Gift ideas between 1 500 € and 2 000 €

First edition printed in two columns, one in French and the other in Italian.

Not recorded by Starace or Roland Bonaparte.

Contemporary limp vellum-style boards, smooth unlettered spine; covers soiled.

Some scattered foxing; one quire working loose.

First edition and complete run of this bi-monthly journal by university students from Brittany.

A unique collection on coloured paper of L'Étudiant Breton, from issue no. 1 of the first year (January 20, 1906) to no. 39 of the third year (February 8, 1908), bound in one volume. The journal continued publication until March 1910 (no. 63), cf. BnF - Catalogue collectif des périodiques, vol. II, p. 537.

Contemporary half marbled calf with corners, smooth spine decorated with two gilt ermines, red morocco lettering piece laid horizontally, gilt fillet borders on marbled paper boards, hand-marbled endpapers and paste-downs, some original wrappers preserved, corners slightly bumped, minor rubbing.

A manuscript note in black ink at the head of the volume states: "Unique series printed on coloured papers, specially made for Dr J. Marly". Each issue is printed on a double leaf except for no. 7 (3 leaves), no. 20 for Christmas 1906 which comprises 6 pages and two wrappers (the first illustrated in two colours and signed H. Gélèbart, December 1907), no. 28 which includes an additional leaf (musical score of a song by Rennes students dedicated to the local police and titled "Saint-Eloi"), and no. 37 for Christmas 1907 which comprises 5 pages and two wrappers (the first printed in green). The wrappers for no. 20 are also mounted at the beginning and end of the volume.

The rarity of this set lies in the variety of printings: - no. 7: 1 copy on beige paper printed in black and 1 copy on thick glazed paper printed in black - no. 19: 1 copy on green paper printed in green and 1 copy on beige paper printed in green - no. 20: copy on white glazed paper printed in black, with wrappers - no. 21: copy on blue paper printed in black - no. 23: 1 copy on blue paper printed in black and 1 copy also on blue paper printed in gold ink - no. 24: 1 copy on pink paper printed in black, 1 copy on pink paper printed in gold ink, and 1 remarkable copy on bicoloured paper (glossy black for the first and last pages and beige for the interior) printed in gold ink - no. 25: copy on green paper printed in black - no. 26: 1 copy on blue paper printed in black and 1 copy on red paper printed in black - no. 27: 1 copy on pink paper and 1 copy on green paper, both printed in black - no. 28: copy on pink paper printed in black - no. 29: 1 copy on green paper and 1 copy on beige paper, both printed in black - no. 30: copy on lilac paper printed in black - no. 31: copy on orange paper printed in black - no. 32: copy on fuchsia paper printed in black - no. 33: copy on brown paper printed in black - no. 34: copy on green paper printed in black - no. 35: copy on brown paper printed in black - no. 36: copy on blue paper printed in black - no. 37: copy on white glazed paper printed in black, with wrappers - no. 38: copy on green paper printed in black - no. 39: copy on blue paper printed in black.

A unique collection.

Rare first edition illustrated with 10 folding plates, including 5 grammatical tables and 5 plates of calligraphy.

Not recorded in Blackmer, Atabey or Hage Chahine.

Half olive-green calf, spine with four raised bands framed with gilt garlands and decorated with small blind-stamped floral tools, black morocco title and author labels, marbled paper boards, comb-marbled endpapers and pastedowns, modern binding.

Spine slightly darkened, small paper losses to the upper right corners of the first leaves not affecting the text, some foxing mainly at the end of the volume. Much better known for his role in the mission sent by Napoleon to the Shah of Persia to negotiate a counter-alliance against Turkey, Amédée Jaubert (1779–1847) was a distinguished orientalist, professor of Persian at the Collège de France, and of Turkish at the École des langues orientales, of which he became president in 1838.

First edition of the French translation, with no issue on deluxe paper.

Minor surface scuffs along the margins of the front wrapper.

With a fine signed presentation inscription by Italo Calvino: "A Michel Tournier avec le souvenir de Italo Calvino. Mai 1974."

First edition on standard paper.

A handsome copy, complete with its publisher’s wraparound band.

Fine presentation inscription signed by Milan Kundera: "Paris 1998. Pour Michel Tournier avec l'amitié fidèle de Milan Kundera."

This work is in fact the reissue of the original edition, published under a new title: the 1772 edition was entitled "Dissertation sur les vins".

One hundred blank leaves have been bound at the end of the text.

The work saw an expanded edition in 1782, which was subsequently reprinted. (Cf. Simon BG: 510. Not recorded by Vicaire, Oberlé, or Bitting. Lacking from the Kilian Fritsch Collection.)

Contemporary half mottled tawny sheep with vellum-tipped corners, the spine with five raised bands decorated with gilt compartments, marbled paper sides, red edges.

An important treatise on vinification by a former wine merchant’s employee who had worked in France, England, and Holland.

