First editions, fine papers and deluxe printings of French and foreign literature, 16th to 21st century

New edition.

A very good copy.

Signed presentation copy, inscribed by Louis Aragon to his friends Marie-Noëlle and Jean-Pierre (Lecointre).

First edition on ordinary paper.

A pleasant copy despite two small areas of sunning at the head and foot of the spine.

Signed presentation copy inscribed by Louis Aragon to Jean-Pierre Lecointre.

First edition, one of the review copies.

Dampstaining and a restoration to the spine, scuffing to the upper edge of the front wrapper, paper browned.

Our copy is enriched with two autograph letters signed by Hélène Bessette to a literary critic at Le Figaro, probably Claude Mauriac, concerning her recently published novel "La tour".

In the first letter, dated 30 April 1959, Hélène Bessette asks her correspondent to write a review of La Tour.

In the second, dated 13 May, the author expresses her pleasant surprise at having read in Le Figaro that her novel had attracted her correspondent's attention, while taking issue...

First edition, illustrated with several reproductions, including a photograph of Genss's library as frontispiece. One of two hundred numbered copies, signed by Julius Genss on the limitation leaf. Only three copies on WorldCat (UCL, Staats- und Universitätsbibliothek Bremen and Humboldt-Universität zu Berlin).

Grey laid paper wrappers, title label mounted to the front cover. Weak stitching, minor soiling to the covers, light corner creasing to the covers and leaves.

A rare copy printed in small numbers of the autobiography of an esteemed Estonian book collector. The provenance of his vast collection, first pillaged by the Nazis, is being actively...

First edition, no deluxe copies issued.

A few minor black specks to the boards, one stain to the lower edge, otherwise a pleasing copy.

Illustrated.

Presentation copy inscribed by Martin Gray: "A Astoria la vie sans amour n'est rien..." [In Astoria life without love amounts to nothing...]

First edition of the French translation established by Georges Guiffrey.

Beige half roan binding, spine with four raised bands framed by black fillets, slight rubbing to the bands, boards, marbled endpapers and pastedowns.

"In 1855, if my memory serves, Georges Guiffrey set about translating Vanity Fair with Thackeray's blessing: the perfection of this version makes it very nearly a masterpiece of nineteenth-century French literature. A critic nevertheless found occasion to take issue with its recent reissue, on the grounds that it had been given no more than a discreet dusting-off. Guiffrey's French strikes him as...

First edition, no deluxe copies were issued.

A handsome copy.

Signed presentation copy, inscribed by Mohammed Khaïr-Eddine to the political scientist and essayist Evelyne Pisier: "... en remerciement de son aide..."

In 1989, she was appointed Director of Books and Reading at the French Ministry of Culture by Jack Lang.

First edition of this poem by Paul Eluard, lithographed after his manuscript, accompanying the seven gouaches by Jean Hugo reproduced in pochoir. One of 948 numbered copies on vélin pur fil.

Wrappers with turned-in flaps, in loose gatherings. Wrappers slightly soiled with a few instances of foxing, shallow wormholes to the front cover.

Autograph presentation inscription signed by the author to Jacques Coutant: "à Jacques Coutant dans Paris délivré mais encore convalescent" ["To Jacques Coutant, in Paris - liberated, yet still convalescent"].

First edition, adorned with a portrait frontispiece, drawn in ink and signed Dalex. The polychrome drawing is set within a frame traced in brown ink and accompanied by the Latin motto "gratia in me vacua non fuit" as well as the legend "Messire Jean d'Aranthon". An engraved head-piece depicting Christ and angels, with a few further head- and tail-pieces.

Contemporary brown calf, spine with five raised bands, gilt title, gilt compartments and fleurons between the bands, inner gilt dentelle. Binding lightly rubbed, with some abrasions and losses, the joint of the upper board slightly split at the head, a few light foxing marks to the leaves, some marginal dampstaining, blank...

First true edition as an earlier, truncated and inaccurate edition of this book had already appeared the same year in Brussels.
Copy in the original wrappers, as issued. Trace of a crease to the lower right corner of the front wrapper.

One of Hugo's masterpieces, containing some of the most powerful and sarcastic poems of the century. The emperor so reviled is treated here more mercilessly, if that is possible, than in Napoléon le Petit.

