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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

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Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
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From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

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Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Fashion
  1. Voyage en Grèce, fait dans les années 1803 et 1804, contenant des détails sur la manière de voyager dans la Grèce et l'Archipel ; la description de la vallée de Tempé ; un tableau pittoresque des sites les plus remarquables de la Grèce et du Levant ; un coup-d'œil sur l'état actuel de la Turquie et de toutes les branches de la civilisation chez les Grecs modernes ; un voyage de Négrepont, dans quelques contrées de Thessalie, en 1803, et l'histoire de la guerre des Souliotes contre Ali-Visir, avec la chute de Souly en 1804. Traduit de l'allemand par A. du C****Voyage en Grèce, fait dans les années 1803 et 1804, contenant des détails sur la manière de voyager dans la Grèce et l'Archipel ; la description de la vallée de Tempé ; un tableau pittoresque des sites les plus remarquables de la Grèce et du Levant ; un coup-d'œil sur l'état actuel de la Turquie et de toutes les branches de la civilisation chez les Grecs modernes ; un voyage de Négrepont, dans quelques contrées de Thessalie, en 1803, et l'histoire de la guerre des Souliotes contre Ali-Visir, avec la chute de Souly en 1804. Traduit de l'allemand par A. du C****
    Jacob Ludwig Salomon BARTHOLDY

    Voyage en Grèce, fait dans les années 1803 et 1804, contenant des détails sur la manière de voyager dans la Grèce et l'Archipel ; la description de la vallée de Tempé ; un tableau pittoresque des sites les plus remarquables de la Grèce et du Levant ; un coup-d'œil sur l'état actuel de la Turquie et de toutes les branches de la civilisation chez les Grecs modernes ; un voyage de Négrepont, dans quelques contrées de Thessalie, en 1803, et l'histoire de la guerre des Souliotes contre Ali-Visir, avec la chute de Souly en 1804. Traduit de l'allemand par A. du C****[Travels in Greece, undertaken in the years 1803 and 1804, containing details on the manner of travelling in Greece and the Archipelago; a description of the Vale of Tempe; a picturesque survey of the most remarkable sites of Greece and the Levant; an overview of the present state of Turkey and of every branch of civilisation among the modern Greeks; a journey from Negroponte through parts of Thessaly in 1803; and the history of the war of the Souliots against Ali Pasha, with the fall of Souli in 1804. Translated from the German by A. du C****.]

    Dentu|Paris 1807|12.7 x 21.3 cm|2 volumes reliés en 1

    First edition of the French translation, illustrated with 18 engraved plates, 10 of them hand-coloured (cf. Blackmer 87; Atabey 68; Contominas 39; Monglond VII, 654-655).

    The 18 plates include the two plates of musical notation and the large folding map at the end of the second volume.

    Contemporary green half sheep, darkened smooth spines ruled in gilt, with a narrow gilt roll at foot, marbled paper boards, speckled edges.

    Some foxing, light rubbing to the joints, a few gatherings browned. 

    First and only edition of Auguste du Coudray's French translation of this account of a journey through Greece, written in the form of letters. Jacob Levin Salomo, known as Jakob...

    €2,000
  2. Rugby - Costume tailleur de Redfern (pl.39, La Gazette du Bon ton, 1914 n°4)Rugby - Costume tailleur de Redfern (pl.39, La Gazette du Bon ton, 1914 n°4)
    George BARBIER (John REDFERN)

    Rugby - Costume tailleur de Redfern (pl.39, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €180
  3. La Matinée de printemps. Costumes tailleur de Doucet (pl.36, La Gazette du Bon ton, 1914 n°4)La Matinée de printemps. Costumes tailleur de Doucet (pl.36, La Gazette du Bon ton, 1914 n°4)
    Jacques MAGNIN (Georges DOEUILLET)

    La Matinée de printemps. Costumes tailleur de Doucet (pl.36, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  4. La Dernière Rose. Robe d'après-midi de Redfern (pl.5, La Gazette du Bon ton, 1913 n°12)La Dernière Rose. Robe d'après-midi de Redfern (pl.5, La Gazette du Bon ton, 1913 n°12)
    Francisco Javier GOSE (John REDFERN)