The volume details the methods then used to preserve and improve wines, as well as to treat those that had spoiled. One chapter is devoted to the manner of making wines in Champagne (pp. 135–179). It is also, however, a veritable compendium of “fraudulent recipes”…

An open invitation to fraud, so much so that the censor responsible for granting approval was visibly unsettled: this dissertation "contient les formules suivant lesquelles on sophistique les vins, cependant on peut le laisser imprimer, parce qu'elle n'apprend aux frelateurs de vins que ce qu'ils savent bien faire et qu'elle fait connaître au public qui et prévenu, que les vins frelatés sont dangereux et les moyens qu'on emploie pour le tromper". [D. Denis, Histoire socio-économique de la vigne et du vin.]

Original ink drawing by Marie-Laure de Noailles, signed "Marie-Laure" within the artwork (appearing twice as a result of folding the paper while the ink was still wet). With an autograph postcard signed to Valentine Hugo, with 2 inscriptions and some parts of the photograph drawn over. 

A Rorschach-like Surrealist decalcomania by Marie-Laure de Noailles created for painter and photographer Valentine Hugo, the “Queen of Hearts” of the Surrealists.

First edition of this splendid lithographed album by A. Bayot, Eugène Cicéri, and Morel Fatio, comprising a lithographed title on a tinted background, a line-engraved map by Avril, and 15 color lithographs on tinted grounds.

Contemporary black half shagreen binding with corners, spine with five raised bands and blind-stamped double fillets, cherry-red shagreen title label (with minor losses) mounted on the upper cover, black paper-covered boards, white moiré silk endpapers and pastedowns, endpapers slightly foxed and creased, all edges gilt, the binding recently restored.

Scattered foxing, a few faint marginal dampstains, one stain at the head of the final plate.

First edition, one of the copies printed on vellum paper.

Minor, inconsequential loss at the foot of the spine; light foxing chiefly affecting the rear cover.

Very scarce presentation inscription signed by René Guénon to the French journalist, writer, royalist activist and later collaborationist Jean Héritier.

First edition of the French translation prepared by Michel Vaucaire, who would later write the lyrics to the famous song Non, je ne regrette rien, singed by Édith Piaf. One of the rare named copies printed on japon. 

Vertical creasing to spine, minor corner losses to spine and boards, traces of erasure to first two leaves, as issued.

Illustrated with 9 black-and-white photographs, including one on the cover.

Very rare first edition (cf. Monglond VII 661).

Contemporary half brown sheep with corners, smooth spine gilt with floral tools and fillets, rubbing to spine and joints, marbled paper boards, grey endpapers and pastedowns, corners softened, yellow edges.

Pleasant, clean interior.

A shadowy figure who was by turns (and at times simultaneously) a secret agent, Tallien’s associate, a Revolutionary pamphleteer, and a double agent under the Directory and the Empire, Méhée de La Touche (1762–1827) left in 1784 on a covert diplomatic mission to Poland and Russia, from which he was expelled at the end of 1791. The correspondence he publishes here (running from 1788 to July 1791) abounds in valuable information on the social and political situation of these countries at the close of the eighteenth century.

Rare collection, in first edition, of political texts relating to the affairs of Belgium (shaken by the Brabant Revolution since 1787) and the Netherlands (whose opponents of the Stadtholder had often taken refuge in France).

As indicated by the handwritten table bound at the beginning of the volume, this copy constitutes only the first of a series of collections compiled by Roederer (see below) from the memoirs and pamphlets he received while serving as a member of the Constituent Assembly.

Contemporary full mottled fawn calf, smooth spine gilt-decorated with garlands and urns (partly faded), rubbed head- and tailpieces, green morocco title-piece, gilt dentelle and garland borders on the covers, gilt fillet on the edges, corners rubbed, yellow edges sprinkled with red.

Some foxing at the end at the last booklet.

The contents are as follows:

 - I. Mémoire pour les patriotes Hollandois réfugiés en France. S.l.n.d. [Paris, 1790], 40 pp. 

• II. Mémoire remis au Comité des pensions de l'Assemblée nationale, par quelques Hollandois réfugiés en France, le 19 novembre 1790. S.l.n.d. [1790], 16 pp.
• - III. Note instructive remise en mai 1791 aux membres de l'Assemblée Nationale, par quelques Hollandois actuellement à Paris. [Paris], Imprimerie de H. J. Jansen, s.d. [1791], 23 pp.
• - IV. Manifeste du peuple brabançon. S.l., 1789, 40 pp.
• - V. [DUMOURIEZ (Charles-François):] Le Guide des nations, ou Correspondance politique et morale sur la France et les Pays-Bas. Paris, Imprimerie d'A.J. Gorsas, s.d. [1790], 110 pp.

Provenance: from the library of the lawyer, playwright, journalist and statesman Pierre-Louis Roederer (1754–1835), with his printed ex-libris on a pastedown, and at the head of part V, a signed presentation inscription from Charles-François Dumouriez to Pierre-Louis Roederer.

First edition of the first of Augustin Sageret’s (1763–1851) two memoirs on cucurbits. Sageret was a pioneer in plant hybridization, particularly through his experiments with melons.

Only two copies of this edition are recorded in the CCF (Muséum and Lyon). Extracted from the Mémoires de la Société royale et centrale d’agriculture, year 1825. Pritzel 7969. Oberlé, Fastes, 708.