First edition, illustrated with 10 compositions by Jean-Jacques Sempé, one of the numbered copies.

Publisher's full wood-grain style marbled boards, plain flat spine.

An attractive copy of this fable recounting the sudden disappearance of every form of paper, bringing modern society to a standstill.

First edition, one of 35 numbered copies on Lafuma pure rag paper, this copy one of 15 lettered hors commerce copies, the only deluxe-paper issue.

A rare and fine copy of this work, awarded the Prix Femina in 1971.

First edition, one of 32 numbered copies on Alfama paper.

A rare and fine copy.

First edition, one of 15 numbered copies on Arches wove paper, the only deluxe-paper copies.
A rare and fine copy.

The majority of the text in in first edition. One of 45 numbered copies on hollande, the most limited deluxe issue.

Full black morocco binding, flat spine, covers decorated with some hundred inlays of red, orange-red and orange morocco evoking the chromatic variations of a setting sun, white morocco frame on the red suede endleaves and doublures, monogram blind-stamped on one doublure, original wrappers and spine bound in, all edges gilt; matching chemise in half black morocco with flaps, flat spine, date gilt at the foot, marbled paper sides, beige suede lining, matching slipcase edged in black morocco, marbled paper sides, white felt lining, a splendid binding signed and...

First edition, with all the first issue features, including the misprint "Sénart" on the dedication leaf.
Elegant half hazel morocco bindings with corners by Blanchetière, spines with five raised bands, very slightly faded, dates gilt at foot, marbled paper sides, combed paper endleaves and pastedowns, original wrappers bound in, with the original spine preserved for the first volume, top edges gilt.
Complete with the publisher's catalogue at the end of the first volume.

Occasional light foxing.
A handsome and desirable copy, retaining its rare original wrappers and finely bound by Henri Blanchetière.

First edition, one of 200 copies printed on hollande, the only deluxe issue.

Bound Bradel-style in three-quarter dark green morocco, flat spine with date at foot, cat's-eye paper-covered boards, marbled endpapers and pastedowns, original wrappers and spine preserved; binding signed by Carayon.

A few minor foxmarks to the boards and some of the deckle edges.

A rare, untrimmed copy of Guy de Maupassant's masterpiece, handsomely bound by Carayon.

Rare first collected edition, and the only edition produced for this title, illustrated by George Roux with 30 full-page plates, some printed in chromolithography.

Publisher's binding known as the "À l'éventail à un éléphant" design, with the title set within the fan, lighthouse spine slightly faded as usual, Engel type i rear cover with the JH monogram in upright letters at the centre of the rosette, all edges gilt. 
Spine ends slightly sagged, as often, a few minor spots of foxing.
A science-fiction novel whose protagonist, Storitz, acquires the power of invisibility by drinking a potion. The work appears to have been first written in the same year as the publication of H...

First edition, one of 20 numbered copies on Japan paper, the deluxe issue.

Spine slightly sunned, otherwise a very good copy.

Preface by Léon Bocquet.

First edition, one of 100 numbered copies on Dutch handmade paper.
Previously unpublished letters by Alfred Jarry, Marcel Schwob, Guillaume Apollinaire, Jacques Rivière, Marcel Proust, Rainer Maria Rilke... Contributions by Valery Larbaud, Jules Supervielle, Pierre Drieu la Rochelle, Francis Ponge...

Includes an unpublished text by Fargue, 'Rêves', and a previously unpublished musical composition by Maurice Ravel.
Illustrations by Jean-Gabriel Daragnès, Pablo Picasso, Henri Michaux, Giorgio de Chirico, Marie Laurencin...
A few small marginal tears to the covers and occasional foxing to some of the deckle edges.

First edition, with no deluxe-paper copies issued, one of the review copies.

A pleasant copy.

Precious signed presentation copy inscribed by Claude Simonnet to Jean Giono.

First edition, one of 20 numbered copies on Johannot pure wove paper, the only deluxe issue.

Rare and attractive copy.

First edition of the French translation; no deluxe-paper copies were issued.

A very good copy.

Signed presentation inscription from Jim Harrison to a woman named Gabrielle.

