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The religions of the BookThe religions of the Book
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Much like the papal procession that ends at Saint-Michel, named for the archangel shared by the three religions of the Book, we offer you a heavenly Abrahamic selection. It would take the very devil to keep you from finding your numinous bliss here...

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Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

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Idées cadeau de Noël | Enfantina : Comme quand j'étais môme

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Idées cadeau de Noël | Enfantina : Comme quand j'étais môme
  1. Le Superbe OrénoqueLe Superbe Orénoque
    Jules VERNE

    Le Superbe Orénoque

    Jules Hetzel|Paris 1903-1904|17.50 x 27.50 cm|relié
    Illustrated edition with 73 drawings by George Roux: 1 frontispiece engraved by Froment, 1 title vignette engraved by Pannemaker, 2 large black engravings without captions, 48 black in-text engravings, 1 full-page black map of the course of the Orinoco, 20 polychrome hors-texte engravings, or printed in sepia or blue-grey.
    Publisher's AJ catalogue at rear.
    Hetzel publisher's binding signed Engel known as "au globe" type 3, spine with lighthouse, second cover of Engel "h" type according to Jauzac, all edges gilt.
    Original blue endpapers very marginally lightened as usual, some foxing on the first endpaper as well as at beginning and end of volume.
    Le Superbe...
    €900
  2. P'tit bonhommeP'tit bonhomme
    Jules VERNE

    P'tit bonhomme

    Hetzel|Paris 1905-1914|18 x 28 cm|cartonnage de l'éditeur
    Illustrated edition with drawings by L. Benett as well as large chromotypographic engravings and a map.
    Publisher's Hetzel binding "à l'éventail et à l'éléphant" in full red cloth, first cover polychrome signed Engel, second cover type "i" as indicated by Jauzac, spine with lighthouse, original blue endpapers, all edges gilt.
    Original blue endpapers imperceptibly and marginally shaded as usual, headcaps slightly sunken without gravity.
    Novel inspired by Dickens, P'tit bonhomme takes place in Ireland and tells the life and adventures of an orphan.
    Handsome copy.
    €700
  3. Contes des féesContes des fées
    Charles PERRAULT

    Contes des fées[Fairies Tales]

    Chez Saintin, 6 rue de l'Eperon|Paris s. d. [circa 1810]|8.90 x 13.80 cm|relié

    Very elegant edition of Perrault's fairy tales, printed with the stereotype process invented by Louis-Etienne Herhan.


    Illustrated with 5 full-text engravings (2 vignettes each) and a vignette on the engraved title, after the frontispiece by Antoine Clouzier for the first edition of Perrault's tales (Paris, Barbin, 1697).
    Full roan binding, smooth spine framed in gilt and gilt motifs, black title label stamped in gilt, boards framed in gilt, inner dentelle, endpapers and pastedowns in caillouté paper, all edges gilt. Joints slightly split at head of spine, a small brown stain to title page and frontispiece, some spotting. 
    Very rare edition, including Bluebeard, Little Red...

    €2,500
  4. Les Contes du temps jadisLes Contes du temps jadis
    Madeleine LUKA, Charles PERRAULT

    Les Contes du temps jadis

    Librairie Auguste Blaizot|Paris 1946|28.50 x 39 cm|relié sous étui
    Illustrated edition with color lithographs by Madeleine Luka and printed in 207 numbered copies on Vosges laid paper, ours being one of 10 copies containing an original signed watercolor by Madeleine Luka as well as a color suite of all the illustrations.
    Half red morocco binding, smooth spine faded and rubbed, frame of gilt Greek friezes on cream cardboard boards in vellum style, red paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, slipcase with red morocco borders, red cardboard boards, contemporary binding signed Madeleine Gras.
    €800
  5. La belle au bois dormant  - La barbe bleue - Cendrillon - Collection complète La belle au bois dormant  - La barbe bleue - Cendrillon - Collection complète
    Charles PERRAULT, Henry LEMARIÉ

    [Sleeping Beauty – Bluebeard – Cinderella – Complete Collection]

    Jean Porson|Paris 1948-1950|16 x 24.50 cm|3 volumes en feuilles sous étuis oblongs

    First printing of the 109 colored wood miniatures by Henry Lemarié, one of the numbered copies on Rives laid paper for each of the volumes.
    Small tear at foot of spine of the Bluebeard slipcase, very light rubbing without significance to the slipcases, two small tears at foot of second board of the silent wrapper encasing Cinderella.


