Literature illustrated with engravings, lithographs, photographs, first edition drawings, beautiful illustrated books and artists' books

First edition, one of 25 numbered copies on Japan, deluxe copies ("tirage de tête").
Beautiful copy wide-margined.
Illustrations by Charles Shoup.

Illustrated edition with first printing of 28 etched compositions by O. Cortazzo engraved by Abot and Clapes. Limited to 1000 copies, one of 825 on tinted laid paper, hand-numbered 209 and justified by the publisher.
Half chocolate morocco with corners ca 1920, signed at top of endpaper Yseux, successor to Simier. Spine with raised bands decorated with ornate compartments and a central mirrored tool. Covers and spine preserved. Top edge gilt. Uncut copy. Paper perfectly white, free from foxing. Spine slightly faded.

Handsome copy, with very beautiful engravings perfectly integrated into the text.

First illustrated edition, published in 1898 under the imprint of the Librairie des Bibliophiles, textually reprinting the first edition of 1838. The work is illustrated with 24 original colour lithographs by Alexandre Lunois. One of 100 deluxe copies on Japan or China paper, this copy on China paper, no. XLIII, numbered in ink and justified; the total edition was limited to 600 copies, the remaining 500 on Marais wove paper.

A particularly notable feature of the present copy is that all 24 compositions are present in three states - outline, black, and colour - making 72 impressions in all. As stated in the...

Edition printed in 50 numbered and justified copies on Arches paper by Bonaventure Fieullien, ours printed for André Bocquetin with his bookplate pasted on a guard.
Pleasant copy.
This calligraphed album, engraved and printed on his hand presses by Bonaventure Fieullien (Franciscan monk who studied at the Academy of Brussels under the direction of the Belgian painter Oswald Poreau and who worked in sculpture, stained glass and painting, but who was especially recognized for his remarkable and spectacular illustrated books with amazing idiosyncratic lettering) was illuminated by Madeleine Smets-Lefrancq.
Signatures of Bonaventure Fieullien...

First edition, one of 1000 numbered copies on special paper called "Hôcho", the only printing along with 12 deluxe copies and 6 hors commerce copies.
Work illustrated with 14 drawings in the text by Audrey Parr engraved on wood by Bonkotsu Igami, "following the Japanese process", with a color composition by Keisen Tomita (on verso), engraved by Bonkotsu Igami, an autograph poem in facsimile, title page drawn by Noémi Pernessin.
Rare and very handsome copy without any foxing, spine of the blue percaline chemise slightly faded as usual.
Provenance: from the library of Doctor Lucien-Graux with his pasted bookplate.

First edition with a frontispiece by Félicien Rops. Original wrappers preserved. Posthumous edition. Mallarmé and Huysmans, executors of Villiers's estate, undertook to establish this edition with Léon Dierx, for the benefit of the writer's widow and their son Victor. Complete with the 2 leaves of the publisher's catalogue.
Publisher's inscription on the half-title: "A Eugène Marchal, en souvenir de notre bonne camaraderie. L'éditeur..." ["To Eugène Marchal, in memory of our good friendship. The publisher..."] (illegible signature, probably Léon Dierx).
Contemporary Bradel binding in half wine-red morocco. Smooth spine decorated with mirror tools. Gilt title. Top...

New edition, illustrated with 10 etchings by Léopold Flameng and engraved by André Salmon. A handsome edition, carefully printed on Dutch laid paper. Title pages in red and black.

Contemporary half-shagreen binding with corners. Spine with raised bands decorated with gilt compartments and inlaid with a central black fleuron. Gilt titles and date at foot. Separating fillets on boards. Top edge gilt. Uncut copy.

A very fine copy in superb condition.