First edition of the French translation, one of the review copies.

Complete with its illustrated dust jacket, which has a few small marginal tears and is partially faded on the rear panel.

Rare dated and signed presentation inscription, in French, from Iris Murdoch to the writer, publisher and literary critic Christian Giudicelli.

First edition, one of 22 copies of the deluxe issue numbered in Roman numerals, together with 9 presentation copies, the only copies to feature an original collage cover by Olivier O. Olivier.

Illustrated with 25 reproductions of works by Olivier O. Olivier.

Signed presentation inscription in pencil from Olivier O. Olivier to a friend named Lise.

First edition on ordinary paper.
Spine slightly sunned, with a few small nicks.
Signed presentation copy from Léo Ferré to a woman named Véronique.

 

First edition of the French translation, printed in an edition of 90 copies numbered on wove paper and signed by John Crombie and Sheila Bourne.

Illustrated throughout by Sheila Bourne.

A rare and fine copy of this artist's book created by Sheila Bourne and her husband, John Crombie.

New edition, partly original.
Publisher's full grey cloth, smooth spine, a pleasant copy complete with its illustrated dust jacket.
Richly illustrated.
Signed presentation inscription from Yves Bonnefoy to Jacques Hartmann and his wife Nancy.
 

First edition, printed in a small number of copies, of these extracts from the Cahiers de la Pléiade.

A few stains to the boards, with small red ink stains on the first page of Michel Tapié's text.

Signed presentation inscription from Henri Michaux to his friend, the painter and draughtsman Bernard Saby: "Les hommes qui ne donnent pas leur adresse ne craignent pas les exorcismes. Mais tout de même où est-il ce Saby? H.M."

Inspired both by his investigations into serial music and by his use of mescaline and hashish, Bernard Saby's painting aroused keen interest among his contemporaries. In 1956, his friend Henri Michaux gave him space in...

First collected edition, partly first edition, one of 129 numbered copies on wove paper, enhanced with an original engraving by Pierre Alechinsky, signed and numbered by the artist; our copy is one of the first 10 to contain a manuscript leaf, as stated in the limitation notice.

Signed by Yves Bonnefoy beneath the limitation notice.

A rare and fine copy.

First edition of the French translation, one of 210 numbered copies on pur fil paper, the deluxe issue.

Spine and boards lightly faded at the margins, as is often the case.

First edition, privately printed in a small number of copies as an offprint from issue No. 6 of the review Hermès, devoted to the theme of emptiness, of which Henri Michaux was the first editor-in-chief.

A few stains to the upper wrapper.

Signed autograph inscription by Henri Michaux to his friend, the painter and draughtsman Bernard Saby: "Quelques mots encore amicalement à Bernard Saby. Henri Michaux."

Inspired both by his investigations into serial music and by his experiments with mescaline and hashish, Bernard Saby's painting aroused keen interest among his contemporaries. In 1956, his friend Henri Michaux welcomed him into the pages of...

Very rare first edition, one of 150 copies signed at the colophon by Conrad Rooks. OCLC records only two copies at the American College of Greece and at Princeton University Library.

Spine and boards marginally sunned, two stains to the right margin of the rear board.

Presentation copy, inscribed, dated and signed "to Sueeva Viegand with appreciation for kind thoughts and friendship. Sincerely Conrad Rooks 5/7/1963 / Paris 26 rue Saint Beniot [Benoît] ’

Extremely rare first edition of Conrad...

First edition, one of the review copies.

Signed presentation inscription from Violette Leduc to Claude Couffon, a specialist in and translator of the leading Spanish-language writers of the second half of the twentieth century: "... après un chaleureux entretien et mon souvenir intact de son article pour ce livre..."

First edition, one of 150 numbered copies on Marais wove paper, the only deluxe-paper copies.
Illustrated by Edith Destouches.
A fine copy.

First edition, one of 50 numbered copies on pur fil paper, the only deluxe-paper issue (cf. Claude Menguy).

Endpapers slightly and partially toned.

A rare and attractive copy.

First edition, printed in Russian by the London-based Stenvalley Press.

Publisher's red cloth binding, author, title and publisher lettered in gilt on the spine, complete with its two-colour printed dust jacket showing light wear.

