Logo Édition Originale
  • About us
  • Contact
  • Flag en
    • Icone favoris
    • Connexion
    • Icone panier

Literature
LiteratureFirst EditionsSigned Books, Presentation CopiesIllustrated BooksForeign LiteratureNovels, Short Stories and TalesPoetryTheaterMemoirs, Biographies and EssaysErotica
Antique Books (1455-1820)
Antique Books (1455-1820)First EditionsLiteraturePhilosophyArtHistoryScienceReligionTravelIllustrated Books
Fine Arts
Fine ArtsFirst EditionsSigned Books, Presentation CopiesPainting & DrawingSculpturePhotographyCinemaTheaterMusic & DanceArchitecture & UrbanismDesign & FurnitureFashion
History
HistoryFirst EditionsSigned Books, Presentation CopiesPrehistory & AntiquityMiddle AgesRenaissance & Modern TimesFrench Revolution & EmpireFrom the Restoration to the CommuneFin de Siècle & Belle EpoqueWorld War IThe Interwar PeriodWorld War IIContemporary EraThroughout the Ages
Travel & Exploration
Travel & ExplorationFirst EditionsSigned Books, Presentation CopiesEuropeAmericasMiddle East and Arab WorldSub-Saharan AfricaAsiaOceaniaAcross the World
Science, Medicine & Technical Innovations
Science, Medicine & Technical InnovationsFirst EditionsSigned Books, Presentation CopiesMedicinePhysical Sciences & ChemistryNatural SciencesGeography & AstronomyLogic and MathematicsTechniques & Crafts
Social Science
Social ScienceFirst EditionsSigned Books, Presentation CopiesSociology & AnthropologyPhilosophyPsychoanalysis & Psychology Law & JurisprudenceEconomics & PoliticsLinguistics
Religion & Occult
Religion & OccultFirst EditionsSigned Books, Presentation CopiesJudaicaChristianityIslamSpiritualityMythology & PaganismWitchcraft & DemonologyOccult & Spiritism
Social History
Social HistoryFirst EditionsSigned Books, Presentation CopiesAnarchism & UtopiaSocialism & CommunismSyndicalism & Social AdvocacyParis CommuneTotalitarianism
Literary and Artistic Periodicals
Literary and Artistic PeriodicalsLiterary and Art PeriodicalsPre-first EditionsSymbolism & Decadent Dadaism & SurrealismAvant-gardeArt & PoetrySatirical MagazinesAntiquarian Newspaper IssuesIllustrated periodicals
French Regional Literature
French Regional LiteratureNord, Picardy, NormandyAlsace & LorraineParis & Île de FranceBrittany & Loire Centre, Auvergne, LimousinLyonnais, Dauphiné, AlpsBurgundy, Franche-Comté, ChampagneSud-Ouest & LanguedocCharentes & AquitaineProvence, Côte d'Azur, CorsicaAcross France
Lifestyles
LifestylesFirst EditionsSigned Books, Presentation CopiesWine & GastronomyHunting, Fishing & NatureCircus, Magic & IllusionSports & GamesCaricatureNobility & Heraldry & GenealogyBibliography & Book History
Signed Books, Presentation Copies
Signed Books, Presentation Copies
LiteratureFine ArtsHistoryTravel & ExplorationScience, Medicine & Technical InnovationsSocial ScienceReligion & OccultSocial HistoryLifestyles
Autograph Letters & Manuscripts
Autograph Letters & ManuscriptsLiterary ManuscriptsArtist's ManuscriptsHistorical ManuscriptsScientific manuscriptsSigned photographs
Artworks
Artworks16th-18th Century Prints19th Century Prints & Lithographs 20th Century Prints Vintage PostersPaintings & SculpturesDrawings, Inks & WatercolorsPhotographsDescription of Egypt (1809)Antique Maps
Illustrated Books
Illustrated Books16th-17th Century Illustrated Books 18th Century Illustrated BooksRomantic Illustrated Books (1800-1860)Fin-de-Siècle Illustrated Books (1860-1900)Modern Illustrated BooksModern and Contemporary Illustrated BooksArtist’s Books
Fine Arts
Fine ArtsFirst EditionsSigned Books, Presentation CopiesPainting & DrawingSculpturePhotographyCinemaTheaterMusic & DanceArchitecture & UrbanismDesign & FurnitureFashion
Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

Browse our Selections
You wish to be assisted by our bookseller to find a gift?
Our team will send you a personalized selection within approximately 24 hours.
I prefer to be contacted by
Explore
Advanced search
  • Home
  • Browse collection
  • Latest acquisitions
Browse
All CollectionsCatalogues
Resources
  • Authors
  • Publishers
  • Bookbinders
Services
Sell to usTailored GuidanceSet an alert
  • Media
  • About Us
  • Where To Find Us
  • Contact
Change Language
Flag en
Logo Édition Originale
Flag en
Connexion
Icone panier
Rare Books
Autographs
Art
Gifts
Sell to usNews

Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
Edition-Originale.com
Univers
  1. Departments
  2. Artworks
20th Century Prints

Modern and contemporary signed prints by great masters of 20th century art, first edition lithographs, numbered engravings

434 results
434 results
Relevance
Filters
Copy details
Numbered copy
Numbered copy
Edition
AuthorNationality, Century, Gender
Search for an author
Nationality
Search for a nationality
Century
5th BC - 21st
Gender
Author
Search for an author
Publisher
Search by publisher
Publisher
Search by publisher
Place of publication
Search for a place of publication
Place of publication
Search for a place of publication
Binding
Year
Year
Language
Search for a language
Language
Search for a language
Browse by
Collections
Search for a collection
Selections
Search for a selection
Price
20th Century Prints
  1. Pointes sèches de Charles Kiffer sur Maurice ChevalierPointes sèches de Charles Kiffer sur Maurice Chevalier
    Maurice CHEVALIER, Charles KIFFER

    Pointes sèches de Charles Kiffer sur Maurice Chevalier

    s. d. [circa 1935]|24.5 x 25.1 cm|Une feuille sous cadre
    €300
  2. Portraits du président (Mao Ze Dong)Portraits du président (Mao Ze Dong)
    WENXI LIU

    Portraits du président (Mao Ze Dong)

