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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Strolls through Paris

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Strolls through Paris
  1. En 18..En 18..
    [Jules de GONCOURT] Edmond & Jules de GONCOURT

    En 18..

    Henry Kistemaeckers|Brussels 1881|12 x 19 cm|Relié

    Second edition, enlarged with the passages suppressed from the original edition of 1851.

    Illustrated with a frontispiece portrait of the authors engraved by A. Descaves.

    Contemporary red half shagreen, spine slightly faded, with five raised bands and black fillets, marbled-paper boards, upper board slightly and marginally faded along the left edge, marbled endpapers and pastedowns, original wrappers preserved and mounted.

    Signed presentation copy from Edmond de Goncourt to the journalist and writer Louis Ulbach.

     

    €300
  2. Histoire physique, civile et morale de Paris…Histoire physique, civile et morale de Paris…
    Jacques-Antoine DULAURE

    Histoire physique, civile et morale de Paris…[History, Physical, Civil and Moral, of Paris…]

    Au bureau des Publications illustrées|Paris 1842|16.5 x 25.5 cm|4 volumes reliés

    Seventh edition, expanded with new annotations and an appendix containing descriptive and historical details on all the monuments recently erected in the capital by J.-L. Belin, avocat.

    Bound in contemporary half midnight-blue Russian morocco, flat spines gilt with romantic arabesques, gilt fillet framing the marbled-paper boards, marbled endpapers and pastedowns; one lower corner lightly rubbed, contemporary bindings.

    Scattered foxing.

    Illustrated with 58 plates (including 11 archaeological plates), together with 5 folding colour plans hors texte.

    A handsomely preserved copy in a period romantic binding.

    €800
  3. Le Provincial à ParisLe Provincial à Paris
    Honoré de BALZAC

    Le Provincial à Paris[The Provincial in Paris]

    Gabriel Roux • Cassenet|Paris 1847|13.50 x 22 cm|2 volumes reliés
    First edition under this title, the original edition consisting of an offprint from the Courrier français, published a year earlier by Proux under the title Les Comédiens sans le savoir, and later included in the monumental collected edition issued by Furne and Houssiaux.
    Bindings in chocolate-brown half morocco with corners, spines with five raised bands decorated with gilt fillets and richly ornamented double gilt compartments, gilt dates at foot, panels of marbled paper framed by double gilt fillets, comb-marbled endpapers and pastedowns, gilt edges.
    €600
  4. Théâtre des marionnettes du jardin des TuileriesThéâtre des marionnettes du jardin des Tuileries
    Louis Emile Edmond DURANTY

    Théâtre des marionnettes du jardin des Tuileries

    Imprimerie de Dubuisson & Cie|Paris 1863|14.50 x 21.50 cm|relié
    First edition.
    Bound in half bottle-green shagreen, smooth spine decorated with gilt and black fillets, marbled paper boards, hand-marbled endpapers, sprinkled edges, one upper corner slightly bumped, contemporary binding.
    Illustrated with 24 plates and 25 drawings printed in color on China paper, mounted at the head of the introduction and each of the 24 Polichinelle scenes.
    This copy retains the dedication page to George Sand, which disappears from later editions.
    A repair to the margins of page 289 and to the color drawing introducing the scene "Le marchand de coups de bâton."
    A handsome copy, free of foxing.
    €1,500
  5. Old Paris in Color Lithographs
    Old Paris in Color Lithographs
    Album pittoresque. Le Vieux Paris,d'après des dessins originaux et authentiques avec notices historiques et descriptivesAlbum pittoresque. Le Vieux Paris,d'après des dessins originaux et authentiques avec notices historiques et descriptives
    Jean Louis Gaspard Bernardin PALAISEAU

    Album pittoresque. Le Vieux Paris,d'après des dessins originaux et authentiques avec notices historiques et descriptives[Picturesque Album. Old Paris, from Original and Authentic Drawings, with Historical and Descriptive Notes.]

    Sans nom d'éditeur|Paris s. d. [1860]|46.4 x 32 cm|En feuilles sous une chemise cartonnée à lacets

     

    First edition and first issue of the suite of 24 color lithographs.

    Publisher’s original soft illustrated folder, flat red cloth spine without lettering (expertly restored), red cloth framing on the boards, showing some soiling; original cloth ties intact and present.

    Some occasional foxing.

    €1,350
  6. D'après ParisD'après Paris
    Léon-Paul FARGUE, Jean-Louis BOUSSINGAULT

    D'après Paris

    Les amis de l'amour de l'art|Paris 1931|36 x 46 cm|En feuilles sous chemise

    Illustrated edition featuring 15 original lithographs by Jean-Louis Boussingault, printed in 170 numbered copies on Arches paper.
    Some light marginal foxing on a few leaves, otherwise a pleasant copy.

    The slipcase is missing.

    €300
  7. ParisParis
    Moï VER, Fernand LÉGER

    Paris

    Editions 7L|Paris 2004|22.7 x 29.3 cm|Broché sous chemise-étui

    Facsimile edition limited to 1,000 numbered copies of the exceedingly rare 1931 first edition published by Jeanne Walter.

    Introduction by Fernand Léger.

    Splendid volume illustrated with 80 photographs by Moï Ver.

    A rare and desirable copy, complete with its original grey full cloth chemise and slipcase.

    €750
  8. "Nose in the air, arms flying, with nonchalance, with joy, as Willy Ronis says... black shoes, a large hat, a wasp waist, skirt in the wind, and not the slightest idea what all this could be for, but all the sunshine of late April in the veil... and like Paris, absurdly inimitable."
    "Nose in the air, arms flying, with nonchalance, with joy, as Willy Ronis says... black shoes, a large hat, a wasp waist, skirt in the wind, and not the slightest idea what all this could be for, but all the sunshine of late April in the veil... and like Paris, absurdly inimitable."
    Une séance photo avec Willy RonisUne séance photo avec Willy Ronis
    Louis ARAGON (Willy RONIS)

    Une séance photo avec Willy RonisOriginal autograph manuscript

    s. d. [avril 1948]|21 x 30 cm|4 pages sur 4 feuillets
    Exceptional complete autograph manuscript by Louis Aragon. 4 pages in pencil on 4 leaves numbered in his hand. Discrete trace of rust discharge on the first leaf and on the verso of the last. Horizontal fold across all leaves.
    The article would be published under the title "L'Art de prendre une photo pour Les Lettres Françaises" (Regards, May 14, 1948).
    Aragon accompanies the great Willy Ronis during a photographic session for a fashion portrait for Les Lettres Françaises. Following in Ronis's footsteps as he directs his spinning model, the writer takes us through four pages across an enchanting Paris where...
    €4,500
  9. La femme au pesage par DonLa femme au pesage par Don
    Ion DON, André DANTAN

    La femme au pesage par Don

    André Dantan|Paris 1931|32 x 33.50 cm|en feuilles
    First edition printed in 250 numbered copies signed by Don in pencil on the justification page.
    The work contains 36 plates of drawings printed separately and hand-colored by André Dantan.
    Introduction by J. Trarieux.
    We include a notice indicating that the exhibition of the original drawings from this album will take place at the Casino de Deauville from July 15 to August 31, 1931.
    A very handsome copy complete with its very fragile red paper cover with very light scratches of no consequence, the slipcase is lacking.
    €800
  10. The copy of L'Immortel owned by two Immortals
    The copy of L'Immortel owned by two Immortals
    L'immortel. - Moeurs parisiennesL'immortel. - Moeurs parisiennes
    Alphonse DAUDET (inscribed to Frédéric MASSON)

    L'immortel. - Moeurs parisiennes[The Immortal. – Parisian Manners]

    Alphonse Lemerre|Paris 1888|12.2 x 19 cm|Relié

    First edition.
    Contemporary Bradel binding in full Empire-green cloth, smooth spine decorated with a gilt fleurion, date and double gilt fillet at foot, black morocco lettering-piece with a small marginal loss, original wrappers preserved, corners very slightly rubbed, without consequence, contemporary binding signed Durvand.

    Precious signed presentation copy from Alphonse Daudet to the distinguished historian of the Napoleonic era and fellow member of the Académie française, Frédéric Masson.

