From the 19th century onwards, the invention of lithography transformed the art of illustration. Artists soon embraced this technique, which offered almost total freedom of creation. The livre d'artiste made its appearance and colour came to shine upon literature...
Illustrated edition featuring 20 original colour engravings by Marianne Clouzot, issued in a limited edition of 375 copies on Rives wove paper.
Spine of the chemise and boards of the slipcase lightly sunned at the margins, as is usually the case, the boards evenly and lightly toned, a fine copy internally.
Our copy is further enhanced by an original blue ballpoint drawing by Marianne Clouzot depicting the profile of a nun, accompanied by a signed autograph inscription to Etienne Crémieu-Alcan.
Illustrated edition featuring 25 original colour watercolours by Lucien Boucher, printed in an edition of 750 copies on Rives wove paper.
As is usually the case, the chemise spine and the slipcase boards are lightly sunned at the edges, the boards uniformly and lightly toned; a fine copy internally.
Illustrated edition with original colour engravings by Marianne Clouzot, one of 575 copies printed on Rives wove paper.
As is generally the case, the chemise spine and the slipcase boards are lightly sunned, the boards evenly and slightly toned, otherwise a fine copy internally.
Illustrated edition with 16 original colour engravings by Emilio Grau Sala, printed in an edition of 350 copies on Rives wove paper.
Spine of the chemise and boards of the slipcase marginally sunned, as is usually the case, boards evenly and lightly toned, a fine copy internally.
First edition, one of 350 numbered copies on regular issue paper.
Publisher's full yellow cloth binding, smooth spine, housed in its black full-cloth slipcase, complete with the original silk tie.
A few minor nicks to the slipcase.
Profusely illustrated throughout.
Contributions by Brassaï, Magda Bolumar, Joan Miro, Joan Brossa, Luis Bunuel, Alexander Calder, Eduardo Chillida, Jacques Dupin, Nina Kandinsky, Roland Penrose, Pablo Picasso, Rafols Casamada, Georges Raillard, Josep Lluis Sert, Michel Tapié, Yvon Taillandier, Antoni Tapies, Patrick Waldberg...
First edition of this issue devoted entirely to dreams, one of 300 numbered copies on bibliophile wove paper, this copy out-of-series and without limitation statement.
A pleasing copy despite a very lightly sunned spine, of no real consequence.
Literary contributions by André Breton, Michel Leiris, Paul Eluard, Xavier Forneret, Gisèle Prassinos, Benjamin Péret...
Illustrated with works by Max Ernst, Yves Tanguy, Alexei Remizov, Giorgio de Chirico, André Masson, René Magritte, Salvador Dalí, Oscar Dominguez, Man Ray, Maurice Henry...
First illustrated edition, printed on alfa bouffant paper, one of the copies from the only issue after 50 copies on Japan paper and 100 on Arches.
Illustrated with 15 wood-engravings by Pierre Bonnard, including a vignette on the upper cover, a frontispiece, and 4 plates hors texte.
Contemporary grey half morocco over bands, spine faded and tooled in gilt with double and broad fillets, moiré and gilt paper-covered boards framed with a black rule and triple gilt fillets, matching moiré and gilt endpapers, original wrappers and spine preserved, top edge gilt, an elegant unsigned Art Deco binding.
A handsome copy in an attractive binding.
First edition, one of 50 numbered copies on Montval paper, the deluxe issue.
A small chip at the head of the spine, otherwise a pleasant copy.
Illustrated by Pierre Devaux.
First edition, one of 85 numbered copies printed on Arches wove paper, this being one of the 15 deluxe copies issued with an additional suite of the 7 original drypoints and 8 rejected drypoints on Auvergne paper, all individually numbered and signed in pencil by Brigitte Simon, from the deluxe issue.
The upper cover lightly and uniformly sunned.
Fine copy, complete with its original grey cloth chemise and slipcase.
Illustrated with 7 original drypoints by Brigitte Simon.
Claude Esteban and Brigitte Simon's handwritten signatures beneath the limitation statement.
Signed autograph inscription from Brigitte Simon to the...
First edition, one of 500 numbered copies printed on Rives wove paper.
Illustrated with 1 original colour lithograph and 6 line drawings by Fernand Léger.
Three small spots of foxing to the spine, foxing to the lower cover, internally in pleasing condition.