    S. n.|1970 (ca)|17.50 x 28 cm|autre
    20 color portraits of President Mao Zedong dating from the 1960s to 1970s. Liu Wenxi is famous in China for his portraits of Mao, born in 1933 he was the greatest representative of socialist realism. Most of the portraits are accompanied by a caption and the artist's red seal, some captions are very brief: the god of the people, others explain the political or historical situation in which Mao finds himself. The title label is handwritten, and one can easily imagine that this type of collection was printed for propaganda purposes to glorify President Mao. The album contains no publisher's or printer's name.
    Accordion album on rigid cardboard composed of 20 panels. Each printed portrait...
    €1,200
  3. Rugby - Costume tailleur de Redfern (pl.39, La Gazette du Bon ton, 1914 n°4)Rugby - Costume tailleur de Redfern (pl.39, La Gazette du Bon ton, 1914 n°4)
    George BARBIER (John REDFERN)

    Rugby - Costume tailleur de Redfern (pl.39, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €180
  4. La Matinée de printemps. Costumes tailleur de Doucet (pl.36, La Gazette du Bon ton, 1914 n°4)La Matinée de printemps. Costumes tailleur de Doucet (pl.36, La Gazette du Bon ton, 1914 n°4)
    Jacques MAGNIN (Georges DOEUILLET)

    La Matinée de printemps. Costumes tailleur de Doucet (pl.36, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  5. La Dernière Rose. Robe d'après-midi de Redfern (pl.5, La Gazette du Bon ton, 1913 n°12)La Dernière Rose. Robe d'après-midi de Redfern (pl.5, La Gazette du Bon ton, 1913 n°12)
    Francisco Javier GOSE (John REDFERN)

    La Dernière Rose. Robe d'après-midi de Redfern (pl.5, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  6. La Première Fleur du jardin. Robe printanière de Doeuillet (pl.35, La Gazette du Bon ton, 1914 n°4)La Première Fleur du jardin. Robe printanière de Doeuillet (pl.35, La Gazette du Bon ton, 1914 n°4)
    André-Edouard MARTY (Georges DOEUILLET)

    La Première Fleur du jardin. Robe printanière de Doeuillet (pl.35, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  7. Qui dois-je annoncer ? Robe de visites de Chéruit (pl.15, La Gazette du Bon ton, 1914 n°2)Qui dois-je annoncer ? Robe de visites de Chéruit (pl.15, La Gazette du Bon ton, 1914 n°2)
    Pierre BRISSAUD (Louise CHERUIT)

    Qui dois-je annoncer ? Robe de visites de Chéruit (pl.15, La Gazette du Bon ton, 1914 n°2)

    Paris 1914|18 x 24 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the...

    €80
  8. Les tissus de Rodier pour la prochaine saison d'été. Ensemble de neuf modèlesLes tissus de Rodier pour la prochaine saison d'été. Ensemble de neuf modèles
    DAVID, CHASTEL

    Les tissus de Rodier pour la prochaine saison d'été. Ensemble de neuf modèles[Rodier Fabrics for the Coming Summer Season. Set of Nine Designs]

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|en feuilles
    Set of nine original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. Sketch XII and XIII are signed David, respectively bottom left and right planks.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries...
    €450
  9. Croquis de mode : Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3). - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3) - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). - Croquis de mode : Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3). - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3) - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). -
    Mario SIMON, André-Edouard WOODRUFF

    Croquis de mode : Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3). - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3) - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). - [Fashion sketches: Summer fashion sketches by Mario Simon (Sketches, La Gazette du Bon ton, 1920 no. 3). – Fashions in the Year of Grace Nineteen Twenty-One (Sketches, La Gazette du Bon ton, 1921 no. 3). – For the Riviera. Dresses trimmed with natural flowers, insofar as one has them and does not prefer to use, less costly, artificial flowers (Sketches, La Gazette du Bon ton, 1921 no. 10). – Fancy tailored suits adorned with trinkets (Sketches, La Gazette du Bon ton, 1922 no. 4)]

    Lucien Vogel éditeur|Paris 1920-1922|18 x 24 cm|relié

    [FASHION] POIRET Paul & WORTH Charles Frederick & BEER & DOEUILLET Georges & LANVIN Jeanne & SIMON Mario & WOODRUFF André-Edouard. Croquis de mode
    Lucien Vogel éditeur, Paris 1920-1922, 18 x 24 cm, bound
    Set of 24 original lithographs in color, on vergé paper:
    – Croquis de mode d'été par Mario Simon (“Croquis”, La Gazette du Bon ton, 1920 n° 3).
    – Les modes en l'an de grâce Mil neuf cent vingt un (“Croquis”, La Gazette du Bon ton, 1921 n° 3)
    – Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses...
    €800
  10. Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis de mode, La Gazette du Bon ton, 1920 n°2)Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis de mode, La Gazette du Bon ton, 1920 n°2)
    Guy-Pierre FAUCONNET (William SHAKESPEARE)

    Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis de mode, La Gazette du Bon ton, 1920 n°2)[Costume designs by Fauconnet for Shakespeare's The Winter’s Tale, staged at the Théâtre du Vieux-Colombier (Fashion Sketches, La Gazette du Bon Ton, 1920, no. 2)]

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|relié

    Set of eight original color engravings, printed on laid paper and signed at the lower right and left of the plates. The plates are introduced by a text signed by Jean Cocteau and depict costumes for Shakespeare’s play (two Shepherdesses, Paulina, and Time).


    Bradel binding in full decorative paper, smooth spine, brown shagreen title-piece, binding signed by Goy & Vilaine.


    Original engravings created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the twentieth century, celebrating the talent of French designers and artists at the height of the Art Deco...

