First edition on ordinary paper, laid paper.
Modern half orange morocco slipcase binding. Smooth spine with title and author in black. Contemporary peacock-eye paper boards. Orange suede pastedowns and morocco spine. Work in original wrappers as issued with restorations to spine and lining of covers with period paper. Very fresh copy.
Handsome set.
To make the strength of marriage consist in that of love is to go so far as to misunderstand the spirit of this institution.
A collection of twelve volumes comprising the complete eight-volume Collection des petits classiques françois, published under the direction of Charles Nodier and Nicolas Delangle, together with four contemporary works belonging to the same literary and publishing milieu. The original series was dedicated to the Duchesse de Berry and printed using the types of Jules Didot the Elder. The present set is numbered 17 and is one of 25 copies on Dutch paper, following 6 copies on Chinese paper and preceding 500 copies on extra-fine paper.
The second édition originale on ordinary paper. Fifteen hundred copies had been printed, plus 4 on chine paper, a few copies on hollande and on vélin.
Complete with the portrait of the author by Félix Bracquemond (often missing), here in first state on papier chine pasted on the page (before letters, i.e. “L'Artiste” on top of the portrait).
Orange half cloth Bradel binding, smooth spine double ruled in gilt, gilt date at foot, slightly scratched brown shagreen title-label, marbled paper boards, slightly later 19th-century binding.
Mistakenly considered as “partly original”, this edition was entirely...
First edition of Les Hommes d'aujourd'hui (33 issues lacking out of 469). Five volumes bound in light blue half-cloth, smooth spines, blue morocco title labels decorated with double filets, marbled paper boards (4 volumes). The color title pages have been preserved and bound in. Marginal tears without damage to the text (no. 163; no. 165; no. 184, p. 2). Marginal restorations without damage to text on 8 leaves between nos. 214 and 223. Two leaves of no. 224 backed. Marginal tear with some paper missing (no. 345, p.1). Format of quires in the first volume varies; some are trimmed more than others.
First edition of Les Femmes du jour, very rare complete collection...
First edition, one of 170 numbered copies on vélin du Marais, the only issue after 30 copies on Arches.
Custom chemise and slipcase, chemise in half blue box calf, flat spine with blind and palladium-stamped lettering, date in palladium at foot, patterned paper boards, slipcase edged in blue box calf, patterned paper boards, sides and spine in petrol blue paper, signed by Boichot.
A very fine copy.
Illustrated with 3 original etchings in black by Georges Braque and one in black and grey as frontispiece.
Signed by René Char and Georges Braque on the colophon, with an exceptionally added original artist's proof signed in pencil on...
Collected edition of the French translation, no deluxe copies issued.
Boards slightly and marginally soiled, two small spots on the edges not affecting the leaves.
Very rare presentation copy signed and inscribed in Arabic by Mahmoud Darwish, the poet of the Palestinian condition, on the half-title page.
"Vous avez été leurs maîtres, et vous en avez mal agi ; ils sont devenus les vôtres, et ils vous pardonnent ; faites vos réflexions là-dessus." ["You have been their masters, and you have acted badly; they have become yours, and they forgive you; reflect upon this."] (Trivelin, final scene)