Illustrated edition with 16 colour engravings by Henri Cassiers, including 5 plates hors texte, one of 200 numbered copies on vellum rag paper, complete with the colour frontispiece and an additional suite of the illustrations.
Contemporary half chocolate-brown morocco-grained shagreen over corners, spine with four raised bands ruled in black, moiré-paper boards, endleaves and pastedowns, wrappers and spine preserved, top edge gilt.
A handsome copy, attractively bound.
Illustrated edition with 15 colour plates by Charles Jouas, one of 650 numbered copies printed on Imperial Japan paper.
Contemporary brown half morocco-grained shagreen over corners, spine with four raised bands ruled in black, moiré paper-covered boards, endleaves and pastedowns, wrappers and spine preserved, top edge gilt.
A handsome copy, attractively bound.
Illustrated edition with 16 colour engravings by Henri Cassiers, including 4 plates hors texte, one of 650 numbered copies on Imperial Japan paper.
Contemporary-style burgundy half morocco-grained shagreen over corners, spine with four prominent raised bands ruled in black, moiré-effect paper sides, endpapers and pastedowns, wrappers and spine preserved, top edge gilt.
A handsome copy, attractively bound.
Edition illustrated with colour plates by Albert Dubout, one of the numbered copies on Arches wove paper, the only issue after 500 copies on deluxe Arches laid paper.
Spines of the chemises slightly faded.
The set comprises the following titles: "The Miser", "The Bourgeois Gentleman", "The School for Wives", "The Learned Ladies", "Scapin's Deceits", "The Imaginary Invalid", "The Misanthrope", "Tartuffe".
An attractive complete set in 8 volumes, also complete with all its chemises and slipcases.
First edition, one of 38 copies printed, this being one of the 30 copies issued with a wash drawing by Marcel Dumont.
A fine copy.
Illustrated with an original wash drawing by Marcel Dumont.
Manuscript signatures of Marcel Dumont and François Cheng in pencil on the colophon.
Illustrated edition featuring 4 original lithographs by Picasso, printed by Mourlot, one of 430 numbered copies on wove paper, the only issue after 5 copies on japon and 95 on Arches wove paper.
A pleasing copy.
First edition.
Contributions by Paul Léautaud “Lettres 1902-1919 (1ère partie)”, Edmond Gréville “Porte donnant sur la voie”, Jean Lurçat “U.S.A.”, P.G. van Hecke “Spectacles américains à Paris”, Pierre Courthion “Bar du Dôme”, Jean Perros “A bas le pittoresque”...
Issue illustrated with photographs by Man Ray, Germaine Krull, Bérénice Abbott, Florence Henry, Eli Lotar and drawings by Paul Klee, Marc-Eemans, Gustave de Smet, Frits van der Berghe...
Reproductions of paintings by Pablo Picasso, René Magritte, Paul Klee, André Derain, Raoul Dufy, Marc Chagall, Max Ernst, Georges Braque, André Masson, Juan Gris...
A stain to the upper cover, spine and covers lightly...
First edition.
Contributions by Albert Valentin "Eugène Atget", Morely Callaghan "Une passion de rustre", E.L.T. Mesens "Hans Arp", Pierre Mac Orlan "L'aube", Denis Marion "La découverte de l'Amérique", Paul Fierens "Vénus et les mannequins", Franz Hellens...
Issue illustrated with photographs by Eugène Atget, Man Ray, Germaine Krull, Mylander and drawings by Marc-Eemans, Ramah, Frits van der Berghe, Hans Arp, Fernand Léger, Léopold Survage...
Spine and covers slightly and marginally sunned, not affecting the soundness of the copy, internally well preserved.
First edition.
Contributions by Pierre Mac Orlan "Accordéons", P.G. Van Ecke "L'envoûte ou la destinée des peintres", Denis Marion "A double tour", Gille Anthelme "Un aspect décisif des Ballets Diaghilew : Léonide Masside", Frans Vervoot "Nine, ou l'avant-propos", Albert Valentin "Aux soleils de minuit (IV)", Paul Fierens "Des rues et des carrefours", Franz Hellens...
Issue illustrated with photographs and drawings by Hans Arp, Jean de Bosschère, Marc Chagall, Gustave de Smet, Edgar Tytgat, Frits van der Berghe...