    €600
  11. "Voici des fleurs, des fruits, des feuilles et des branches...". Robes du soir de Paquin (pl.10, La Gazette du Bon ton, 1913 n°12)"Voici des fleurs, des fruits, des feuilles et des branches...". Robes du soir de Paquin (pl.10, La Gazette du Bon ton, 1913 n°12)
    George BARBIER (Jeanne PAQUIN)

    "Voici des fleurs, des fruits, des feuilles et des branches...". Robes du soir de Paquin (pl.10, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print heightened in palladium, printed on laid paper and signed at the bottom right outside the plate.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €170
  12. Les Premiers soupçons. Costumes trotteurs de Doeuillet (pl.10, La Gazette du Bon ton, 1912-1913 n°3)Les Premiers soupçons. Costumes trotteurs de Doeuillet (pl.10, La Gazette du Bon ton, 1912-1913 n°3)
    Bernard BOUTET DE MONVEL (Georges DOEUILLET)

    Les Premiers soupçons. Costumes trotteurs de Doeuillet (pl.10, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  13. La Comédie est terminée. Manteau pour le théâtre (pl.1, La Gazette du Bon ton, 1912-1913 n°3)La Comédie est terminée. Manteau pour le théâtre (pl.1, La Gazette du Bon ton, 1912-1913 n°3)
    Francisco Javier GOSE

    La Comédie est terminée. Manteau pour le théâtre (pl.1, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  14. Pénélope. Robe d'intérieur (pl.2, La Gazette du Bon ton, 1912-1913 n°3)Pénélope. Robe d'intérieur (pl.2, La Gazette du Bon ton, 1912-1913 n°3)
    Georges LEPAPE

    Pénélope. Robe d'intérieur (pl.2, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  15. L'Invitation au voyage. Robe de dîner de Doeuillet (pl.24, La Gazette du Bon ton, 1914 n°3)L'Invitation au voyage. Robe de dîner de Doeuillet (pl.24, La Gazette du Bon ton, 1914 n°3)
    André-Edouard MARTY (Georges DOEUILLET)

    L'Invitation au voyage. Robe de dîner de Doeuillet (pl.24, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  16. Tu diras bonjour...Robes de jeunes filles et d'enfant pour l'après-midi de Jeanne Lanvin (pl.26, La Gazette du Bon ton, 1914 n°3)Tu diras bonjour...Robes de jeunes filles et d'enfant pour l'après-midi de Jeanne Lanvin (pl.26, La Gazette du Bon ton, 1914 n°3)
    Pierre BRISSAUD (Jeanne LANVIN)

    Tu diras bonjour...Robes de jeunes filles et d'enfant pour l'après-midi de Jeanne Lanvin (pl.26, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  17. La Cage vide. Robe de dîner de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°2)La Cage vide. Robe de dîner de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°2)
    André-Edouard MARTY (John REDFERN)

    La Cage vide. Robe de dîner de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°2)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  18. La Fleur merveilleuse. Robe du soir de Doucet (pl.25, La Gazette du Bon ton, 1914 n°3)La Fleur merveilleuse. Robe du soir de Doucet (pl.25, La Gazette du Bon ton, 1914 n°3)
    H. Robert DAMMY (Jacques DOUCET)

    La Fleur merveilleuse. Robe du soir de Doucet (pl.25, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print heightened in gold, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  19. La Gazette du Bon ton, n°3. Année 1914 - Planche 23 : "Attrape!.. Robe d'après-midi de Chéruit."La Gazette du Bon ton, n°3. Année 1914 - Planche 23 : "Attrape!.. Robe d'après-midi de Chéruit."
    Pierre BRISSAUD

    La Gazette du Bon ton, n°3. Année 1914 - Planche 23 : "Attrape!.. Robe d'après-midi de Chéruit."

    Paris 1914|19.50 x 25 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  20. Entre chien et loups. Robe de ville de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°2)Entre chien et loups. Robe de ville de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°2)

    Entre chien et loups. Robe de ville de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°2)

    1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  21. La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)
    Pierre MOURGUE

    La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)

    Paris 1922|18 x 24 cm|une feuille

    Original colour print by Pierre Mourgue, on laid paper, signed lower right within the plate, text on verso.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  22. Claude et sa soeur. Pelisse et Douillette (pl.10, La Gazette du Bon ton, 1912-1913 n°2)Claude et sa soeur. Pelisse et Douillette (pl.10, La Gazette du Bon ton, 1912-1913 n°2)
    Maurice BOUTET DE MONVEL

    Claude et sa soeur. Pelisse et Douillette (pl.10, La Gazette du Bon ton, 1912-1913 n°2)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  23. Ma voiture ! Robe de ville de Chéruit (pl.9, La Gazette du Bon ton, 1912-1913 n°3)Ma voiture ! Robe de ville de Chéruit (pl.9, La Gazette du Bon ton, 1912-1913 n°3)
    Pierre BRISSAUD (Louise CHERUIT)

    Ma voiture ! Robe de ville de Chéruit (pl.9, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €60
  24. Avant le laisser-courre (pl.3, La Gazette du Bon ton, 1912-1913 n°3)Avant le laisser-courre (pl.3, La Gazette du Bon ton, 1912-1913 n°3)
    Maurice TAQUOY

    Avant le laisser-courre (pl.3, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|36.50 x 24 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €200
  25. La Fidélité récompensée. Robe d'après-midi de Worth (pl.8, La Gazette du Bon ton, 1913 n°10)La Fidélité récompensée. Robe d'après-midi de Worth (pl.8, La Gazette du Bon ton, 1913 n°10)
    Maurice TAQUOY (Charles-Frederick WORTH)

    La Fidélité récompensée. Robe d'après-midi de Worth (pl.8, La Gazette du Bon ton, 1913 n°10)

    Paris Août 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  26. La Soirée toscane. Robe d'après-midi de Doeuillet (pl.8, La Gazette du Bon ton, 1913 n°12)La Soirée toscane. Robe d'après-midi de Doeuillet (pl.8, La Gazette du Bon ton, 1913 n°12)
    André-Edouard MARTY (Georges DOEUILLET)

    La Soirée toscane. Robe d'après-midi de Doeuillet (pl.8, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print heightened in palladium, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €130
  27. L'Entr'acte. Robe du soir de Worth (pl.6, La Gazette du Bon ton, 1913 n°12)L'Entr'acte. Robe du soir de Worth (pl.6, La Gazette du Bon ton, 1913 n°12)
    Maurice TAQUOY (Charles-Frederick WORTH)

    L'Entr'acte. Robe du soir de Worth (pl.6, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  28. Bonne chasse ! Petit tailleur de Chéruit (pl.9, La Gazette du Bon ton, 1913 n°10)Bonne chasse ! Petit tailleur de Chéruit (pl.9, La Gazette du Bon ton, 1913 n°10)
    Pierre BRISSAUD (Louise CHERUIT)

