Signed books and autograph signatures from great writers, poets, philosophers from 16th to 21st century

First edition.
Former owner's name on upper left corner of title page, spine wrinkled.
Our copy exceptionally contains signatures of several members of the editorial committee of the Association des déportées et internées de la Résistance or former deportees to the Ravensbrück camp, including: Renée Mirande-Laval, Jacqueline Souchère-Richet, Hélène Renal, Rose Guérin, Jacqueline Rigault, Simone Gournay, Marie-Antoinette Allemandi-Clastres, some of whom have added their deportee registration number below their signatures.

First edition, one of 25 numbered copies on pure laid paper, the only large paper copies.

Autograph presentation inscription dated and signed by Charles de Gaulle: "Pour J. Emery, bien cordialement ! C. de Gaulle. 25.2.61."

A fine and rare large paper copy with autograph presentation inscription signed by Charles de Gaulle.

First edition, a Service de Presse (advance) copy.
A discreet restoration using a small adhesive piece on the verso of the first cover extending onto the first endpaper.

Autograph inscription signed by André Breton: "A Claude Aveline, hommage d'André Breton".
Nicknamed at 21 "the world's youngest publisher," Claude Aveline would publish from 1922 onwards, thanks to André Gide and Georges Duhamel, some fifty works. In 1934, he would engage in politics, alongside Henri Barbusse and Romain Rolland, in the anti-fascist movement then, from August 1940, in the Resistance first in Paris then in the free zone where he would miraculously escape arrest by the Gestapo in...

First edition, one of 12 numbered copies on hollande paper, the only large paper copies.

Full red shagreen binding, spine with three raised bands decorated with gilt fillets and gilt cartouche enriched with black typographic motifs, marbled paper endpapers and pastedowns, bookplate affixed to pastedown, original wrappers and spine preserved, top edge gilt, other edges uncut.

Foxing to some uncut edges.

Autograph inscription signed by Georges Clemenceau to Monsieur Henry Leyret, political and judicial chronicler...

First edition, one of 75 numbered copies on surfine colored paper.
Work illustrated with 3 aquatints by Mimi Parent.
One scratch with three light stains on the first cover.
Handsome copy.
Precious and surrealist autograph inscription signed by José Pierre to Marie Cermínová Toyen: "A Toyen, les violons monégasques fabriqués secrètement dans les presbytères en partant de l'anémone de mer, José." (To Toyen, the Monégasque violins secretly manufactured in presbyteries starting from the sea anemone, José.)
Signatures of José Pierre and Mimi Parent below the justification page.

First edition, no deluxe copies issued.

A few minor black specks to the boards, one stain to the lower edge, otherwise a pleasing copy.

Illustrated.

Presentation copy inscribed by Martin Gray: "A Astoria la vie sans amour n'est rien..." [In Astoria life without love amounts to nothing...]

First edition, no deluxe copies were issued.

A handsome copy.

Signed presentation copy, inscribed by Mohammed Khaïr-Eddine to the political scientist and essayist Evelyne Pisier: "... en remerciement de son aide..."

In 1989, she was appointed Director of Books and Reading at the French Ministry of Culture by Jack Lang.

First edition of this poem by Paul Eluard, lithographed after his manuscript, accompanying the seven gouaches by Jean Hugo reproduced in pochoir. One of 948 numbered copies on vélin pur fil.

Wrappers with turned-in flaps, in loose gatherings. Wrappers slightly soiled with a few instances of foxing, shallow wormholes to the front cover.

Autograph presentation inscription signed by the author to Jacques Coutant: "à Jacques Coutant dans Paris délivré mais encore convalescent" ["To Jacques Coutant, in Paris - liberated, yet still convalescent"].

First edition, with no deluxe-paper copies issued, one of the review copies.

A pleasant copy.

Precious signed presentation copy inscribed by Claude Simonnet to Jean Giono.

Edition published two months after the first edition; no deluxe-paper copies were issued.

Fine copy complete with its illustrated dust jacket.

Amusing dated and signed presentation inscription from Frédéric Beigbeder to Paul Chauzi: "... ce roman qui coûte 99 francs parce que je le vaux bien ? ..."

In 2007, Jan Kounen adapted the novel for the screen, with Jean Dujardin, Jocelyn Quivrin and Vahina Giocante in the leading roles.

First edition of the French translation; no deluxe-paper copies were issued.

A very good copy.

Signed presentation inscription from Jim Harrison to a woman named Gabrielle.

First edition of the French translation, one of the review copies.

Complete with its illustrated dust jacket, which has a few small marginal tears and is partially faded on the rear panel.

Rare dated and signed presentation inscription, in French, from Iris Murdoch to the writer, publisher and literary critic Christian Giudicelli.

First edition, one of 22 copies of the deluxe issue numbered in Roman numerals, together with 9 presentation copies, the only copies to feature an original collage cover by Olivier O. Olivier.