    Provenance: from the library of Émile Henriot, with his manuscript ex-libris beside the binder's name at the head of an endpaper ; on the facing page appears...

    €1,000
  11. "Every one of your lines is necessary, just as in jazz a note must be played exactly where the whole piece expects it"
    "Every one of your lines is necessary, just as in jazz a note must be played exactly where the whole piece expects it"
    Un peu de ParisUn peu de Paris
    Jean-Jacques SEMPÉ

    Un peu de Paris[A Little of Paris]

    Gallimard|Paris 2001|24.7 x 33 cm|Reliure souple de l'éditeur

    First edition illustrated with drawings by Jean-Jacques Sempé.

    A pleasing copy.

    Presentation copy inscribed by Jean-Jacques Sempé to a woman named Bernadette, with an original drawing depicting a street corner and a traffic light turning green.

     
    Dear Sempé, as in a sentence by Proust, one does not immediately see where your drawing is heading, until suddenly some microscopic detail becomes the most important thing on the page and illuminates the whole with a prodigious clarity. The mountains you scribble (traffic jams, crowds, buildings, shops) are placed at the disposal of mice (grandmothers...
    €700
  12. Zazie dans le métroZazie dans le métro
    Raymond QUENEAU

    Zazie dans le métro[Zazie in the Metro]

    Gallimard|Paris 1959|11.7 x 18 cm|Broché

    First edition, one of the press copies.

    A few spots of foxing to the centre of the spine.

    Presentation inscription signed by Raymond Queneau to Marcel Mithois.

    €1,200
  13. Huit quartiers de roture (Petit guide des XIXe et XXe arrondissements de Paris)Huit quartiers de roture (Petit guide des XIXe et XXe arrondissements de Paris)
    Henri CALET, Joseph Porphyre PINCHON

    Huit quartiers de roture (Petit guide des XIXe et XXe arrondissements de Paris)[Eight Plebeian Quarters (A Short Guide to Paris’s 19th and 20th Arrondissements)]

    Le dilettante|Paris 2015|14 x 17.5 cm|Broché + 20 cartes postales

    First edition, one of 33 numbered copies on white Rivoli wove paper, the only deluxe issue.

    Our copy is complete with the accompanying CD featuring excerpts from Huit quartiers de roture, radio broadcasts adapted from the work and aired on the Programme parisien in 1952.

    The wrapper is illustrated with the reproduction of two postcards depicting the 19th and 20th arrondissements by Joseph Porphyre Pinchon, creator of Bécassine, taken from the series entitled "Les arrondissements de Paris illustrés en 20 cartes postales."

    We are also including with our copy the complete set of 20 postcards, lacking only the original protective sleeve.

    A handsome...

    €400
  14. Les Fêtes roulantes, ou les regrets des petites ruesLes Fêtes roulantes, ou les regrets des petites rues
    (Jeanne-Françoise QUINAULT) (Anne Claude Philippe de Pestels de Lévis de Tubières-Grimoard CAYLUS)

    Les Fêtes roulantes, ou les regrets des petites rues[The Rolling Festivities, or the Regrets of the Little Streets]

    s. n.|n. l. 1747|10 x 16.8 cm|Relié

    First edition of this work published by the Société du Bout-du-Banc, the celebrated literary salon presided over by Mademoiselle Jeanne-Françoise Quinault and the Comte de Caylus. This intimate circle, originally comprising eight members, would gather on Mondays at dinner to exchange ideas and to write; at the close of each meal, every distinguished guest was required to set down a few lines (whether in the coarse poissard style or in a more refined vein) on paper. It was in this context that Les Fêtes roulantes, ou les regrets des petites rues came into being, in the wake of the celebrations...

    €600
  15. Paris vieux & neuf - Rive gaucheParis vieux & neuf - Rive gauche
    Charles HUARD, André BILLY

    Paris vieux & neuf - Rive gauche

    Eugène Rey|Paris 1909|15 x 20.50 cm|relié
    First edition, one of 100 numbered nominative copies on Japan paper, the only deluxe copies.
    Half bottle-green shagreen binding with corners, smooth spine decorated with mosaic triangular shagreen pieces in red, green and orange, spine faded to brown, gilt-ruled frame on marbled paper boards, marbled paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed Pierre-Lucien Martin.
    Work illustrated with drawings in the text by Charles Huard.
    Our copy is exceptionally enhanced with two original signed drawings by Charles Huard which he heightened with watercolor. These two drawings represent an elderly man standing and walking...
    €350
  16. Poëmes d'amourPoëmes d'amour
    Adolphe WILLETTE, Rodolphe DARZENS

    Poëmes d'amour

    Edition Le Journal|Paris 1895|19.50 x 28 cm|relié
    First edition published in a small number of copies of this poem by Rodolphe Darzens set to music by Auguste Chapuis, one of the rare copies on Japan paper.
    Work illustrated with 10 original lithographs by Adolphe Willette.
    Full flexible grey cloth Bradel binding, smooth spine decorated with central gilt fleuron, gilt date at foot, slight rubbing to joints without gravity, original wrappers preserved, contemporary binding.
    On the half-title page, Rodolphe Darzens has transcribed the poem "Clair de lune", the tenth and final poem of this collection.
    €300
  17. Le spleen de Paris - Choix de quinze petits poèmes en proseLe spleen de Paris - Choix de quinze petits poèmes en prose
    Francis GRUBER, Charles BAUDELAIRE

    Le spleen de Paris - Choix de quinze petits poèmes en prose

    Editions du grenier à sel|Paris 1954|28.50 x 38 cm|en feuilles sous étui
    Illustrated edition with 15 original lithographs by Francis Gruber, one of 100 numbered copies on laid paper, the only printing after 20 Japan copies and 12 collaborator copies.
    Fine copy complete with its advertising prospectus written by Jacques Lassaigne and its full green cloth slipcase and chemise.
    €400
  18. L'ombrelle - le gant - le manchonL'ombrelle - le gant - le manchon
    Paul AVRIL, Octave UZANNE

    L'ombrelle - le gant - le manchon

    A. Quantin|Paris 1883|17 x 26.50 cm|broché
    First edition magnificently decorated by Paul Avril with a title vignette, 54 illustrations printed in green, pink, blue, sepia framing the text, tailpieces and engraved titles.
    The print run of this work is estimated at 750 copies on vellum and 100 on Japan paper.
    Handsome copy with fine covers on Japan paper.


    €350
  19. Paris horrible et Paris originalParis horrible et Paris original
    Georges GRISON

    Paris horrible et Paris original

    E. Dentu|Paris 1882|12 x 19 cm|relié
    The first edition, with no mention of deluxe copies, false statement of second edition.

    Bradel binding in half vellum-style boards, smooth spine, marbled paper boards, original wrappers preserved and mounted on guards, contemporary binding.



    €150
  20. Paris-escarpeParis-escarpe
    Charles VIRMAITRE

    Paris-escarpe

    Albert Savine|Paris 1887|12 x 19 cm|relié
    First edition for which no deluxe copies are mentioned, false statement of seventh edition.
    Bradel binding in half vellum-style cardboard, smooth spine, marbled paper boards, original covers preserved and lined, contemporary binding.

    €150
  21. Le vol à ParisLe vol à Paris
    Georges AURIOL, Pierre DELCOURT

    Le vol à Paris

    Alphonse Piaget|Paris 1888|12 x 19 cm|relié
    The rare first edition with no mention of deluxe copies, with statement of second edition.
    Bradel binding in half cardboard vellum-style, smooth spine, marbled paper boards, marginally reinforced original wrappers preserved, contemporary binding.
    Covers illustrated by Georges Auriol.

    €200
  22. "j'en profite pour mener ma femme à une petite sauterie en mascarade chez Nodier""j'en profite pour mener ma femme à une petite sauterie en mascarade chez Nodier"
    Victor HUGO

    "j'en profite pour mener ma femme à une petite sauterie en mascarade chez Nodier"Signed autograph letter addressed to his friend H. de Cambier

    Paris s. d. [ca 1830]|12 x 18.50 cm|1 page

    Autograph letter signed by Victor Hugo to his friend H. de Cambier, 20 lines written in black ink on a bifolium, autograph address on the verso of the final leaf.
    Splendid and likely unpublished letter from Victor Hugo inviting his correspondent to the famed Romantic 'Cénacle' gatherings at the Bibliothèque de l'Arsenal, a veritable literary institution in the 1830's.