    Bonne chasse ! Petit tailleur de Chéruit (pl.9, La Gazette du Bon ton, 1913 n°10)

    Paris Août 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower center.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  29. La Souris. Costume tailleurs de Doucet (pl.10, La Gazette du Bon ton, 1913 n°11)La Souris. Costume tailleurs de Doucet (pl.10, La Gazette du Bon ton, 1913 n°11)
    Jacques DRESA (Jacques DOUCET)

    La Souris. Costume tailleurs de Doucet (pl.10, La Gazette du Bon ton, 1913 n°11)

    Paris Septembre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  30. Comment me trouvez-vous ? Robe drapée pour le dîner (pl.2, La Gazette du Bon ton, 1913 n°12)Comment me trouvez-vous ? Robe drapée pour le dîner (pl.2, La Gazette du Bon ton, 1913 n°12)
    Etienne DRIAN

    Comment me trouvez-vous ? Robe drapée pour le dîner (pl.2, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  31. Le Vase brisé. Robe d'intérieur (pl.3, La Gazette du Bon ton, 1913 n°12)Le Vase brisé. Robe d'intérieur (pl.3, La Gazette du Bon ton, 1913 n°12)
    Louis STRIMPL

    Le Vase brisé. Robe d'intérieur (pl.3, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  32. Le "Meet". Manteau de voiture de Chéruit (pl.7, La Gazette du Bon ton, 1913 n°12)Le "Meet". Manteau de voiture de Chéruit (pl.7, La Gazette du Bon ton, 1913 n°12)
    Pierre BRISSAUD (Louise CHERUIT)

    Le "Meet". Manteau de voiture de Chéruit (pl.7, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  33. Arrêtons-nous ici. Robe d'après-midi de Doeuillet (pl.10, La Gazette du Bon ton, 1913 n°10)Arrêtons-nous ici. Robe d'après-midi de Doeuillet (pl.10, La Gazette du Bon ton, 1913 n°10)
    André-Edouard MARTY (Georges DOEUILLET)

    Arrêtons-nous ici. Robe d'après-midi de Doeuillet (pl.10, La Gazette du Bon ton, 1913 n°10)

    Paris Août 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate higher right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  34. L'Oiseau bleu. Manteau du soir de Doucet (pl.5, La Gazette du Bon ton, 1913 n°9)
    Jacques DRESA (Jacques DOUCET)

    L'Oiseau bleu. Manteau du soir de Doucet (pl.5, La Gazette du Bon ton, 1913 n°9)

    Lucien Vogel éditeur|Paris Juillet 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  35. Sera-t-il vainqueur ou les angoisses d'une joueuse. Toilette pour les courses de Redfern (pl.8, La Gazette du Bon ton, 1913 n°9)
    (Paul POIRET) Francisco Javier GOSÉ [Xavier GOSÉ]

    Sera-t-il vainqueur ou les angoisses d'une joueuse. Toilette pour les courses de Redfern (pl.8, La Gazette du Bon ton, 1913 n°9)

    Lucien Vogel éditeur|Paris Juillet 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  36. "La Belle Viscontesse". Costume pour la mer (pl.2, La Gazette du Bon ton, 1913 n°9)
    Guy ARNOUX

    "La Belle Viscontesse". Costume pour la mer (pl.2, La Gazette du Bon ton, 1913 n°9)

    Paris Juillet 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  37. Le Choix difficile. Manteau du soir de Worth (pl.40, La Gazette du Bon ton, 1914 n°4)
    Bernard BOUTET DE MONVEL (Charles-Frederick WORTH)

    Le Choix difficile. Manteau du soir de Worth (pl.40, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €60
  38. Le Collier nouveau. Robe du soir de Paul Poiret (pl.10, La Gazette du Bon ton, 1914 n°1)Le Collier nouveau. Robe du soir de Paul Poiret (pl.10, La Gazette du Bon ton, 1914 n°1)
    Georges LEPAPE (Paul POIRET)

    Le Collier nouveau. Robe du soir de Paul Poiret (pl.10, La Gazette du Bon ton, 1914 n°1)

    Lucien Vogel éditeur|Paris Janvier 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  39. Le Futur Père. Petit négligé du matin (pl.31, La Gazette du Bon ton, 1914 n°4)Le Futur Père. Petit négligé du matin (pl.31, La Gazette du Bon ton, 1914 n°4)
    Georges LEPAPE

    Le Futur Père. Petit négligé du matin (pl.31, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  40. "Flore". Robe d'intérieur (pl.22, La Gazette du Bon ton, 1914 n°3)"Flore". Robe d'intérieur (pl.22, La Gazette du Bon ton, 1914 n°3)
    Georges LEPAPE

    "Flore". Robe d'intérieur (pl.22, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print heightened in gold, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  41. L'Encens, le cinname et la myrrhe (pl.1, La Gazette du Bon ton, 1914 n°1)L'Encens, le cinname et la myrrhe (pl.1, La Gazette du Bon ton, 1914 n°1)
    Louis STRIMPL

    L'Encens, le cinname et la myrrhe (pl.1, La Gazette du Bon ton, 1914 n°1)

    Paris Janvier 1914|36.50 x 24 cm|une feuille

    Original double-page colour engraving heightened in gold, printed on laid paper, signed in the plate lower left. 

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €250
  42. Mes invités n'arrivent pas. Robe de soirée de Redfern (pl.6, La Gazette du Bon ton, 1913 n°11)Mes invités n'arrivent pas. Robe de soirée de Redfern (pl.6, La Gazette du Bon ton, 1913 n°11)
    Georges GOSE (John REDFERN)

    Mes invités n'arrivent pas. Robe de soirée de Redfern (pl.6, La Gazette du Bon ton, 1913 n°11)

    Lucien Vogel éditeur|Paris Septembre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  43. La Fumée noire. Robe du soir de Redfern (pl.29, La Gazette du Bon ton, 1914 n°3)La Fumée noire. Robe du soir de Redfern (pl.29, La Gazette du Bon ton, 1914 n°3)
    Louis STRIMPL (John REDFERN)

    La Fumée noire. Robe du soir de Redfern (pl.29, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  44. M. Bergson a promis de venir. Robe de dîner de Worth (pl.30, La Gazette du Bon ton, 1914 n°3)M. Bergson a promis de venir. Robe de dîner de Worth (pl.30, La Gazette du Bon ton, 1914 n°3)
    Bernard BOUTET DE MONVEL (Charles-Frederick WORTH)