Spine and covers slightly and marginally sunned, small losses and tears to the spine, a pleasing copy internally.
First edition, one of 60 numbered copies on mustard popset paper, the deluxe issue.
Illustrated with drawings by René Magritte.
A very good copy.
Our copy is complete with the additional suite of letters and drawings by René Magritte issued with the deluxe copies.
First edition, one of 925 copies numbered on Artois wove paper, the only issue including 1 copy on butcher’s paper in honour of General de Gaulle, 20 hors commerce copies and 75 on Marais paper.
Illustrated with headpieces and tailpieces.
Spine and boards slightly sunned, as often.
First edition.
Literary contributions by Antonin Artaud, Paul Eluard, André Breton, Pierre Brasseur, Louis Aragon, Michel Leiris, Benjamin Péret, Ernest Gegenbach...
Pictorial or photographic contributions by Joan Miro, Yves Tanguy, Max Ernst, Man Ray...
Upper cover with a few marginal stains to the left margin, a small tear at the foot of the spine, otherwise a pleasing copy considering the fragility of this periodical.
First edition, one of 60 numbered copies on Rives wove paper, the only issue after 10 copies on Arches.
A tear to the inner flap on the verso of the upper cover, a pleasant copy.
Illustrated with two original etchings by Jean-Gabriel Daragnès, including the frontispiece.
First edition of the French translation, one of 1,000 numbered copies on pur fil paper, the only issue with 10 copies on Auvergne paper.
Frontispiece with an original portrait of Blaise Cendrars by Riera, covers illustrated with an original lithograph by Orfeo Tamburi.
Spine and boards slightly and marginally sunned, as usually.
First edition, one of 535 numbered copies on Navarre laid paper, the only issue together with 10 copies on Japan paper.
Illustrated with a portrait of the author as frontispiece by Man Ray.
A fine copy despite a small, minor tear at the head of the spine.
Signed autograph inscription by Jacques Baron: " à Jeanne, Pierre et Jacques et X Collet. De tout coeur. Vraiment. Jacques."
First edition richly illustrated with reproductions of works by Francis Bacon in the second volume.
Text by Gilles Deleuze for the first volume.
The slipcase is lacking in our copy.
Spine and boards slightly and marginally sunned, as usual.
Inscribed copy signed by Gilles Deleuze to the art critic Gilbert Lascault in the first volume.
First edition illustrated with 6 original lithographs by Pablo Picasso, one of 500 numbered copies on Lafuma paper.
A pleasing copy, complete with its "prière d'insérer" written by Paul Eluard.
First edition, one of 10 copies numbered and signed by Eugène Guillevic and Ania Staritsky in the limitation page. Printed on Verveine de Puymoyen paper specially designed for this work, ours being one of the few hors commerce copies, from the most limited deluxe issue (tirage de tête).
Illustrated with 5 original copper engravings in colour by Ania Staritsky.
A rare and pleasing copy, complete with its almond-green cloth chemise and slipcase, the spine of the chemise slightly yellowed.
As stated in the limitation page, our copy includes an original collage by Ania Staritsky and the six-line autograph manuscript poem signed by Eugène...
First edition of this issue entirely devoted to Louis Marcoussis.
Small tears and minor spotting to the margins of the covers.
Literary contributions by Tristan Tzara "Marcoussis
Copy of the thirteenth printing of the first edition illustrated by the author.
Publisher's full bottle-green binding, smooth spine decorated in black with the title and author's name at the head and the publisher's name at the foot, upper board decorated in black with the title and author's name within a blind-stamped border, complete with its illustrated dust jacket. Author's inscription in blue ink on the first free endpaper, followed by a slightly faded ex-dono on the next: "I hope you will still feel like reading this. Love, Sisi."
Headcaps slightly bumped, losses, folds and tears to the dust jacket.
Booklet of the "Rabelaisian menu" offered on "diemenche 26 de oiteuvre 1952" [Sunday, 26 October 1952] on the menu of the Parisian restaurant Au Mouton de Panurge, gastronomic headquarters of the Amis de Rabelais et de La Devinière, whose walls were decorated by Albert Dubout, who is also the author of the illustrations featured here. On the final page appear several facsimile signatures of distinguished regulars of the establishment. Our booklet is enhanced by a gift inscription from one of these signatories, Albert Schweitzer: "to Andrée [Eekman, his goddaughter, also the niece of his close...