    We include the illustrated catalogue of Jean Porson editions as well as the catalogue, printed on Rives, announcing the collection of Charles Perrault tales illustrated by Henry Lemarié. This descriptive catalogue is decorated with the frontispiece of Sleeping Beauty in black, two vignettes and two in-text illustrations by Henry...

    €1,000
  6. RichelieuRichelieu
    Maurice LELOIR, Théodore CAHU

    Richelieu

    Combet & Cie|Paris 1904|28 x 36 cm|reliure de l'éditeur
    Edition illustrated with color images by Maurice Leloir.
    Publisher's full green cloth binding, smooth spine, first cover illustrated with a polychrome plate depicting Cardinal Richelieu brandishing a sword, edges gilt, endpapers and pastedowns of blue paper marginally discolored without gravity, binding signed Poënsin.
    Gift inscription in pen from a previous owner as a present.
    Handsome copy.
    €350
  7. Le roy soleilLe roy soleil
    Maurice LELOIR, Gustave TOUDOUZE

    Le roy soleil

    Boivin & Cie|Paris 1931|30 x 37 cm|reliure de l'éditeur
    New edition, illustrated with 40 magnificent watercolors by Maurice Leloir, including 34 full-page and 2 double-page illustrations, printed in chromotypography.
    Title page in blue and gold with the arms of Louis XIV and his cipher. All leaves are mounted.
    Publisher's binding in full royal blue cloth, smooth spine with gilt title, front cover decorated with a large polychrome and gilt plate on the upper cover depicting Louis XIV on horseback, gilt edges, binding signed Engel.
    Handsome copy almost entirely free from foxing.



    €600
  8. La cantinièreLa cantinière
    JOB, Georges MONTORGUEIL

    La cantinière

    Boivin & Cie • Félix Juven|Paris s. d. [1898]|28 x 36 cm|reliure de l'éditeur
    Illustrated edition with color images by Job.
    Publisher's full grey cloth binding, smooth spine, first cover illustrated with a polychrome plate depicting a battle scene, endpapers and pastedowns of blue paper marginally discolored without gravity, red edges, signed binding by Engel.
    Handsome copy.
    €400
  9. Un Sac de BillesUn Sac de Billes
    Joseph JOFFO

    Un Sac de Billes

    J.-C. Lattès|Paris 1975|13.50 x 21.50 cm|broché
    New edition for which there were no deluxe copies.
    Handsome copy.
    Autograph inscription signed by Joseph Joffo: "A Jérome et Arnaud, un sac de billes, témoignage de mon enfance. Jo Joffo" (To Jérome and Arnaud, a bag of marbles, testimony of my childhood. Jo Joffo).
    €250
  10. Agates et calots - Premier tome du Sac de BillesAgates et calots - Premier tome du Sac de Billes
    Joseph JOFFO

    Agates et calots - Premier tome du Sac de Billes

    J.-C. Lattès|Paris 1981|13.50 x 21.50 cm|broché
    First edition, of which there were no deluxe copies.
    Handsome copy.
    Autograph inscription signed by Joseph Joffo to a young lady named Emma on an endpaper: "Pour Clodine, témoignage de mon enfance. Et, en prime formidale sac de bises " (For Clodine, testimony of my childhood. And, as a formidable bonus, a bag of kisses) accompanied by a drawing of a flower.
    €100
  11. Punch and Judy - The Pets - Puss in Boots - Red Riding Hood - Poor Cock Robin - The Three Bears - Mother Hubbard - Nursery Songs - Tom Thumb - Jack and the Bean-StalkPunch and Judy - The Pets - Puss in Boots - Red Riding Hood - Poor Cock Robin - The Three Bears - Mother Hubbard - Nursery Songs - Tom Thumb - Jack and the Bean-Stalk

    Punch and Judy - The Pets - Puss in Boots - Red Riding Hood - Poor Cock Robin - The Three Bears - Mother Hubbard - Nursery Songs - Tom Thumb - Jack and the Bean-Stalk

