First Editions

First edition of which there were no large paper copies.
Iconography.
A very good copy.

First edition, one of the rare numbered copies on alfa paper, print run not specified.
Autograph inscription signed by André Billy to Louise Laporte.
Some minor foxing of no consequence, handsome copy.

First edition, one of 100 numbered copies on alfa paper, the only deluxe copies after 10 on pur fil.
Fine autograph inscription signed by Denys-Paul Bouloc to Raymond Fournier.
Fine and rare copy.

First edition, one of 600 numbered copies on select paper, the only issue after 12 on alfa.
Fine autograph inscription signed by the author to Raymond Fournier.
Spine sunned, handsome interior condition.

First edition.
Complete with its folding table at the beginning of the volume as well as its two folding maps at the end, one of which is loose. Handsome copy.

First edition, one of 1035 numbered copies on Rives laid paper, the only printing with 35 Japan copies.
The work is illustrated with a frontispiece portrait of the author by Raoul Dufy engraved by Gorvel.
Handsome copy.

First edition, one of 800 numbered copies on Auvergne paper.
Autograph inscription signed by André Thérive to Emile Mireaux "... qui a gardé sûrement le goût des canulars" ["... who surely retained his taste for hoaxes"].
Spine and first cover uniformly faded as usual, second cover marginally faded, handsome interior condition.

First edition of which there were no large paper copies.
A very good copy considering the fragility of the paper.

First edition, one of 550 numbered copies on Alfa paper.
Illustrated with a frontispiece by Démétrios Galanis.
Spine sunned, handsome interior condition.

First edition printed on laid paper.
Fine autograph inscription signed by the author to Madeleine Roch.
Work illustrated with 13 plates by Léo Bringuier.
Handsome copy complete with its fold-out at the end.

First edition rare.
Spine soiled, slight scratching and marginal lacks to the covers, ex-dono in ink to upper cover, internally good.
Sold as is.

First edition, one of 400 copies on laid paper, the only issue with 5 handmade paper.
Rare autograph inscription signed to Gustave Rahir.
Work illustrated by Jacques Martin.
Spine and covers slightly and marginally faded without consequence.
Rare.

First edition, one of 170 numbered copies on Arches vellum.
Endpapers very lightly shadowed without any gravity, bookplate pasted opposite the first endpaper having left a faint shadow.

First edition, one of 23 hors commerce copies lettered on pur fil and reserved for the author, ours specially printed for Jean de Gourmont.
Fine full-page autograph inscription signed by Constant Bourquin to Jean de Gourmont: "... je vous adresse ce volume publié sous votre égide, comme au meilleur et au plus sûrs des amis, comme à l'être le plus essentiellement et le plus naturellement intelligent, et en témoignage d'une sympathie et d'une admiration qui seront toujours vivaces dans mon coeur et dans mon esprit en même temps que ma reconnaissance." ["... I send you this volume published under your aegis, as to the best and surest of friends, as to the most essentially and naturally intelligent being, and as testimony of a sympathy and admiration that will always be vivid in my heart and mind along with my gratitude."]
Some deckled edges and boards marginally shaded.
Handsome full-margined copy.

First edition, of which there were no deluxe copies.
Handsome signed autograph inscription from the author to Raymond Fournier: "... en souvenir des Rameaux 53..." ["... in memory of Palm Sunday 53..."]
Work illustrated with 3 drawings by Jean Ferrieu.
Tiny marginal worming on boards, complete with publisher's slip.

First edition, one of 25 copies lettered on pur fil paper, the tirage de tête.
Very slight stains, not serious, to endpapers, a good copy.

The first edition, of which there were no deluxe copies.
Our copy is enriched with a one-page autograph letter signed by the author to Maurice Blanchot who is not explicitly named.
Handsome copy.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Precious signed autograph inscription from Jean Ristat to Maurice Blanchot.
Minimal worming without consequence to covers and spine.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Precious signed autograph inscription from Olivier Duhamel to Maurice Blanchot.
Minimal interior worming, two small angular creases at head and foot of back cover.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Precious signed autograph inscription from Jean Ristat to Maurice Blanchot. Postface by Louis Aragon.
Very light occasional worming on the covers.