    La Dernière Rose. Robe d'après-midi de Redfern (pl.5, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  5. La Première Fleur du jardin. Robe printanière de Doeuillet (pl.35, La Gazette du Bon ton, 1914 n°4)La Première Fleur du jardin. Robe printanière de Doeuillet (pl.35, La Gazette du Bon ton, 1914 n°4)
    André-Edouard MARTY (Georges DOEUILLET)

    La Première Fleur du jardin. Robe printanière de Doeuillet (pl.35, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  6. Qui dois-je annoncer ? Robe de visites de Chéruit (pl.15, La Gazette du Bon ton, 1914 n°2)Qui dois-je annoncer ? Robe de visites de Chéruit (pl.15, La Gazette du Bon ton, 1914 n°2)
    Pierre BRISSAUD (Louise CHERUIT)

    Qui dois-je annoncer ? Robe de visites de Chéruit (pl.15, La Gazette du Bon ton, 1914 n°2)

    Paris 1914|18 x 24 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the...

    €80
  7. Et je la voudrais nue... - Exemplaire de Dominique AuryEt je la voudrais nue... - Exemplaire de Dominique Aury
    Sonia RYKIEL (inscribed to Dominique AURY)

    Et je la voudrais nue... - Exemplaire de Dominique Aury[And I Would Like Her Naked...]

    Grasset|Paris 1979|13 x 20.50 cm|broché
    First edition on ordinary paper.
    Spine slightly sunned, minor foxing and staining to the boards.
    Precious signed autograph inscription from Sonia Rykiel to Dominique Aury, alias Pauline Réage, who is not mentioned by name: "Merci d'avoir écrit ce que vous avez écrit. Sonia Rykiel."
    Provenance: from the library of Dominique Aury.
    €150
  8. Agenda Sonia Rykiel pour l'année 1994 - Exemplaire de Régine DeforgesAgenda Sonia Rykiel pour l'année 1994 - Exemplaire de Régine Deforges
    Sonia RYKIEL (inscribed to Régine DEFORGES)

    Agenda Sonia Rykiel pour l'année 1994 - Exemplaire de Régine Deforges[Sonia Rykiel Agenda for the Year 1994 – Copy Belonging to Régine Deforges]

    Sonia Rykiel|Paris 1994|21.50 x 21.50 cm|en spirales
    First edition of this agenda illustrated with drawings by Sonia Rykiel.
    Publisher's binding in full flexible black boards.
    A pleasing copy despite small spots on the top edge.
    Precious autograph inscription signed by Sonia Rykiel to Régine Deforges: "Pour toi ma belle belle amie. Sonia."
    Provenance: from the library of Régine Deforges.
    €300
  9. Revenez-yRevenez-y
    Paul POIRET

    Revenez-y

    Nrf|Paris 1932|12 x 19 cm|broché
    First edition, one of 117 numbered copies on pur fil, the only large-paper issue.
    Very slight, insignificant foxing to the endpapers.
    Inscribed and signed by Paul Poiret to Lucien Descaves.
    €350
  10. Les tissus de Rodier pour la prochaine saison d'été. Ensemble de neuf modèlesLes tissus de Rodier pour la prochaine saison d'été. Ensemble de neuf modèles
    DAVID, CHASTEL

    Les tissus de Rodier pour la prochaine saison d'été. Ensemble de neuf modèles[Rodier Fabrics for the Coming Summer Season. Set of Nine Designs]

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|en feuilles
    Set of nine original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. Sketch XII and XIII are signed David, respectively bottom left and right planks.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries...
    €450
  11. Croquis de mode : Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3). - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3) - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). - Croquis de mode : Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3). - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3) - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). -
    Mario SIMON, André-Edouard WOODRUFF

    Croquis de mode : Croquis de mode d'été par Mario Simon (Croquis, La Gazette du Bon ton, 1920 n°3). - Les modes en l'an de grâce Mil neuf cent vingt un (Croquis, La Gazette du Bon ton, 1921 n°3) - Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles (Croquis, La Gazette du Bon ton, 1921 n°10). - Costumes tailleur de fantaisie ornés de colifichets (Croquis, La Gazette du Bon ton, 1922 n°4). - [Fashion sketches: Summer fashion sketches by Mario Simon (Sketches, La Gazette du Bon ton, 1920 no. 3). – Fashions in the Year of Grace Nineteen Twenty-One (Sketches, La Gazette du Bon ton, 1921 no. 3). – For the Riviera. Dresses trimmed with natural flowers, insofar as one has them and does not prefer to use, less costly, artificial flowers (Sketches, La Gazette du Bon ton, 1921 no. 10). – Fancy tailored suits adorned with trinkets (Sketches, La Gazette du Bon ton, 1922 no. 4)]

