First edition, one of 75 numbered copies on surfine colored paper.
Work illustrated with 3 aquatints by Mimi Parent.
One scratch with three light stains on the first cover.
Handsome copy.
Precious and surrealist autograph inscription signed by José Pierre to Marie Cermínová Toyen: "A Toyen, les violons monégasques fabriqués secrètement dans les presbytères en partant de l'anémone de mer, José." (To Toyen, the Monégasque violins secretly manufactured in presbyteries starting from the sea anemone, José.)
Signatures of José Pierre and Mimi Parent below the justification page.
First edition, one of 200 numbered copies on Hollande paper, the only large paper copies.
Bradel binding in half blue morocco with corners, spine with five raised bands highlighted with gilt dots and decorated with triple gilt compartments, gilt date at tail, gilt fillets on marbled paper boards, guards and pastedowns of combed paper, original wrappers and spine preserved, top edge gilt, others uncut, binding signed Canape.
Rare copy of Guy de Maupassant's masterpiece beautifully bound in an elegant signed binding.
An intriguing first edition, complete with its engraved frontispiece of the author by Giovanni Volpato after Domenico Corvi, and its introductory poem by the Abbé Luigi Godard. A copy unrecorded in non-European libraries according to WorldCat.
Contemporary binding of polished fawn mottled calf, smooth spine divided into five gilt compartments by gilt rolls, brown morocco lettering-piece, triple gilt fillet framing the boards, double gilt fillet on the board edges, blue speckled edges, and shell-pattern marbled pastedowns and endpapers.
The lower cap lacking, some surface wear to the spine and corners, the upper joint slightly split for several centimetres, a few discreet wormholes and small areas of loss to the leather on the boards, light rubbing to the edges; the interior in very good condition.
A marginal tear to p. 51 very slightly affecting the text, and a marginal stain to p. 47.
First edition of the French translation, one of only 34 numbered copies printed on pure vellum paper, the sole deluxe paper issue.
A fine and rare copy.
Folio edition of the Holy Bible illustrated by Gustave Doré in two volumes.
3/4 red calf, spine with five raised bands showing some scuffing, decorated with five blind-stamped panels framed in gilt, gilt roll on the bands and at top and bottom of spine, spine-ends rubbed, spine elaborately decorated with gilt tooling, title and volume number gilt-stamped, marbled paper boards framed in gilt, small losses of paper at upper margin of front board of both volumes, paper lifting at margin of lower cover of volume two, contemporary binding. Some foxing.
Translated by J.J. Bourassé and P. Janvier.
A handsome edition with numerous monumental woodcuts after drawings by Gustave Doré.
First edition in book form, issued for the centenary of the birth of Pierre Jean Jouve; one of 33 numbered copies on pure wove vellum, the deluxe issue.
A fine copy.
New compilation of the celebrated songs by the troubadour from Sète, including "La mauvaise réputation", "Le parapluie", "Le petit cheval", "Le fossoyeur", "Le gorille", "Corne d'auroch", "La chasse aux papillons" and "Hécatombe".
Inevitable creasing and light rubbing along the margins of the record sleeve.
A small ballpoint pen doodle in blue ink on the lower cover.
Autograph signature of Georges Brassens in the lower right margin of the upper cover.
First edition, one of 50 numbered copies printed on Edogawa Japan paper, the deluxe issue.
A handsome copy, complete—as with all copies on Japan paper—with the author’s portrait frontispiece by Armand Rassenfosse.
First public edition of this text by Jean Cassou, written under the pseudonym Jean Noir, one of 50 numbered copies on Madagascar paper, from the deluxe issue.
A fine copy.
First collected edition, one of 13 numbered copies on pur fil paper, our copy being one of 3 hors commerce, the only copies on deluxe paper.
A fine copy.
First edition, one of 330 numbered copies on Arches wove paper.
Minor tears to the head and tail of the spine; a pleasing copy.
With wood-engraved illustrations by François de Marliave, printed in several colours by E. Gasperini.
First edition printed on regular stock.
Small tears to the head and foot of the spine.
Fine presentation inscription, signed by Henri de Montherlant to Georges Bataille.
First public edition of this text written under the pseudonym François la Colère, one of 50 numbered copies on Madagascar paper, the deluxe issue.
Rare and fine copy.
First edition, one of 170 numbered copies on deluxe paper.
Fine copy preserved in its double wrapper.
First edition, one of 170 numbered copies on deluxe paper.
A very slight tear, without loss, to the second panel of the double wrapper.
A pleasing copy preserved in its double wrapper.
First edition, one of 170 numbered copies on pur fil.
An agreeable copy preserved under a double wrapper.
First edition, one of 170 numbered copies on pure rag paper.
Shadowed endpapers; a small loss at the head of the upper board of the original front cover.
A pleasant copy, preserved in its double wrapper.
First published edition of this text by Pierre Bost, written under the pseudonym Vivarais, one of 50 copies on Madagascar paper, deluxe issue.
Fine copy.
First public edition of this text by Elsa Triolet, written under the pseudonym Laurent Daniel, one of 58 numbered copies on Madagascar paper, the deluxe issue.
