First edition on ordinary paper.
A few small stains to the bottom edge, otherwise a pleasant copy.
Signed presentation inscription from Jean Raspail to Monsieur Patrier, dated 12 November 1973.
First edition, with no deluxe copies printed.
A pleasant copy.
Precious dated and signed presentation inscription from Jean Raspail: "A M. Marcel Jouhandeau de son ancien élève toujours fidèle. en respectueux hommage. Jean Raspail. 27 X 66".
New edition of the French translation.
Half saffron percaline Bradel binding, smooth spine slightly sunned and decorated with a central gilt motif and double gilt fillet at foot, brown shagreen title label with a few scuffs, marbled "cat’s-eye" paper boards, preserved wrappers, lightly rubbed corners, contemporary binding.
Very rare first edition (cf Dunmore, p. 16. Ferguson, 225. Forbes, Hawaiian National Bibliography, 285. Gove, The Imaginary Voyage in Prose Fiction, pp. 397-8. Kroepelien, 283. McLaren, 269. Sabin, 38958. Missing from Negley, Utopian literature, and the Dictionary of literary utopias.)
Binding in full marbled calf, smooth spine adorned with compartments and floral gilt motifs, red morocco title label, gilt roulettes on the headbands (partially faded) and on the edges, binding of the period.
A tear with loss on the spine, small crack at the foot of one joint, rubbing on the joints, some foxing, a moisture stain on the first endpaper fading on the following pages, light halos at...
New edition, illustrated with drawings by de Neuville and Benett.
Publisher’s gilt-pictorial cloth binding known as “à un éléphant, titre dans l’éventail”, with Engel’s signature at the foot of the front cover plaque, spine featuring a lighthouse, rear cover of type “i” as defined by Jauzac, all edges gilt.
Headcaps very slightly compressed, faint trace of a removed label to the verso of the front board.
A handsome copy.
Le Tour du monde en quatre-vingts jours is an adventure novel. It tells the story of an English gentleman, Phileas Fogg, who wagers he can travel around the world_
First deluxe large octavo edition illustrated by George Roux.
Publisher’s pictorial binding by Hetzel signed Engel, known as "type 4 globe" design, with "lighthouse" spine and lower cover of Engel "i" type as per Jauzac, all edges gilt.
Original blue endpapers marginally faded, as usual; headcaps very slightly compressed; some foxing at the beginning and end of the volume.
Sequel to Robur le conquérant, Maître du monde recounts Robur’s return to civilization aboard an amphibious vehicle.
Un drame en Livonie is a detective novel centred on the story of an innocent man accused of a murder he did not commit in Livonia.
Illustrated edition comprising 68 illustrations by George Roux, including 20 large plates in chromotypography and a map.
Y catalogue at rear.
Publisher’s binding by Hetzel signed Engel, known as “au globe”, type 4, spine with lighthouse motif, lower cover type Engel “i” as per Jauzac, all edges gilt.
Headcaps slightly pushed and frayed, some foxing, offsetting from adhesive paper to the head and tail of the blue endpapers.
Le Sphinx des glaces is a fantastical novel intended as a sequel to Edgar Poe’s The Narrative of Arthur Gordon Pym, to which it is dedicated.
Copy not recorded by Jauzac.
First edition, illustrated with 10 compositions by Jean-Jacques Sempé, one of the numbered copies.
Publisher's full wood-grain style marbled boards, plain flat spine.
An attractive copy of this fable recounting the sudden disappearance of every form of paper, bringing modern society to a standstill.
Rare first collected edition, and the only edition produced for this title, illustrated by George Roux with 30 full-page plates, some printed in chromolithography.
Publisher's binding known as the "À l'éventail à un éléphant" design, with the title set within the fan, lighthouse spine slightly faded as usual, Engel type i rear cover with the JH monogram in upright letters at the centre of the rosette, all edges gilt.
Spine ends slightly sagged, as often, a few minor spots of foxing.
A science-fiction novel whose protagonist, Storitz, acquires the power of invisibility by drinking a potion. The work appears to have been first written in the same year as the publication of H...
Illustrated edition with 154 drawings by Jules Férat, engraved by Barbant.
