Antique illustrated books and works illustrated with woodcuts, etchings, engravings, drawings from 16th to 18th centuries

New edition, after the first published in Amsterdam. The work was constantly revised and expanded with each new release. A frontispiece by Scottin; two folding plates and numerous tables.
New edition, revised, corrected & expanded with the Tariff of Entry & Exit Duties, with Assessments of Goods, concerning the public revenues of the United Provinces of the Netherlands, And an Introduction on Double-Entry or Italian Bookkeeping... by Henri Desaguliers.

Contemporary full glazed brown sheep binding. Richly decorated spine with raised bands. Red morocco title label. One lack at head. Lower joint cracked at head. Small stains on boards. Good copy.

First bilingual French-German edition, illustrated with 71 plates and a fortification table.
Contemporary full ivory vellum binding. Smooth spine decorated with triple blind fillets, title and author in pen. Boards framed with triple blind fillets; traces of clasps. All edges blue. Six small contemporary leather bookmarks. Bavarian bookplate of the period.
Spine split with a small loss along its entire length. One joint slightly cracked (1.5cm). A small ink stain on the second board. Pages uniformly and lightly browned. Front pastedown affected by bookworm damage.

First French edition, illustrated with 3 folding plates containing numerous figures.

Contemporary marbled blonde calf binding. Spine with raised bands, decorated. Red morocco title label. Two small restorations to upper cover. Handsome copy.

Fundamental work on the theory of generation. The conclusions reached by Spallanzani precede those of Pasteur by nearly a century. He notably refutes the theory of spontaneous generation; it is while working on the refutation of this famous concept that Spallanzani discovers the role of spermatozoa and ovaries in mammals, through his observations on external reproduction in frogs; he will moreover be the first to...

New edition adorned with seven frontispieces by Scotin the elder. The journal first appeared in volume form in 1712.

Contemporary full speckled brown sheep binding. Spine with five raised bands, red morocco title and volume labels, gilt compartments and floral fleurons. All edges red. Head caps of volumes 1, 2, 3, 4, 5, 7 and 8 and foot caps of volumes 2, 3, 4 and 9 abraded (some damaged). Corners slightly bumped. Four joints cracked. Pale marginal dampstains to the second volume.

First edition, richly illustrated, of the abridged version of the famous commentaries by the Chevalier de Folard, established by the Count of Chabot. 113 copperplate engravings - sometimes folding (Volume I: 51, volume 2: 22 and volume 3: 40) - representing techniques, battle scenes and war machines of Antiquity; including 4 maps and a plan of Cremona.

Full speckled blonde calf binding. Spine with five raised bands decorated with red morocco title and volume labels and gilt compartments and fleurons; gilt dentelles at foot. All edges red. Two head caps worn, the third slightly rubbed. Some wormholes on the spine of the second volume. Two corners slightly bumped. Numerous...

Reissue of the 1775 edition, illustrated with 20 beautiful figures by Moreau le Jeune and Marillier, engraved by De Longueil, Née...

Contemporary full speckled calf binding. Smooth spine handsomely decorated. Pink morocco title label and black morocco volume label. Lacking at headcap of volume IV. 4 corners slightly bumped.

First edition, illustrated with 20 figures (battle scenes) at the end of the work. Gothic round typeface.
Contemporary full brown sheep binding. Jansenist spine with raised bands. Tawny morocco title label. Blind title. German binding.
History of the war between Prussia and its allied states and Austria and its allied states. It was Frederick II who triggered the hostilities between the two nations by attempting to seize Silesia, this war took place within the conflict of the Austrian succession.

First edition, magnificently illustrated with a frontispiece by Cochin, engraved by Saint-Aubin, a title vignette by the same, 59 large tailpieces and headpieces (designed and engraved by Saint-Aubin) explained and deciphered at the beginning of the work, and 179 figures hors-texte each presenting an engraved stone (engraved by Saint-Aubin). Fine printing on deluxe Holland paper.

Full black morocco-grained shagreen binding ca 1850. Smooth spine with flat raised bands decorated with fillets and roulettes on the bands. Triple-ruled frames on boards with corner fleurons. Marbled edges. Light rubbing to headcaps, corners. Paper lacking to margin of one leaf in volume I. Some leaves...