The first edition, published in a small number of copies, of which there were no deluxe copies, of this offprint from Pierre Nora's review, Le Débat.
Precious signed autograph inscription from Maurice Blanchot to his sister "... for you, this little reading and to help you regain courage".
Marguerite Blanchot, renowned organist at Chalon cathedral, remained all her life in the family home, with her mother and aunt. "She would gradually become, for the family, like the memory of origins." Very close to Maurice, she corresponded regularly with the writer who showed her great gratitude for her devotion to their invalid mother. While Blanchot's intense affection for his mother and sister shows through in his dedications, we know almost nothing of their relationships. In the only biographical essay on Blanchot, Christophe Bident reveals however: "Marguerite Blanchot venerated her brother Maurice. Very proud of him, (...) she attached great importance to his political ideas (...). She read extensively (...) They telephoned each other, corresponded. At a distance, they shared the same natural authority, the same concern for discretion." Blanchot indeed sent her numerous works from his library, maintaining with her a continuous intellectual bond. As for Blanchot's passion for his mother, it is in the margins of his work that we discover the most beautiful testimonies: "Perhaps the power of the maternal figure borrows its radiance from the very power of fascination, and one could say that if the Mother exerts this fascinating attraction, it is because appearing when the child lives entirely under the gaze of fascination, she concentrates in herself all the powers of enchantment". Cultivating absolute discretion, Blanchot pushed the art of self-effacement even into his manuscript dedications, generally succinct and written almost systematically on cards attached to the rare works he offered to his close friends. In contrast, in these precious inscriptions to his mother and sister, Blanchot reveals himself in all his fragility and, in the intimacy of this correspondence, casts a personal glance on his work hitherto unknown.
A small tear at the head of the spine.

First edition with 25 illustrations in black and white and colors by Moïse Kisling, one of 35 numbered copies on Japon super nacré paper, the tirage de tête.
Preface by André Salmon.
This copy, as called for by the justification, is complete with its suite of color hors-texte illustrations on Hollande paper, its suite of color hors-texte illustrations on Arches, its suite of textual illustrations in black and white on China paper, one unpublished plate, a suite of plates not used for the final work on Hollande paper, and a cancelled copper plate.
The illustrations by Moïse Kisling consist of: one painted folded cover, a color portrait frontispiece, 11 illustrations hors-texte in colors and 12 textual illustrations in black and white.
A fine copy.

First edition, a Service de Presse (advance) copy.
Minor spotting to covers, without consequence.
Precious signed autograph inscription from André Pieyre de Mandiargues to Maurice Blanchot.

First edition on ordinary paper.
Handsome autograph inscription from Alain Robbe-Grillet to Maurice Blanchot.
Two small spots to the centre of the spine and first cover, a marginal fold to head of lower cover.

First edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Precious signed autograph inscriptions from three of the authors to Maurice Blanchot.
Small marginal stains to covers.

First edition, one of 50 hors commerce copies numbered on Marais vellum, the only issue with 725 other Marais vellum copies.
Precious autograph inscription signed by Louis Emié to Maurice Blanchot.
Work illustrated with drawings by Léopold Survage.
Pleasant copy.

First edition, of which there were no deluxe copies, one of the service de presse (advance) copies.
Precious autograph inscription signed by Roger Chateauneu to Maurice Blanchot.
Slight worming of no consequence.

First edition, of which there were no deluxe copies.
Precious autograph inscription signed by Maurice Bourg to Maurice Blanchot. Our copy is enhanced with an autograph letter signed by the author also addressed to Maurice Blanchot.
Minor worming to boards.