A few ballpoint pen annotations on some pages, presumably by the recipient.

Autograph presentation inscription, signed and dated by the author, to Michel Garder: "Дорогому Мишелю Гарде - с глубокой признательностью. На добрую память. 29.I.1975." [To dear Michel Garder - with profound gratitude. In fond remembrance. 29.I.1975.]

First edition, one of the review copies.

Spine sunned, small losses to the spine and covers, paper brittle in the margins of the leaves.

A fine and rare signed autograph inscription by Roger Nimier, in the purest Hussard manner: "Pour Henry Grave et le Colonel Monier avec les claquements de talons et un arrière goût de rhum blanc du Cavalier Nimier".

Second edition, with a thousand-copy statement.

Spine warped and faded, small tears without consequence to the margins of the covers, a pale dampstain at the foot of the final leaves, occasional foxing.

Rare signed and dated autograph inscription from Joseph Zobel to Madame de Bruycker: "... ce premier reflet de ma province antillaise..."

First edition, on ordinary paper, of the French translation by Boris Vian.

A pleasing copy, considering the poor quality of this post-war paper.

First edition, one of 50 numbered copies on ivory laid edition paper, the only deluxe-paper copies.

A rare and fine copy.

Signed autograph inscription from Eric Jourdan to a friend named Guy: "... ce livre qui vient de loin presque à des années lumières, mais que j'accepte tel qu'il est. En signe d'amitié de toujours. éric 19 février 1996."

First editions of eight plays bound in one volume.

Arioste gouverneur ou Le Triomphe du génie, written by Jean-François Roger in collaboration with Jean-Louis Brousse-Desfaucheret, is accompanied by a musical score.

The last three plays in the collection, signed under the pseudonym MM ***, were the result of Jean-François Roger’s collaboration with Auguste Creuzé de Lesser.

Half fawn basane binding, smooth spine richly gilt-decorated, fawn long-grain morocco spine label, speckled paper boards, marbled edges.

Boards rubbed, some scuffing to the leather, corners bumped, minor soiling to the leaves, a marginal tear with no loss of text on page 43 of the...

First edition, one of 100 numbered copies on Lana wove paper, the only deluxe-paper copies.

A small tear at the head of the front panel of the dust jacket.
A pleasing copy.

First edition, with no deluxe-paper copies issued.

A fine copy.

First edition, one of the press copies.

Work illustrated with 57 reproductions of collages by Jacques Prévert.

A precious copy belonging to the actor Pierre Brasseur, Prévert's friend and collaborator, containing: 

• an autograph inscription signed by Jacques Prévert on the half-title page: "Pour Pierre Jacques", embellished with two small charms,
• an original collage depicting a bat dressed as a nun with outstretched wings below the justification of the print run, 
• facing the justification page, an autograph inscription signed by Jacques Prévert to Pierre Brasseur and Catherine Sauvage...

First edition of Antonin Artaud's French translation.

Repaired tears and small areas of loss at the head and foot of the spine, with minor marginal tears to the covers.

Signed presentation copy inscribed by Antonin Artaud to Alin Laubreaux.

First edition, one of 70 named and numbered copies on Madagascar paper.

Faint marginal crease marks to the lower right-hand corner of the front wrapper.

Illustrated with a frontispiece drawn and wood-engraved by Vassily Photiadès.
Signed presentation inscription from Joseph Kessel to Emmanuel Arago, for whom this copy was specially printed.

Rare first edition for which no large-paper copies were printed, one of the press copies.
Spine and boards lightly sunned as usual, a few light dampstains to the spine.
Illustrated with 32 photographic plates.
Precious autograph inscription signed by Michel Leiris to Gabrielle Gras, a discreet yet prolific critic for the Revue Europe, close to Surrealist circles and to numerous writers and artists.

First edition, one of 250 numbered copies on alfa paper reserved for presentation and review.

A pleasing copy.

Signed presentation inscription from Jean Giraudoux to Maurice Martin du Gard, additionally signed by Jean-Louis Barrault and Madeleine Renaud, who created the roles of the imperial prosecutor Blanchard and Lucile Blanchard.