    Lucien Vogel éditeur|Paris 1920-1922|18 x 24 cm|relié

    [FASHION] POIRET Paul & WORTH Charles Frederick & BEER & DOEUILLET Georges & LANVIN Jeanne & SIMON Mario & WOODRUFF André-Edouard. Croquis de mode
    Lucien Vogel éditeur, Paris 1920-1922, 18 x 24 cm, bound
    Set of 24 original lithographs in color, on vergé paper:
    – Croquis de mode d'été par Mario Simon (“Croquis”, La Gazette du Bon ton, 1920 n° 3).
    – Les modes en l'an de grâce Mil neuf cent vingt un (“Croquis”, La Gazette du Bon ton, 1921 n° 3)
    – Pour la Riviera. Robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses...
    €800
  12. Supermanfred, man of style
    Supermanfred, man of style
    Carnet personnel de Thierry Mugler contenant des dessins et aphorismes autographes originauxCarnet personnel de Thierry Mugler contenant des dessins et aphorismes autographes originaux
    Thierry MUGLER

    Carnet personnel de Thierry Mugler contenant des dessins et aphorismes autographes originauxPersonal notebook of Manfred Thierry Mugler containing original autograph drawings and aphorisms.

    s. d. [ca 2012]|15.50 x 21.50 cm|relié

    Black cloth binding. A white star made by Mugler in corrector fluid on the first cover.

    Fifteen pages of the notebook filled in by the fashion designer:
    - The first page, in neon blue felt-tip pen, with the word "Yes" as and large exclamation mark ending with the iconic Mugler star.
    - A double page with the word "white" enhanced with corrector fluid and in capital letters on a black felt-tip background, in orange the words "Indehain" (?) and "TRIBE" with a drawing depicting a sun, several notes in black ballpoint pen: "Aelino Rock-Elektro", "DJ", "Syath Choreographie".
    - A double page with a wonderful drawing of a naked Black woman with voluminous pink...

    €2,500
  13. Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis de mode, La Gazette du Bon ton, 1920 n°2)Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis de mode, La Gazette du Bon ton, 1920 n°2)
    Guy-Pierre FAUCONNET (William SHAKESPEARE)

    Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis de mode, La Gazette du Bon ton, 1920 n°2)[Costume designs by Fauconnet for Shakespeare's The Winter’s Tale, staged at the Théâtre du Vieux-Colombier (Fashion Sketches, La Gazette du Bon Ton, 1920, no. 2)]

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|relié

    Set of eight original color engravings, printed on laid paper and signed at the lower right and left of the plates. The plates are introduced by a text signed by Jean Cocteau and depict costumes for Shakespeare’s play (two Shepherdesses, Paulina, and Time).


    Bradel binding in full decorative paper, smooth spine, brown shagreen title-piece, binding signed by Goy & Vilaine.


    Original engravings created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the twentieth century, celebrating the talent of French designers and artists at the height of the Art Deco...

    €600
  14. Princess Murat's copy
    Princess Murat's copy
    Le Bon Genre : Suite des 116 planches [précédé de] Observations sur les modes et les usages de Paris pour servir d'explication aux 115 caricatures publiées sous le titre du Bon Genre depuis le commencement du dix-neuvième siècleLe Bon Genre : Suite des 116 planches [précédé de] Observations sur les modes et les usages de Paris pour servir d'explication aux 115 caricatures publiées sous le titre du Bon Genre depuis le commencement du dix-neuvième siècle
    Carle VERNET, Philibert-Louis DEBUCOURT

    Le Bon Genre : Suite des 116 planches [précédé de] Observations sur les modes et les usages de Paris pour servir d'explication aux 115 caricatures publiées sous le titre du Bon Genre depuis le commencement du dix-neuvième siècle

    chez l'éditeur, boulevard Montmartre, no 1 • Vassal • et EsslingImprimeurs|Paris [1801-1827] ; 1827 (pour le texte)|41.20 x 27.80 cm|relié

    Complete set of 115 copper-engraved plates with an additional plate (116 plates), all printed on either laid or wove paper, all hand-colored with watercolor. Two entirely different plates 39 follow each other, in first issue: "Les Titus et les cache-folies" was published in the 1817 and 1822 sets, and the other "La Politicomanie" appeared in 1827. This is the most complete series, which also includes the 11 new plates published from 1818 to 1822, numbered 105 to 115.