Half green long-grain morocco binding, spine faded and slightly darkened, decorated with gilt and black double fillets and blind-stamped floral tools, gilt rolls at head and tail, gilt date at foot, marbled paper boards, marbled endpapers, marbled edges, modern binding.

Some foxing mainly affecting the last work, partial shadowing on the title pages of the last two parts, trace of a label at the head of the rear pastedown.

Bound at the end, also in first editions and by the same author:

• I. Deuxième mémoire sur les cucurbitacées, principalement sur le melon, contenant la culture en pleine terre de celui-ci, etc., et les perfectionnemens dont elle serait susceptible. Printed in Paris, Imprimerie de Madame Huzard (née Vallat-la-Chapelle), 1827, 118 pp. Extracted from the Mémoires de la Société royale et centrale d’agriculture, year 1827.
• II. Notice sur le melon de la Chine, fait singulier observé sur un de ces melons, et considérations physiologiques sur la fécondation et sur l’hybridité relatives de ce fait. [Paris], Imprimerie de Madame Huzard (née Vallat-la-Chapelle), n.d. [1828], 16 pp. Extracted from the Annales de la Société d’horticulture de Paris, March 1828. Very rare. Only one copy in the CCF (Muséum).
• Handsome set finely bound by Lobstein-Laurenchet.

First edition of the French translation by Jean Mourier.

Only one copy listed in the CCF (BULAC).

Full burgundy cloth binding, smooth spine with gilt lettering running lengthwise, pink paper pastedowns and endpapers, a modest modern binding.

Some light, insignificant foxing.

Very rare work tracing the origins of the Kingdom of Georgia up to the introduction of Christianity.

First edition, illustrated on the title page with a small woodcut showing a bull and a mounted horseman charging, and at the end of the volume with a curious wood-engraved vignette depicting the poet (wearing spectacles) and his muse.

Rare and engaging bullfighting pamphlet containing a verse account of a mounted bullfight held in Lisbon on 26 September 1752.

Pleasing copy preserved in its original sewing with later plain marbled paper wrappers.

Autograph letter dated and signed by Alexis Léger, 26 lines in blue ink, written from Washington to his friend Emily Amram, describing the torments of his convalescence following a "stupid accident".

Folds inherent to mailing.

The poet thanks his friend for her floral attentions during his illness: "combien la présence de vos fleurs m'a aidé contre les mauvaises ombres pendant mes jours de réclusion !" and, much to his regret, must once again postpone the visit he had promised her: "une mauvaise grippe washingtonnienne, qui m'a surpris, déjà fatigué, peu après mon retour chez moi, achevé de me déprimer, et pour ne pas accabler encore l'affectueuse sollicitude de bons amis comme vous et Phil, je n'ai su, écœuré de moi-même, que me condamner au silence et à la solitude."

He intends to banish his dark thoughts by granting himself a stay by the sea in the South: "Je pars demain pour le sud et vais demander au voisinage de la mer la possibilité de me libérer, par la natation; des dernières traces de mon stupide accident."

First edition, one of 750 numbered copies on vélin paper, this not justified, the only printing along with 50 on Japan.

A good copy.
Aesthetic Surrealist autograph inscription by Benjamin Péret: '...Pourquoi la chevelure, me direz-vous? Oui, pourquoi? Parce que les cheveux remplacent les parapluies...' to his friend Léo Malet.

First edition, one of 50 numbered copies on alfa, only deluxe copies. Some light foxing, mainly on the endpapers.

Rare signed presentation copy in French: “To my friend René Jasinski, in token of gratitude and friendship, these few scenes of Jewish life in New York. T. Twersky”, with a sentence in Hebrew translated by the author in French on a laid-in leaf: “Translation of the Hebrew inscription: sixth day of the week ‘Pekoudè’, year 5692 since the creation of the world, in the holy community of Paris”, (Friday, 4 March 1932 according to our calculation).

First illustrated edition, with four folding plates bound at the end of the volume (cf. Tailliart 1979).

Contemporary half green calf binding, flat spine faded and yellowed, decorated with a gilt cartouche and ornamental tooling at head and tail, caps trimmed, joints fragile, marbled paper boards, hand-marbled endpapers and pastedowns, sprinkled edges, period binding.

Some foxing.

In fact, this pamphlet was intended as the first of a series, hence the general title; however, only this installment was ever published. The secondary title specifies the subject of the volume: "Relation d'une excursion de Bône à Guelma et à Constantine, par sir Grenville Temple et le chevalier Falbe, délégués de la société établie à Paris pour l'exploration de Carthage. Premier fascicule de l'ouvrage, accompagné d'un recueil d'inscriptions et de quatre planches représentant des monumens antiques, des mosaïques et des peintures à fresque découvertes à Carthage."

The two archaeologists had in fact accompanied the French divisions during the second expedition to Constantine, and their account combines scholarly and military perspectives, characteristic of the early period of French colonization in Algeria.

Provenance: Copy from Honoré-Théodoric d'Albert, 8th Duke of Luynes (1802–1867), with the bookplate of the Château de Dampierre affixed to a pastedown.

First edition, one of 69 numbered copies on pur fil, the only deluxe paper copies.

A very handsome copy.

First edition of the French translation, one of 200 copies numbered on Marais vellum, the only deluxe paper issue.