First edition.
Precious signed autograph inscription from Gérard Legrand to Maurice Blanchot.
Cover illustrated by Hervé Télémaque. Minor spotting without gravity on the covers.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Precious signed autograph inscription from Pierre Bourgeade to Maurice Blanchot.
A small stain and a scratch on the first cover.

First edition, an advance (service de presse) copy.
Handsome autograph inscription from Claude Delmas to Maurice Blanchot.

The first edition, of which there were no deluxe copies.
Precious signed autograph inscription from Dominique Grandmont to Maurice Blanchot.
A pale marginal dampstain at the foot of the pages in the second half of the work.

First edition on ordinary paper.
One very slight marginal tear, not serious, to upper cover, a good copy.

First edition of which there were no large paper copies.
Contributions from H. Godard, P. Mac Carthy, Y. Mancel...
A good copy.

First edition for which there were no large paper copies.
Contributions from J.L. de Boissieu, P. Alméras, J.P. Dauphin...
A good copy.

The first edition, of which there were no deluxe copies.
Text by J. Henri and photographs by P. Bailly-Maître-Grand.
Spine very slightly faded, handsome interior condition.

First edition.
Contemporary half burnt Sienna cloth over marbled paper boards, gilt fleuron to spine, double gilt fillets to foot, dark brown title-pieces (rubbed).
Rare autograph inscription by Ferdinand de Lesseps " à mon respectable ami Mr l'abbé Sabatier [to my honorable friend Mr l'abbé Sabatier]".
Bookseller's notice pasted to head of one endpaper.

First edition, one of 14 numbered copies on Madagascar paper, the tirage de tête.
Scratching, not serious, to lower cover, three tiny tears to margins of the covers, a good copy.

First edition, an advance (service de presse) copy.
Handsome autograph inscription from Henri de Régnier to Tristan Bernard.

First edition, a Service de Presse (advance) copy.
Bradel binding in half dark green morocco, smooth spine faded and decorated with two gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, covers preserved, top edge gilt.
Precious signed autograph inscription from Henri de Régnier to Tristan Bernard.

First edition, a Service de Presse (advance) copy.
Half burgundy morocco binding, spine with five raised bands with very light scratches of no consequence, marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt.
Precious signed autograph inscription from Henri de Régnier to Jean Richepin.

First edition on ordinary paper.
Annotations in pencil on the first free endpaper.

First edition, one of 1040 numbered copies on héliona paper.
Publisher's binding after Paul Bonet's original design.
Spine very lightly sunned as usual, minimal foxing without significance affecting mainly the edges.

First edition on ordinary paper.
Handsome autograph inscription from Maurice Bouchor to José Maria de Heredia.
A little light spotting principally to covers.

First edition published in a small number of copies, of which there were no deluxe copies.
Half hazelnut shagreen binding with corners, spine with four raised bands decorated with gilt cartouche and friezes, some traces of rubbing to spine and edges, original wrappers preserved, marbled endpapers and pastedowns, corners slightly bumped, top edge gilt.
Fine autograph inscription signed by Francis Carco to Joseph Périer.
Very rare copy of the author's first work.

First edition, one of 60 numbered copies on Hollande, tirage de tête.
Beautiful illustrated cover. A good copy with good margins.

First edition, one of 82 numbered copies on pur fil, tirage de tête.
A very good copy.

The first edition, of which there were no deluxe copies.
Signed autograph inscription from Roland Barthes to journalist and historian Antoine Casanova.
Spine lightly sunned, light dampstain to top edge, pale stain to head of front cover.

First edition, a Service de Presse (advance) copy.
Autograph inscription signed by René Crevel to the Swedish writer and diplomat Kjelle R.S. Stromberg.
Two discreet marginal restorations at head and foot of one joint.

First edition, an advance (service de presse) copy.

Spine very slightly warped and sunned with two small tears, not serious.

First edition on ordinary paper, false statement of fifth edition.
Preface by Anatole France.
Work illustrated with head-pieces, initials and tailpieces.
Spine and boards lightly soiled, handsome interior condition.