    "This Saturday the 6th,
    I noticed the other evening, Sir, that you expressed, with some regret, not having a ball to attend on Sunday (tomorrow).
    Now, I have managed to arrange my guard duty so as to be free tomorrow from nine o'clock to midnight (alas, I could not obtain...

    €2,300
  23. Montmartre and Montparnasse parties, moments before WW1
    Montmartre and Montparnasse parties, moments before WW1
    Bouquet de bohèmeBouquet de bohème
    Zig BRUNNER, Gus BOFA

    Bouquet de bohèmeFirst edition - the author's personal copy

    Albin Michel|Paris 1947|13.50 x 19 cm|relié

    "It's war!" we shouted that night, over and over again. The terrible word brought us bad luck... It was 1913: the following year, we were packing our kits again. This time, for real. And not all the guests came back." p. 335

    First edition, one of only 6 copies printed on Hollande, this being copy no. 1 of the deluxe issue.
    Bound in navy blue morocco backed boards with corners, spine very lightly sunned with raised bands, gilt date at foot, marbled paper-covered boards and endpapers, edges untrimmed, top edge gilt, covers and spine preserved. Binding signed Lavaux.
    A fine copy with wide margins, attractively bound.
    Bookplate...

    €3,000
  24. Les différents publics de Paris par Gustave DoréLes différents publics de Paris par Gustave Doré
    Gustave DORÉ

    Les différents publics de Paris par Gustave Doré

    Au bureau du journal amusant|Paris S.d (1854)|34.50 x 26.50 cm|relié
    | Gustave's 'jeunesse Doré' – talent's no need of years |

    First edition, first printing of this rare album, with its precious publisher's lithographed green cover by Belin and twenty original captioned lithographed plates by Gustave Doré.
    One of Doré's earliest efforts, his debut album of illustrations he published at age twenty-two: "In this album, Doré begins to display an unprecedented mastery of comedy and...
    €3,500
  25. From barbarian invasions to the Romantic era : France as seen by its most famous cartoonist
    From barbarian invasions to the Romantic era : France as seen by its most famous cartoonist
    Folies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumesFolies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumes
    Gustave DORÉ

    Folies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumes

    Au bureau du journal amusant|s. l. s. d. [1859]|34.50 x 26.50 cm|relié

    20 full-page lithographs in black by Gustave Doré, in second state.
    Red half oblong Bradel-style cloth binding, smooth spine, black morocco title label, marbled paper boards, beige paper endpapers and flyleaves, corners slightly dulled.

    €1,200
  26. Château de Saint-Cloud - Paris et ses ruines, Lithographie originaleChâteau de Saint-Cloud - Paris et ses ruines, Lithographie originale
    Léon Jean-Baptiste SABATIER, Albert ADAM

    Château de Saint-Cloud - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original color lithograph engraved by Albert Adam after a drawing by Léon Jean-Baptiste Sabatier and used as illustration for Paris et ses ruines by Victor Fournel, a work bearing witness to the ravages of the Paris Commune.
    Some marginal soiling, otherwise a handsome copy.
    €100
  27. Massacre des otages - Paris et ses ruines, Lithographie originaleMassacre des otages - Paris et ses ruines, Lithographie originale
    Jules DAVID

    Massacre des otages - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original black and white lithograph drawn and engraved by Jules David and used as an illustration for Paris et ses ruines by Victor Fournel, a work documenting the devastation of the Paris Commune.
    Some marginal worming, otherwise a handsome copy.
    €50
  28. Greniers d'abondance - Paris et ses ruines, Lithographie originaleGreniers d'abondance - Paris et ses ruines, Lithographie originale
    Léon Jean-Baptiste SABATIER

    Greniers d'abondance - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original black and white lithograph drawn and engraved by Léon Jean-Baptiste Sabatier and used as an illustration for Paris et ses ruines by Victor Fournel, a work documenting the devastation of the Paris Commune.
    Some marginal worming, otherwise a handsome copy.
    €90
  29. Docks de la Villette - Paris et ses ruines, Lithographie originaleDocks de la Villette - Paris et ses ruines, Lithographie originale
    Léon Jean-Baptiste SABATIER, Albert ADAM

    Docks de la Villette - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original color lithograph engraved by Albert Adam after a drawing by Léon Jean-Baptiste Sabatier, used as an illustration for Paris et ses ruines by Victor Fournel, a work documenting the ravages of the Paris Commune.
    Some marginal soiling, otherwise a handsome copy.
    €100
  30. Colonne de la Place Vendôme - Paris et ses ruines, Lithographie originaleColonne de la Place Vendôme - Paris et ses ruines, Lithographie originale
    Léon Jean-Baptiste SABATIER, Albert ADAM

    Colonne de la Place Vendôme - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original black and white lithograph engraved by Albert Adam after a drawing by Léon Jean-Baptiste Sabatier, used as an illustration for Paris et ses ruines by Victor Fournel, a work documenting the ravages of the Paris Commune.
    Some marginal soiling, otherwise a handsome copy.
    €90
  31. Ministère des Finances - Paris et ses ruines, Lithographie originaleMinistère des Finances - Paris et ses ruines, Lithographie originale
    Léon Jean-Baptiste SABATIER

    Ministère des Finances - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original color lithograph drawn and engraved by Léon Jean-Baptiste Sabatier and used as illustration in Paris et ses ruines by Victor Fournel, a work documenting the ravages of the Paris Commune.
    Handsome copy.
    €80
  32. Palais des Tuileries - Paris et ses ruines, Lithographie originalePalais des Tuileries - Paris et ses ruines, Lithographie originale
    Léon Jean-Baptiste SABATIER, Jules GAILDRAU

    Palais des Tuileries - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original lithograph in colors engraved by Jules Gaildrau after a drawing by Léon Jean-Baptiste Sabatier and used as an illustration for Paris et ses ruines by Victor Fournel, a work documenting the devastation of the Paris Commune.
    Some marginal foxing spots, otherwise a handsome copy.
    €120
  33. Hôtel de ville, Grande salle des fêtes - Paris et ses ruines, Lithographie originaleHôtel de ville, Grande salle des fêtes - Paris et ses ruines, Lithographie originale
    Léon Jean-Baptiste SABATIER, Charles-Claude BACHELIER

    Hôtel de ville, Grande salle des fêtes - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original lithograph in colors engraved by Charles-Claude Bachelier after a drawing by Léon Jean-Baptiste Sabatier and used as an illustration for Paris et ses ruines by Victor Fournel, a work documenting the devastation of the Paris Commune.
    Some marginal soiling, otherwise a handsome copy.
    €90
  34. Hôtel de Ville - Paris et ses ruines, Lithographie originaleHôtel de Ville - Paris et ses ruines, Lithographie originale
    Léon Jean-Baptiste SABATIER, Albert ADAM

    Hôtel de Ville - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original color lithograph engraved by Albert Adam after a drawing by Léon Jean-Baptiste Sabatier, used as an illustration for Paris et ses ruines by Victor Fournel, a work documenting the devastation of the Paris Commune.
    Some marginal worming, otherwise a handsome copy.
    €80
  35. Exposition universelle de 1867 - Paris et ses ruines, Lithographie originaleExposition universelle de 1867 - Paris et ses ruines, Lithographie originale
    Léon Jean-Baptiste SABATIER, Albert ADAM

    Exposition universelle de 1867 - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original color lithograph by Albert Adam, Léon Jean-Baptiste Sabatier and Félix Benoist, used as an illustration for Paris et ses ruines by Victor Fournel, a work documenting the devastation of the Paris Commune.
    Some marginal worming, otherwise a handsome copy.
    €150
  36. Nouveau Pavillon de Flore - Paris et ses ruines, Lithographie originaleNouveau Pavillon de Flore - Paris et ses ruines, Lithographie originale
    Philippe BENOIST

