas Présidente de l'ADIR. Paris 13 Novembre 1957." (To Mr. Massin with the friendship and gratitude of the Former Female Deportees of the Resistance. IRDelmas President of ADIR. Paris 13 November 1957.)

Our copy is exceptionally enhanced with the signatures of several members of the editorial committee of the Association of Female Deportees and Prisoners of the Resistance or former deportees to Ravensbrück camp including: Geneviève Anthonioz De Gaulle and Catherine Goetschel-Franquinet.

First edition - only published issue of this journal of the Resistance.
Minor rubbing at head and foot of spine, slight tears in margins of covers.
Anonymous texts by Claude Bourdet, Maurice Clavel, Jean-Louis Curtis, Yves Gandon, Flavien Monod and Maximilien Vox, who was the magazine's director.
This single issue was put together between December 1943 and March 1944, but La Revue noire could not be published during the Occupation. The final press proof was given on 15 February 1944 and the imprint is dated 15 February 1945.
A rare and pleasant copy.

Rare example of this propaganda leaflet published by the Nazi Occupier, which became the most iconic image of the Resistance. This smaller version of the famous Affiche Rouge features the poster on the recto and a paragraph on the verso castigating « l'Armée du crime contre la France » ("the Army of Crime against France"). It opens with accusations against the « rêve mondial du complot juif » ("the global dream of the Jewish conspiracy") and claims that « si des Français sabotent, pillent et tuent (...) ce sont toujours des juifs qui les inspirent » ("if Frenchmen sabotage, loot, and kill (...) it is always Jews who inspire them").
A discreet horizontal crease, otherwise superb condition for an ephemeral document.

Accompanied by the rare brochure entitled 'L'armée du crime' ('The army of crime') in the format of a newspaper illustrated with 14 pages of photographs.
A trace of horizontal fold. A fine copy.

First edition in French, of which there were no deluxe copies.

Foxing to spine and margins of boards, retaining the dust jacket which has small marginal tears.

Rare dated autograph inscription signed by William Styron to journalist Paule Villers.

First edition.
Former owner's name on upper left corner of title page, spine wrinkled.
Our copy exceptionally contains signatures of several members of the editorial committee of the Association des déportées et internées de la Résistance or former deportees to the Ravensbrück camp, including: Renée Mirande-Laval, Jacqueline Souchère-Richet, Hélène Renal, Rose Guérin, Jacqueline Rigault, Simone Gournay, Marie-Antoinette Allemandi-Clastres, some of whom have added their deportee registration number below their signatures.

First edition in French, one of 15 numbered copies on pure thread paper, the only deluxe copies.
Spine and boards slightly and marginally sunned, otherwise handsome copy.

Rare first edition.

Small tears to the slightly sunned spine and to the margins of the covers.

First edition printed in a small number of copies.

A rare and pleasing copy.

First edition of this lecture delivered before the Russian Workers’ Society in Paris on 15 January 1887.

Minor corner losses to the boards, not affecting the integrity of the copy.

Rare.

Definitive edition.

Spine slightly sunned and a little cocked, a few spots to the boards.

Signed autograph inscription from Vercors to François Triboudeau.

Second edition, revised and corrected, illustrated with numerous in-text figures (including a portrait of the author and two flags printed in colours) and with a folding table at the end of the volume.

Some minor foxing, traces of adhesive paper at the head and foot of the slightly soiled endpapers.

The "Triple Demism" designates "the Three Principles of the People" (liberal democracy, nationalism, social justice) formulated by the revolutionary Sun Ya-Tsen as early as 1912, and expounded in numerous public lectures throughout the 1920s.

None of these terms in fact corresponds to the meaning it holds in the West, and these principles continued to influence Chinese politics despite the official adoption of Marxism-Leninism.

First edition of the French translation, one of 200 numbered copies on white wove paper, the only deluxe paper issue.

Bound in full mouse-grey shagreen, spine with five raised bands ruled in black, covers framed with a single black fillet, endpapers and pastedowns in cat’s-eye patterned paper, wrappers (with a small loss at the foot of the lower cover) and spine preserved, top edge gilt.

A pleasing copy.

First edition; one of the press copies.

A pleasing copy.

Signed autograph presentation inscription from Pierre Drieu la Rochelle to Germaine Fiévé.

First edition, for which no copies were issued on deluxe paper.

Spine lightly wrinkled, a small loss at the foot of the lower board; otherwise a pleasing copy.

Signed autograph inscription by Maurice Genevoix.

Rare first edition of this sticker album entirely devoted to the glory of the Castro regime and the Cuban Revolution.

The album comprises 268 small, mounted, colour stickers, each captioned and arranged in strict chronological order of events, including 16 portrait plates of the principal figures (the Castro brothers, Camilo Cienfuegos, Ernesto "Che" Guevara, Faure Chaumont, Rolando Cubelas, Victor Bordon, Eloy Gutierrez, Crecencio and Faustino Perez, etc.).

No copy recorded in the CCFr, which comes as little surprise for this type of production.

Our copy, issued in original illustrated colour wrappers, is housed in a modern oblong slipcase, full decorated boards in the colours of the Cuban flag.

Minor tears and marginal losses to the covers and spine, together with numerous unavoidable restorations using transparent adhesive repairs, reflecting the extreme fragility of this sticker album intended for "older children".

This very rare album, complete with all its stickers, was produced to commemorate the successive stages of the Cuban Revolution. It belongs to the genre of collectible sticker albums for children and young people, hugely popular in the 1960s: the images were obtained with the purchase of consumer goods and served as promotional incentives (in this case, the "dulces en conserva" marketed under the Felices brand).

Unsurprisingly, the portrayal of the Revolution is entirely partisan and conforms to the heroic and liberating image the regime sought to project.

On the verso of the final cover, one finds a speech by Fidel Castro dated 16 October 1953.

First edition featuring the celebrated original color stencil "Aidez l'Espagne!", printed on Arches paper by Joan Miró.
With literary contributions by Christian Zervos on Pablo Picasso's "Guernica", as well as texts by Jean Cassou, Georges Duthuit, Pierre Mabille, Michel Leiris, Paul Éluard, René Char...
Illustrated with numerous reproductions of works by Pablo Picasso and Joan Miró’s "Le faucheur".
Some rubbing and small tears to the spine, as often, a vertical crease to the rear wrapper, otherwise a fresh and well-preserved copy.

Original black and white photograph depicting Boris Yegorov in flight suit.

A fine copy.

Rare autograph of Boris Yegorov in blue ink in the left margin of the photograph.

On 12 October 1964, aboard Voskhod 1, Boris Yegorov made his sole flight as a physician, participating in the first mission in history to carry three crew members.

Provenance: from the collection of the renowned autograph collector Claude Armand.

First edition, one of 350 numbered copies on handmade paper, ours unnumbered, the only deluxe copies.

Half-shagreen red binding, spine with five raised bands highlighted with gilt dotting and decorated with double gilt fillets, small stains on spine, marbled paper boards, endpapers and pastedowns, front cover preserved, corners very slightly bumped, speckled top edge, contemporary binding.

Precious autograph inscription dated and signed by Marcel Bleustein, who took the pseudonym Blanchet during the Resistance, to Paul Verneyras.
Press man, union activist and politician, Paul Verneyras joined the Resistance from 1940 by participating in the development of the Libération-Nord movement with Gaston Tessier. For his action during the occupation, Paul Verneyras was decorated with the rosette of the Resistance and made officer of the Legion of Honor.

Moving tribute from one Resistant to another Resistant.