First Edition printed 200 copies numbered on white vellum.
Publisher's binding in full ivory cardboard vellum, back with four nerves set with black threads, framing of double black nets on the boards.
Rare autograph dedication signed by Henry Monnier to a friend.
Beautiful copy established in its binding of the publisher.

First edition on ordinary paper.
Bradel binding in full brown cloth, smooth spine very lightly browned decorated with a gilt floral motif, double gilt fillets and gilt date at foot, black shagreen title-label, original wrappers preserved with small marginal restorations, one upper corner slightly bumped, contemporary binding.
The final endpaper is marginally creased.
Precious autograph inscription signed by Anatole France to his friend Marcel Schwob.

First edition on ordinary paper.
Bradel binding in half boards with vellum-style corners, smooth spine decorated with gilt friezes at head and foot, black shagreen title-label with slight scratches, spine and boards partially soiled, marbled paper boards, original wrappers preserved, contemporary binding.
Signed autograph inscription from Francis Carco to Charles Genty.
Work illustrated with drawings hors-texte by H. de Toulouse-Lautrec, H. Daumier, Gavarni, Capiello, A. Willette...

The first edition, of which there were no deluxe copies.
Bradel binding in half sand-colored cloth, smooth spine decorated with gilt floral motif, double gilt fillet at foot, black sheep title-label with some scratches, small spots on spine, marbled paper boards, original wrappers preserved (tiny lack at foot of first cover, lacks at foot of second cover).
Rare and precious signed autograph inscription to Victor Hugo "... with the affectionate respects of the author..."
Eugène Spuller, close friend and collaborator of Léon Gambetta, owed his political rise to Victor Hugo when Hugo chose him "to be his substitute in the senatorial elections of the Seine". (Eugène Spuller (1835-1896): itinéraire d'un républicain par Nathalie Bayon). Deputy of the Seine, a year later, he had a brilliant political career alongside Léon Gambetta and was appointed minister three times during the Third Republic. Victor Hugo mentions him several times in Choses vues.
One manuscript correction by the author on page 96.
Some occasional light foxing.

The first edition, of which there were no deluxe copies.
Dated and signed autograph inscription by the author.
Fine copy complete with publisher's slip, with press clippings laid in.

First edition, one of 500 numbered copies on laid paper, ours unnumbered, the only issue with 25 Holland copies.
Autograph inscription signed by Jean Lorrain.
Furthermore, our copy contains autograph manuscript corrections by Jean Lorrain on pages 26, 37, 39, 101 and 134. Work illustrated with a frontispiece drawing after Gustave Moreau.
Foxing to endpapers, light foxing to covers, two ink stains on second cover.

First edition, one of 55 numbered copies on pur fil, this one is the number 1, the only large paper copies. A nice copy.

First edition, an advance (service de presse) copy
Rare autograph inscription from Raymond Radiguet to Prince Serge Wolkonsky
Two repairs to head and foot of spine, covers and spine marginally sunned, paper yellowed, tiny marginal lacks to first endpaper
This copy, which retains its advertising notice pasted onto an endpaper, is presented in a chemise and slipcase by Devauchelle: olive morocco spine, aniseed-colored paper boards, lined with olive felt
Prince Serge Wolkonsky was the director of the Bolshoi theater and a friend of his compatriot, Diaghilev.

First edition, one of 445 copies on alfa paper, ours one of 60 reserved for press service, the only deluxe copies with 15 on pure thread.
Precious signed autograph inscription from Edouard Dujardin to Léon-Paul Fargue "... who still remembers the 'Fin d'Antonia'! With all my heart."
A small tear reglued at the head of one joint.

First edition, one of 38 numbered copies on pur fil, the only large paper copies.
Very lightly and marginally sunned spine.

First edition, one of 13 numbered copies on pur fil, this one n°1, the only large paper copies.
Spine very slightly sunned, not serious, endpapers uniformly fadedDos très légèrement insolé sans gravité, gardes uniformément ombrées, head of some leaves slightly faded.
Rare.