    According to Vicaire, the plates were probably all printed between 1801 and 1822, and only the text preceding the plates was reprinted in 1827.


    3/4 long-grained cherry half-morocco...

    €38,000
  15. AlbumAlbum
    Jean-Charles de CASTELBAJAC

    Album

    Michel Aveline|Paris 1993|24 x 34 cm|reliure de l'éditeur
    First edition on ordinary paper.
    Publisher's binding in full black boards decorated with Castelbajac-style motifs, smooth spine, complete with its illustrated dust jacket.
    Richly illustrated.
    A fine copy.
    Inscribed, dated and signed by Jean-Charles de Castelbajac to Jocelyne Aurel-Tulle with New Year wishes for 1997, enriched with a drawing in yellow and black felt-tip depicting flowers and leaves.
    €450
  16. Eneco (épisode 1)Eneco (épisode 1)
    Jean-Charles de CASTELBAJAC

    Eneco (épisode 1)

    Scali graphic|Paris 2006|17 x 24 cm|broché
    First edition on regular paper.
    Two small stains on the front cover.
    Autograph inscription dated and signed by Jean-Jacques de Castelbajac to a friend named Agathe, enriched with a drawing depicting Eneco and his dog Spad, Eneco addressing his dog "Ecoute Spad, je connais Agathe depuis longtemps," to which his dog replies "Ah je vois !"
    €450
  17. KenzoKenzo
    Ginette SAINDERICHIN

    Kenzo

    Du May|Paris 1989|24.50 x 27.50 cm|reliure de l'éditeur

    Edition of wich no leading copies exists.
    Binding of the editor in full black fabric.
    Iconography.
    Slips slightly warped in margins, the book that had stayed in a damp place previously, otherwise nice copy.

    Rare autograph signed Kenzo Takada Gilles Brochard.

    €450
  18. "Voici des fleurs, des fruits, des feuilles et des branches...". Robes du soir de Paquin (pl.10, La Gazette du Bon ton, 1913 n°12)"Voici des fleurs, des fruits, des feuilles et des branches...". Robes du soir de Paquin (pl.10, La Gazette du Bon ton, 1913 n°12)
    George BARBIER (Jeanne PAQUIN)

    "Voici des fleurs, des fruits, des feuilles et des branches...". Robes du soir de Paquin (pl.10, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print heightened in palladium, printed on laid paper and signed at the bottom right outside the plate.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €170
  19. Les Premiers soupçons. Costumes trotteurs de Doeuillet (pl.10, La Gazette du Bon ton, 1912-1913 n°3)Les Premiers soupçons. Costumes trotteurs de Doeuillet (pl.10, La Gazette du Bon ton, 1912-1913 n°3)
    Bernard BOUTET DE MONVEL (Georges DOEUILLET)

    Les Premiers soupçons. Costumes trotteurs de Doeuillet (pl.10, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  20. La Comédie est terminée. Manteau pour le théâtre (pl.1, La Gazette du Bon ton, 1912-1913 n°3)La Comédie est terminée. Manteau pour le théâtre (pl.1, La Gazette du Bon ton, 1912-1913 n°3)
    Francisco Javier GOSE

    La Comédie est terminée. Manteau pour le théâtre (pl.1, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  21. Pénélope. Robe d'intérieur (pl.2, La Gazette du Bon ton, 1912-1913 n°3)Pénélope. Robe d'intérieur (pl.2, La Gazette du Bon ton, 1912-1913 n°3)
    Georges LEPAPE

    Pénélope. Robe d'intérieur (pl.2, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  22. L'Invitation au voyage. Robe de dîner de Doeuillet (pl.24, La Gazette du Bon ton, 1914 n°3)L'Invitation au voyage. Robe de dîner de Doeuillet (pl.24, La Gazette du Bon ton, 1914 n°3)
    André-Edouard MARTY (Georges DOEUILLET)

    L'Invitation au voyage. Robe de dîner de Doeuillet (pl.24, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  23. La Cage vide. Robe de dîner de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°2)La Cage vide. Robe de dîner de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°2)
    André-Edouard MARTY (John REDFERN)

