First edition, of which there were no deluxe copies, a Service de Presse (advance) copy. Autograph inscription from the author to Bernard Pingaud, handsome copy.
First edition on ordinary paper of this two-act comedy adapted from a story by M. Twain, with only 10 copies printed on Japan paper. Illustrated cover. Three small marginal defects of no consequence affecting the front cover.
First edition, one of 50 numbered copies on pur fil, the only deluxe copies with 5 on Japan and 20 on Holland paper. Handsome full-margined copy with two small wormholes.
First edition of which only 59 deluxe copies were printed, a Service de Presse (advance) copy. Autograph inscription from Jean de Bosschère to Philippe Neel. Light worming to boards, otherwise handsome copy.
Les éditions du balancier|Liège 1936|14.50 x 19.50 cm|broché
First edition, one of 200 numbered hors commerce copies on vellum. Autograph inscription from Jean de Beucken to E. Berl, whose name has been unsuccessfully erased. A handsome copy.
First edition of which only 20 deluxe copies were printed, a Service de Presse (advance) copy. Autograph inscription from Charles Du Bos to Alfred de Saint-André.
Editions des Cahiers Libres|Paris 1928|14.50 x 19.50 cm|broché
First edition, one of 875 numbered copies on Lafuma paper, the only issue with 30 copies on Japan paper. The work illustrated with a portrait of the author by E. Hubert. Handsome copy despite light marginal worming affecting the front cover.
First edition, one of 600 numbered copies on Arches laid paper, the only printing with 35 Japan copies. Work illustrated with a frontispiece by J. Charlot. Handsome copy despite shadowing affecting the rear board.
Librairie Larousse|Paris s. d. [circa 1915]|12 x 19 cm|agrafé
First edition of M. Soudart's adaptation. Work illustrated with 6 drawings by Fernand Fau. A small angular lack affecting the back cover, otherwise a handsome copy.
First edition of which no deluxe copies are mentioned. Half red shagreen with corners, spine with five raised bands, soiled covers preserved, top edge gilt. Fine copy despite some worming affecting the endpapers.
Vallecchi editore|Firenze [Florence] 1957|12.50 x 19 cm|broché
First edition, of which there were no deluxe copies. Autograph inscription by D. Fabbri to Georges Simenon. Handsome copy complete with publisher's slip.
First edition, of which there were no deluxe copies. Fine autograph inscription from the author to Georges Simenon. Handsome copy, lacking dust jacket.
First edition, a Service de Presse (advance) copy. Autograph inscription from the author to Georges Simenon. Three small tears without loss affecting the slightly warped spine.
Presses de la Cité|Paris 1959|13.50 x 21.50 cm|relié
First edition, of which there were no deluxe copies. Beautiful full-page autograph inscription from the author to Georges Simenon. Handsome copy, lacking dust jacket.
First edition, one of 109 numbered copies on Lafuma Navarre paper, reimposed in Tellière quarto format, deluxe issue. Handsome copy despite a small innocuous stain on the front cover and some occasional foxing to the interior.
First edition, of which there were no deluxe copies. Sepia photographic cover, work illustrated with numerous illustrations obtained by 'photography from nature'. Handsome and rare copy.
Editions de la Montagne|Paris 1930|17 x 22.50 cm|broché
First edition, one of 400 numbered copies on alfa paper, the only issue with 10 on Japan paper, 25 on Holland paper and 65 on vellum. Worming to endpapers, otherwise a handsome copy.
Edizioni futuriste di poesia|Milano [Milan] 1912|15.50 x 21 cm|broché
First edition, of which there were no deluxe copies, false statement of printing number. Spine and boards with marginal restorations and filled lacks, handsome interior condition. Rare.
First edition of which there were no deluxe copies, one of the Service de Presse (advance) copies. Author's inscription. One dampstain on the back cover, otherwise a handsome copy.
Charpentier & Fasquelle|Paris 1909|12.50 x 19 cm|broché
First edition printed on ordinary paper, with only 10 copies printed on deluxe Holland paper. Autograph inscription signed by Saint-Georges de Bouhélier. Cover illustrated in colors by Ibels. A handsome and rare copy.
First edition printed on ordinary paper. Full blue cloth binding, smooth spine, red shagreen title-label, original wrappers preserved. Autograph inscription by the author. Handsome copy.