First edition, one of 8 numbered copies on Hollande, tirage de tête.
A very good and rare copy.

First edition, one of 60 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition, of which there were no deluxe copies.
Signed autograph inscription from the author to Matthieu Galey.
Boards lightly soiled at margins without gravity.

First edition, one of 25 numbered copies on "pur-fil" paper, most limited issue. The book Camus dedicated to his friend René Leynaud.

 

Rare and handsome copy.

First edition, one of 13 numbered copies on pur fil paper, the only large paper copies.
A rare and very good copy.

First edition, one of 50 numbered copies on Japan paper.
Work illustrated with color illustrations by Bourdelle, Faivre, Léandre, Robaudi, Steinlen...
Like the copies on Japan and China paper, our copy is complete with the duplicate state of the illustrations on Japan paper.
A tiny corner lack and a small marginal stain at head of front cover.

The first edition published only in paperback format, of which there were no deluxe copies, one of the Service de Presse (advance) copies.
Moving and precious signed autograph inscription from Maurice Blanchot to his sister Marguerite on a card mounted on the first endpaper: "Chère Marg, ce livre qui n'est pas un livre mais qui te dit en ces jours si sombres, ma fidèle, ma profonde affection. Maurice." ["Dear Marg, this book which is not a book but which tells you in these dark days, my faithful one, my deep affection. Maurice."]
Envelope bearing Marguerite Blanchot's address written by her brother Maurice mounted on the half-title page. Marguerite Blanchot, renowned organist at the cathedral of Chalon, remained all her life in the family home, with her mother and aunt. "She gradually became, for the family, like the memory of origins." Very close to Maurice, she corresponded regularly with the writer who showed her great gratitude for her devotion to their invalid mother. While Blanchot's intense affection for his mother and sister shows through in his dedications, we know almost nothing of their relationship. In the only biographical essay on Blanchot, Christophe Bident reveals however: "Marguerite Blanchot venerated her brother Maurice. Very proud of him, (...) she attached great importance to his political ideas (...). She read a great deal (...) They telephoned each other, corresponded. At a distance, they shared the same natural authority, the same concern for discretion." Blanchot indeed sent her numerous works from his library, maintaining with her a continuous intellectual bond. A marginal crease at foot of first cover.
Handsome copy.

The collected edition, of which there were no deluxe copies.
Signed autograph inscription by the author.
Worming to boards, complete with publisher's wraparound band.

First edition of which no deluxe copies were printed, a Service de Presse (advance) copy.
Signed autograph inscription from the author to Matthieu Galey.
Foxing to spine, covers and edges

First edition of 3000 copies.
A rare and good comple tecopy of 7 issues.

First edition.
Half mint green shagreen binding, spine slightly faded with four raised bands set with gilt dots decorated with fleurons and double gilt and black fillets, marbled paper boards, front cover with marginal discoloration mark along its full height, marbled endpapers and pastedowns, minor harmless scuffs to corners and edges.
Work illustrated with a portrait of Mathilde de Toscane as frontispiece.
Handsome interior condition.

First edition printed on ordinary paper.
Bradel binding in half sky blue cloth, smooth spine lightly sunned decorated with a gilt floral motif, double gilt fillet at foot, cherry red shagreen title label, marbled paper boards, corners slightly bumped, contemporary binding.
Precious signed autograph inscription from Octave Mirbeau to Jean Ajalbert on the half-title page.
Our copy is expanded with a four-page autograph letter dated and signed by H.G. Ibels in which he shares with his correspondent his momentary financial troubles, the poor circumstances that led him to this situation and finally the solicitations from wealthy bibliophiles who covet his important collection of 18th-century manuscripts on the Convulsionnaires...
Large marginal discoloration affecting the front cover as well as much more lightly the half-title page without touching the autograph inscription.
Provenance: Jean Ajalbert library with his Japonist ex-libris in the Nabis style wood-engraved in a very small number, signed with a monogram, probably that of Félicien Rops.