Hetzel publisher's binding in full red percaline, in the "anchor spine" design, with Engel type "i" rear board as identified by Jauzac, original blue endpapers, all edges gilt.
Spine ends slightly sagging, spine lightly faded, lower left-hand corner of the front board frayed, blue endpapers marginally faded as usual, small black marks to the outer margins of the boards, occasional foxing at the beginning and end of the volume, and a bibliophile's ink stamp in the upper left-hand corner of the front pastedown.
A pleasing copy of this novel, which forms a sequel to Twenty Thousand Leagues Under the...
New illustrated edition with 43 drawings by Jules Férat, engraved by Charles Brabant for Les Indes noires; and by Edouard Riou and Jules Férat for the two other titles.
Catalogue CR at end.
Publisher's full polychrome cartonnage by Lenègre, type 3, known as the “Deux Éléphants” binding, on a red ground; headcaps slightly softened, as almost always; upper cover decorated with a plate by A. Souze featuring a fan-shaped design, with the title printed on two lines and no mention of Martin Paz; lower cover of Lenègre type “e”, with central medallion on a black ground; gilt lettering at foot of spine: Hetzel éditeur and A. Lenègre relieur (partly rubbed away).
Some...
Red-medallion Steamer binding edition (single volume), illustrated with 48 drawings by Léon Benett (40 for the first title and 5 for the second).
Catalogue FX at end.
Publisher’s full polychrome pictorial boards signed Charles Magnier, headcaps slightly sagging as almost always, upper-cover plaque signed Paul Souze, a few small foxing spots.
A pleasing copy, the binding retaining fine freshness.
Two heirs, one French and one German, divide 500 million francs between them. Each builds a city in keeping with his dreams: the Frenchman an hygienist city, the German a city of steel.
Edition published in the same year as the first edition, with edition statements in each volume.
Contemporary half brown shagreen bindings, spines with four raised bands ruled in black and decorated with double black compartments featuring gilt central tools, marbled paper boards, marbled endpapers and pastedowns, speckled edges; corners rubbed.
Occasional foxing, with minor nicks to the top edge of one volume.
A handsome copy, attractively bound at the time.
New edition, with a spurious seventh edition statement.
Contemporary half brown shagreen over marbled boards, spine with four raised bands, ruled in black and decorated with double black panels enclosing gilt central fleurons, marbled endpapers, sprinkled edges.
Minor wear to the edges, lower corners lightly bumped, a small loss to the upper right corner of the title page.
A handsome copy attractively preserved in its contemporary binding.
Edition published in the same year as the first edition, with the spurious statement of "Eleventh Edition" on the title page.
Contemporary half brown shagreen over marbled boards, spine with four raised bands ruled in black and decorated with double black panels featuring central gilt floral tools, marbled endpapers, sprinkled edges.
A few minor spots of foxing.
A handsome copy in an attractive contemporary binding.
Later edition, stated eighth edition.
Contemporary half brown shagreen over marbled paper boards, spine with four raised bands ruled in black and decorated with black double-panel compartments featuring gilt central floral tools, marbled endpapers, speckled edges, contemporary binding.
A few minor spots of foxing.
A handsome copy attractively bound in its contemporary binding.
Edition from the same year as the first edition, of remarkable rarity, bearing a fictitious statement of fifteenth edition, yet featuring correct colophon (1872) at the foot of p. 312: "1124-72".
Binding in brown half sheepskin, spine with four raised bands ruled in black and decorated with double black compartments bearing central gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary binding.
A few minor foxing spots of no consequence.
A fine copy attractivelyhoused in a contemporary binding, published the same year as the first edition.
Rare first edition. First volume published on 6 May 1867, the second on 27 July and the third the next year (28 January 1868). All of 18° format are first editions of Verne's novels.
Contemporary brown half shagreen bindings, spines with four raised bands ruled in black and decorated with double black panels featuring central gilt floral tools, marbled paper boards, marbled endpapers and pastedowns, two upper corners slightly bumped, speckled edges, contemporary bindings.
A handsome copy attractively housed in its contemporary bindings. In Search of the Castaways is the very first Verne novel to be adapted for the cinema. predating even...
Rare first edition. This first appearance of the text in book form was Jules Verne's preferred format, as Jauzac notes, instead of the more famous gilded publisher's bindings.