    F. Warne & Co|London s. d. [vers 1900]|10.70 x 15.40 cm|relié
    Ten tales bound in one volume, 80 pages illustrated in chromolithography, accompanied by text in the lower portion.
    Charming and colorful collection of great classics of children's tales in English, including Puss in Boots, Little Red Riding Hood, Tom Thumb, and Jack and the Beanstalk.
    Half-shagreen binding in midnight blue, spine with five raised bands decorated with double black fillets and gilt floral motifs, pebbled paper boards. Light stains to board margins. Small loss to shagreen at foot of lower board.
    €600
  12. Alphabet des fillettesAlphabet des fillettes
    Louis VAGNE

    Alphabet des fillettes

    [Imagerie de Pont à Mousson]|s. d. [ca 1900]|24.80 x 31.40 cm|cartonnage de l'éditeur
    Fine album from the Imagerie de Pont à Mousson, decorated with six full-page colored illustrations, including two double-page spreads depicting children's games with toys, intended for the education of young girls.
    The lithographs are the work of Louis Vagné, who took over the great imagery printing house of Haguenthal.
    Publisher's polychrome illustrated boards, upper board illustrated in color, lower board decorated with a children's games scene in black and white. Joints fragile.
    €200
  13. Chansons et rondes enfantines. Contes et fables en chansonsChansons et rondes enfantines. Contes et fables en chansons
    ANONYME

    Chansons et rondes enfantines. Contes et fables en chansons

    Chez P. Martinon|A Paris 1858|15.50 x 24.20 cm|relié
    First edition, very rare. Not listed in Carteret (illustrated Romantic books). 8 hand-colored engravings, including a frontispiece, all published by Gabriel de Gonet, and several lithographs placed as headpieces. Printed on heavy laid paper.
    A manuscript on a loose leaf occupying 2 pages, written in brown ink and dated 1845: Le renard et la cigogne, signed L. Fortoul, text which appears in the collection on p.33. Other texts by the same author are found in the work. Louis Fortoul was an author of tales and works for young people.
    Full burgundy morocco binding signed at bottom of front pastedown Quinet. Spine with raised bands, compartments richly decorated and inlaid with brown...
    €1,500
  14. Quand nos capitaines étaient petitsQuand nos capitaines étaient petits
    JOB, Emile HIZELIN

    Quand nos capitaines étaient petits

    Delagrave|Paris 1938|25 x 32.50 cm|reliure de l'éditeur
    Edition illustrated with 8 color plates and black figures in text by Job.
    Publisher's full beige cloth binding, smooth unlettered spine, front board decorated with large colored vignette, endpapers and pastedowns of beige paper.
    Light foxing on endpapers and edges.
    Handsome copy.









    €120
  15. Baby-FootBaby-Foot
    Joseph JOFFO

    Baby-Foot

    JCLattès|Paris 1977|13.50 x 21.50 cm|broché
    First edition, of which there were no deluxe copies.
    Handsome copy.
    Autograph inscription signed by Joseph Joffo to a woman named Jacqueline: "Pour Jacqueline, témoiignage de mes rêves d'adolescent, et l'amitié en prime" (For Jacqueline, testimony of my adolescent dreams, and friendship as a bonus) accompanied by a drawing of a flower.
    €80
  16. Moustique dans la luneMoustique dans la lune
    Paul GUTH, Alain GRÉE

    Moustique dans la lune

    Casterman|Tournai 1963|18.50 x 23.50 cm|reliure de l'édireur
    First edition illustrated with drawings by Alain Grée.
    Publisher's polychrome paper boards, smooth spine.
    Small lack to film covering at head of one joint, five fine blue ballpoint pen marks in margins of two pages, a small light stain on the fore edge, otherwise handsome copy.
    Autograph inscription signed by Paul Guth to Stéphanie de Gonneville.
    €60
  17. Le géant de ZeraldaLe géant de Zeralda
    Tomi UNGERER

    Le géant de Zeralda

    L'école des loisirs|Paris 1998|15 x 19 cm|broché
    First edition in French.
    Two vertical fold marks on the covers.
    Work illustrated with drawings by Tomi Ungerer.
    Autograph inscription signed by Tomi Ungerer to a young man named Thomas.
    €250
  18. Le chapeau volantLe chapeau volant
    Tomi UNGERER

