Literature & Cinema

First edition, one of 170 numbered copies on pure rag paper.

Shadowed endpapers; a small loss at the head of the upper board of the original front cover.

A pleasant copy, preserved in its double wrapper.

Black-and-white photographic postcard depicting Dolores del Rio in a frontal portrait.

A very attractive example. Envelope sent from Mexico included.

Inscribed and signed by Dolores del Rio in blue felt-tip pen to the renowned autograph collector Claude Armand: "To Claude Armand best wishes Dolores Del Rio."

Black and white photographic postcard depicting Ginger Rogers in profile.

A fine copy.

Inscribed and signed by Ginger Rogers for the renowned autograph collector Claude Armand: "To Claude Armand kindest wishes. Ginger Rogers."

Photographic postcard inscribed by Laurent Terzieff to the renowned autograph collector Claude Armand.

Postcard reproducing a black-and-white photograph by Studio Harcourt, showing Laurent Terzieff resting his head on his arms.

Autograph inscription signed by Laurent Terzieff in black ink to the right of the image: "A Claude Armand merci de votre très aimable lettre. L. Terzieff."

Photograph signed by Tyrone Power in violet ink.

A handsome print. Printed stamp of a London dealer on the verso of the image.

Provenance: from the collection of the noted autograph collector Claude Armand.

First edition, limited to 1,100 copies, divided into four fictitious editions within the same year, in order to create the illusion of commercial success. These were subsequently reissued with a new title-page bearing an edition statement and the author’s name, together with a volume designation on the half-titles (cf. Clouzot). Our copy carries the designation “third edition.” Contemporary bookplate traces on the upper pastedowns. Expert restorations to headcaps and joints, with a tiny loss at the foot of the lower joint of vol. I. A clean copy, entirely free of foxing.

Contemporary half chocolate calf bindings, smooth spines decorated with gilt fillets and romantic fleurons with gilt Gothic motifs, marbled paper boards, pebbled paper endpapers and pastedowns, marbled edges, strictly contemporary bindings.

The title-pages are illustrated with two wood-engraved vignettes after Tony Johannot by Poiret, showing Esmeralda offering water to Quasimodo (vol. I) and L’Amende honorable (vol. II).

A fine copy, in handsome period bindings and entirely without foxing, a state of preservation very seldom encountered. “This first edition, in fine condition, is the rarest of all the author’s works; it enjoyed worldwide renown, and is among the most difficult to obtain from the Romantic period” (Carteret).

First edition in French, a Service de Presse (advance) copy.

Spine sunned with dampstains, pale dampstain to right margin of front board.

Autograph inscription signed by the translator Maurice Edgar Coindreau to Pierre Ripault.

Autograph quatrain and tercet from Jean Cocteau's youth, comprising fourteen stanzas penned in black ink across 15 lines on grey paper bearing the poet’s silver monogram in the upper left corner.
Two pencil corrections in the poet’s hand.
This poem presents a variant of the version published in the collection "Le prince frivole," released by Mercure de France in 1910, Cocteau’s second published work; “Versailles dont on a tant dit” (appearing as “Le vieux parc dont on a tant dit” in the printed edition).



 

First edition for which no limited issue printed.
Publisher's original black full cloth binding, smooth spine, illustrated boards.
Some rubbing to the headpieces.
Numerous illustrations.

Precious and rare autograph signed inscription from François Truffaut: "Pour, Georges Pellegrin qui me faisait la courte échelle pour repérer les extérieurs de jules et jim, bien amicalement François Truffaut." ('For Georges Pellegrin, who gave me a leg up to scout the exteriors for Jules et Jim, with warm regards, François Truffaut.')

Georges Pellegrin, along with Robert Bober and Florence Malraux, served as assistant director to François Truffaut on Jules and Jim and Love at Twenty. He also collaborated with Jean-Pierre Melville on Army of Shadows and Le Samouraï, for which he worked as a screenwriter.
 
 

New edition, illustrated with 111 drawings by Neuville and Riou. 7 plates, some in color.
Publisher's gilt Globe binding, upper cover signed Blancheland, Engel relieur, spine with lighthouse motif, rear cover of Engel H type, publisher's Y catalogue at rear of volume.
Spine with minor discoloration, a few small stains to upper corner of front cover, endpapers discolored, corners slightly twisted, the engraving between pages 122-123 with small corner lacks, occasional light foxing mainly to edges.
Undoubtedly the most famous of Jules Verne's novels, featuring the mythical figure of Captain Nemo and his legendary submarine, the Nautilus.

First edition, of which there were no deluxe copies.

Autograph inscription signed by Henri Charrière to journalist and historian Gilbert Guilleminault.

Henri Charrière, known as Papillon, ward of the state and petty criminal, had been sentenced to the penal colony in 1931 for a murder he always denied. More than thirty years later, he recounts his terrible experience in this autobiographical text. He describes the violence, injustice, diseases and escape attempts, crowned by years of exile in South America: « Pure of all contact, his publisher noted, and of all literary ambition, what he writes is "as he tells it to you", you see it, you feel it, you live it [...]. » The book met with immense success before being adapted for cinema with Steve McQueen in the leading role.

 

First 12^o edition published a year after the very rare first edition.
Light dampstains to the joins of the volumes, a small hole at foot of a joint on the first volume, slight rubbing to the spines, an upper corner of volume 1 rubbed, small part of leather lacking and a hole to a joint of the third volume.

Bound in half bronze sheep, smooth spines framed in gilt and cold-stamped fillets, modern black morocco title labels and volume labels, marbled paper boards, spotted edges, contemporary bindings.

Provenance: from the library of Michel Marie de Pomereu with his engraved bookplates pasted on the pastedowns.