"A poet can survive anything but a misprint."
Oscar Wilde
Second edition, printed in a small number of copies on Hollande laid paper.
3/4 red morocco, five raised bands-spine, gilt date at foot. Slight, superficial fading to spine, marbled paperboards, pebbled flyleaves and pastedowns, original covers and spine preserved, top edge gilt, A finely executed, unsigned binding from the late 19th to early 20th century.
Provenance: from the library of Simone and André Maurois, with their engraved bookplate on front pastedown.
Signed and inscribed copy by Paul Verlaine to the opera singer Marie-Blanche Vasnier : "A Madame Vasnier, hommage respectueux. P. Verlaine." [To Madame Vasnier, with respectful homage. P...
First collective edition, one of the 23 numbered copies on vélin pur fil Lafuma Navarre, the only deluxe copies ("grands papiers").
Rare and very nice copy.
First edition of one of the most beautiful books of the 18th century, of which the text and the music are entirely engraved. It is illustrated with an engraved title, 3 frontispieces by Le Bouteux and Le Barbier, a dedication page with the Dauphine arms, and 100 figures by Moreau le Jeune, Le Barbier, Le Bouteux and Saint-Quentin, finely engraved in copperplate by Masquelier and Née. The portrait of Laborde, which can be found on some copies, is not part of this edition and was printed in 1774, separately.
Magnificent copy bound in 4 volumes, very rare condition. There are usually only copies with 2 volumes for understandable cost issues. It is...
New edition revised by the author, illustrated with 4 copper-engraved plates by Morel after drawings by Chaudet (Cohen, col. 927). A sumptuous publication from the press of Pierre Didot l'aîné, the foremost printer of his day. This edition is distinguished from all previous ones by its entirely renewed illustration in a neoclassical spirit, in keeping with the aesthetic of the Directoire period. It is the first to have been revised by the author himself.
Contemporary binding in full red morocco, spine with five raised bands richly decorated with gilt dentelles, fillets and fleurons, boards framed with a double gilt dentelle, gilt roll on the turn-ins and headbands...
Bell's Edition. The Poets of Great Britain Complete from Chaucer to Churchill, Edinburgh, Apollo Press, by the Martins, and London, Apollo Press, by George Cawthorn, 1782-1804, 18mo (8.5 x 13.5 cm).
An important gathering of volumes from John Bell’s celebrated series, uniformly bound at the time: 34 physical volumes, numbered 1 to 35 with volume 8 lacking, that volume having contained parts 5 and 6 of Edmund Spenser’s poetical works. The present set therefore comprises 97 parts actually present out of the 99 that this particular gathering would contain if complete.