    Le chapeau volant

    L'école des loisirs|Paris 2006|15 x 19 cm|broché
    New edition of the French translation.
    Handsome copy.
    Work illustrated with drawings by Tomi Ungerer.
    Autograph inscription signed by Tomi Ungerer to a young lady named Manon.
    €250
  19. AdélaïdeAdélaïde
    Tomi UNGERER

    Adélaïde

    L'école des loisirs|Paris 1978|15 x 19 cm|broché
    First edition in French.
    A light circular stain to lower left corner of front cover.
    Work illustrated with drawings by Tomi Ungerer.
    Autograph inscription signed by Tomi Ungerer to a young lady named Adélaïde.
    €350
  20. Lettres des îles BaladarLettres des îles Baladar
    Jacques PRÉVERT

    Lettres des îles Baladar

    Gallimard|Paris 1952|26 x 18 cm|reliure de l'éditeur
    The first edition, of which there were no deluxe copies of this children's book presented as a tourist postcard from the Baladar Islands to send to friends.
    Publisher's binding in full boards, illustrated covers.
    Work illustrated with drawings by André François.
    Inevitable traces of rubbing to the spine due to the fact that Jacques Prévert sent by postal mail the autograph inscriptions made on this work: the addresses and names written by Jacques Prévert at the bottom of the first cover and in the middle of the second cover.
    Autograph inscription signed by Jacques Prévert to Catherine Drimet: "A Catherine avec plaisir Jacques Prévert Paris Février...
    €2,000
  21. Charles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A very light marginal dampstain, not affecting the design, as well as some soiling in the left margin.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that...
    €120
  22. Charles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Rare and light worming to margins not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the...
    €120
  23. Charles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Jean François Prosper DELDUC, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jean Delduc on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Tales in 1862.
    Very rare foxing in the margin not affecting the design.
    These illustrations of the Tales are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism thanks to the technique called...
    €100
  24. Le miroir à deux faces : La fugue du Petit Poucet. - Ikonut ou l'infini et les Eskimos. - Amandine ou les deux jardinsLe miroir à deux faces : La fugue du Petit Poucet. - Ikonut ou l'infini et les Eskimos. - Amandine ou les deux jardins
    Michel TOURNIER, Alain GAUTHIER

    Le miroir à deux faces : La fugue du Petit Poucet. - Ikonut ou l'infini et les Eskimos. - Amandine ou les deux jardins

    Seuil jeunesse|Paris 1994|23.50 x 33.50 cm|reliure de l'éditeur
    Edition en partie originale ornée illustrations d'Alain Gauthier.
    Agréable exemplaire.
    binding à la bradel de l'éditeur en plein cartonnage, spine lisse, plats illustrés.
    Envoi autographe daté et signé de Michel Tournier : "Pour Florence en souvenir du premier jour de printemps. Michel Tournier..."
    €150
  25. Voyages de Gulliver dans des contrées lointainesVoyages de Gulliver dans des contrées lointaines
    Jean Ignace Isidore Gérard GRANDVILLE, Jonathan SWIFT

    Voyages de Gulliver dans des contrées lointaines

    Furne et Cie • H. Fournier|Paris 1838|13 x 21 cm|2 volumes reliés
    First printing of Grandville's illustration. A frontispiece on flying China paper and 450 wood-engraved vignettes in-text, and 5 hors texte, the four titles of the four voyages and the literary allegory as frontispiece to the notice. New translation, biographical and literary notice on Jonathan Swift by Walter Scott.
    Contemporary grey glazed calf half-binding in Romantic style. Smooth spine with a long Romantic tool and 2 mirrored tools, with fillets. Light traces of rubbing. Some scattered foxing, mainly marginal. Handsome copy.
    "This complete illustration occupies one of the first ranks in Grandville's work." (Carteret, III, 578). This very beautiful illustrated Romantic work is...
    €850
  26. Exposition Benjamin RabierExposition Benjamin Rabier
    Guillaume APOLLINAIRE, Benjamin RABIER

    Exposition Benjamin Rabier

    Galerie d'art Deplanche|Paris 1910|24 x 15.50 cm|une feuille rempliée

    Rare first edition of the catalogue of the first exhibition of Benjamin Rabier's watercolors, showing 41 works at the Galerie d'art Deplanche from 8 June to 4 July 1910.
    A very good copy despite slight staining to edge of upper cover.
    An important and amusing preface by Guillaume Apollinaire who awards Rabier the prize for the "most spiritual of our animal painters."
    The catalogue is illustrated with a reproduction of one original watercolor by Benjamin Rabier on the cover.