Minor rubbing along the joints. A rare and attractive copy.

First edition of the French translation, of which no copies were printed on deluxe paper, one of the review copies.

A few small spots on the slightly rubbed spine, light foxing mainly affecting the endpapers.

Very rare autograph inscription signed by Otto Rank: "à Monsieur Sébastien Charlety en hommage de ma très haute estime. Otto Rank."

Rare first edition of three scientific reports from the zoological exploration mission of Guy-René Babault (1883-1963), corresponding member of the Muséum d’Histoire Naturelle, carried out in present-day Kenya and Uganda in 1913. 

The set comprises: Volume 1: Insectes coléoptères. Cicindelidae, by Guy Babault. – Volume 2: Insectes coléoptères. Fam. Carabidae. Subf. Anthiinae, by G. Bénard. – Volume 3: Étude d'une collection d'oiseaux de l'Afrique orientale anglaise et de l'Ouganda, by A. Menegaux, with field notes by Guy Babault. 

The first volume includes illustrations in the text and one hand-colored entomological plate with tissue guard and facing leaf of legends; the second volume contains one hand-colored entomological plate with tissue guard and facing legends; the third and final volume features six hand-colored ornithological plates with tissue guards, together with a large folding colored map bound at the end. 

Spine and boards marginally faded or sunned, internally well preserved. 

New edition with hitherto unpublished material, printed three years after the first edition.
Contemporary full brown sheepskin binding, smooth spine with 7 gilt compartments decorated with friezes and classical vases, leather lettering piece, inscription "Lycée impérial de Marseille, prix de l'an XIII (1805)" gilt-stamped on upper cover, gilt rolls on board edges, tooled spine-ends, white pastedowns and endpapers, price label with the "Lycée's" header affixed to front pastedown. Usual wear to joints with a small hole, lower spine-end missing and leather loss at foot of spine, wormhole affecting several letters of the word "Marseille" on front cover, corners bumped, gilt tooling on board edges and spine-ends slightly faded, hole to half-title leaf not affecting text, and leaves throughout cockled.
Ink annotation on title page: "1ère Edition 1796".

Four further editions will follow the first two: 1808, 1813, 1824, and 1835 (the latter published posthumously).

First edition, one of 10 numbered copies on Holland paper, deluxe issue.

Some minor foxing mostly at the beginning and end of the volume.

Inscribed and signed by Maurice Genevoix to Jacques Gommy: "... en pensant aux forêts qu'il aime, avec les hommages et les amitiés de Maurice Genevoix."

First edition.

Illustrated with 16 drawings by Georges Adam.

A superb copy of this rare booklet by Louis Aragon, a true "anti-clerical, anti-capitalist, anti-colonialist, anti-patriotic" (Pierre Juquin) catechism for the children of the exploited working masses.

"On June 25, 1932, the Imprimerie centrale completed printing for the Bureau des éditions et de diffusion, 132, Faubourg Saint-Denis, Paris, a beautiful pamphlet, now a bibliophilic rarity [...] On the cover, a large red star - an important and recurrent image in Aragon's work - appears imprinted on children's brains. Sixteen quatrains, droll and didactic, punctuated for ease of reading, alternate with drawings by Georges Adam, whose nearly expressionist mockery, reminiscent of Rouault's paintings, overturns taboos and myths." (Aragon. Un destin français 1897-1939)


After breaking with the Surrealists, Aragon threw himself wholeheartedly into the Journal de la lutte antireligieuse. He wrote this pamphlet from Moscow and published it on the Party's presses, to ignite the fervor of proletarian youth. French poet Jacques Prévert would later follow a similar path with his play Émasculée conception. Anticlerical activism within French Communist associations was in full swing at the time: every symbol and events of religious life were reinterpreted through the lens of class struggle. "Red baptisms" were organised, forming a community of "Godless" children (drawing their name from the Association of Godless Workers) who corresponded with their Soviet counterparts.
Aragon contributed to these new rituals with this particularly radical children's book, deemed excessively antipatriotic by Maurice Thorez, which he would later disavow at the end of his life.

Illustrated edition with 192 color plates of military uniforms, chiefly from the Revolutionary and Napoleonic eras, after watercolors by Job (see Colas I, 1549).

Texts by various members of La Sabretache.

Contemporary bindings in cherry red morocco-grain half shagreen, spines with five raised bands framed by black fillets, marbled paper boards, marbled endpapers and pastedowns, gilt top edges, original wrappers preserved.

The illustrated plates are distributed as follows: in the first volume, 48 hand-colored plates numbered and captioned on their tissue guards; in the second, 48 unnumbered color plates; in the third, 48 unnumbered color plates; and in the fourth, 48 unnumbered color plates.

Complete set of all that appeared in La Sabretache, consisting of 48 issues each containing 4 color plates.

Themes of military life, patriotism, and even nationalism were the hallmark of Jacques Onfroy de Bréville (1858-1931), an illustrator whose vocation was initially thwarted.

A handsome set uniformly bound in contemporary bindings.

First edition of the exhibition catalogue presenting 37 works by Claude Monet at the Galerie Durand-Ruel from 9 May to 4 June 1904.