Fine copy.
Third edition and the last revised by the author, partly original as 25 poems appear here for the first time, bringing the total to 151 poems (as against 100 in the 1857 edition). Copy of the second issue, with a title page dated 1869 and bearing the statement of third edition.
Illustrated with a steel-engraved portrait of Charles Baudelaire by Nargeot as frontispiece.
A few minor spots of foxing, as often encountered.
The upper cover and the half-title page bear the wording: "Oeuvres complètes". According to Clouzot, the volume was sold either separately on its own or as the first volume of the collected works, whose publication extended over several years.
It should be noted that the wrappers of this third edition are always dated 1869, while certain copies, the rarest, carry a title page dated 1868.
Notice by Théophile Gautier.
First edition of the French translation, one of 230 numbered copies on alfa paper.
With a preface by Romain Rolland.
A fine copy, the spine very slightly toned.
First edition of the Petits poëmes en prose, later entitled Le Spleen de Paris – Petits poëmes en prose. Second edition of Les Paradis artificiels.
Some foxing, mainly at the beginning and end of the volume.
Contemporary half black shagreen binding, spine with five raised bands ruled in gilt and decorated with gilt tools, marbled paper sides, marbled endpapers and pastedowns, speckled edges, corners slightly rubbed.
The half-title bears the designation: "Oeuvres complètes". The work was issued separately, either on its own or as the fourth volume of the complete works, the publication of which extended over several years.
Clouzot notes: "Très rare en reliure d'époque sans tomaison au dos".
Particularly sought after.
First edition, one of 45 numbered copies printed on Rajasthan jute paper, the only deluxe issue.
Manuscript signature of Emil Cioran at the colophon.
Spine very slightly faded, of no significance.
Rare and fine copy, complete with the three tantric paintings reproduced hors-texte in colour on cream paper.
Published in the year of the first edition, one of 950 numbered copies on wove paper.
Publisher’s binding after the original design by Paul Bonet.
Attractive copy, complete with its original flexible cardboard slipcase.
First edition, limited to 59 numbered copies on Arches vellum, signed in pink pencil by André Masson beneath the limitation statement.
Rare and fine copy.
Illustrated with two original etchings by André Masson, printed full-bleed and issued hors texte.
First edition, one of 647 numbered copies on pure rag paper, being the only deluxe paper issue after 109 reimposed copies.
Fine copy.
First edition, one of 306 numbered copies on deluxe paper, the only large-paper issue after 109 reimposed copies.
A fine copy.
First edition, one of 100 copies numbered on Arches wove paper, the only deluxe issue.
This exhibition catalogue devoted to the painter’s work at the Pierre Matisse Gallery in New York, marking his sixtieth birthday, is illustrated with three original lithographs (two double-page and one single-page) together with numerous black-and-white and colour reproductions.
Offsetting from the lithographs visible on the facing text leaves.
Autograph signature by Joan Miró, dated at the colophon number.
As stated in the limitation, this copy indeed includes its original lithograph, dated and signed by Joan Miró.
First edition, one of 200 numbered copies on “light green paper,” the only deluxe paper issue announced.
Turquoise half morocco binding, smooth spine, date in gilt at foot, marbled paper boards, endpapers, and pastedowns, original wrappers and spine preserved, top edge gilt; an elegant contemporary binding signed by G. Gauché.
A very handsome copy, finely bound by Georges Gauché and complete with its publisher's prospectus.
Signed presentation inscription by René Crevel: "My dear Georges, here, in its finest form: Diderot’s Harpsichord, if you can help him play his music? With all my affection. René" (our own translation)
Edition partly original, one of 90 numbered copies on Dutch paper, the only issue following 10 on Japan, 2 on Chapelle and 2 not-for-sale copies.
Volume illustrated with 8 wood engravings by Manolo, four of which are full-page.
Manuscript signatures of Manolo and Pierre Reverdy on the colophon.
A rare and handsome copy of the only work illustrated by Manolo.
First edition of a poetry collection printed in a very small number of copies.
No copy recorded in the CCF. A single copy held in WorldCat (National Library of Australia).
Light, scattered foxing.
Half brown percaline Bradel binding, smooth spine, date and place gilt at the foot of the spine, marbled paper boards, original wrappers preserved, corners slightly rubbed, contemporary binding.
Rare first edition of this work by the author, one of 150 numbered copies on antique paper, the only issue after three deluxe copies.
Some light foxing.
No copies recorded in the CCF. Only three copies listed in WorldCat.
This slender booklet brings together pieces belonging to the earliest poetic experiments of Félix-Conrad Laventure (1902–1995), who was also known for his political career in ministerial, legal, legislative and municipal life (he served as Mayor of Port-Louis and as a minister).
His first verses appeared in 1921 (in Le Mauricien and L'Essor, of which he later became editor, and where in 1924 he published a critical study of the works of Mallarmé).
Very scarce first edition of David’s first work, dedicated to Léonville l’Homme and Edgar Janson (cf. Toussaint & Adolphe A. 1411).
