First edition, one of 8 numbered copies on Chinese paper, the deluxe issue.
Bound in full red morocco, smooth spine, spine and boards decorated with a geometric design of black and gilt fillets representing interlaced mountain peaks in zigzag pattern, endpapers and pastedowns illustrated with an original lithograph signed in pencil by Germaine de Coster, following endpapers of red paper, original wrappers and spine preserved, top edge gilt; a very elegant contemporary binding signed by Hélène Dumas and Germaine de Coster.
This copy is further enriched with an original charcoal portrait of Jean Giono, signed by Robert Joël and mounted on a stub after the front wrapper.
A copy of the deluxe issue, magnificently bound in full morocco with a geometric design by Hélène Dumas, and with lithographed endpapers by Germaine de Coster.
First edition, one of 70 numbered copies on pure thread paper, ours being one of 15 hors commerce copies lettered under Ingres covers, deluxe copies after 2 reimposed on pure thread laid paper hors commerce reserved for Jacques Hébertot and 13 holland paper copies.
Minor marginal tears of no consequence to the covers.
Handsome and rare copy of this response by Albert Camus to Jean-Paul Sartre's "Les mains sales".
First edition, one of 48 copies on pur fil, the only deluxe copies.
Work decorated with illustrations by Jean Hugo.
Light rubbing to extremities of the slipcase.
Superb binding in dark exotic wood marquetry signed Pierre-Lucien Martin, dated 1962.
Binding in chocolate brown box leather with bands, smooth spine, gilt title lengthwise, first cover formed of a mosaic arrangement of dark wood pieces, with grain arranged in opposite directions, bearing the title engraved vertically and the author's name revealed in acrostic, second cover formed of a large panel of the same wood with unfolded grain bordered in chocolate box leather, endpapers and pastedowns of chocolate paper, top edge gilt over deckled edges, covers and spine preserved, slipcase of chocolate paper bordered in chocolate box leather, interior lined with brown felt, elegant ensemble signed Pierre-Lucien Martin and dated on the rear pastedown 1962.