    M. Bergson a promis de venir. Robe de dîner de Worth (pl.30, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate higher right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  45. Le Bon Oncle. Costumes d'enfants (pl.2, La Gazette du Bon ton, 1914 n°1)Le Bon Oncle. Costumes d'enfants (pl.2, La Gazette du Bon ton, 1914 n°1)
    Charles-Emile CARLEGLE

    Le Bon Oncle. Costumes d'enfants (pl.2, La Gazette du Bon ton, 1914 n°1)

    Paris Janvier 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  46. Les Préparatifs de Noël. Robe d'après-midi de Redfern (pl.4, La Gazette du Bon ton, 1914 n°1)Les Préparatifs de Noël. Robe d'après-midi de Redfern (pl.4, La Gazette du Bon ton, 1914 n°1)
    Charles MARTIN, John REDFERN

    Les Préparatifs de Noël. Robe d'après-midi de Redfern (pl.4, La Gazette du Bon ton, 1914 n°1)

    Paris Janvier 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  47. La Pantoufle de vair. Danseur Louis XIV (pl.1, La Gazette du Bon ton, 1912-1913 n°4)La Pantoufle de vair. Danseur Louis XIV (pl.1, La Gazette du Bon ton, 1912-1913 n°4)
    André-Edouard MARTY

    La Pantoufle de vair. Danseur Louis XIV (pl.1, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €130
  48. Tiens !... Déjà de retour ! Pardessus d'après-midi (pl.1, La Gazette du Bon ton, 1913 n°12)Tiens !... Déjà de retour ! Pardessus d'après-midi (pl.1, La Gazette du Bon ton, 1913 n°12)
    Bernard BOUTET DE MONVEL

    Tiens !... Déjà de retour ! Pardessus d'après-midi (pl.1, La Gazette du Bon ton, 1913 n°12)

    Lucien Vogel éditeur|Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  49. Les deux nigauds. Robe de réveillon de Doeuillet (pl.7, La Gazette du Bon ton, 1914 n°1)Les deux nigauds. Robe de réveillon de Doeuillet (pl.7, La Gazette du Bon ton, 1914 n°1)
    André-Edouard MARTY (Georges DOEUILLET)

    Les deux nigauds. Robe de réveillon de Doeuillet (pl.7, La Gazette du Bon ton, 1914 n°1)

    Paris Janvier 1914|19 x 24.50 cm|une feuille

    Original colour print heightened in palladium, printed on laid paper and signed in the plate higher left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  50. Ah ! Le bel oiseau ! Robe d'intérieur de Doucet (pl.9, La Gazette du Bon ton, 1913 n°12)Ah ! Le bel oiseau ! Robe d'intérieur de Doucet (pl.9, La Gazette du Bon ton, 1913 n°12)
    H. Robert DAMMY (Jacques DOUCET)

    Ah ! Le bel oiseau ! Robe d'intérieur de Doucet (pl.9, La Gazette du Bon ton, 1913 n°12)

    Lucien Vogel éditeur|Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original color print, printed on laid paper, signed in the plate.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  51. Puis-je entrer ? Costume de chasse (pl.2, La Gazette du Bon ton, 1913 n°11)Puis-je entrer ? Costume de chasse (pl.2, La Gazette du Bon ton, 1913 n°11)
    Guy ARNOUX

    Puis-je entrer ? Costume de chasse (pl.2, La Gazette du Bon ton, 1913 n°11)

    Lucien Vogel éditeur|Paris Septembre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  52. Les Gants jaunes. Robe d'après-midi de Doucet (pl.6, La Gazette du Bon ton, 1912-1913 n°1)Les Gants jaunes. Robe d'après-midi de Doucet (pl.6, La Gazette du Bon ton, 1912-1913 n°1)
    Jacques DRESA (Jacques DOUCET)

    Les Gants jaunes. Robe d'après-midi de Doucet (pl.6, La Gazette du Bon ton, 1912-1913 n°1)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  53. A Chamonix. Costume d'homme et de femme pour les Sports d'hiver (pl.2, La Gazette du Bon ton, 1912-1913 n°2)A Chamonix. Costume d'homme et de femme pour les Sports d'hiver (pl.2, La Gazette du Bon ton, 1912-1913 n°2)
    Maurice TAQUOY

    A Chamonix. Costume d'homme et de femme pour les Sports d'hiver (pl.2, La Gazette du Bon ton, 1912-1913 n°2)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €170
  54. Le Soir tombe... Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°2)Le Soir tombe... Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°2)
    H. Robert DAMMY (Jacques DOUCET)

    Le Soir tombe... Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°2)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  55. L'Utile Recommandation. Robe de dîner, de Cheruit (pl.2, La Gazette du Bon ton, 1912-1913 n°1)L'Utile Recommandation. Robe de dîner, de Cheruit (pl.2, La Gazette du Bon ton, 1912-1913 n°1)
    Pierre BRISSAUD (Louise CHERUIT)

    L'Utile Recommandation. Robe de dîner, de Cheruit (pl.2, La Gazette du Bon ton, 1912-1913 n°1)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  56. La Coquette surprise. Robe du soir de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°3)La Coquette surprise. Robe du soir de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°3)
    André-Edouard MARTY (Charles-Frederick WORTH)

    La Coquette surprise. Robe du soir de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°3)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille

    Original color print gilt heightened, printed on laid paper and signed in the plate upper left.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    €130
  57. Mon pauvre gazon ! Robe de garden party de Chéruit (pl.8, La Gazette du Bon ton, 1913 n°11)Mon pauvre gazon ! Robe de garden party de Chéruit (pl.8, La Gazette du Bon ton, 1913 n°11)
    Pierre BRISSAUD

    Mon pauvre gazon ! Robe de garden party de Chéruit (pl.8, La Gazette du Bon ton, 1913 n°11)

    Lucien Vogel éditeur|Paris Septembre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era

    €80
  58. La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)
    Maggie SALCEDO

    La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)