Illustrated edition with colour drawings by Chas Laborde, one of the numbered copies printed on wove paper.
A pleasing copy.
On the half-title page, a signed autograph inscription from Colette: "A monsieur F. Porlier. Colette.", Colette having added after Claudine s'en va : bon vent !
Illustrated edition with colour drawings by Chas Laborde, one of the numbered copies printed on wove paper.
A pleasing copy, notwithstanding a crease mark to the lower right corner of the upper cover.
Fine signed presentation inscription by Colette: "A monsieur F. Porlier ce vieux péché littéraire que je n'aime plus beaucoup. Colette."
Illustrated edition with colour drawings by Chas Laborde, one of the numbered copies printed on wove paper.
A pleasing copy, despite a small tear to the upper right margin of the front free endpaper.
On the page following the title, a fine signed autograph inscription by Colette: "A monsieur F. Porlier. Nantes, février 1933. Colette. J'aime beaucoup "et autres" ! Colette.", Colette having ironically circled the words "et autres" appearing in a paragraph outlining her alleged collaboration with her former husband Willy in the writing of the work.
Illustrated edition with colour drawings by Chas Laborde, one of the numbered copies on wove paper.
A pleasing copy.
Autograph signed inscription by Colette: "A monsieur F. Porlier en souvenir d'une passante. Colette."
Illustrated edition with a frontispiece and 19 black vignette illustrations in the text by Marianne Clouzot, one of 675 numbered copies printed on vélin de lana.
Full caramel box binding, smooth spine, the illustrator’s name gilt at the foot, moiré-effect paper endleaves and doublures, cold-ruled fillet frames to the doublures, original covers and spine preserved, top edge gilt, slipcase with inner flaps in caramel box with bands, moiré-effect paper sides, the slipcase edged in caramel box with moiré-effect paper panels; binding slightly later, signed Gavallet.
Like the 50 numbered copies printed on Arches paper, our copy exceptionally includes, at the end of the volume, a...
First edition, one of 35 copies on Holland paper, the limited deluxe issue following 19 on China paper.
A fine copy, with a visiting card tipped in on a blank leaf bearing the manuscript note: "de ton beau-frère, un échantillon des éditions suisses".
Illustrated with headpieces and tailpieces by Marcel North.
First edition, one of the numbered copies on laid paper, the only issue after 1 copy on large Arches vellum, 50 on Japan paper, and 10 hors commerce.
The upper cover slightly and marginally toned; a pleasing copy.
Illustrated with wood engravings by Raoul Dufy.
First edition, one of 925 numbered copies on Artois vellum, the only issue including a sheet of butcher’s paper in tribute to General de Gaulle, together with 20 hors commerce copies and 75 on Marais paper.
Illustrated with headpieces and tailpieces.
Attractive copy.
First edition, limited to 500 copies, this being one of only 8 numbered, signed and justified by Jean Lurçat in the colophon, constituting the deluxe issue.
As is often the case, this copy lacks the original drawing by Jean Lurçat that accompanied each of the eight deluxe copies.
Bookplate pasted to the upper left corner of the inside of the front cover, a scarce and pleasing copy.
First edition, printed in a limited run of 70 copies numbered on Montval paper and signed by Georges Hugnet.
Illustrated with a frontispiece etching by Stanley William Hayter.
Two poignant autograph inscriptions signed by Georges Hugnet—one to his father and one to his son—in blue and red pencil: "à Georges Hugnet mon père en souvenir des romans noirs dont il enchanta et peupla mon enfance. Georges Hugnet."; "Et maintenant vingt-ans après, à mon très cher fils Nicolas de la part de son grand-père qui l'aurait bien aimé de tout cœur son papa. G."
Illustrated edition with a frontispiece by Ossip Zadkine, one of 60 numbered copies on B.F.K. Rives mould-made vellum, the only deluxe paper issue.
Rare and fine copy.
First illustrated edition with 19 original lithographs by Miklos Bokor, printed in 175 numbered copies on Arches vellum, this copy being one of the 15 artist’s proofs signed and justified by the artist.
Autograph signatures of Yves Bonnefoy and Miklos Bokor at the colophon.
Signed autograph inscription by Yves Bonnefoy to a couple of close friends.
A fine copy, complete with its chemise and slipcase.