During the exhibition, most of the paintings were immediately purchased by American collectors.

Binding in vellum-effect paper boards, names of the catalogue preface writer and the painter inscribed in ink, water-effect paper endpapers, covers and spine preserved, curious ex-libris drawn by H. P. Gassier glued to a pastedown endpaper, binding signed Gonon.
Preface by Octave Mirbeau.

A rare and pleasant copy.

First edition, one of 10 numbered copies on imperial japon, ours one of 3 hors commerce lettered copies, a deluxe issue following 6 on chine.

Bound in full sienna morocco, flat spine, gilt date at foot, moiré-effect endpapers and pastedowns, gilt fillet border on pastedowns, original wrappers and spine preserved (spine restored and backed), gilt edges, chemise edged in sienna morocco, slipcase in wood-effect board with white felt lining, contemporary binding signed by Roger Arnoult.

Our copy is enriched with a one-page signed autograph letter by Jean Cocteau, mounted on a guard, written from La Roche-Posay in Vienne, probably addressed to Pierre Benoit, in which he humorously evokes Charlie Chaplin, his fragile health, and his boredom: "... Me voilà dans ce film de Charlot : \"Charlot fait une cure\" - parmi les clowns et clowneries du mercurochrome... Le docteur H. arrive à éteindre mon fer de travail avec ses pelotes d'épingles aquatiques. Mon ventre gargouille. Si tu venais ce serait une très bonne cure. Que penses-tu de cette publicité pour La Roche : La Roche source d'ennuis."

A handsome copy, finely bound by Roger Arnoult, a graduate of the École Estienne, active until 1980, who collaborated with and worked for the foremost binders of his time such as René Aussourd, Anthoine-Legrain, Paul Bonet, Georges Cretté, Pierre-Lucien Martin...

Second editions, partially original, of the French and Dutch translations; the text is bilingual (Dutch and French), and includes numerous passages printed in Malay (cf. Cordier, "Indosinica", 1385. Not mentioned by Quérard).

Bound in chocolate-brown half shagreen, spine with four small raised bands decorated with gilt fillets and dots, joints split then restored, marbled paper boards showing some scratches, marbled endpapers and pastedowns, small tears to edges; 19th-century binding.

Waterstains affecting the first and last few leaves of the volume.

The translator’s lengthy preface (47 pp.) appears here for the first time. Pages 235 to 344 contain exercises (original texts and their translations). "The first proof sheet of my Dictionary of the Malayan language was received from the printer on the 21st March, and the last on 11th October 1811. On the 24th of that month I corrected the first sheet of the Grammar, and both works were published in the early part of the following year. The impression was large, and, unfortunately for my labours, the extensive possessions conquered from the Dutch, where the Malayan is spoken, were gratuitously restored to them, and my sale contracted. Within these few years the Government of the Netherlands has done me the honour of causing translations of my Grammar and Dictionary, which has been hably executed by M. Elout fils, and to the politeness of M. Elout, minister for the colonies, I am indebted for copies of them." Cf. Marsden, Memoirs, pp. 143–144, cited by Cordier. The English orientalist William Marsden (Dublin, 1754–1836) was also director of the East India Company and secretary to the Admiralty. He had travelled to Sumatra in 1771 following his brother, an agent of the Company, and devoted his time there to learning the local language. "After spending eight well-used years in Sumatra, he returned to England in 1779 in hopes of securing a more lucrative position. Initially unsuccessful, he dedicated his retirement to a geographical and historical study of the island. Around this time, he became acquainted with Sir Joseph Banks, who introduced him to several eminent figures such as Dalrymple, Rennell, Maskelyne, Solander, and Herschel. He was soon elected a member of the Royal Society. His History of Sumatra, published in 1782, earned him that distinction (...) The principal fruits of his studious retirement were a Grammar and a Dictionary of the Malay language, an excellent translation of the Travels of Marco Polo (1817), with a highly valuable commentary, a catalogue of his rich collection of Oriental coins, and three Essays, the most important of which concerns the languages of Polynesia" [Hoefer].

First edition, one of 30 numbered copies on Lafuma, the only copies on deluxe paper.
Very handsome copy despite a slight shadow on the half-title page.

First edition (cf. Sabin 47206. Leclerc 952.).

Some joints cracked at head and tail, minor marginal losses of no consequence to the temporary wrappers.

The author, Italian by birth, emigrated to America before the Revolution and settled in Virginia near Monticello.

His book, written in collaboration with Condorcet, is of particular interest with regard to the history of independence and the government of the United States, cf. Fay pages 24-25: "Compilation très exacte, qui réfute les théories de Mably et de Raynal et constitue un répertoire précieux de renseignements de tous ordres sur les États-Unis."

Rare and appealing copy preserved in its original stitching and in plain pink temporary wrappers.

First edition, one of 15 numbered copies on Japan paper, the only deluxe issue.

Illustrated with 121 wood engravings and a folding coloured map.

Bound in modern half black oasis, flat spine decorated with double gilt fillets, brown oasis lettering-piece, marbled paper boards, endpapers and pastedowns of marbled paper, lower cover preserved and mounted on a tab.