    Lucien Vogel éditeur|Paris Septembre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  59. Le Bel Eté. Robe de lingerie pour la campagne (pl.3, La Gazette du Bon ton, 1913 n°9)Le Bel Eté. Robe de lingerie pour la campagne (pl.3, La Gazette du Bon ton, 1913 n°9)
    Louis STRIMPL

    Le Bel Eté. Robe de lingerie pour la campagne (pl.3, La Gazette du Bon ton, 1913 n°9)

    Lucien Vogel éditeur|Paris Juillet 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  60. Les Travestis dans le parc (pl.1, La Gazette du Bon ton, 1913 n°11)Les Travestis dans le parc (pl.1, La Gazette du Bon ton, 1913 n°11)
    Pierre BRISSAUD

    Les Travestis dans le parc (pl.1, La Gazette du Bon ton, 1913 n°11)

    Lucien Vogel éditeur|Paris Septembre 1913|36.50 x 24 cm|une feuille

    Original double-page colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €180
  61. Il fait trop chaud. Chapeau d'été de Paul Poiret (pl.6, La Gazette du Bon ton, 1913 n°10)Il fait trop chaud. Chapeau d'été de Paul Poiret (pl.6, La Gazette du Bon ton, 1913 n°10)
    Georges LEPAPE (Paul POIRET)

    Il fait trop chaud. Chapeau d'été de Paul Poiret (pl.6, La Gazette du Bon ton, 1913 n°10)

    Lucien Vogel éditeur|Paris Août 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  62. Le Goûter au jardin (pl.1, in La Gazette du Bon ton, 1913 n°10)Le Goûter au jardin (pl.1, in La Gazette du Bon ton, 1913 n°10)
    André-Edouard MARTY

    Le Goûter au jardin (pl.1, in La Gazette du Bon ton, 1913 n°10)

    Lucien Vogel éditeur|Paris Août 1913|36.50 x 24 cm|une feuille

    Original double-page colour engraving, printed on laid paper, signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €230
  63. Êtes-vous prêt ? Robe d'après-midi (pl.3, La Gazette du Bon ton, 1913 n°10)Êtes-vous prêt ? Robe d'après-midi (pl.3, La Gazette du Bon ton, 1913 n°10)
    Etienne DRIAN

    Êtes-vous prêt ? Robe d'après-midi (pl.3, La Gazette du Bon ton, 1913 n°10)

    Lucien Vogel éditeur|Paris Août 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  64. La Séance de portrait. Robe d'après-midi de Worth (pl.14, La Gazette du Bon ton, 1914 n°2)La Séance de portrait. Robe d'après-midi de Worth (pl.14, La Gazette du Bon ton, 1914 n°2)
    Bernard BOUTET DE MONVEL (Charles-Frederick WORTH)

    La Séance de portrait. Robe d'après-midi de Worth (pl.14, La Gazette du Bon ton, 1914 n°2)

    Paris Février 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  65. S'il ne vient pas nous serons treize. Robe de dîner de Doucet (pl.16, La Gazette du Bon ton, 1914 n°2)S'il ne vient pas nous serons treize. Robe de dîner de Doucet (pl.16, La Gazette du Bon ton, 1914 n°2)
    Jacques DRESA (Jacques DOUCET)

    S'il ne vient pas nous serons treize. Robe de dîner de Doucet (pl.16, La Gazette du Bon ton, 1914 n°2)

    Paris Février 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  66. Ta maman va bien ? Tailleur du matin et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1914 n°4)Ta maman va bien ? Tailleur du matin et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1914 n°4)
    Pierre BRISSAUD (Jeanne LANVIN)

    Ta maman va bien ? Tailleur du matin et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  67. Soyez discret ! Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°3)Soyez discret ! Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°3)
    Jacques DRESA (Jacques DOUCET)

    Soyez discret ! Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  68. Les Soeurs de lait. Robe d'après-midi de Doeuillet (pl.17, La Gazette du Bon ton, 1914 n°2)Les Soeurs de lait. Robe d'après-midi de Doeuillet (pl.17, La Gazette du Bon ton, 1914 n°2)
    André-Edouard MARTY (Georges DOEUILLET)

    Les Soeurs de lait. Robe d'après-midi de Doeuillet (pl.17, La Gazette du Bon ton, 1914 n°2)

    Paris Février 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate higher right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  69. Il a été primé. Robe du soir (pl.21, La Gazette du Bon ton, 1914 n°3)Il a été primé. Robe du soir (pl.21, La Gazette du Bon ton, 1914 n°3)
    Francisco Javier GOSE

    Il a été primé. Robe du soir (pl.21, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  70. En tenue de parade. Robe d'hiver pour la promenade (pl.13, La Gazette du Bon ton, 1914 n°2)En tenue de parade. Robe d'hiver pour la promenade (pl.13, La Gazette du Bon ton, 1914 n°2)
    Pierre BRISSAUD

    En tenue de parade. Robe d'hiver pour la promenade (pl.13, La Gazette du Bon ton, 1914 n°2)

    Paris Février 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  71. Longchamp. Robe d'après-midi de Beer. Jaquette pour les courses, de Kriegck (pl.44, La Gazette du Bon ton, 1922 n°6)Longchamp. Robe d'après-midi de Beer. Jaquette pour les courses, de Kriegck (pl.44, La Gazette du Bon ton, 1922 n°6)
    BENITO (Gustave BEER)

    Longchamp. Robe d'après-midi de Beer. Jaquette pour les courses, de Kriegck (pl.44, La Gazette du Bon ton, 1922 n°6)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  72. Isabelle. Costumes du XVIIIème siècle par Doucet (pl.10, La Gazette du Bon ton, 1912-1913 n°4)Isabelle. Costumes du XVIIIème siècle par Doucet (pl.10, La Gazette du Bon ton, 1912-1913 n°4)
    Jacques DRESA (Jacques DOUCET)

    Isabelle. Costumes du XVIIIème siècle par Doucet (pl.10, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  73. La Rivière. Costume de fantaisie (pl.3, La Gazette du Bon ton, 1912-1913 n°4)La Rivière. Costume de fantaisie (pl.3, La Gazette du Bon ton, 1912-1913 n°4)
    Charles-Emile CARLEGLE

    La Rivière. Costume de fantaisie (pl.3, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  74. La Cape écossaise. Cape pour le théâtre (pl.32, La Gazette du Bon ton, 1914 n°4)La Cape écossaise. Cape pour le théâtre (pl.32, La Gazette du Bon ton, 1914 n°4)
    José GARCIA-CALDERON

