Work illustrated with 8 copper-engraved etchings by Jean-Louis Boussingault.
Minor tears to the slipcase at the corners.
Rare and handsome copy published by A.A.M. Stols in Maastricht.
From the 19th century onwards, the invention of lithography transformed the art of illustration. Artists soon embraced this technique, which offered almost total freedom of creation. The livre d'artiste made its appearance and colour came to shine upon literature...
Work published by the Japanese Ministry of Railways, admirably illustrated with 166 illustrations. This new edition was entirely revised and the illustration is completely new. The Ministry of Railways published this collection from 1923 to 1928; from 1923 to 1925, the collection contained numerous bird's-eye view maps by Yoshida, which were replaced by photographs and now only adorn the pastedowns. This is the first collection to use photography with 126 black and white photographs and 18 hand-colored ones. 22 color prints by Hatsusaburo Yoshida. 7 folding color maps and several black and white maps in-text.
Cloth binding and cardboard slipcase. Pale green cloth covers. Smooth spine with title. Boards printed with a Japanese temple with full moon and trees on the first board and on the second. Illustrated cardboard slipcase with Mount Fuji and birds. Rubbing and dulled edges to the slipcase. Small cut to the cloth on the spine. Fine condition of the collection with some foxing. Spine darkened, boards spotted. Handsome copy, rare with its original slipcase.
A vast undertaking, this guide was intended as a monument to the glory of Japan. For the first time, modern Japan meets traditional Japan. Celebrated as the Hiroshige of the Taisho era, Yoshida (1884-1955) was a painter and cartographer. A major retrospective of his works took place in Japan at the Sakai Museum in 1999. The prints created for this collection are particularly beautiful.
First printing of the 109 colored wood miniatures by Henry Lemarié, one of the numbered copies on Rives laid paper for each of the volumes.
Small tear at foot of spine of the Bluebeard slipcase, very light rubbing without significance to the slipcases, two small tears at foot of second board of the silent wrapper encasing Cinderella.
We include the illustrated catalogue of Jean Porson editions as well as the catalogue, printed on Rives, announcing the collection of Charles Perrault tales illustrated by Henry Lemarié. This descriptive catalogue is decorated with the frontispiece of Sleeping Beauty in black, two vignettes and two in-text illustrations by Henry Lemarié.
Each slipcase features an illustration by Henry Lemarié on the first board.
Pleasant and rare set, complete with its illustrated slipcases, which was originally intended to comprise six tales but of which only three were published.
First edition, one of 75 numbered copies on surfine colored paper.
Work illustrated with 3 aquatints by Mimi Parent.
One scratch with three light stains on the first cover.
Handsome copy.
Precious and surrealist autograph inscription signed by José Pierre to Marie Cermínová Toyen: "A Toyen, les violons monégasques fabriqués secrètement dans les presbytères en partant de l'anémone de mer, José." (To Toyen, the Monégasque violins secretly manufactured in presbyteries starting from the sea anemone, José.)
Signatures of José Pierre and Mimi Parent below the justification page.
First edition, no copies printed on deluxe paper.
Publisher's full red boards, flat spine, complete with the illustrated dust jacket.
Illustrated with numerous photographs.
Fine signed autograph inscription by Daniel Pennac to his friend Franklin Rist on the title page, each group of words enclosed in a comic strip-style speech bubble: "Nemo par Pennac et POUR FRANKLIN / nom d'un chien / avec / mon / amitié / de toujours / et d'aujourd'hui. Je t'embrasse Daniel"; the inscription is completed with a drawing of a little figure in the style of the Titan Atlas, carrying a fountain pen.
Very rare typographic edition published one year after the facsimile edition from the Montfaucon Research Center and without Sophie Podolski's consent.
This is why this edition was withdrawn from sale; it is illustrated with drawings and includes a preface by Philippe Sollers.
Spine and boards slightly and marginally lightened, otherwise a rare and handsome copy.
First edition of the 4 novels of this 'Histoire contemporaine' tetralogy. First illustrated edition for each. Copy no. 87, one of 100 on japon impérial, including an additional suite of drawings on chine, facing each watercolor illustration. Total run of 1000 copies, with 93 full-page illustrations, head-bands and decorations for each chapter, all in colour ; illustrations after the watercolors of Serge Beaune, made by the workshop of de D. Jacomet & Cie.
Handsomely and uniformly bound copy in red morocco.
A satirical novel about the clergy, the army and civil society in the Third Republic, published from 1897 to 1901, and a portrait of France during the Dreyfus Affair.
Bookplate of J.L and C Pierron.
Second edition with some parts in first edition (with 5 added tales), Félix Vallotton's illustrations in first issue, one of 20 numbered copies on japon, only deluxe issue.
Bradel binding, brown 3/4 cloth, smooth spine with floral motif stamped in gilt at center, twice ruled in gilt at foot, slightly chafed morocco title-label, marbled paper boards, original covers and spine preserved, contemporary binding signed Carayon.
Small clear stains to the top edge of first board, one corner slightly rubbed, a spot of foxing at foot of the first few pages.
Illustrated with 50 drawings by Félix Vallotton.
Rare and handsome copy housed in a contemporary binding by Carayon.
First edition, one of 100 copies on Japon, the only deluxe issue.
Navy blue half shagreen with slight color restoration, spine with five raised bands abundantly framed in gilt, blue watered silk flyleaves, marbled endpapers and pastedowns, original wrappers and spine preserved, gilt top edge, binding signed J. Querelle.