First edition with 25 full-page photographs.
Green cloth publisher's binding. Copy complete with its dust jacket, with very slight tears, and traces of wear to the margins.
Rare autograph signature of Maria Callas on the title page.

Second edition of the French translation (Sabin 98442).

Bound in modern pastiche half beige calf, smooth spines ruled in gilt with double fillets, red morocco title labels and brown morocco volume labels, marbled paper boards.

The final two leaves of volume two have been restored, with loss of text: a few letters are missing from page 381, and there is a loss of text on pages 383–384, which comprise the table of contents; occasional light spotting, blind stamps to the lower right corner of title-pages.

Complete set including the atlas, sixth and final volume, illustrated with 17 plates and 9 maps.

A handsome copy of this celebrated voyage of exploration through the Pacific and along the west coast of America.

First edition, illustrated with 265 engravings (including 70 heliogravure plates on thick paper with captioned tissue guards), after the author's own photographs, and including a folding color map at the end of the volume.

Contemporary binding in half tawny morocco with marbled boards, spine with five raised bands framed by black fillets, red morocco title label, some rubbing to spine and headcap, gilt double fillet and garland borders on covers, marbled endpapers and pastedowns, top edge gilt.

Scattered light foxing, mostly at the beginning of the volume.

Very rare first edition, printed in only 80 copies (According to CCFr, copies are held only at the BnF and in Lille).

This edition was printed on August 27, 1867, in the presence of Emperor Napoleon III, during his visit to northern France with Empress Eugénie from August 26 to 30, 1867.

Publisher’s binding in full green grained cloth, flat spine decorated with blind fillets, panels framed with blind fillets, slightly bumped corners, pink edges.

Minor foxing mainly affecting the endpapers; a handsome copy.

On a blank endpaper, an autograph inscription signed by Léonard-Jean-Baptiste Danel (1818–1905), nephew and successor of Louis Danel since 1843, addressed to Auguste Ohnet, likely the paternal uncle of the novelist Georges Ohnet (1848–1918), in which case he lived from 1808 to 1882.

Laid in: a chromolithographed broadside (39 x 29 cm) presenting a copy to the Empress ("Offert à S.M. l'Impératrice Eugénie par le personnel de l'imprimerie Danel à Lille").

First edition of this rare album illustrated with 15 line-engraved plates, each protected by a tissue guard and accompanied by a caption leaf, including a reproduction of the author's portrait drawn by Ingres in Rome in 1818.

Publisher's original full grey boards, flat spine without lettering, some rubbing, blind-ruled borders on covers, a scratch to the foot of the upper cover, central title, corners rubbed.

Some foxing.

Inscribed by Antoine-Marie Chenavard to his friend Antonin L., with the author's signed presentation note.

First edition of this magnificent work, one of Gustave Le Bon’s (1841–1931) contributions to anthropology, in which he applied his pioneering theories to the Arab world. One of the few copies printed on japon paper, unrecorded in bibliographies.

Illustrated with 10 chromolithographs, 4 maps, and 366 engravings, including 70 large plates, after the author’s photographs or the most reliable documentary sources. Cf. Vicaire V, 134.

Contemporary half cherry-red shagreen, spine with five raised bands adorned with gilt fillets and double gilt compartments, double gilt fillet frame on marbled paper-covered boards, comb-marbled endpapers and pastedowns, top edge gilt.

Minor superficial rubbing to spine ends.

A rare and attractive copy on japon paper, handsomely bound in contemporary period style.

Attractive promotional album, complete with its 600 sepia-toned photographs (small prints, each approximately 7 x 5 cm), produced by the La Corona cigar brand. Each vignette was originally included inside the brand's cigar boxes and was meant to be collected and mounted in the album, following a well-established marketing model that remains in use to this day.

Publisher’s original flexible boards with black cloth tape along the margins; some scuffing to covers, corners rubbed.

Good edition, published by J.B. Carpzov, illustrated with a frontispiece and a copper-engraved map of Judea in the text (see Graesse IV, 209).

The work includes numerous passages printed in Hebrew.

See Röhricht, p. 240, for a separate edition of the geographical and topographical prefaces to each gospel ("chorographia").

Contemporary full stiff ivory vellum binding, smooth spine, large later-added brown morocco title label mounted on the back, bookplate pasted on the inside cover, red edges.

Some black stains on the boards.

This is the author's most important work; he also dedicated two other volumes to the Acts of the Apostles and the Epistles of Saint Paul.

In this volume, the four Gospels are examined through the lens of rabbinic philology: "Lightfoot y a voulu expliquer une foule de passages du Nouveau Testament au moyens des écrits talmudiques et rabbiniques qui dans leur formes de langage rappellent celles des évangélistes et de saint Paul, ou qui font connaître des usages ou des opinions répandus parmi les juifs et auxquels les écrivains sacrés font parfois allusion" [Hoefer]. The prefaces to the four parts of the work are of particular interest: they contain numerous and extensive notes on the geography and topography of Palestine, presented as a repertory.

This treatise was first published in English in 1644 and 1650. Graesse lists three Latin editions printed in Leipzig: 1675, 1677, and 1684. According to Hoefer, the Horae Hebraicae is the author's “most remarkable and most useful” work.