    La Cape écossaise. Cape pour le théâtre (pl.32, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  75. Le Frisson nouveau. Robe de tango de Redfern (pl.20, La Gazette du Bon ton, 1914 n°2)Le Frisson nouveau. Robe de tango de Redfern (pl.20, La Gazette du Bon ton, 1914 n°2)
    Louis STRIMPL (John REDFERN)

    Le Frisson nouveau. Robe de tango de Redfern (pl.20, La Gazette du Bon ton, 1914 n°2)

    Paris Février 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  76. Le Secret joli. Robes de jeunes filles de Doeuillet (pl.4, La Gazette du Bon ton, 1913 n°9)Le Secret joli. Robes de jeunes filles de Doeuillet (pl.4, La Gazette du Bon ton, 1913 n°9)
    André-Edouard MARTY (Georges DOEUILLET)

    Le Secret joli. Robes de jeunes filles de Doeuillet (pl.4, La Gazette du Bon ton, 1913 n°9)

    Paris Juillet 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  77. Ah ! Le Beau Guignol... Robe d'après-midi de Doucet (pl.8, La Gazette du Bon ton, 1914 n°1)Ah ! Le Beau Guignol... Robe d'après-midi de Doucet (pl.8, La Gazette du Bon ton, 1914 n°1)
    Jacques DRESA (Jacques DOUCET)

    Ah ! Le Beau Guignol... Robe d'après-midi de Doucet (pl.8, La Gazette du Bon ton, 1914 n°1)

    Lucien Vogel éditeur|Paris Janvier 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  78. George Barbier, “one of the fascinating figures of Art Deco” and “master of Indian ink” (Guillaume Garnier)
    George Barbier, “one of the fascinating figures of Art Deco” and “master of Indian ink” (Guillaume Garnier)
    5 compositions de mode pour La Vie Parisienne5 compositions de mode pour La Vie Parisienne
    George BARBIER

    Original ink drawing - 5 fashion compositions for "La Vie Parisienne"

    s. n.|No Location 1923|24.2 x 30.2 cm|Une feuille

    Five compositions in Indian ink signed and dated 1923 by George Barbier on a leaf of thick paper. Traces of paper pasted down at the four corners on the back, a few very faint traces of previous pencil inscriptions on the front.

    An exceptional ink drawing by the eminent fashion illustrator George Barbier for the “Elegances” section of the newspaper La Vie Parisienne, featuring four silhouettes at the height of 1920s fashion, with boyish haircuts, dressed in flowing, low-waisted tube dresses or wrapped in luxurious furs.

    €2,500
  79. Original engravings by a theorist of Cubism
    Original engravings by a theorist of Cubism
    Suite des bois d'Albert Gleizes pour Au pays du mufle de Laurent TailhadeSuite des bois d'Albert Gleizes pour Au pays du mufle de Laurent Tailhade
    Albert GLEIZES, Laurent TAILHADE

    Suite des bois d'Albert Gleizes pour Au pays du mufle de Laurent TailhadeSuite of Albert Gleizes' woodcuts for The Muzzle of the Country by Laurent Tailhade

    Edouard-Joseph|n. l. • Paris s. d. [1920]|14.2 x 17 cm|Woodcut|En feuilles

    Suite of eleven original woodcuts by Albert Gleizes, printed in red on Japon paper, created to accompany the deluxe issue limited to thirty copies on Japon of Au pays du mufle by Tailhade.

    €300
  80. Livre-objet with an original collage
    Livre-objet with an original collage
    PoèmesPoèmes
    Gerhard WEBER, Ania STARITSKY

    Poèmes

    Edited by the artist|n. l. s. d. [1964]|16.7 x 27 cm|Copper engraving, Collage|En feuillets

    First edition printed in 45 numbered copies, signed in pencil by Ania Staritsky, ours is number 29. Original collage accompanied by the manuscript initials GW on the wrapper, 5 original engravings, and text presentation by Ania Staritsky.

     

    Wrapper composed of two cardboard boards joined by cords, five kraft paper booklets containing bifolia of thick white paper. The year "1964" is inscribed in pencil on the first booklet. One of the three cords is missing, otherwise a fine copy.

    Laid in are Gerhard Weber's autograph visiting card, a clipped page from the bilingual French-German newspaper Pariser Kurier, and a postcard reproducing a work by Ania...

    €1,200
  81. "Each illustration glorifies the embodiment of fashion in every circumstance"
    "Each illustration glorifies the embodiment of fashion in every circumstance"
    Falbalas & FanfreluchesFalbalas & Fanfreluches
    George BARBIER

    Falbalas & Fanfreluches3e année Almanach des modes présentes, passées et futures pour 1924[Frills & Flounces]

    Meynial éditeur|s. d. [1924]|17.5 x 26.2 cm|En feuilles

    First edition.

    Copy in loose leaves as issued, complete with its illustrated wrappers, its engraved title-page adorned with a colour vignette, its black-and-white vignette at the head of the text, and its twelve colour plates by Barbier. Spine very slightly sunned.

     

    A superb copy of this almanac illustrated with 12 pochoir plates by George Barbier, who also designed the wrappers, depicting an Art Deco Venus emerging on a shell borne by two tritons highlighted in silver.

     

    €1,500
  82. Braque's celestial inferno
    Braque's celestial inferno
    Lithographie originale sur Japon - « Descente aux Enfers »Lithographie originale sur Japon - « Descente aux Enfers »
    Georges BRAQUE

    Lithographie originale sur Japon - « Descente aux Enfers »Original lithograph on Japan - "Descent into Hell"

    Mourlot|s. d. [1961]|25.4 x 32 cm|Lithograph|Une feuille encadrée

    Original lithograph printed by Mourlot on nacré Japan paper, signed in pencil by Georges Braque.

     

    In 1961, Georges Braque created four lithographs to illustrate Marcel Jouhandeau's Descente aux Enfers, published by the Nouveau Cercle parisien du livre in 200 copies on Rives paper. A suite on Japan paper was included with a small number of copies, most of them unsigned.