First edition on ordinary paper.
Signed autograph inscription by Gérard Mourgue.
Work illustrated with drawings by Wifredo Lam.
Scratches to joints, small tear at foot of front board, handsome interior condition.

First edition, one of 30 numbered copies on Arches vellum, deluxe copies after 5 Arches pur chiffon.
Spine and boards marginally sunned, endpapers partially shadowed.

First edition in part, one of 17 numbered copies on China paper, tirage de tête.
Half maroon morocco Bradel binding by Devauchelle over Japan paper, the spine with two mosaiced lozenges of cream-colored morocco, date and publisher at foot of spine, top edge gilt, an elegant binding.
Provenance : the library of Raoul Simonson with his ex libris pasted in.
A fine copy in a lovely binding.

First collected edition.
Half olive calf binding, smooth spine decorated with gilt romantic decorative motifs, small tear at head of spine, marbled paper boards, lower corners slightly bumped, marbled endpapers and pastedowns, marbled edges, contemporary romantic binding.
Work illustrated with a portrait of the author as frontispiece.
Some foxing.

First edition on ordinary paper.
Bradel binding in half chocolate cloth, smooth spine decorated with gilt floral motif, double gilt fillet at foot, dark green shagreen title label, marbled paper boards, bookplate pasted on endpaper leaving a shadow opposite, original wrappers preserved, contemporary binding.
Autograph inscription signed by Jean Lorrain to his friend Fernand Le Grand, a prominent figure of Fécamp society, on the half-title page which bears a printed bibliophile stamp and some foxing.
Provenance: from the library of Fernand Le Grand with his bookplate.
Rare.

First collected and bilingual edition.
Signed autograph inscription from K. Hazareesingh to Marcel Haedrich. Our copy is enhanced with a one-page autograph letter from the author to the same recipient on letterhead of the "Ministry of social security, national solidarity and reform institutions Astor courts" at Port-Louis.
Iconography.
Contributions by M. Druon, R. Ramdoyal, R. Tagore, T.S. Eliot...
Minor tears without consequence at head and foot of slightly faded spine, handsome interior condition.

First edition on ordinary paper.
Bradel binding in half chocolate percale, smooth spine decorated with a gilt floral motif, double gilt fillet at foot, hazelnut shagreen title-label, marbled paper boards, contemporary binding.
Work illustrated with 130 drawings by Bombled as well as a portrait of the author as frontispiece.
Preface by Alexandre Dumas fils.
Minor scattered foxing.

First edition printed in a run of 500 numbered copies on alfa mousse paper.
Illustrated with a frontispiece engraved by Jo Etcheverry.
Rare and handsome copy despite some minimal foxing of no consequence.

First edition of the French translation established by Guy Lévis-Mano and Josep Palau, one of 1000 numbered copies on vellum paper, the only printing along with 25 on Marais paper.
Handsome and rare copy.

First edition, one of 340 numbered copies on vélin de Renage paper, the only printing along with 100 copies on green vellum.
Spine and covers slightly and marginally faded and corners turned, handsome interior condition.

First edition, one of 455 numbered copies on Renage laid paper, the only printing with 20 copies on blue laid paper.
Spine and covers slightly and marginally faded, handsome interior condition.

First edition printed in 200 numbered copies, ours bearing No. 1, the only printing.
Autograph inscription signed by Christian Dautcourt on the first endpaper which shows slight light stains at the foot.
Last endpaper partially shaded due to a small press cutting about the work.

First edition of 300 numbered copies on alfa paper.
A good copy.

First edition, one of the advance (service de presse) copies.
A good copy.

The first edition, of which there were no deluxe copies.
Precious autograph inscription signed by the author to Maurice Blanchot.
The inscription has been damaged by a clear dampstain which also affects the front cover.