    La Cage vide. Robe de dîner de Redfern (pl.7, La Gazette du Bon ton, 1912-1913 n°2)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  24. La Fleur merveilleuse. Robe du soir de Doucet (pl.25, La Gazette du Bon ton, 1914 n°3)La Fleur merveilleuse. Robe du soir de Doucet (pl.25, La Gazette du Bon ton, 1914 n°3)
    H. Robert DAMMY (Jacques DOUCET)

    La Fleur merveilleuse. Robe du soir de Doucet (pl.25, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print heightened in gold, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  25. La Gazette du Bon ton, n°3. Année 1914 - Planche 23 : "Attrape!.. Robe d'après-midi de Chéruit."La Gazette du Bon ton, n°3. Année 1914 - Planche 23 : "Attrape!.. Robe d'après-midi de Chéruit."
    Pierre BRISSAUD

    La Gazette du Bon ton, n°3. Année 1914 - Planche 23 : "Attrape!.. Robe d'après-midi de Chéruit."

    Paris 1914|19.50 x 25 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  26. La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)
    Pierre MOURGUE

    La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)

    Paris 1922|18 x 24 cm|une feuille

    Original colour print by Pierre Mourgue, on laid paper, signed lower right within the plate, text on verso.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  27. Claude et sa soeur. Pelisse et Douillette (pl.10, La Gazette du Bon ton, 1912-1913 n°2)Claude et sa soeur. Pelisse et Douillette (pl.10, La Gazette du Bon ton, 1912-1913 n°2)
    Maurice BOUTET DE MONVEL

    Claude et sa soeur. Pelisse et Douillette (pl.10, La Gazette du Bon ton, 1912-1913 n°2)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  28. Ma voiture ! Robe de ville de Chéruit (pl.9, La Gazette du Bon ton, 1912-1913 n°3)Ma voiture ! Robe de ville de Chéruit (pl.9, La Gazette du Bon ton, 1912-1913 n°3)
    Pierre BRISSAUD (Louise CHERUIT)

    Ma voiture ! Robe de ville de Chéruit (pl.9, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €60
  29. Avant le laisser-courre (pl.3, La Gazette du Bon ton, 1912-1913 n°3)Avant le laisser-courre (pl.3, La Gazette du Bon ton, 1912-1913 n°3)
    Maurice TAQUOY

    Avant le laisser-courre (pl.3, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|36.50 x 24 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €200
  30. La Fidélité récompensée. Robe d'après-midi de Worth (pl.8, La Gazette du Bon ton, 1913 n°10)La Fidélité récompensée. Robe d'après-midi de Worth (pl.8, La Gazette du Bon ton, 1913 n°10)
    Maurice TAQUOY (Charles-Frederick WORTH)

    La Fidélité récompensée. Robe d'après-midi de Worth (pl.8, La Gazette du Bon ton, 1913 n°10)

    Paris Août 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  31. La Soirée toscane. Robe d'après-midi de Doeuillet (pl.8, La Gazette du Bon ton, 1913 n°12)La Soirée toscane. Robe d'après-midi de Doeuillet (pl.8, La Gazette du Bon ton, 1913 n°12)
    André-Edouard MARTY (Georges DOEUILLET)

    La Soirée toscane. Robe d'après-midi de Doeuillet (pl.8, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print heightened in palladium, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €130
  32. L'Entr'acte. Robe du soir de Worth (pl.6, La Gazette du Bon ton, 1913 n°12)L'Entr'acte. Robe du soir de Worth (pl.6, La Gazette du Bon ton, 1913 n°12)
    Maurice TAQUOY (Charles-Frederick WORTH)

    L'Entr'acte. Robe du soir de Worth (pl.6, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  33. Bonne chasse ! Petit tailleur de Chéruit (pl.9, La Gazette du Bon ton, 1913 n°10)Bonne chasse ! Petit tailleur de Chéruit (pl.9, La Gazette du Bon ton, 1913 n°10)
    Pierre BRISSAUD (Louise CHERUIT)

    Bonne chasse ! Petit tailleur de Chéruit (pl.9, La Gazette du Bon ton, 1913 n°10)

    Paris Août 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower center.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  34. La Souris. Costume tailleurs de Doucet (pl.10, La Gazette du Bon ton, 1913 n°11)La Souris. Costume tailleurs de Doucet (pl.10, La Gazette du Bon ton, 1913 n°11)
    Jacques DRESA (Jacques DOUCET)