After studying classics and theology at Cambridge, John Lightfoot [1602–1675] "seconda le docteur Whitehead dans la direction de l'école de Rapton, et deux ans après devint chapelain du chevalier Roland Cotton, qu'il accompagna plus tard à Londres. C'est dans la maison de ce seigneur, qui était versé dans la connaissance de l'hébreu, qu'il se mit à l'étude de quelques-unes des langues sémitiques. Il allait passer sur le continent pour profiter des leçons des orientalistes de la Hollande, quand il fut nommé ministre de l'église de Stone, dans le comté de Stafford. Il occupa encore divers autres bénéfices, et fut nommé en 1643 recteur du collège de Sainte-Catherine de Cambridge, et en 1655 vice-chancelier de cette université. Lightfoot était un grand érudit (...) Ses ouvrages se rapportent à l'interprétation des livres saints et à l'explication des antiquités hébraïques" [Hoefer].

Provenance: Armorial bookplate of the Bavarian Sachs family on the front pastedown (circa 1700).

Manuscript ex-libris on the front free endpaper: “Ad Bibliothecam Buschianam” (1753), “Ad Bibliothecam Boissardianam” (1801), “Boissard père et fils” (1802 and 1832). Ink-stamped ex-libris of “Edmond Stapfer” (1873).

A handsome copy.

Belgian printing that followed the 1836 edition described in Vicaire IV, 259-60.

The preliminary note reproduces the introductory text from December 1832 announcing the inclusion of the three chapters missing from the original 1831 edition.

The half-title pages of the three volumes were not preserved by the binder.

A few occasional spots, otherwise a pleasant copy, attractively bound in contemporary Romantic style.

Contemporary Romantic bindings in burgundy long-grain half morocco over marbled boards, smooth spines decorated with gilt Romantic arabesques, spines very slightly faded with minor, unobtrusive rubbing, double gilt fillet frames on the marbled paper boards, orange endpapers and pastedowns, sprinkled edges, three corners slightly bumped.

Provenance: copy of Humphrey Saint John-Mildmay (1794–1853), son-in-law and associate of Alexander Baring, later a director of the Bank of England, with his engraved bookplates mounted on the pastedowns.

First edition of the bilingual Greek-Latin text of Iamblichus' Life of Pythagoras by Ludolf Küster from the manuscript held at the Laurentian Library. The facing Latin translation is the work of Frédéric Ulrich Obrecht and Konrad Rittershausen. Bound at the end is Porphyry’s Life of Pythagoras.

Illustrated with a large frontispiece portrait of Pythagoras, based on a coin from the collection of Fulvio Orsini.

Contemporary Dutch gilt-panelled vellum boards, spine with 5 raised bands and gilt ornaments with the arms of the city of Amsterdam, large gilt arms of the city of Amsterdam on each board within double gilt floral borders around sides both with incorporated coat of arms of Amsterdam within vegetal ornaments, armorial corner ornaments, speckled edges. Vellum darkened, a 2.5 cm split to the middle of the upper joint, one abrasion and a pale mark to the upper cover, some gilt tooling partially faded,traces of ties, scattered foxing.

Magnificent copy of the Neoplatonist biographies of Pythagoras by Iamblichus and Porphyry, with the arms of the city of Amsterdam featuring the Stedemaagd, the allegorical female figure of the city flanked by cherubs.

First edition of the English translation by Michael Glenny, who first came to prominence with his translation of Bulgakov’s Master and Margarita in 1967. No deluxe paper copies issued.

Publisher’s binding in full black cloth, flat spine which shows some inherent creasing due to the laminated covering.

A handsome copy, with illustrations.

Very rare inscribed copy dated 27 April 1990 and signed by Boris Yeltsin.

From the library of Sam Yossman (Sam Jones) of the BBC Russian Service.

First edition of the author's first work; Aboal Amaro, Amerigo Vespucci, page 31. Leclerc, 263 (does not mention this edition). Sabin, 10704.

Contemporary limp cream paper boards, plain spine, original binding.

Spine worn with some loss, a marginal stain affecting two leaves at the beginning, otherwise a clean and attractive copy.

This essay, in which the author argued "with a certain force of reasoning" (Larousse) that Vespucci discovered America before Christopher Columbus, was awarded the prize of the Academy of Cortona in 1788. The Florentine scholar Stanislas Canovai (1740–1811) devoted his life to restoring the reputation of the famed navigator Amerigo Vespucci, publishing several works on the subject. The last of these, published posthumously in 1817, is mentioned by Sabin with the following comment: "It is hardly possible to understand how calumnies against Amerigo, which have so long been taught in every school, could have, for many years, survived this excellent refutation."

Leclerc notes: "A dissertation much attacked, which gave rise to numerous inquiries into early Spanish voyages to the Indies." Dedication epistle to Giovanni Luigi di Durfort.

Manuscript ex-libris on the title page and engraved armorial bookplate pasted on the front pastedown.

Rare first French edition of the travel impressions of Prince Soltykoff, more an adaptation than a strict translation (cf. Vicaire, VII, 575. Schwab, 544. Only two copies listed in the CCF).