    €1,800
  27. OeuvresOeuvres
    François RABELAIS, Albert ROBIDA

    Oeuvres

    La librairie illustrée|Paris 1885 - 1886|24.50 x 32 cm|2 volumes reliés
    Illustrated edition by Robida, first printing with 49 plates (8 in color, 35 in camaieu and 6 in black), and numerous text illustrations (approximately 600).
    Publisher's polychrome illustrated boards signed Souze and bound by Engel. Special gilt and blue plate on red ground. Spine similar. Rear board with a half-timbered house in a central roundel and blind angular cornerpieces.
    Front board of first volume very good, that of the second with a 1cm diameter stain, and soiling to the upper part of the black border. Lower corners bumped, others rubbed. A tear to the spine of the first volume. Headcaps rubbed, those at head turned in. Soiling to rear boards. Scattered and unevenly...
    €950
  28. Il était une fois, deux fois, trois fois... ou la table de multiplication en versIl était une fois, deux fois, trois fois... ou la table de multiplication en vers
    Jean TARDIEU, Elie LASCAUX

    Il était une fois, deux fois, trois fois... ou la table de multiplication en vers[Once Upon a Time, Twice, Thrice... or the Multiplication Table in Verse]

    Gallimard|Paris 1947|25.50 x 33.50 cm|broché
    First illustrated edition with 92 original colour compositions by Elie Lascaux, one of 65 numbered copies on pure Lana wove paper, deluxe issue.
    Endpapers slightly shaded, minor tears to the spine without loss, a pleasant copy.
    €500
  29. Claudius BombarnacClaudius Bombarnac
    Jules VERNE

    Claudius Bombarnac

    Hetzel|Paris 1906|18 x 27.30 cm|relié
    Second illustrated edition. It benefits from a new printing with substantial modifications to the text and engravings. The 6 polychrome plates are printed in dominant tones of blue, greenish, pale. The later edition with red medallion will have only 3 polychromes out of 6. 52 illustrations by Benett.
    Publisher's binding known as "Aux feuilles d'acanthe", with gilt ground medallion. Good first plate, with slight discoloration on the outer border. Spine with small lacks of cloth, like spots, on the title label, at foot and headcap. Second board fairly good but with 2 areas as if scratched. Corners lightly rubbed. Fairly good copy, overall fresh, with pale reddish-brown halos on title page...
    €500
  30. César CascabelCésar Cascabel
    Jules VERNE

    César Cascabel

    Hetzel|1892|18 x 28 cm|relié
    Rare new edition, illustrated with 85 drawings by Georges Roux and 12 chromotypographies. Catalogue FX in fine. First illustrated edition with the 2 elephants in 1890.
    Publisher's binding known as "Au portrait collé" signed in the plate Lenègre relieur. Spine with lighthouse signed Lenègre at foot.
    Beautiful upper plate with gleaming gilt. Traces of discoloration above the world map and small stains at the top of the author's name. Lower corners showing creases. Headcaps rubbed. Under "Jules Verne" inscribed in ink 134. Spine slightly faded. Fine second cover. Stain in right margin of title page beside the title, several numbers written in pen around the title. Fresh paper, almost...
    €1,200
  31. Lettres des îles BaladarLettres des îles Baladar
    Jacques PRÉVERT

    Lettres des îles Baladar[Letters from the Baladar Islands]

    Gallimard|Paris 1952|26 x 18 cm|reliure de l'éditeur

    First edition, with no deluxe copies issued, of this children’s book designed in the form of a tourist postcard from the Baladar Islands to be sent to friends.

    Publisher’s pictorial boards.
    Illustrated with drawings by André François.

    Inevitable rubbing to the spine, owing to Jacques Prévert’s practice of sending inscribed copies of this work through the post; a small dampstain to the right-hand margin of a few leaves.

    Signed and dated presentation inscription in felt-tip pen by Jacques Prévert: "Vive l'amitié Jacques Prévert Paris de printemps 1958" enhanced with an original drawing in green, yellow and red coloured pencil depicting a flower accompanied by...