First edition, one of 25 copies on Japon. A name copy printed for Delanier, his name inscribed by the publisher in pen, with his signature.

Illustrated with 8 original etchings by Jean-Adrien Mercier in two or three states, with an exceptionally added original pencil drawing by the artist.

Red half-chagrin Bradel binding, flat spine, author and title gilt-lettered on spine, marbled paper boards, marbled endpapers and flyleaves, original wrappers preserved, top edge gilt, binding signed M. Godillot.

Corners lightly rubbed, a few faint marks on the leather of the front board, trivial soiling to the...

First edition, one of 500 copies on antique laid paper, the only issue after 10 copies on Japan paper and 25 on Holland paper.

Wrappers slightly soiled and rubbed, creasing to the corners of the wrappers and leaves, small losses to the lower margins of the first few leaves, occasional foxing.

First edition, no deluxe-paper copies having been issued, one of the review copies.

Two minor losses at the foot of the spine, with faint crease marks to the margins of the covers.
Signed presentation inscription from Henri Michaux to Mr Rio.

First edition in French, one of the ordinary paper copies.

A pleasant copy despite three small stains to the edges.

Signed presentation copy inscribed by Milan Kundera to Jacques Brenner, conveying his best wishes for 1990.

First collected edition, one of 30 copies on alfa paper, this copy unnumbered but duly identified as printed on alfa at the foot of the spine and in the limitation statement, the only deluxe-paper copies.
Albert Camus's foreword appears here for the first time.
A pleasant copy.

First edition, one of 455 numbered copies on pur fil paper, the only deluxe-paper copies after 170 on Holland paper.
A fine copy despite some minor foxing, chiefly to the top edge.

First edition, with no deluxe issue, and bearing the correct printer's imprint date.

An unusual copy, with no edition statement on the title page but with the spurious mention « deuxième édition » at the head of the rear wrapper.

Minor tears at the head and foot of the spine neatly repaired, small losses at the head and foot of the front wrapper restored, paper browned as usual.

First edition on ordinary paper.

Spine very lightly sunned, a trivial defect.

Signed autograph inscription from Marcel Pagnol to Mr. R. Bouchard on the printed dedication page.

First edition, superbly illustrated with 200 full-page plates and 120 in-text vignettes by Grandville. Second-issue printing, with the errors corrected. It may be identified by the fact that, in the first issue, the opening third of the volume was printed on tinted wove paper, whereas this second issue was entirely printed on uniform white paper; the frontispiece no longer bears the title Badigeneographie but instead Des affiches seront, d'après ses ordres....
Publisher's original full green ribbed percaline binding, decorated with special blocking tools commissioned by Hetzel specifically for this edition. Smooth spine stamped with tortoise, butterfly and beetle...

First French edition, one of 75 numbered copies on Arches wove paper, the deluxe issue.

A rare and handsome copy.

This copy is complete with the original silkscreen by Victor Vasarely, numbered and signed in justification by the artist.

First edition, one of 15 lettered copies on Imperial Japan paper, the deluxe issue.

Full red morocco, spine with five raised bands decorated with triple gilt compartments, very minor rubbing to the bands, gilt date at foot, gilt rolls to the spine ends, boards framed with triple gilt fillets, sand-coloured polished calf endleaves and doublures, wrappers and spine preserved, all edges gilt, slipcase edged in red morocco and covered with decorated paper sides, an elegant binding signed by Devauchelle.

A fine copy superbly bound in full morocco by Devauchelle.

First edition.

Wrappers illustrated by Louis Icart.

Exceptional signed autograph inscription by Louis Icart: "à mon ami, au peintre Edouard Chimot \"Gouverneur de... Javea\" - ces scènes rapportées d'Espagne ! En hommage cordial. Louis Icart."

First edition, illustrated with a frontispiece in each volume and a folding plate at the end of the first volume.

Bradel-style bindings in brown half cloth with small corners, smooth spines very slightly faded and ruled in gilt, marbled-paper boards with a few minor scuffs, blue-grey endpapers and pastedowns, marbled edges, bookplates pasted to the front pastedowns.

Some foxing, as usual.

Our copy is complete with all three engravings: a view of St Peter's in Rome and a plan of the remains of ancient Rome in the first volume, and Trajan's Column in the second.