First edition entirely hand-painted by Jacques Capdeville and printed in 30 numbered copies on vellum, with a small number of hors-commerce copies also issued.
Rare and fine copy, complete with its full flexible paperboard slipcase and with the musical setting of the poem by John Supko, on tracing paper.
Handwritten signatures of Philippe Denis and Jacques Capdeville in the colophon.
First edition, one of 50 numbered copies printed on Edogawa Japan paper, the deluxe issue.
A handsome copy, complete—as with all copies on Japan paper—with the author’s portrait frontispiece by Armand Rassenfosse.
Edition illustrated with 12 original colour watercolours by Gerda Wegener, printed hors texte, one of 400 numbered copies on Arches laid paper.
Spine and boards faintly sunned at the margins, otherwise a pleasing copy.
First edition, one of 330 numbered copies on Arches wove paper.
Minor tears to the head and tail of the spine; a pleasing copy.
With wood-engraved illustrations by François de Marliave, printed in several colours by E. Gasperini.
First edition, one of 45 numbered copies printed on Rajasthan jute paper, the only deluxe issue.
Manuscript signature of Emil Cioran at the colophon.
Spine very slightly faded, of no significance.
Rare and fine copy, complete with the three tantric paintings reproduced hors-texte in colour on cream paper.
First edition, one of 100 copies numbered on Arches wove paper, the only deluxe issue.
This exhibition catalogue devoted to the painter’s work at the Pierre Matisse Gallery in New York, marking his sixtieth birthday, is illustrated with three original lithographs (two double-page and one single-page) together with numerous black-and-white and colour reproductions.
Offsetting from the lithographs visible on the facing text leaves.
Autograph signature by Joan Miró, dated at the colophon number.
As stated in the limitation, this copy indeed includes its original lithograph, dated and signed by Joan Miró.
First edition, printed in 170 numbered copies on Holland paper, this copy being one of the 100 reserved for Robert J. Godet.
Illustrated with ten burin engravings by Gaston-Louis Roux.
A very good copy, with only a few negligible and faint spots to some leaves.
First edition, one of 85 numbered copies on pure wove paper, the only issue following 15 copies on Montval vellum.
A few insignificant spots.
Work illustrated with four original engravings by Suzanne Roger, including a coloured frontispiece.
Manuscript signatures of Tristan Tzara, Suzanne Roger, and Jean Aubier beneath the limitation leaf.
First edition, one of 100 copies printed on antique Montval wove paper, the only issue following 1 copy on old Japan paper, 10 on imperial Japan, and 20 hors commerce.
Work illustrated with 9 original drypoints by Jean Lurçat.
A rare and handsome copy.
Inscribed and signed by Jean Lurçat to Jean Bourgoin.
First edition printed in 125 numbered copies on B.F.K. de Rives paper, ours being one of the 25 containing the two black etchings by Robert Lagarde, the colour suite, and the additional plate, a deluxe issue.
A few spots to the covers, internally clean and pleasing; copy complete with its publisher’s prospectus.
Each etching and additional plate is signed and justified by Robert Lagarde.
First edition, deluxe issue, one of 58 numbered copies on Montval paper signed by the artist on the colophon, with two original colour lithographs signed by Max Ernst.
Additionally illustrated with 11 full-page drawings reproduced in black and reproductions of paintings by the artist, including one folding plate.
Copy as issued, green wrappers illustrated with an original artwork by Ernst in perfect condition without any trace of discolouration as is commonly the case.
First edition, one of 170 numbered copies on vélin teinté de rives, the only issue following 40 copies on vélin blanc d'Arches, with an additional suite of the illustrations.
A fine copy.
Illustrated with three etchings by Alberto Giacometti.
Edition partly original, one of 90 numbered copies on hollande paper, the only issue following 10 on japon, 2 on Chapelle and 2 hors-commerce copies. Volume illustrated with 8 woodcuts by Manolo, four of which are full-page.
Manuscript signatures of Manolo and Pierre Reverdy on the colophon.
A...
First edition illustrated with 59 engravings.
A repaired tear at the head of one joint; covers marginally darkened; the interior remains in pleasing condition.
This work belongs to the first phase of the highly controversial research conducted by the French surgeon of Russian origin, Sergueï Abramovitch Voronoff (1866–1951).