    Nouveau Pavillon de Flore - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|33.50 x 48.80 cm|une feuille
    Original black and white lithograph drawn and engraved by Philippe Benoist and used as illustration for Paris et ses ruines by Victor Fournel, a work documenting the ravages of the Paris Commune.
    Handsome copy despite some worming.
    €80
  37. Nouvelle église de la Trinité - Paris et ses ruines, Lithographie originaleNouvelle église de la Trinité - Paris et ses ruines, Lithographie originale
    Philippe BENOIST

    Nouvelle église de la Trinité - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|33.50 x 48.80 cm|une feuille
    Original black and white lithograph drawn and engraved by Philippe Benoist and used as illustration for Paris et ses ruines by Victor Fournel, a work documenting the devastation of the Paris Commune.
    Handsome copy despite some worming.
    €100
  38. Eglise St Laurent  - Paris et ses ruines, Lithographie originaleEglise St Laurent  - Paris et ses ruines, Lithographie originale
    Philippe BENOIST

    Eglise St Laurent - Paris et ses ruines, Lithographie originale

    Charpentier|Nantes • Paris 1874|48.80 x 33.50 cm|une feuille
    Original black and white lithograph drawn and engraved by Philippe Benoist and used as illustration for Paris et ses ruines by Victor Fournel, a work documenting the devastation of the Paris Commune.
    Handsome copy despite some discreet worming.
    €120
  39. "Je désire simplement toucher au sujet dans mon livre, pour le besoin du petit drame commercial qui me sert de fable.""Je désire simplement toucher au sujet dans mon livre, pour le besoin du petit drame commercial qui me sert de fable."
    Émile ZOLA

    "Je désire simplement toucher au sujet dans mon livre, pour le besoin du petit drame commercial qui me sert de fable."Autograph letter, signed, unpublished, addressed to Léon Carbonnaux, head of department at Le Bon Marché and advice for the writing of Au bonheur des Dames

    Médan 23 juin 1882|13.40 x 21.60 cm|1 page 1/2 sur un double feuillet - enveloppe jointe
    Autograph letter signed by Emile Zola - apparently unpublished - addressed to Léon Carbonnaux, written in black ink on a double sheet. Folds inherent to mailing. Envelope included.
    Important testimony to the colossal documentation work and the capital role of Emile Zola's informants in depicting his immense natural and social fresco.
    This letter was sent to Léon Carbonnaux, department head at Bon Marché who transmitted precious information to Emile Zola for the creation of the eleventh volume of the Rougon-Macquart series: Au Bonheur des Dames.
    Only two letters from Léon Carbonnaux to Emile Zola are known: they can be...
    €2,800
  40. Soirs de ParisSoirs de Paris
    Raoul GINESTE

    Soirs de Paris

    Imprimé pour Henri Béraldi|Paris 1903|14.50 x 22.80 cm|relié

    First edition, illustrated with drawings by Minartz engraved on wood by Paillard. Limited edition of only 138 numbered copies on Marais laid paper. 3 plates including one frontispiece, 56 headpieces illustrating Parisian nightlife, shows... The illustration achieving close correspondence with the poems (the opera, merry-go-rounds, cabarets...).
    Near-contemporary Bradel binding in half morocco with old rose corners. Smooth Jansenist spine. Author and title in gilt. Covers and spine preserved. Fine paper freshness, with foxing on fore edge and very rare and pale internal foxing. Spine slightly faded, or having turned uniformly.



    Engraved bookplate of Jacques Crépineau...

    €600
  41. Rive Gauche. Quartier latin. - Plaisance. - Montparnasse. - Les Quais. - Saint-Germain-des-PrésRive Gauche. Quartier latin. - Plaisance. - Montparnasse. - Les Quais. - Saint-Germain-des-Prés
    Maurice de VLAMINCK, André SALMON

    Rive Gauche. Quartier latin. - Plaisance. - Montparnasse. - Les Quais. - Saint-Germain-des-Prés[Left Bank. Latin Quarter. – Plaisance. – Montparnasse. – The Quays. – Saint-Germain-des-Prés]

    Chez l'auteur|Paris 1951|32.50 x 40.50 cm|relié sous étui

    First edition illustrated with 15 original copperplate engravings, including 10 in color, by Maurice de Vlaminck, one of 250 numbered copies on Arches laid paper.


    The work is also illustrated with 2 portraits by Amedeo Modigliani depicting Maurice de Vlaminck and his wife.


    Full Empire green morocco binding, spine with two prominent raised bands extending as triangles in blind on the covers, spine decorated with three gilt lozenges with gilt title and separated by a transverse gilt bar, marbled paper endpapers and pastedowns, triple gilt fillets framing the pastedowns, covers and spine preserved, top edge gilt, Empire green morocco-edged slipcase, marbled paper...

    €1,200
  42. Le Gouté des porcherons [avec] La Pipe cassée [avec] Bouquets poissards [avec] Bouquets galantsLe Gouté des porcherons [avec] La Pipe cassée [avec] Bouquets poissards [avec] Bouquets galants
    André-Charles CAILLEAU, Jean-Joseph VADÉ

    Le Gouté des porcherons [avec] La Pipe cassée [avec] Bouquets poissards [avec] Bouquets galants

    De l'imprimerie de Madame Angueule • [ Cailleau] • chez Duchesne|s. l. • Paris s. d. [1759] et 1760|10 x 17 cm|4 textes reliés en un volume

    Very rare first edition for Le Gouté des porcherons, with the complete title Nouv. ed. augm. des Citrons de Javotte, histoire de carnaval. Et enrichie d'une Lettre amoureuse de M. Jambe de Creux, charbonnier à mademoiselle Catau, ravaudeuse. Le tout pour servir de Dessert au Déjeuner de La Rapée.
    Third edition of La Pipe cassée and fourth for Bouquets poissards and Bouquets galants.
    Contemporary half-sheep binding, smooth spine decorated with gilt fillets and a blonde sheep title-label, paste-paper boards. Some rubbing and minimal paper lacks to boards. First leaves somewhat stained without gravity.
    Les Porcherons is a former district of the...

    €300
  43. Romantic Paris in a painted binding
    Romantic Paris in a painted binding
    La grande ville. Nouveau tableau de Paris comique, critique et philosophiqueLa grande ville. Nouveau tableau de Paris comique, critique et philosophique
    Paul de KOCK, Charles-François D'AUBIGNY

    La grande ville. Nouveau tableau de Paris comique, critique et philosophique[The Great City. A New Picture of Comic, Critical and Philosophical Paris]

    Au bureau central des publications nouvelles • Victor Magen|Paris 1842 - 1843|16.50 x 26 cm|2 volumes reliés

    First edition illustrated with wood engravings in the text by Gavarni, Daumier, D'Aubigny...
    Bradel binding in full beige percaline, smooth spine with a black paper label, front cover decorated with an oil painting after the frontispiece, signed lower right "A. Dangleterre d'après document d'époque". Headcaps and joints skillfully restored.
    A rare publication on Paris under Louis-Philippe. The work proceeds by subjects and articles: the wet-nurses’ office, flower sellers, baths, streetlamps, pavements, theatre outings, beards and moustaches, the Luxembourg Gardens, the Opera Ball, the auctioneers’ hall, lorettes and courtesans (Alexandre Dumas), restaurants and...

    €1,800
  44. Napoleon's grand state funeral
    Napoleon's grand state funeral
    Panorama de 15 lithographies figurant le cortège funéraire ou Retour des cendres de l'Empereur Napoléon Ier Panorama de 15 lithographies figurant le cortège funéraire ou Retour des cendres de l'Empereur Napoléon Ier
    [NAPOLEON BONAPARTE] (Adrien PROVOST)

    Panorama de 15 lithographies figurant le cortège funéraire ou Retour des cendres de l'Empereur Napoléon Ier Panorama of 15 lithographs depicting the funeral procession or Return of the ashes of the Emperor Napoleon I

    S. n.|Paris s. d. [ca 1840]|14.50 x 18.50 cm|un panorama sous reliure
    binding: 14.5 x 18.5 cm / panorama: 2,06 m (80 inches)
     

    A very rare first edition of 15 lithographed views in bistre tint, mounted in an accordion pleat, forming a panorama of 6.75 ft and showing the Parisian procession of the return of Napoleon's mortal remains (his "ashes" used here as a metaphor since he was not cremated). The parade started from the Arc de Triomphe to his resting place in Invalides. In the lower margin, the caption presents the different groups forming the procession: Ajaccio delegation, Paris Municipal Council, Prince of Joinville Commission of Saint-Helena...in the centre of the panorama stands the spectacular...