It also includes a second state of the plan of the remains of ancient Rome, with slight variations...

First edition, one of 80 numbered copies on Montval paper, the deluxe issue.
A handsome copy with wide margins.

First edition, one of 75 numbered copies on Montval paper, the deluxe issue.
A pleasing wide-margined copy.

First edition, one of 30 numbered copies on Holland paper, the deluxe issue.
Front cover vertically creased.

First edition, one of 45 numbered copies on hollande, most limited deluxe issue.

Contemporary full red morocco, spine with four raised bands framed with black fillets, date gilt at foot, taupe morocco doublures, red silk endleaves, gilt fillets and dots to board edges, all edges gilt, slipcase, an elegant binding signed Favre-Petit-Mermet.

A fine copy, handsomely bound in full morocco with morocco doublures by Favre-Petit-Mermet.

First edition on ordinary paper, with the correct imprint date of 25 September 1951, false "fifth thousand" statement of edition on the title page.
A small restored tear to the margin of the front cover, joints skilfully restored.

Presentation copy, signed and inscribed by Julien Gracq to Madame Renaudon: "...in memory of her smiling kindness amid the work of disasters..."

First edition, one of 56 hors commerce name copies on Saint-Amand, the only deluxe issue with 32 copies on hollande.
A fine copy.

Name copy printed for Kessel's friend Eddy Marnay signed and inscrbied by Joseph Kessel beneath the limitation statement and his name: "... ou le zombie son ami Jef."

Born Edmond Bacri, he was a French lyricist and singer who wrote approximately 4,000 songs, including Les Amants de Paris for Edith Piaf.

First edition, one of 50 numbered copies on Japon paper, the deluxe issue.
Illustrated with a frontispiece portrait of the author by Christian Bérard.
A pleasing copy despite a slight shadow to the spine.

First edition, one of 300 numbered copies on alfa paper reserved for the press service.
A few spots of foxing, chiefly affecting the endpapers and edges, small tears to the boards at the edges, a small loss at the foot of the spine, which also shows slight sunning at the head.
Presentation inscription signed by Marguerite Yourcenar to Mr. Van Melle.
 

The first Paris edition, published simultaneously with the Brussels edition.

Most of the volumes bear a statement of fourth, seventh, or eighth edition.

Some foxing to several volumes.

Contemporary half tawny speckled sheep bindings, smooth spines decorated with double gilt fillets, red sheep lettering-pieces lettered "Oeuvres de V. Hugo", sky-blue sheep title and volume labels, volume label lacking from the fifth volume, three others partially lifting, marbled paper-covered boards, decorative endpapers and pastedowns.

First edition of this celebrated illustrated issue featuring artwork by Le Barbier, with the plates engraved under his supervision. Engraved frontispiece portrait of the author by Le Mire and 15 finely engraved full-page plates after drawings by Le Barbier. 
Contemporary full glazed red Russia leather binding, attributable to Bozérian l'aîné. Smooth spine tooled with four small concentric ornaments and gilt rules. Gilt fillet border to covers. Wine-coloured tabis silk endpapers. Gilt inner dentelles. All edges gilt. Light rubbing to the binding. Small loss of paper at the upper right corner of the title page in Volume I. Occasional foxing, particularly in the margins of several...

First edition.

Beige half half contemporary bindings, flat spines, elaborate gilt tooling beneath the black calf title labels, volume numbering stamped at foot, upper joint worn on vol. I, rubbing to edges, corners and boards, headband loose on vol. I, combed paper pastedowns with small loss to lower board of vol. I, marbled endpapers and pastedowns, all edges marbled.

First edition of the debut novel by English feminist and abolitionist Harriet Martineau, a pioneering work in raising public awareness of gender equality and public health.

This handsomely bound copy once formed part of the library of her contemporary Lady Tyrconnel at...

First edition, one of 1,040 numbered copies printed on Navarre alfa paper.
Publisher's paper-covered boards after Paul Bonet's original design.
Endpapers fully shaded throughout, as often encountered.

First edition, one of the press service copies.

Spine sunned and lightly soiled.