Between 1917 and 1926, Voronoff carried out more than five hundred transplantations on sheep, goats, and even a bull, grafting the testicles of younger animals onto older ones.
His observations appeared to suggest that such transplantations restored vitality to ageing animals. From this, he went on to regard the transplantation of monkey...
First edition of this handsome trade catalogue illustrated with 33 plates (printed recto and verso), incorporating several mounted colour fabric samples (silks, woollens, etc.), each facing a pochoir-coloured vignette depicting a young woman dressed in a garment fashioned from the textiles presented; the designs bear evocative names: Caprice, Oasis, Pluie de rose, Polyanna, Divine chanson, Pêcheuse, Vamp, Mickey, Poupée blonde, Intrépide, Espiègle, Montparnasse, Sibéria, Câline, Incognito, Magicienne, etc.
Bound in full grey flexible boards, smooth spine lettered in gilt on the upper cover, the copy complete with its original textile cord.
A few leaves with staining or foxing...
First edition of this uncommon work, printed at Saint-Denis, Réunion, and illustrated by the local photographer E. Vidal, expanding upon a brief notice published as early as 1899 (cf. Ryckebusch II, 5358.)
Illustrated with a frontispiece map and 20 photographic plates hors-texte.
With a preface by M. Garsault.
Spine lacking, wrappers in poor condition, light waterstaining.
Scarce, offered in its present condition.
Born in Rennes, the military physician Jean-Marie Mac-Auliffe (1837-1908) was stationed in Réunion in 1864, and again from 1874 until his death, notably as physician to the thermal baths of Cilaos. In this remote locality he developed considerable...
A small book entirely in Chinese, from the series Chinese Spoken Language Readers for Lower Primary Schools.
Printed stamp of the Missions Museum S.J. Kirche "Am Hof" on the rear cover; a manuscript ink annotation at the head of the final page of text.
Numerous black-and-white illustrations within the text and one full-page colour illustration.
A rare and pleasing copy.
First edition, illustrated with a double-page folding map composed of seventeen plates, together with twelve figures in the text (cf. Hague Chahine 1504.).
Bradel binding in half glazed brown cloth, smooth spine with the date gilt at the foot, red shagreen title-label showing minor surface marks, stone-patterned paper boards, corners lightly rubbed; a contemporary binding.
Some scattered foxing.
Account of an archaeological mission including an extensive study of Safaitic inscriptions, with a glossary and an index of proper names.
Rare first edition of this sticker album entirely devoted to the glory of the Castro regime and the Cuban Revolution.
The album comprises 268 small, mounted, colour stickers, each captioned and arranged in strict chronological order of events, including 16 portrait plates of the principal figures (the Castro brothers, Camilo Cienfuegos, Ernesto "Che" Guevara, Faure Chaumont, Rolando Cubelas, Victor Bordon, Eloy Gutierrez, Crecencio and Faustino Perez, etc.).
No copy recorded in the CCFr, which comes as little surprise for this type of production.
Our copy, issued in original illustrated colour wrappers, is housed in a modern oblong slipcase, full decorated boards in the...
First edition featuring the celebrated original color stencil "Aidez l'Espagne!", printed on Arches paper by Joan Miró.
With literary contributions by Christian Zervos on Pablo Picasso's "Guernica", as well as texts by Jean Cassou, Georges Duthuit, Pierre Mabille, Michel Leiris, Paul Éluard, René Char...
Illustrated with numerous reproductions of works by Pablo Picasso and Joan Miró’s "Le faucheur".
Some rubbing and small tears to the spine, as often, a vertical crease to the rear wrapper, otherwise a fresh and well-preserved copy.
First edition, one of 20 numbered copies on Japan paper, the smallest issue of the deluxe edition, along with 20 on Arches.
Spine and covers marginally faded and sunned as usual, with minor paper losses at the flaps.
Illustrated with 8 original lithographs by Georges Annenkoff.
As with all copies from the deluxe issue, this copy includes the complete double suite of illustrations on vellum and on China paper.
Very rare typographic edition published one year after the facsimile edition from the Montfaucon Research Center and without Sophie Podolski's consent.
This is why this edition was withdrawn from sale; it is illustrated with drawings and includes a preface by Philippe Sollers.
Spine and boards slightly and marginally lightened, otherwise a rare and handsome copy.