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  32. Michel Strogoff. De Moscou à Irkoutsk, suivi de un drame au MexiqueMichel Strogoff. De Moscou à Irkoutsk, suivi de un drame au Mexique
    Jules VERNE

    Michel Strogoff. De Moscou à Irkoutsk, suivi de un drame au Mexique

    Hetzel|Paris [1898-1902]|18 x 27.50 cm|relié
    Sold
  33. La famille FenouillardLa famille Fenouillard
    Antoine de CHRISTOPHE

    La famille Fenouillard

    Librairie Armand Colin|Paris s. d. [ca 1900]|32 x 22.50 cm|reliure de l'éditeur
    Sold
  34. Henri IV roy de France & NavarreHenri IV roy de France & Navarre
    Hermann VOGEL, Georges MONTORGUEIL

    Henri IV roy de France & Navarre

    Boivin & Cie|Paris 1907|28 x 36 cm|reliure de l'éditeur
    Sold
  35. BonaparteBonaparte
    JOB, Georges MONTORGUEIL

    Bonaparte

    Boivin & Cie • Félix Juven|Paris 1910|28 x 36 cm|reliure de l'éditeur
    Sold
  36. [PETER PAN] Piter Pan dans les Jardins de Kensington[PETER PAN] Piter Pan dans les Jardins de Kensington
    James Matthew BARRIE, Arthur RACKHAM

    [PETER PAN] Piter Pan dans les Jardins de Kensington

    Hachette & Cie|Paris s. d. [1907]|20 x 25.50 cm|reliure de l'éditeur
    Sold
  37. Les grands navigateurs du XVIIIe siècleLes grands navigateurs du XVIIIe siècle
    Jules VERNE

    Les grands navigateurs du XVIIIe siècle

    Hetzel|Paris 1879|18 x 28 cm|reliure de l'éditeur
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  38. Le Tour du monde en 80 jours. - Le Docteur OxLe Tour du monde en 80 jours. - Le Docteur Ox
    Jules VERNE

    Le Tour du monde en 80 jours. - Le Docteur Ox

    Hetzel|Paris 1905-1910|18.50 x 28 cm|relié
    New edition, illustrated with drawings by de Neuville and Benett.
    Publisher's binding "à un éléphant, titre dans l'éventail" signed at bottom of plate Engel, spine with lighthouse, second cover type "i" according to Jauzac.
    Head slightly depressed, spine moderately lightened, second cover with small light stains of discoloration without consequence, one gathering slightly proud, some foxing affecting endpapers and half-title page, otherwise handsome copy.
    Le Tour du monde en quatre-vingts jours is an adventure novel. The novel recounts the race around the world of an English gentleman, Phileas Fogg, who has wagered to achieve this in eighty days. He is accompanied by...
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  39. La Belle au bois dormantLa Belle au bois dormant
    Charles PERRAULT, Arthur RACKHAM

    La Belle au bois dormant

    Librairie Hachette|Paris s. d. [1921]|19 x 25.50 cm|relié
    Sold
  40. Les fémorales ou l'éternelle rencontre du méchant loupLes fémorales ou l'éternelle rencontre du méchant loup
    Maurice d' HARTOY, Gabriel BELOT

    Les fémorales ou l'éternelle rencontre du méchant loup

    E. Rouveyre & G. Blond|Paris 1953|19 x 24 cm|reliure de l'éditeur
    Sold
  41. Contes bleusContes bleus
    Édouard LABOULAYE, Yan' DARGENT

    Contes bleus

    Furne, Jouvet & Cie|Paris 1880|15.50 x 24 cm|relié
    Sold
  42. Sans familleSans famille
    Hector MALOT, Émile BAYARD

    Sans famille

    Hetzel|Paris s. d. [circa 1880]|18.50 x 28.50 cm|reliure de l'éditeur
    Sold
  43. Fierabras, légende nationaleFierabras, légende nationale
    Gustave DORE, MARY-LAFON

    Fierabras, légende nationale

    Librairie Nouvelle|Paris 1857|22 x 28 cm|relié
    Sold
  44. Lettres adressées à des petites filles suivi de Alice racontée aux petits enfants et de Trois Poèmes sans queue ni TêteLettres adressées à des petites filles suivi de Alice racontée aux petits enfants et de Trois Poèmes sans queue ni Tête
    Lewis CARROLL, Max ERNST

    Lettres adressées à des petites filles suivi de Alice racontée aux petits enfants et de Trois Poèmes sans queue ni Tête

    Flammarion|Paris 1975|14 x 20 cm|broché
    First edition, on ordinary paper, of the French translation established by Henri Parisot.
    Handsome copy complete with its publisher's slip.
    Autograph inscription signed by Henri Parisot to his surrealist colleague Georges Goldfayn.
    Provenance: from the library of Georges Goldfayn.