    €3,000
  83. Complete issue featuring Joan Miró's striking original stencil
    Complete issue featuring Joan Miró's striking original stencil
    Aidez l'Espagne! (Cahiers d'art N°4-5) - Pochoir original de Joan MiroAidez l'Espagne! (Cahiers d'art N°4-5) - Pochoir original de Joan Miro
    Joan MIRÓ, René CHAR

    Aidez l'Espagne! (Cahiers d'art N°4-5) - Pochoir original de Joan MiroHelp Spain!

    Cahiers d'art|Paris 1937|25 x 32 cm|broché

    First edition featuring the celebrated original color stencil "Aidez l'Espagne!", printed on Arches paper by Joan Miró.
    With literary contributions by Christian Zervos on Pablo Picasso's "Guernica", as well as texts by Jean Cassou, Georges Duthuit, Pierre Mabille, Michel Leiris, Paul Éluard, René Char...
    Illustrated with numerous reproductions of works by Pablo Picasso and Joan Miró’s "Le faucheur".
    Some rubbing and small tears to the spine, as often, a vertical crease to the rear wrapper, otherwise a fresh and well-preserved copy.

    €5,000
  84. "La soirée au théâtre" Smoking et cape "Priola", de Larsen (pl.57, La Gazette du Bon ton, 1922 n°9)"La soirée au théâtre" Smoking et cape "Priola", de Larsen (pl.57, La Gazette du Bon ton, 1922 n°9)
    Pierre MOURGUE (LARSEN)

    "La soirée au théâtre" Smoking et cape "Priola", de Larsen (pl.57, La Gazette du Bon ton, 1922 n°9)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une double page
    Original color print, printed on laid paper, signed at the bottom right of the plate.
    La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of Art Deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great...
    €80
  85. Hermine et velours imprimé et lamé de métal, tissu de Bianchini (Croquis N°I, La Gazette du Bon ton, 1922 n°9)Hermine et velours imprimé et lamé de métal, tissu de Bianchini (Croquis N°I, La Gazette du Bon ton, 1922 n°9)
    DAVID (BIANCHINI-FERIER)

    Hermine et velours imprimé et lamé de métal, tissu de Bianchini (Croquis N°I, La Gazette du Bon ton, 1922 n°9)

    Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
    Original color print, printed on laid paper.
    La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication, these...
    €100
  86. Loutre et velours imprimé, tissu de Bianchini (Croquis N°II, La Gazette du Bon ton, 1922 n°9)Loutre et velours imprimé, tissu de Bianchini (Croquis N°II, La Gazette du Bon ton, 1922 n°9)
    DAVID (BIANCHINI-FERIER)

    Loutre et velours imprimé, tissu de Bianchini (Croquis N°II, La Gazette du Bon ton, 1922 n°9)

    Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
    Original color print, printed on laid paper.
    La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full bloom of art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication, these...
    €100
  87. Loutre et broché et lamé, tissu de Bianchini (Croquis N°III, La Gazette du Bon ton, 1922 n°9)Loutre et broché et lamé, tissu de Bianchini (Croquis N°III, La Gazette du Bon ton, 1922 n°9)
    DAVID (BIANCHINI-FERIER)

    Loutre et broché et lamé, tissu de Bianchini (Croquis N°III, La Gazette du Bon ton, 1922 n°9)

    Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
    Original color print, printed on laid paper, signed at bottom right.
    La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers...
    €100
  88. Zibeline et matelassé de soie, tissu de Bianchini (Croquis N°IV, La Gazette du Bon ton, 1922 n°9)Zibeline et matelassé de soie, tissu de Bianchini (Croquis N°IV, La Gazette du Bon ton, 1922 n°9)
    DAVID (BIANCHINI-FERIER)

    Zibeline et matelassé de soie, tissu de Bianchini (Croquis N°IV, La Gazette du Bon ton, 1922 n°9)

    Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
    Original color print, printed on laid paper, signed at bottom left of the plate.
    La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists at the height of the Art Deco movement.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great...
    €100
  89. Petit gris et satin broché, tissu de Bianchini (Croquis N°VII, La Gazette du Bon ton, 1922 n°9)Petit gris et satin broché, tissu de Bianchini (Croquis N°VII, La Gazette du Bon ton, 1922 n°9)
    DAVID (BIANCHINI-FERIER)

    Petit gris et satin broché, tissu de Bianchini (Croquis N°VII, La Gazette du Bon ton, 1922 n°9)

    Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
    Original color print, printed on laid paper.
    La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full flowering of Art Deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication, these...
    €100
  90. Hermine et lamé argent et or, tissu de Bianchini (Croquis N°VIII, La Gazette du Bon ton, 1922 n°9)Hermine et lamé argent et or, tissu de Bianchini (Croquis N°VIII, La Gazette du Bon ton, 1922 n°9)
    DAVID (BIANCHINI-FERIER)

    Hermine et lamé argent et or, tissu de Bianchini (Croquis N°VIII, La Gazette du Bon ton, 1922 n°9)

    Lucien Vogel éditeur|Paris 1922|19 x 24.50 cm|une feuille
    Original color print, printed on laid paper, signed at the bottom right of the plate.
    La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the 20th century, celebrating the talent of French creators and artists in the full flowering of Art Deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920, due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great...
    €100
1235›
Results per page
Services
Expert Guidance
We buy
Valuation
Gift Ideas
Concierge
Create an alert
Orders
Order
Payment
Delivery
Pick Up at Bookshop
Manage your Orders
Return & Refund
Unconditional Guarantee
Certificate of Authenticity
About
Le Feu Follet
History
Our Team
Engagements
Labels
Press
Contact
Resources
Authors
Publishers
Bookbinders
Places of publication
Lexicon
Legal
Terms of Sale
General Terms and Conditions
Privacy Policy & Cookies
Dessin façade librairie Barbusse trait
+33 1 56 08 08 85
[email protected]
Contact us
Logo
Logo
Logo
Dessin façade librairie Barbusse trait
Librairie Le Feu Follet
31 rue Henri Barbusse
75005 Paris (FRANCE)
Monday - Friday from 11 am to 7 pm
Dessin façade librairie Barbusse trait
Galerie Le 121
121 bd Saint-Michel
75005 Paris (FRANCE)
By appointment during exhibitions & events
Langue
Français version
Flag en
SIRET 412 079 873 · © Librairie Le Feu Follet – Edition-Originale.com · All rights reserved