    €2,800
  45. Le cabaretLe cabaret
    Raymond RENEFER, Alexandre ARNOUX

    Le cabaret[The Cabaret]

    Editions Lapina|Paris 1922|21 x 27.50 cm|relié
    Illustrated edition with 49 original etchings by Raymond Renefer, one of 24 numbered copies on Japan paper, the deluxe issue after 13 old Japan copies.
    Full red morocco binding, spine slightly faded with four raised bands, gilt roulettes on headcaps, front cover decorated with a geometric design of mosaic morocco pieces in turquoise, brown, navy blue and brown surrounded by gilt dots, burgundy watered silk endpapers and pastedowns, gilt fillet frame on pastedowns, top edge gilt, gilt fillet on edges, covers and spine preserved, binding signed Trinckel.
    The work includes, as stated in the edition justification, the duplicate suite on China paper of the illustrations.
    Handsome...
    €800
  46. Scènes de la vie de bohêmeScènes de la vie de bohême
    Charles LEANDRE, Henry MURGER

    Scènes de la vie de bohême[Scenes from Bohemian Life]

    Romagnol|Paris 1902|17 x 26.50 cm|relié sous étui
    Edition illustrated with 40 original watercolors by Charles Léandre engraved by Eugène Decisy, one of 40 numbered copies on Arches vellum, deluxe edition after 35 on Japan blanc.
    Full red morocco binding, spine with four raised bands set with black fillets, gilt date at foot, gilt roulettes on headcaps, frame of gilt fillet on the pastedowns in full mint green morocco, red watered silk endpapers, following endpapers of pebbled paper, all edges gilt, covers and spine preserved, slipcase with morocco entry, pebbled paper boards, brown felt interior, superb contemporary binding signed by Semet & Plumelle.
    Our copy contains both states of all the illustrations and the decomposition of...
    €1,200
  47. A travers ParisA travers Paris
    CRAFTY

    A travers Paris

    Plon|Paris s. d. [1885]|27 x 23 cm|reliure de l'éditeur
    First edition and first printing of the illustrations.
    Publisher's full olive green cloth binding, smooth unlettered spine, front board decorated with an equestrian scene, blue paper endpapers and pastedowns, red edges.
    Illustrations in text and full-page in black and color by Crafty.
    Very occasional foxing.
    Handsome copy despite the top headcap very slightly rubbed without any significance and a small nick at the foot of the front board.
    We include the dust jacket of the work in poor condition.
    €350
  48. Casanova à ParisCasanova à Paris
    Gaston CAPON

    Casanova à Paris

    Jean Schemit|Paris 1913|14 x 22.50 cm|broché
    First edition.
    Two light angular tears at head and foot of front cover, which also has two small black ink stains at foot, otherwise a handsome copy.




    €60
  49. Journal et mémoires de Mathieu Marais avocat au Parlement de Paris sur la Régence et le règne de Louis XV (1715-1737)Journal et mémoires de Mathieu Marais avocat au Parlement de Paris sur la Régence et le règne de Louis XV (1715-1737)
    Mathieu MARAIS

    Journal et mémoires de Mathieu Marais avocat au Parlement de Paris sur la Régence et le règne de Louis XV (1715-1737)

    Librairie de Firmin-Didot frères, fils & Cie|Paris 1863-1868|14.50 x 23 cm|4 tomes reliés
    First edition.
    Half bottle-green shagreen bindings, faded spines with five raised bands, spines with minor scratches, marbled paper boards, marbled endpapers and pastedowns, speckled edges.
    A bookseller's description label pasted on an endpaper of the first volume, blue ballpoint pen annotations on the last endpaper of the second volume.


    €300
  50. Sous la CoupoleSous la Coupole
    Oscar SAPHO

    Sous la Coupole

    Ultramarine|Paris 1985|25 x 25 cm|broché
    First edition printed on ordinary paper.
    Handsome copy despite a small repaired tear at foot of spine.
    Work illustrated with numerous drawings by Sapho.
    Signed autograph inscription from Sapho to Anne-Marie Vaneau with an original drawing representing a woman from the front, perhaps the dedicatee.
    Our copy is expanded with a large original drawing by Sapho, executed in black felt-tip pen in the manner of Pablo Picasso on a paper tablecloth from the brasserie La Coupole - famous gathering place of the Montparnos, representing the faces of a group of 9 friends and which was entitled by Sapho "Où est mon autocar de camarades?"
    The...
    €300
  51. Paris la balladeParis la ballade
    Louis MONIER, Jean DUTOURD

    Paris la ballade

    L'âge d'homme|Lausanne 1997|18 x 24 cm|broché
    first edition illustrated with photographs of Louis Monier.
    Preface by Jean Dutourd, comments by Alain Paucard.
    Pleasant copy.
    autograph dedication of the author auotgraphe dated and signed by Louis Monier to Charles Dobzynski.
    €40
  52. Le Paris de Robert Doisneau et de Max-Pol FouchetLe Paris de Robert Doisneau et de Max-Pol Fouchet
    COLLECTIF, Gaëtan PICON

    Le Paris de Robert Doisneau et de Max-Pol Fouchet

    Editions Messidor|Paris 1986|21.50 x 26.50 cm|reliure de l'éditeur
    First edition.
    Publisher's full board binding, smooth spine, complete with its illustrated dust jacket.
    Text by Max-Pol Fouchet, photographic illustration by Robert Doisneau.
    Handsome copy.
    €40
  53. Les fleurs à ParisLes fleurs à Paris
    Hugues LE ROUX

    Les fleurs à Paris

    A. Quantin|Paris 1890|13.50 x 18 cm|relié
    First edition, one of 500 numbered copies on tinted vellum, single edition with 25 Japan.
    Bradel binding in full glazed Havana calfskin, smooth back decorated with a central monogram (A in the Q) and a golden floral pattern, tiny traces of friction without gravity, a black spot at the foot of a bit, date in the tail, golden casters on the caps, repetition of the same golden monogram at the head of the first board, small spots without gravity on the boards, golden nets on the cuts, double framing of golden lace on the guards and the paper counterplates in the tank , fragile double wrappers preserved and bound in, golden edges, ex-libris pasted on the back of the first cover, elegant...
    €100
  54. L'air de la butteL'air de la butte
    André SALMON

    L'air de la butte

    Les Editions de la Nouvelle France|Paris 1945|11.50 x 18.50 cm|broché
    First edition, one of 230 numbered copies on white wove paper, ours one of 30 out of trade, only large papers.
    Autograph signed by André Salmon to René Jouglet.
    Book illustrated with a frontispiece and Savignac bands.
    Beautiful copy.
    €120
  55. Clowns de ParisClowns de Paris
    ADLEN, SERGE [Maurice Féaudierre]

    Clowns de Paris

    Les éditions des presses du Temps présent|Paris 1959|26.50 x 35.50 cm|en feuilles sous chemise et étui
    First edition consisting of an album of 27 prints colored or in black in or inset, most numbered and justified by Adlen, one of the 243 numbered copies on offset Sirène du Marais.
    Some small foxing mainly affecting the very first and last leaves.
    Our copy is quite complete of the 27 prints it must contain, and not 25 as erroneously announced to the justification of the print.
    Serge's text.
    Signed autograph dedication of Adlen to Armand Lanoux below the justification of the draw.
    €750
  56. Les hôtels de Clisson, de Guise & Rohan-Soubise au Marais (archives et imprimerie nationale)Les hôtels de Clisson, de Guise & Rohan-Soubise au Marais (archives et imprimerie nationale)
    Charles-Victor LANGLOIS

    Les hôtels de Clisson, de Guise & Rohan-Soubise au Marais (archives et imprimerie nationale)

    Jean Schemit|Paris 1922|20.50 x 27 cm|broché
    First edition printed on laid paper.
    Spine slightly faded, small tears at foot of front cover which also has three stains at head, handsome interior condition.
    Work illustrated with 1 color plate, 52 plates, 18 figures and 3 plans.