Exceptional and highly desirable signed autograph presentation inscription from Louis de Vilmorin to her lover, the French sport shooter, businessman and politician Jean de Beaumont: "A Jean de Beaumont T(endrement) F(idèlement) T(on) A(imée), (the calligraphic capital letters enclosing the remainder of each word) Louise". 20 June 1960. I am leaving for Switzerland today. I shall be staying in Geneva with Sacha de Manziarly. If by any chance you should happen to pass through... Afterwards you will find me with the André family from 23 July until 10 August...

First edition, one of 350 numbered copies on alfa paper reserved for the press.

Spine slightly cocked.

A touching and highly desirable signed autograph inscription from Louise de Vilmorin to her lover, the French sports shooter, businessman and politician Jean de Beaumont: "à mon Jean chéri que j'aime toujours davantage sa mendiante de baisers. Louise", enhanced with a drawing of a four-leaf clover enclosing the name Louise.

First French edition, one of 35 numbered copies on pure wove paper, the only deluxe paper issue.
A fine copy.

First edition of this issue devoted entirely to dreams, one of 300 numbered copies on bibliophile wove paper, this copy out-of-series and without limitation statement.

A pleasing copy despite a very lightly sunned spine, of no real consequence.

Literary contributions by André Breton, Michel Leiris, Paul Eluard, Xavier Forneret, Gisèle Prassinos, Benjamin Péret...

Illustrated with works by Max Ernst, Yves Tanguy, Alexei Remizov, Giorgio de Chirico, André Masson, René Magritte, Salvador Dalí, Oscar Dominguez, Man Ray, Maurice Henry...

First edition on ordinary paper.

Bound in half red shagreen with corner pieces, spine with four raised bands ruled in blind and gilt, a few rubs to the spine, marbled paper boards, comb-marbled endpapers and pastedowns, upper cover preserved, corners lightly bumped.

An exceptionally rare complete collection in six issues of this important Dada journal, including the very rare sixth no. of July 1921 entitled "Invention et proverbe".

Contributions by Paul Eluard, André Breton, Céline Arnauld, Tristan Tzara, Philippe Soupault, Louis Aragon, Jean Cocteau, Francis Picabia, Jean Paulhan, Maurice Raynal, Georges Ribemont-Dessaignes, Jacques-Emile Blanche, Théodore Fraenkel, among others.

One of the most significant Dada journals published at the height of the movement with its very rare subscription leaflet.

Undoubtedly the finest example of poetic parody conceived by the Dadaists as a radical response...

First edition on ordinary paper.

A crease to the lower right corner of the upper cover, a library shelf-mark to the upper left corner of the half-title page, which also bears, at its foot, a library stamp overprinted with the word "cancelled".

On the same half-title page, a signed autograph inscription by Alain: "A Monsieur Prulhières et vivent les lions ! Alain. Le 5 juillet 1935."

First edition, one of 50 numbered copies on Montval paper, the deluxe issue.
A small chip at the head of the spine, otherwise a pleasant copy.

Illustrated by Pierre Devaux.

First edition, one of 49 numbered copies on deluxe pure wove paper, the only deluxe paper issue.
A fine copy.

New printing of the author's works issued by Alexandre Houssiaux, who had acquired the Furne publishing stock under which the works had originally appeared. He expanded the set with three additional volumes (Theatre, Contes drolatiques, etc.), published here for the first time.
Bound in red half shagreen, spines with four raised bands ruled in gilt and richly gilt-panelled, a few minor scuffs to some spines, marbled paper boards, marbled endpapers, speckled edges.

A few light foxing spots, as usual.

Illustrated with 125 plates hors texte by the leading artists of the period, including Bertall, Daumier, Gavarni, Johannot, Meissonier and Nanteuil, together with rare...

First edition, one of 15 numbered copies on pur fil paper, the only deluxe paper issue.

A rare and handsome copy.

Edition limited to 100 numbered copies on laid paper.

Bradel binding in half vellum-style paper boards with corners, smooth spine very lightly toned, black date lettered at foot, blue paper-covered boards with a few small stains, endpapers partially foxed, pasted bookplate.

Original edition of Marcel Schwob's introduction and facsimile reproduction of the Stockholm manuscript.