Illustrated with 25 reproductions of works by Olivier O. Olivier.

Signed presentation inscription in pencil from Olivier O. Olivier to a friend named Lise.

First edition on ordinary paper.
Spine slightly sunned, with a few small nicks.
Signed presentation copy from Léo Ferré to a woman named Véronique.

 

First edition of the French translation, printed in an edition of 90 copies numbered on wove paper and signed by John Crombie and Sheila Bourne.

Illustrated throughout by Sheila Bourne.

A rare and fine copy of this artist's book created by Sheila Bourne and her husband, John Crombie.

Later edition published only a few months after the first edition.
An attractive copy of this work, which won the 2001 Prix Goncourt and was adapted for television a few years later.
Dated and signed presentation inscription from Jean-Christophe Rufin to a woman named Muriel, to whom he also wishes a merry Christmas.

New edition, partly original.
Publisher's full grey cloth, smooth spine, a pleasant copy complete with its illustrated dust jacket.
Richly illustrated.
Signed presentation inscription from Yves Bonnefoy to Jacques Hartmann and his wife Nancy.
 

First edition, printed in a small number of copies, of these extracts from the Cahiers de la Pléiade.

A few stains to the boards, with small red ink stains on the first page of Michel Tapié's text.

Signed presentation inscription from Henri Michaux to his friend, the painter and draughtsman Bernard Saby: "Les hommes qui ne donnent pas leur adresse ne craignent pas les exorcismes. Mais tout de même où est-il ce Saby? H.M."

Inspired both by his investigations into serial music and by his use of mescaline and hashish, Bernard Saby's painting aroused keen interest among his contemporaries. In 1956, his friend Henri Michaux gave him space in...

First collected edition, partly first edition, one of 129 numbered copies on wove paper, enhanced with an original engraving by Pierre Alechinsky, signed and numbered by the artist; our copy is one of the first 10 to contain a manuscript leaf, as stated in the limitation notice.

Signed by Yves Bonnefoy beneath the limitation notice.

A rare and fine copy.

First edition, privately printed in a small number of copies as an offprint from issue No. 6 of the review Hermès, devoted to the theme of emptiness, of which Henri Michaux was the first editor-in-chief.

A few stains to the upper wrapper.

Signed autograph inscription by Henri Michaux to his friend, the painter and draughtsman Bernard Saby: "Quelques mots encore amicalement à Bernard Saby. Henri Michaux."

Inspired both by his investigations into serial music and by his experiments with mescaline and hashish, Bernard Saby's painting aroused keen interest among his contemporaries. In 1956, his friend Henri Michaux welcomed him into the pages of...

Very rare first edition, one of 150 copies signed at the colophon by Conrad Rooks. OCLC records only two copies at the American College of Greece and at Princeton University Library.

Spine and boards marginally sunned, two stains to the right margin of the rear board.

Presentation copy, inscribed, dated and signed "to Sueeva Viegand with appreciation for kind thoughts and friendship. Sincerely Conrad Rooks 5/7/1963 / Paris 26 rue Saint Beniot [Benoît] ’

Extremely rare first edition of Conrad...

First edition, one of the review copies.

Signed presentation inscription from Violette Leduc to Claude Couffon, a specialist in and translator of the leading Spanish-language writers of the second half of the twentieth century: "... après un chaleureux entretien et mon souvenir intact de son article pour ce livre..."

First edition, printed in Russian by the London-based Stenvalley Press.

Publisher's red cloth binding, author, title and publisher lettered in gilt on the spine, complete with its two-colour printed dust jacket showing light wear.

A few ballpoint pen annotations on some pages, presumably by the recipient.

Autograph presentation inscription, signed and dated by the author, to Michel Garder: "Дорогому Мишелю Гарде - с глубокой признательностью. На добрую память. 29.I.1975." [To dear Michel Garder - with profound gratitude. In fond remembrance. 29.I.1975.]

First edition, one of the review copies.

Spine sunned, small losses to the spine and covers, paper brittle in the margins of the leaves.

A fine and rare signed autograph inscription by Roger Nimier, in the purest Hussard manner: "Pour Henry Grave et le Colonel Monier avec les claquements de talons et un arrière goût de rhum blanc du Cavalier Nimier".

Second edition, with a thousand-copy statement.

Spine warped and faded, small tears without consequence to the margins of the covers, a pale dampstain at the foot of the final leaves, occasional foxing.

Rare signed and dated autograph inscription from Joseph Zobel to Madame de Bruycker: "... ce premier reflet de ma province antillaise..."

First edition, one of 50 numbered copies on ivory laid edition paper, the only deluxe-paper copies.

A rare and fine copy.

Signed autograph inscription from Eric Jourdan to a friend named Guy: "... ce livre qui vient de loin presque à des années lumières, mais que j'accepte tel qu'il est. En signe d'amitié de toujours. éric 19 février 1996."