Copies inscribed by the author, i.e. a handwritten dedication to a close friend. As moving accounts of the genesis of the book and the writer's links with the people of his time, inscriptions are a unique record of the author's life.
First edition, one of 1,000 numbered copies.
A pleasant copy.
Signed and dated presentation inscription from Michel Butor to Joëlle Bensa.
First edition, printed on vélin d'Angoulême paper, with the usual misprints and including the six condemned poems, one of the few copies given to the author and “intended for friends who do not deliver literary services”.
Full emerald morocco binding, signed by Marius Michel, original wrappers preserved.
First edition, of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
Spine slightly bowed, with a few tears and lacks to plastic film cover. Slight foxing in the margins of a few pages.
Handsome autograph inscription signed by Michel Foucault, at the time a young teacher, to Jean-Charles Varennes.
A very rare advance copy, which could be said to have taken the place of the grand papier (deluxe) copies.
First edition, one of 30 numbered copies on pur fil paper, this copy one of 10 hors commerce, the only grand papier (deluxe) copies.
A nice copy despite the very slightly sunned spine.
Autograph inscription dated and signed by Marguerite Yourcenar to Maurice Bourdel, director of publishing house Plon, and his wife : "... cette Electre perdue dans "un monde où l'ordre n'est pas"