Editions du trident|Paris 1937|14 x 19.50 cm|broché
First edition, one of 1000 copies numbered on "bouffant" paper, only draw with 20 Arches paper. Rare consignment of Nicolas Beauduin. Bites on the boards, otherwise beautiful complete copy of his prayer to insert.
First edition, one of 920 numbered copies on alfa paper, the only printing with 25 on Annam and 50 on Rives. Frontispiece portrait of the author by A. Bihiet de sainte-Marie. Handsome copy.
Paul Ollendorff|Paris s. d. [circa 1920]|12 x 19 cm|broché
First edition printed on ordinary paper, only 35 deluxe copies were printed, false statement of second edition. Fine full-page autograph inscription signed by the author to Simone. Spine sunned, otherwise handsome copy.
First edition, one of 1500 numbered copies on bouffant paper, the only issue along with 15 on Japan paper and 35 on Holland paper. Preface by Jean Galtier-Boissière. A handsome copy.
Le temps qu'il fait|Paris 1989|16.50 x 24 cm|broché
First edition, one of 960 numbered copies on Ivoire vellum, ours unnumbered, the only issue with 40 on Arches vellum. Autograph inscription signed by Michel Leiris on a card. A handsome copy.
Chez tous les libraires|Paris 1903|11.50 x 19 cm|broché
First edition of the author's first novel, of which there were no deluxe copies. Autograph inscription signed by André Mary to Charles Morice. Spine split with small lack at foot, otherwise a handsome and rare copy.
First edition, one of 1035 numbered copies on Arches laid paper, the only printing with 25 Japan copies. With a frontispiece portrait of the author lithographed by L.A. Moreau. Handsome copy.
First edition on ordinary paper, only 12 copies were printed on Japan paper. Fine illustrated cover, iconography. Some light foxing, otherwise handsome copy.
Bibliothèque internationale d'édition|Paris 1903|12 x 19 cm|broché
First edition printed in a small number of copies on laid paper. Autograph inscription by the author. With a frontispiece portrait of P. Adam by Jacques Blanche. Work decorated with tailpieces by Orazi. Illustrated biography with portraits, caricatures and autograph facsimiles, handsome copy.
First edition published in a small number of copies. Worming affecting mainly the first and last leaves, a small marginal lack to the rear board, otherwise a rare and handsome copy.
First edition of which there were no deluxe copies. Rare autograph inscription signed by Alfred Asseline to one of his close friends named Eugène. A marginal loss to the front cover, some foxing.
First edition on ordinary paper, only 20 copies were printed on Holland paper. Spine faded as usual with a small loss at foot, otherwise a rare and handsome copy.
First edition, one of 125 numbered copies on Holland paper. Spine sunned with a tear at the head of the second board, otherwise a handsome full-margined copy.
First edition, one of 137 numbered copies on pure thread paper, ours one of 27 hors commerce copies, after only 14 Japan and 42 Arches vellum. Fine full-page autograph inscription from the author to A. Mars evoking the First World War. Handsome copy despite two light shadows on the endpapers.
First edition of the French translation by Pierre Quillard, one of 349 copies on laid paper, the only printing with 12 China and 12 Japan copies. A crease mark on the front cover, otherwise a rare and handsome copy.
Illustrated edition with 28 compositions by O. Cortazzo etched by Abot & Clapès, one of 825 numbered copies on laid paper, the only issue with 175 Japan and Holland paper copies. A marginal lack affecting the front cover, otherwise a handsome copy.
Edition du réveil|Gand [Ghent] 1894|12 x 15.50 cm|broché
First edition printed in only 250 numbered copies on Hollande paper. Cover illustrated with an interlaced design. Significant lack at head of spine, tiny marginal lack to second cover, otherwise rare and handsome copy.
First edition, one of 190 numbered copies on Arches paper, the only printing apart from 10 on Japan paper. Autograph inscription from the publisher, handsome copy.
La Renaissance du livre|Paris 1927|12 x 19 cm|broché
First edition, one of the Service de Presse copies, only 29 deluxe copies were printed. Autograph inscription by Georges Eekhoud, illustrated cover. Light worming to covers.
The first edition, of which there were no deluxe copies. Work illustrated with 10 etchings by E. Thérond. A small insignificant stain on the front free endpaper.