    Sold
  45. Charles Perrault, Contes, Cendrillon, "Approchant la pantoufle de son petit pied, il vit qu'elle y entrait sans peine & qu'elle lui était juste comme de cire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Cendrillon, "Approchant la pantoufle de son petit pied, il vit qu'elle y entrait sans peine & qu'elle lui était juste comme de cire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Louis BREVIERE, Gustave DORÉ

    Charles Perrault, Contes, Cendrillon, "Approchant la pantoufle de son petit pied, il vit qu'elle y entrait sans peine & qu'elle lui était juste comme de cire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Louis Brevière on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Rare worming and soiling in the margin not touching the image.
    These illustrations of the Contes are considered the most successful treatment of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through...
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  46. Charles Perrault, Contes, Le Chat botté, "Le Chat eut soin de s'informer qui était cet ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Chat botté, "Le Chat eut soin de s'informer qui était cet ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "Le Chat eut soin de s'informer qui était cet ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  47. Jean le paresseuxJean le paresseux
    BERTALL

    Jean le paresseux

    Librairie Hachette et Cie|Paris 1880|22 x 30 cm|relié
    BERTALL
    Jean le Paresseux
    Librairie Hachette et Cie | Paris 1880 | 22 x 30 cm | publisher's binding
    First edition illustrated with drawings in colors by Bertall.
    Publisher's cloth, upper board illustrated by Souze. A very nice copy without foxing.
    Sold
  48. Le Beffroi N°23 de la troisième année
    COLLECTIF

    Le Beffroi N°23 de la troisième année

    Le Beffroi|Lille Avril 1902|16 x 24 cm|agrafé
    First edition. Contributions by A.-M. Gossez, R.-M. Cleyfeyt, Henri Martineau, Sébastien-Charles Leconte, Léon Bocquet among others. Our copy is complete with the portrait of Achille Segard by the painter Lucien Lévy-Dhurmer as a separate plate.
    €60
  49. Solidarité. Vue synthétique sur la doctrine de Charles Fourier
    Hippolyte RENAUD

    Solidarité. Vue synthétique sur la doctrine de Charles Fourier

    A la librairie de l'école sociétaire|Paris 1842|12.50 x 21 cm|relié
    Rare first edition.
    Half red sheep binding, smooth spine decorated with typographical motifs and gilt fillets with a small scratch at head, contemporary binding.
    Important work for understanding Fourierist doctrine.
    Autograph inscription signed by Hippolyte Renaud, handsome copy free from foxing.
    €450
  50. De l'état de la France à la fin de l'An VIII
    [Alexandre Maurice Blanc de Lanautte, Comte d' HAUTERIVE]

    De l'état de la France à la fin de l'An VIII

    Henrics|Paris An IX (1801)|13.50 x 22 cm|broché
    First edition in plain wrappers.
    Political situation of Europe before the war, France's situation with regard to its allies, its enemies, the neutrals, France's internal situation...
    A manuscript note beneath the contemporary title attributes this anonymous work to Anquetil. Conceived as a manifesto to foreign nations, this work was actually composed by the Count d'Hauterive at the request of Napoleon I, after the coup d'état of 18 Brumaire.
    Some minor foxing, rare copy in its original wrappers.
    €150
  51. Victor Hugo avant 1830
    (Victor HUGO) Edmond BIRÉ

    Victor Hugo avant 1830

    J. Gervais|Paris 1883|12.50 x 19 cm|broché
    Sold
  52. La revue indépendante N°10 du tome IV
    COLLECTIF

    La revue indépendante N°10 du tome IV

    La Revue Indépendante|Paris Août 1887|12.50 x 19 cm|broché
    Sold
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