    €60
  57. La province de Paris. Amourette et MarieLa province de Paris. Amourette et Marie
    Paul FÉVAL

    La province de Paris. Amourette et Marie

    E. Dentu|Paris 1869|13.50 x 22 cm|broché
    First edition.
    Half green shagreen binding, spine with four raised bands decorated with gilt fleurons, olive green shagreen title label, marbled paper boards, yellow paper endpapers and pastedowns, speckled edges, Count de Kersaint's bookplate pasted on a pastedown.
    Some foxing.
    €80
  58. Souvenirs du siège de Paris. Les défenseurs de la capitale. - Les soldats de la République. L'armée française en campagneSouvenirs du siège de Paris. Les défenseurs de la capitale. - Les soldats de la République. L'armée française en campagne
    DRANER

    Souvenirs du siège de Paris. Les défenseurs de la capitale. - Les soldats de la République. L'armée française en campagne

    Au bureau de l'Eclipse|Paris s. d. [circa 1870]|23.50 x 32 cm|2 volumes reliés en 1
    For each of the two volumes, first edition illustrated with 32 lithographed plates in color (including the cover) by Draner.
    Half red shagreen binding, spine with five raised bands set with gilt dots and decorated with double fillets and gilt fleurons, cold-tooled fillet frame on red paper boards, marbled endpapers and pastedowns, two corners very slightly bumped, illustrated covers preserved.
    Some light foxing, two small corner losses to the first cover of the second volume, some leaves dog-eared at head.


    €400
  59. (Chambre des députés) Rapport fait au nom de la commission chargée de l'examen du projet de loi tendant à ouvrir un crédit de 140 millions pour les fortifications de la ville de Paris par M. Thiers député des Bouches-du-Rhône(Chambre des députés) Rapport fait au nom de la commission chargée de l'examen du projet de loi tendant à ouvrir un crédit de 140 millions pour les fortifications de la ville de Paris par M. Thiers député des Bouches-du-Rhône
    Adolphe THIERS

    (Chambre des députés) Rapport fait au nom de la commission chargée de l'examen du projet de loi tendant à ouvrir un crédit de 140 millions pour les fortifications de la ville de Paris par M. Thiers député des Bouches-du-Rhône

    S. n.|1841|22 x 28 cm|relié
    First edition printed on laid paper.
    Half chocolate brown morocco with corners, spine with five raised bands showing some rubbing, marbled paper boards, two scratches at head of second cover, marbled endpapers and pastedowns, scratches to corners, original wrappers and spine preserved, top edge gilt.
    The appendix to session No. 36 has been bound following the subject of the 1841 session to the Chamber of Deputies presented by Adolphe Thiers.
    Rare.
    Provenance: from the library of Château de Prye with a bookplate pasted to one pastedown.

    €200
  60. Paris en miniature, d'après les dessins d'un nouvel argusParis en miniature, d'après les dessins d'un nouvel argus
    Jean-Pierre-Louis de LA ROCHE DU MAINE, MARQUIS DE LUCHET

    Paris en miniature, d'après les dessins d'un nouvel argus

    S. n.|à Amsterdam 1784|9 x 14.7 cm|relié
    Several editions appeared the same year in Paris, London, Berlin.
    Full brown flamed sheep binding, late 19th century. Smooth spine richly decorated in Restoration style. Red morocco title label. Fine copy.
    Armorial bookplate engraved, from a private library.
    Satirical and cynical description of Parisian life and customs. The author discusses theaters, prisons, fashions, promenades, the Tuileries...
    €250
  61. Pour les quais. Première partie. Pièces dites par l'auteur au Chat-Noir, au Chien-Noir et chez d'autres animaux dépourvus de candeurPour les quais. Première partie. Pièces dites par l'auteur au Chat-Noir, au Chien-Noir et chez d'autres animaux dépourvus de candeur
    Armand MASSON, Henri Gaston DARIEN

    Pour les quais. Première partie. Pièces dites par l'auteur au Chat-Noir, au Chien-Noir et chez d'autres animaux dépourvus de candeur

    Léon Vanier|Paris 1905|16 x 20.50 cm|broché
    First edition, one of 12 numbered copies on Holland paper, the only deluxe copies.
    A full-margined copy.
    Spine creased, a small lack to head of second board, light tears to margins of certain leaves at the deckled edges.
    Work illustrated with a frontispiece on Japan paper by Charles Léandre and drawings in and out of text by Henri Gaston Darien, Henri Charles Auguste Gounin, Jean-Louis Fernand Fau, Charles Léandre, Théophile Alexandre Steinlen, David Ossipovitch Widhopff and Adolphe Willette.
    €600
  62. République de Montmartre - Menu du souper démocratique du 17 Neigeôse, An IRépublique de Montmartre - Menu du souper démocratique du 17 Neigeôse, An I
    Joe BRIDGE, Adolphe Léon WILLETTE

    République de Montmartre - Menu du souper démocratique du 17 Neigeôse, An I

    1921|25 x 32.30 cm|une feuille
    Extremely rare and humoristic menu pamphlet from the “souper démocratique” “democratic supper” organised by the République de Montmartre, newly founded in 1921. The date shown is a parody of the republican calendar: "17 Neigeôse, An I".
    A magnificent original wood engraving, representing the Communards on the Montmartre hill and bearing the monogram “Armand,” adorns the first board.
    In the spirit of the Paris Commune, the République de Montmartre was created in the early 1920s by the Parisian artists Joé Bridge, Adolphe Willette, Jean-Louis Forain, Francisque Poulbot, Maurice Neumont, Louis Morin, Maurice Millière, Raoul Guérin and Jules Depaquit. Their parties and banquets, often...
    €300
  63. République de Montmartre - souscription pour l'arbre de Noël des petits poulbots au cirque MédranoRépublique de Montmartre - souscription pour l'arbre de Noël des petits poulbots au cirque Médrano
    Joe BRIDGE, Adolphe Léon WILLETTE

    République de Montmartre - souscription pour l'arbre de Noël des petits poulbots au cirque Médrano

    L'Emancipatrice|[Würzburg] 1929|10.50 x 13.70 cm|une feuille
    Very rare prospectus for the banquet of the Republic of Montmartre, organized at the Moulin de la Galette on November 6, 1931.
    In the upper part, there is a beautiful original print signed Francisque Poulbot representing the citizens of the Republic of Montmartre returning from vacation.

    In the spirit of the Paris Commune, the Republic of Montmartre was created in 1921 by Parisian artists Joé Bridge, Adolphe Willette, Jean-Louis Forain, Francisque Poulbot, Maurice Neumont, Louis Morin, Maurice Milliere, Raoul Guerin and Jules Depaquit . His parties and banquets, often organized in the mythical places of Montmartre (Moulin de la Galette, Circus Medrano, Moulin...
    €80
  64. Dessin original signé au fusain et rehauts de gouache : contorsionniste à la fête du TrôneDessin original signé au fusain et rehauts de gouache : contorsionniste à la fête du Trône
    Georges TOURNON

    Dessin original signé au fusain et rehauts de gouache : contorsionniste à la fête du Trône

    Paris 1932|15 x 9.50 cm|une feuille
    Original drawing of the painter and draftsman Georges Tournon, in charcoal enhanced with gouache, signed "G. Tournon Feast of the throne Paris 1932".
    "Georges Tournon was to be a Parisian artist who had acquired a certain dexterity in the art of chewing the street people, he had a real predilection to identify and draw from the nature of characters misery among the two wars: tramps curled up by the cold and hunger, couples of old people sitting on a bench, stray wanderers ... he associated with those excluded "at the end of the roll", sellers of "almost nothing", which, against a few cents, yielded to the passers-by flowers, mimosa, feather duster ... or played the...
    €280
  65. Dessin original signé au fusain et rehauts de gouache : vendeurs de ballons au Jardin des PlantesDessin original signé au fusain et rehauts de gouache : vendeurs de ballons au Jardin des Plantes
    Georges TOURNON

    Dessin original signé au fusain et rehauts de gouache : vendeurs de ballons au Jardin des Plantes