Spine lacking; copy cockled.
First edition of the French translation, with false statement of second edition.
Full green cloth Bradel binding, flat spine decorated with a central gilt ornament, beige sheepskin title label, original wrappers preserved, contemporary binding signed in blind by Pierson. Some light foxing.
Very rare presentation copy dated and signed by Ivan Turgenev to Anatole France: "Monsieur Anatole France / hommage de l'auteur / 1876".
First edition on ordinary paper.
A fold mark at the foot of the lower cover, otherwise a well-preserved copy.
With a fine signed autograph inscription by Tristan Bernard: "A Charles Cuvillier cette oeuvre capitale qui absorba quinze ans de ma vie. Bien affectueusement Tristan Bernard."
First edition, no copies printed on deluxe paper.
Publisher's full red boards, flat spine, complete with the illustrated dust jacket.
Illustrated with numerous photographs.
Fine signed autograph inscription by Daniel Pennac to his friend Franklin Rist on the title page, each group of words enclosed in a comic strip-style speech bubble: "Nemo par Pennac et POUR FRANKLIN / nom d'un chien / avec / mon / amitié / de toujours / et d'aujourd'hui. Je t'embrasse Daniel"; the inscription is completed with a drawing of a little figure in the style of the Titan Atlas, carrying a fountain pen.
First edition, one of 38 numbered copies on alfa paper, the only deluxe copies issued.
A very handsome copy.
First edition on ordinary paper.
Contemporary red half morocco with corners, spine with five raised bands, gilt rules and triple gilt panels, date stamped in gilt at foot, minor rubbing to bands, gilt fillet borders on marbled paper sides, endpapers and pastedowns of comb-marbled paper, original wrappers and spine bound in, one upper corner lightly scuffed, binding signed by C. Septier.
Manuscript signature of one of the authors on the half-title page.
A handsome copy attractively bound in a period binding.
First edition of Pierre Drieu la Rochelle's first book, one of 150 numbered copies on Hollande laid paper, the only deluxe copies.
Precious autograph inscription signed by Pierre Drieu la Rochelle : « to Charles Maurras this anxious testimony. Pierre Drieu la Rochelle ex. sergeant in the 146th Infantry. October 1st, 1917. »
Important testimony of the young Drieu la Rochelle's admiration – then in full intellectual development – for the « master of Martigues » to whom he sends this copy of his war poems composed in 1916 after being wounded at Verdun.
Demobilized and disillusioned by a war for which he had enlisted hoping to wash away the defeat of 1870, Drieu oscillates between Aragon's communism and Maurras's integral nationalism. Having discovered the latter in adolescence, he considers him from then on as one of his intellectual masters alongside Maurice Barrès, Rudyard Kipling and Friedrich Nietzsche. In November 1918, he would write to him: « It is you, it is your prudent thought that destroyed in me, around 1915 or 1916, my Germanic conception of joyful war. Having fought in the infantry during the first winter, I already knew all too well that war was not joyful... »
Glorifying Maurras as « the greatest political thinker of the last century » (Gilles), he is – like many young people of his generation – seduced by the patriotic aura as well as the taste for action and morality embodied by the leader of Action Française. Throughout the 1920s, the ambivalent Drieu will hesitate on which political path to take, before evolving toward fascism, definitively abandoning Maurrassian conservative ideology.
First edition on ordinary paper.
Autograph inscription signed, in pencil, by Sacha Guitry to madame Simone Gerbert.
Very rare first edition printed in 25 numbered copies, ours being the unique copy printed on vellum and bearing No. 1, a deluxe copy.
Printed proof stamp on the half-title page: "E. Capiomont & Cie imprimeurs. 37, rue de Seine, Paris 30Janvier 188. Epreuve"
Full chocolate brown morocco binding, spine very slightly faded with four raised bands, gilt date and gilt "épreuves" notation at foot of spine, gilt roulettes on headcaps, marbled endpapers and pastedowns, frame of six gilt fillets on pastedowns, original wrappers preserved, top edge gilt, double gilt fillets on leading edges, bookplate pasted on one pastedown, slipcase with chocolate brown morocco borders, marbled paper boards, grey felt lining, magnificent binding signed by R. Aussourd.
Provenance: from the prestigious library of the great bibliophile Doctor Lucien-Graux with his bookplate pasted on one pastedown.
Very rare and handsome deluxe copy perfectly executed by René Aussourd.
First edition, with all the features of first issue copies, including the misprint “Sénart” on the dedication leaf.
Contemporary plum-coloured 3/4 morocco binding signed by Georges Huser, spines with five raised bands, numerously ruled in blind, with a gilt floral tool at centres, dates in gilt at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edges gilt, bookplates on each front pastedown. Complete with the publisher’s catalogue at the end of the first volume.
A very handsome copy, elegantly bound by Georges Huser, with the rare original wrappers preserved.
First edition in French, one of 8 numbered copies on Imperial Japan paper, ours being one of 3 hors commerce copies, deluxe printing.
Some foxing to boards and certain deckled edges.
A rare full-margined copy.