Illustrated with a two-tone lithographed frontispiece and 20 tinted lithographic plates by Trayer and Émile Beau after drawings by the author.

Contemporary green half-shagreen binding, flat spine decorated with double gilt fillets and broad blind-stamped fillets, dark green paper-covered boards, minor restorations and rubbing to head and foot of joints, marbled endpapers and pastedowns, period binding.

Some superficial wear and very faint foxing, otherwise a pleasant copy in contemporary binding.

Prince Alexei Soltykoff (1806–1859), a member of one of the most prominent Russian families, was sent on a diplomatic mission to Tehran in 1838 under the reign of Muhammad Shah. He spent nearly a year in Persia. Having no real calling for diplomacy, he abandoned the career soon after his return and settled in Paris to prepare for further travels in India.

A singular and even eccentric figure, Soltykoff had been fascinated with travel since childhood, and this mission provided him with his long-awaited opportunity to explore the Orient. Arriving via the Caucasus, he remained in Tehran until May 1839, which he observed and described extensively, particularly through the everyday lives of its inhabitants. The plates are of particular interest for their depiction of costumes (Saba, Bibliographie Française de l’Iran, p. 187 no. 211).

First edition, illustrated with 7 plates: a plan of Fort William and a large folding view of Calcutta in the first volume; 5 folding plates in the second volume (including 3 views of Mocha and its surroundings), see Gay 3317bis.

Contemporary full tree calf bindings, smooth spines decorated with gilt fillets, floral tools and geometric patterns, now largely faded, red morocco title-pieces, green bottle-morocco volume labels, some wear to joints, marbled endpapers, red-speckled yellow edges.

Rubbing to the spines, split to one joint.

Rare sole edition of one of the author's two travel accounts. A naval officer and son of a slave trader from Saint-Malo, Louis Ohier de Grandpré (1761–1846) had served in Suffren's campaign in India. He later turned to commerce, outfitting three ships in La Rochelle for trade and the slave trade.

His journeys took him to India (Bengal) and to the eastern coast of Arabia. His description of Yemen, and especially of the port of Mocha, is considered the first serious French account of the region.

Copy from the library of the Château de Menneval (Eure), with engraved bookplates mounted on the pastedowns.

First edition of the French translation, of which no deluxe copies were issued.

A horizontal crease to the front cover, otherwise a well-preserved copy.

Rare signed presentation inscription from Tom Wolfe to the journalist and literary critic Bernard Pivot: "To Bernard Pivot with a deep bow and profound thanks for such a marvelous evening. Tom Wolfe September, 9, 1988."

Tom Wolfe's masterpiece was splendidly adapted for the screen by Brian De Palma, starring Tom Hanks, Bruce Willis, Melanie Griffith, and Morgan Freeman.

Rare first edition of this "relation (...) much sought after for its accuracy", illustrated with 19 folding plates, including 2 maps (cf. Sabin 3604, Leclerc 119).

Full marbled tan calf binding, spine with five raised bands, gilt compartments decorated with gilt floral motifs, small chip at foot of spine, scuffing to covers, red edges, bumped corners, gilt fillets along the board edges, contemporary binding.

The author, a physician and botanist born in Perpignan in 1690—where he held a post at the military hospital—was introduced by Antoine de Jussieu to the Conseil de la Marine in August 1721 and appointed royal physician and botanist in French Guiana. He landed in Cayenne at the end of 1721 and left the colony in May 1724. During his stay, he explored the banks of the Kourou and Orapu rivers, studying the local flora, fauna, and indigenous customs.

His account, one of the earliest on French Guiana, is of great importance and was widely used by eighteenth-century geographers.

First edition, one of 158 copies printed on pur fil paper, following only 45 on Hollande.

A fine copy.

First edition of the French translation, for which no deluxe paper was printed.
A pleasant copy.
We include the second volume, covering the period 1979-1994, published in 2005.
Rare handwritten signature of Alexandre Solzhenitsyn on the title page.

New edition, illustrated with drawings by de Neuville and Benett.
Publisher’s gilt-pictorial cloth binding known as “à un éléphant, titre dans l’éventail”, with Engel’s signature at the foot of the front cover plaque, spine featuring a lighthouse, rear cover of type “i” as defined by Jauzac, all edges gilt.
Headcaps very slightly compressed, faint trace of a removed label to the verso of the front board.
A handsome copy.
Le Tour du monde en quatre-vingts jours is an adventure novel. It tells the story of an English gentleman, Phileas Fogg, who wagers he can travel around the world_

First French edition published simultaneously with the octavo edition (more common), by the same publisher. Illustrated with a folding frontispiece, a large folding map of the Cape and 15 plates, some folding. All plates have been bound at the end of volumes I and II.

Contemporary full speckled brown sheep binding. Decorated spine with raised bands. Red morocco title label, black morocco volume labels. Double blind fillet to boards. Lacks to joints at head of volume I. Upper joint narrowly split at head and tail of tome I. In tome II upper joint rubbed. Corners restored with leather strips. At the end of the second volume, some leaves browned, otherwise scattered light foxing. Plate 2 of tome 2 poorly folded. Some plates are erroneously captioned tome 3, which would suggest that the octavo edition preceded the quarto edition, the latter being longer to produce.