    Paris 1932|15 x 9.50 cm|une feuille
    Original drawing of the painter and draftsman Georges Tournon, in charcoal enhanced with gouache, signed "G. Tournon Jardin des plantes Paris 1932".
    "Georges Tournon was to be a Parisian artist who had acquired a certain dexterity in the art of chewing the street people, he had a real predilection to identify and draw from the nature of characters misery among the two wars: tramps curled up by the cold and hunger, couples of old people sitting on a bench, stray wanderers ... he associated with those excluded "at the end of the roll", sellers of "almost nothing", which, against a few cents, yielded to the passers-by flowers, mimosa, feather duster ... or played the...
    €230
  66. Le spleen de ParisLe spleen de Paris
    Edouard CHIMOT, Paul de PIDOLL

    Le spleen de Paris

    Editions de l'intermédiaire du bibliophile|Paris 1926|22 x 26 cm|broché
    Edition illustrated with 10 original etchings by Edouard Chimot, one of 25 numbered copies on Japon imperial paper, deluxe copy.
    The work is also illustrated with typographical ornaments by Paul de Pidoll.
    Handsome full-margined copy.
    The first gathering tends to come slightly loose.
    Our copy, like all copies printed on Japon imperial paper, contains the complete suite of 10 original compositions by Edouard Chimot in triple state.
    €900
  67. Au 125 du boulevard Saint-GermainAu 125 du boulevard Saint-Germain
    Max ERNST, Benjamin PÉRET

    Au 125 du boulevard Saint-Germain[At 125 Boulevard Saint-Germain]

    Collection littérature|Paris 1923|11.50 x 16 cm|broché
    First edition, one of 150 numbered copies on vergé, this one not included in the justification, the only printing after 1 Chine, 10 Japon and 20 Hollande paper.
    Rare and nice copy.
    Illustrated with 3 drawings by Benjamin Péret and, as frontispiece, an original engraving on Chine paper by Max Ernst, the only one engraved by the artist.
    Handsome autograph inscription signed by Benjamin Péret to Jacques Viot : " A Jacques Viot qui sonne utile tous les jours en jetant des assiettes to la tête des agents."
    €6,800
  68. L'esprit montmartroisL'esprit montmartrois
    Maurice DONNAY, Dominique BONNAUD

    L'esprit montmartrois

    Laboratoires Carlier|Saint-Florentin 1936|16.50 x 24 cm|10 fascicules en feuilles
    First edition presented in the form of 10 fascicles abundantly illustrated by Toulouse-Lautrec, Zyg Brunner, Dignimont, Charles Léandre, Mich, Lucien Boucher...
    Some minor foxing without consequence, handsome copy.
    €120
  69. Notes et documents sur l'histoire des théâtres de Paris au XVIIème siècleNotes et documents sur l'histoire des théâtres de Paris au XVIIème siècle
    Jean-Nicolas de TRALAGE, Paul-Louis JACOB

    Notes et documents sur l'histoire des théâtres de Paris au XVIIème siècle

    Chez Jouaust, Librairie des Bibliophiles|Paris 1880|10.50 x 16.50 cm|relié
    First edition established and arranged by bibliophile Jacob from the original manuscript, one of 550 numbered copies on laid paper.
    Half hazel shagreen binding, spine with five raised bands slightly faded, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, top edge gilt.
    Handsome copy.
    €50
  70. Psychanalyse de ParisPsychanalyse de Paris
    Frédéric HOFFET

    Psychanalyse de Paris

    Grasset|Paris 1953|14.50 x 19.50 cm|broché
    First edition, one of 90 numbered copies on alfa paper, the only deluxe copies after 26 on pure linen.
    Letter-preface by Bernard Grasset.
    Handsome copy.
    €60
  71. Paris de FranceParis de France
    Valery LARBAUD

    Paris de France

    A.A.M. Stols • Claude Aveline|Maestricht [Maastricht] • & Paris 1926|12.50 x 16.50 cm|relié
    First edition, one of 300 numbered copies on laid Holland paper, single draw after 15 Japan and 35 Holland paper.
    Binding in full percaline sand, smooth back, title piece of morocco olive, paper plates decorated with a large color map of Paris, covers and back preserved, gilded head, binding signed by Gauché.
    Nice copy pleasantly established.
    Autograph signed by Valery Larbaud: "To Madame de Harting thankful tribute and friendly Scévien Valery Larbaud".
    €580
  72. Ode liturgique à Paris, citadelle des justes, arche de paix, capitale du roy aiméOde liturgique à Paris, citadelle des justes, arche de paix, capitale du roy aimé
    Pierre PASCAL, Maxime REAL DEL SARTE

    Ode liturgique à Paris, citadelle des justes, arche de paix, capitale du roy aimé

    Editions du trident|Paris 1937|19.50 x 28.50 cm|broché
    First edition, one of 300 numbered copies on laid "pur-fil" paper, ours specially numbered and justified by Pierre Pascal for Pierre de Massot.
    Some small foxing mainly affecting the slices of some leaves, nice copy.
    Illustrated book with a frontispiece by Maxime Real del Sarte engraved by Pierre Pascal.
    Signed autograph of Pierre Pascal to Pierre de Massot: "... in honor of his beautiful consulate pöetique, in whose honor he speaks so perfectly, this liturgy of the future."
    €50
  73. Histoire de la butte des moulins suivie d'une étude historique sur les demeures de Corneille à Paris (hôtel de Guise - Rue de Cléry - Rue d'Argenteuil)Histoire de la butte des moulins suivie d'une étude historique sur les demeures de Corneille à Paris (hôtel de Guise - Rue de Cléry - Rue d'Argenteuil)
    Édouard FOURNIER

    Histoire de la butte des moulins suivie d'une étude historique sur les demeures de Corneille à Paris (hôtel de Guise - Rue de Cléry - Rue d'Argenteuil)

    Frédéric Henry & J. Lepin|Paris 1877|11 x 17 cm|broché
    First edition illustrated with 2 drawings as frontispiece.
    Front cover detaching, slight marginal lacks to covers, handsome interior condition.



    €30
  74. La nuit des HallesLa nuit des Halles
    Claude SEIGNOLLE

    La nuit des Halles

    Chez l'auteur|Paris 1965|14 x 19 cm|broché
    first edition, one of the 1000 numbered copies on Alfa paper, only large papers.
    Autographed autograph dedication of the author of Claude Seignolle to his friend Pierre Levêque: "... on behalf of Serge Hutin."
    An illustrated work, on the frontispiece, of an engraved wood by Victor Lefebvre.
    Back and boards slightly and marginally insolated and discolored, otherwise pleasant copy.
    €60
  75. Pour faire suite à La Bohême et mon coeurPour faire suite à La Bohême et mon coeur
    Francis CARCO

    Pour faire suite à La Bohême et mon coeur[Following on from La Bohême et mon cœur]

    S. n.|Paris 1933|14 x 19 cm|broché
    First edition, one of 80 numbered copies on Japan Imperial paper, deluxe issue after 12 copies on Japan nacré.
    Autograph inscription signed by Francis Carco enhanced with a self-portrait with smoking cigarette accompanied by this manuscript note "soi-même photo. F.C." ["self photo. F.C."]
    Handsome copy despite a small marginal tear on the back cover.
    €350
  76. Libert - Le Café Concert Libert - Le Café Concert
    Henri-Gabriel IBELS

    Libert - Le Café Concert

    L'Estampe originale|Paris 1893|31.50 x 43 cm|2|en feuilles
    Original print by Henri-Gabriel Ibels, from the series Café-Concert published by the Publications de l'Estamppe Originale. Very rare and beautiful lithography is one of the 500 original proofs drawn on vellum by Edouard Ancourt's printing press.
    €200
  77. Aristide Bruant - Le Café Concert Aristide Bruant - Le Café Concert
    Henri de TOULOUSE-LAUTREC (Aristide BRUANT)

    Aristide Bruant - Le Café Concert Aristide Bruant - Original print from

    L'Estampe originale|Paris 1893|31.50 x 43 cm|en feuilles
    Henri de TOULOUSE-LAUTREC
    Aristide Bruant – Original print from
    Le Café-Concert