Contemporary brown half shagreen binding, spine with four raised bands ruled in black and decorated with double black panel compartments featuring central gilt floral tools, marbled paper-covered boards, marbled endpapers, speckled edges, a few small abrasions to one edge, contemporary binding.
A small black ink stain to the lower right margin of the opening leaves.
A handsome first edition copy attractively housed in a contemporary binding. This founding novel is considered one of, if...
First edition of the French translation, sixth edition statement.
Contemporary half blue sheepskin binding, spine with four raised bands ruled in black and decorated with gilt floral motifs, gilt initials at foot, cat’s-eye paper boards, marbled endpapers and pastedowns.
A pleasant copy.
New edition.
A pleasing copy.
Inscribed and signed by Jean Raspail : "A M. Claude Fricker, des camp des amis (word underlined), avec ma fidèle et fraternel souvenir, Jean Raspail. 7 juin 1994."
First edition of this speculative theological inquiry into the date of the end of time, based on scriptural data.
Contemporary full mottled fawn calf, spine in five raised bands richly gilt with fleuroned compartments, red morocco title label, loss to the headcap, joints split at head and foot and restored, some rubbing to the spine, covers framed with a blind fillet, marbled endpapers, gilt edges to the boards with a few nicks, red-speckled edges, corners worn, binding of the period.
A few pencilled markings and marginal annotations to certain passages, library stamp on the title page, a light dampstain to the upper edge of one leaf, not affecting the text.
The author...
First edition of this literary utopia (cf. Ferguson 3133).
Contemporary half dark green shagreen binding, smooth spine tooled with gilt fillets and foliate scrollwork, gilt volume number at foot, with a few minor areas of rubbing; marbled paper boards, blue paper endpapers and pastedowns, a small loss to one corner of a pastedown, corners bumped.
Spine restored.
First and only edition of this apocryphal voyage, presented as the account of a maidservant accompanying her master through an imagined Australia, envisioned as a new nation spared the vices of the Old World.
New edition, illustrated with 111 drawings by Neuville and Riou. 7 plates, some in color.
Publisher's gilt Globe binding, upper cover signed Blancheland, Engel relieur, spine with lighthouse motif, rear cover of Engel H type, publisher's Y catalogue at rear of volume.
Spine with minor discoloration, a few small stains to upper corner of front cover, endpapers discolored, corners slightly twisted, the engraving between pages 122-123 with small corner lacks, occasional light foxing mainly to edges.
Undoubtedly the most famous of Jules Verne's novels, featuring the mythical figure of Captain Nemo and his legendary submarine, the Nautilus.
Original autograph manuscript of a short story by Boris Vian, written in 1945 and published posthumously in the collection Le Loup-Garou in 1970.
Highly dense manuscript of 17 pages on 9 sheets, written in black ink with deletions and corrections, on perforated graph paper, dated “25.10.45” at the end of the text. One of the very rare manuscripts dated by the author.
Exceptional manuscript of Boris Vian’s first short story, written at the age of 25, just a few months after the Liberation.
Original autograph manuscript of Boris Vian's short story, first published in the magazine Une bouteille à la Mer, no.72, in 1952, then included in Vercoquin et le plancton and republished posthumously in the 1970 collection Le Loup-Garou.
Heavily revised manuscript, written in blue ink on the recto of each sheet, with corrections in purple ink and black pencil.
Important original autograph manuscript, signed, of Boris Vian’s short story written in 1950, first published in Bizarre no. 32–33 in 1964, and later included in the posthumous collection Le Loup-Garou in 1970.
With Vian’s autograph name and address at the head of the manuscript.
Extensively revised manuscript, written in blue and violet ink on the versos of each leaf, with a pasted slip of corrections mounted to page 13.
Second issue, printed in March-April 1917, one month after the first edition published in February of the same year.
Publisher's red cloth.
Exceptional inscribed copy signed by H.G. Wells to André Citroën: “To André Citröen who has to do his share in making a new world out of a very shattered old one. From H. G. Wells.”
The inscription echoes the chapter of the book entitled New arms for old ones, in which Wells describes the armament factory created by Citroën to remedy the French artillery weakness. Reconverted at the end of the war, the factory will become the first Citroën automobile manufacturer.