    L'Estampe originale | Paris 1893 | 31.5 x 43 cm | one leaf
    Original print by Henri de Toulouse-Lautrec from the Le Café-Concert series, published by Publications de l'Estampe Originale. Very rare and beautiful lithograph forming part of 500 original proofs printed on vellum by Edouard Ancourt's printing house.
    A few angular lacks.
    Portrait by Toulouse-Lautrec of Aristide Bruant, a huge figure in the Belle Epoque music-hall and close friend of the artist, to whom he ordered cabaret posters that remain well-known. Singer, actor, and performer, he acquired his fame at...
    €2,300
  78. Chroniques et légendes des rues de ParisChroniques et légendes des rues de Paris
    Édouard FOURNIER, Louis-Edouard FOURNIER

    Chroniques et légendes des rues de Paris

    E. Dentu|Paris 1893|11.50 x 17 cm|broché
    New edition, one of the copies printed on Holland paper of which no mention is made.
    Work illustrated with a frontispiece drawn by Louis-Edouard Fournier.
    Spine and boards uniformly sunned, a light marginal dampstain to the front board, handsome interior condition.
    €60
  79. Costumes parisiens. Robe de satin violet à ceinture pourpre et ornée d'un grand ruban broché de fleurs de velours (pl.106, Journal des Dames et des Modes, 1913 n°47)Costumes parisiens. Robe de satin violet à ceinture pourpre et ornée d'un grand ruban broché de fleurs de velours (pl.106, Journal des Dames et des Modes, 1913 n°47)
    Georges ROBERT

    Costumes parisiens. Robe de satin violet à ceinture pourpre et ornée d'un grand ruban broché de fleurs de velours (pl.106, Journal des Dames et des Modes, 1913 n°47)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print finely enhanced color to gold, printed on laid paper, signed lower left of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn in 1279 copies...
    €70
  80. Costumes parisiens. Toilette de promenade (pl.118, Journal des Dames et des Modes, 1913 n°52)Costumes parisiens. Toilette de promenade (pl.118, Journal des Dames et des Modes, 1913 n°52)
    H. HONORE

    Costumes parisiens. Toilette de promenade (pl.118, Journal des Dames et des Modes, 1913 n°52)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn in 1279 copies making it, for the...
    €80
  81. Costumes parisiens. Robe de charmeuse garnie de zibeline et d'hermine. Gilet d'hermine. Souliers clergyman (pl.128, Journal des Dames et des Modes, 1913 n°57)Costumes parisiens. Robe de charmeuse garnie de zibeline et d'hermine. Gilet d'hermine. Souliers clergyman (pl.128, Journal des Dames et des Modes, 1913 n°57)
    LOEZE

    Costumes parisiens. Robe de charmeuse garnie de zibeline et d'hermine. Gilet d'hermine. Souliers clergyman (pl.128, Journal des Dames et des Modes, 1913 n°57)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn in 1279 copies making it, for the...
    €80
  82. Costumes parisiens. Toilette de visite. Bonbons du "Maréchal duc de Praslin" (pl.129, Journal des Dames et des Modes, 1913 n°57)Costumes parisiens. Toilette de visite. Bonbons du "Maréchal duc de Praslin" (pl.129, Journal des Dames et des Modes, 1913 n°57)
    Armand VALLEE

    Costumes parisiens. Toilette de visite. Bonbons du "Maréchal duc de Praslin" (pl.129, Journal des Dames et des Modes, 1913 n°57)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn in 1279 copies making it, for the...
    €80
  83. Costumes parisiens. Grand manteau de chinchila (pl.25, Journal des Dames et des Modes, 1912 n°14)Costumes parisiens. Grand manteau de chinchila (pl.25, Journal des Dames et des Modes, 1912 n°14)
    Etienne DRIAN

    Costumes parisiens. Grand manteau de chinchila (pl.25, Journal des Dames et des Modes, 1912 n°14)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    €70
  84. Costumes parisiens. Tailleur de velours blanc frappé garni de loutre et de passementerie (pl.28, Journal des Dames et des Modes, 1912 n°15)Costumes parisiens. Tailleur de velours blanc frappé garni de loutre et de passementerie (pl.28, Journal des Dames et des Modes, 1912 n°15)
    Fernand SIMEON

    Costumes parisiens. Tailleur de velours blanc frappé garni de loutre et de passementerie (pl.28, Journal des Dames et des Modes, 1912 n°15)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    €70
  85. Flaubert à Paris ou le mort vivantFlaubert à Paris ou le mort vivant
    René Georges HERMANN-PAUL, Louis BERTRAND

    Flaubert à Paris ou le mort vivant

    André Delpeuch|Paris 1927|19.50 x 25 cm|broché
    First edition, one of 220 numbered copies on Montval, the only printing with 25 Japan and 20 hors commerce copies.
    Work illustrated with original woodcuts by Hermann-Paul.
    Rare and light foxing without significance, a crease mark at the head of the second cover, handsome copy.
    €250
  86. Les habitués des prisons de Paris. Etude d'anthropologie & de psychologie criminellesLes habitués des prisons de Paris. Etude d'anthropologie & de psychologie criminelles
    Émile LAURENT, Alexandre LACASSAGNE

    Les habitués des prisons de Paris. Etude d'anthropologie & de psychologie criminelles

    A. Storck • G. Masson|Lyon • & Paris 1890|15.50 x 24.50 cm|relié
    First edition.
    Half midnight blue sheep binding, spine with four raised bands decorated with gilt fleurons, marbled paper boards with scratches, marbled endpapers and pastedowns, contemporary bindings.
    Work illustrated with 70 figures in the text, 14 phototype portraits as well as 2 folding plans and 6 color graphic plates at the end of the volume.
    Preface by Alexandre Lacassagne.
    Some foxing affecting mainly the edges.
    Rare.
    €600
  87. Puissances de ParisPuissances de Paris
    Jules ROMAINS

    Puissances de Paris

    Eugène Figuière & Cie|Paris 1911|11.50 x 19 cm|broché
    First edition on ordinary paper.
    Handsome autograph inscription from Jules Romains ; "A Henri Matisse avec la sympathie et l'admiration de Jules Romains."
    Spine cracked with discreet repairs, lower cover slightly soiled.
    €1,500
  88. Le cirque de ParisLe cirque de Paris
    Adrien BARRERE, Émile CODEY

    Le cirque de Paris

    S. n.|Paris 1923|25.50 x 33 cm|broché
    First edition illustrated with drawings by Adrien Barrère, pseudonym of Adrien Baneux.
    Text by Emile Codey.
    The work, folded accordion-style, forms a fresco when unfolded.
    Tears to spine with minimal lacks, lacks and tears to board margins, handsome interior condition.
    €400
  89. Du rôle de la garde nationale et de l'armée de Paris dans les préparatifs de l'insurrection du 18 Mars. Rapport spécial fait à la commission d'enquête, suivi de pièces justificatives, lettres et relation de la bataille de BuzenvalDu rôle de la garde nationale et de l'armée de Paris dans les préparatifs de l'insurrection du 18 Mars. Rapport spécial fait à la commission d'enquête, suivi de pièces justificatives, lettres et relation de la bataille de Buzenval
    Marquis de ROCHETHULON

    Du rôle de la garde nationale et de l'armée de Paris dans les préparatifs de l'insurrection du 18 Mars. Rapport spécial fait à la commission d'enquête, suivi de pièces justificatives, lettres et relation de la bataille de Buzenval

    Librairie Techener|Paris 1872|13.50 x 22 cm|relié
    First edition.
    Half burgundy shagreen binding, spine with five raised bands, gilt initials at foot, marbled paper boards with some surface wear, marbled endpapers and pastedowns, bookplate pasted on one pastedown, contemporary binding.

    €120
  90. Nostalgie de ParisNostalgie de Paris
    Francis CARCO

    Nostalgie de Paris

    J. Ferenczi & fils|Paris 1945|12 x 19 cm|broché
    First edition on ordinary paper.
    Autograph inscription signed by Francis Carco to François Mauriac : "...avec ma bien fidèle et toujours "jeune" admiration..."
    A pale dampstain to foot of the spine, slightly sunned.
    €350
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