    La Souris. Costume tailleurs de Doucet (pl.10, La Gazette du Bon ton, 1913 n°11)

    Paris Septembre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  35. Comment me trouvez-vous ? Robe drapée pour le dîner (pl.2, La Gazette du Bon ton, 1913 n°12)Comment me trouvez-vous ? Robe drapée pour le dîner (pl.2, La Gazette du Bon ton, 1913 n°12)
    Etienne DRIAN

    Comment me trouvez-vous ? Robe drapée pour le dîner (pl.2, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  36. Le Vase brisé. Robe d'intérieur (pl.3, La Gazette du Bon ton, 1913 n°12)Le Vase brisé. Robe d'intérieur (pl.3, La Gazette du Bon ton, 1913 n°12)
    Louis STRIMPL

    Le Vase brisé. Robe d'intérieur (pl.3, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  37. Le "Meet". Manteau de voiture de Chéruit (pl.7, La Gazette du Bon ton, 1913 n°12)Le "Meet". Manteau de voiture de Chéruit (pl.7, La Gazette du Bon ton, 1913 n°12)
    Pierre BRISSAUD (Louise CHERUIT)

    Le "Meet". Manteau de voiture de Chéruit (pl.7, La Gazette du Bon ton, 1913 n°12)

    Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  38. Arrêtons-nous ici. Robe d'après-midi de Doeuillet (pl.10, La Gazette du Bon ton, 1913 n°10)Arrêtons-nous ici. Robe d'après-midi de Doeuillet (pl.10, La Gazette du Bon ton, 1913 n°10)
    André-Edouard MARTY (Georges DOEUILLET)

    Arrêtons-nous ici. Robe d'après-midi de Doeuillet (pl.10, La Gazette du Bon ton, 1913 n°10)

    Paris Août 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate higher right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  39. L'Oiseau bleu. Manteau du soir de Doucet (pl.5, La Gazette du Bon ton, 1913 n°9)
    Jacques DRESA (Jacques DOUCET)

    L'Oiseau bleu. Manteau du soir de Doucet (pl.5, La Gazette du Bon ton, 1913 n°9)

    Lucien Vogel éditeur|Paris Juillet 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  40. Sera-t-il vainqueur ou les angoisses d'une joueuse. Toilette pour les courses de Redfern (pl.8, La Gazette du Bon ton, 1913 n°9)
    (Paul POIRET) Francisco Javier GOSÉ [Xavier GOSÉ]

    Sera-t-il vainqueur ou les angoisses d'une joueuse. Toilette pour les courses de Redfern (pl.8, La Gazette du Bon ton, 1913 n°9)

    Lucien Vogel éditeur|Paris Juillet 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  41. "La Belle Viscontesse". Costume pour la mer (pl.2, La Gazette du Bon ton, 1913 n°9)
    Guy ARNOUX

    "La Belle Viscontesse". Costume pour la mer (pl.2, La Gazette du Bon ton, 1913 n°9)

    Paris Juillet 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  42. Le Choix difficile. Manteau du soir de Worth (pl.40, La Gazette du Bon ton, 1914 n°4)
    Bernard BOUTET DE MONVEL (Charles-Frederick WORTH)

    Le Choix difficile. Manteau du soir de Worth (pl.40, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €60
  43. Le Collier nouveau. Robe du soir de Paul Poiret (pl.10, La Gazette du Bon ton, 1914 n°1)Le Collier nouveau. Robe du soir de Paul Poiret (pl.10, La Gazette du Bon ton, 1914 n°1)
    Georges LEPAPE (Paul POIRET)

    Le Collier nouveau. Robe du soir de Paul Poiret (pl.10, La Gazette du Bon ton, 1914 n°1)

    Lucien Vogel éditeur|Paris Janvier 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  44. Le Futur Père. Petit négligé du matin (pl.31, La Gazette du Bon ton, 1914 n°4)Le Futur Père. Petit négligé du matin (pl.31, La Gazette du Bon ton, 1914 n°4)
    Georges LEPAPE

    Le Futur Père. Petit négligé du matin (pl.31, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  45. "Flore". Robe d'intérieur (pl.22, La Gazette du Bon ton, 1914 n°3)"Flore". Robe d'intérieur (pl.22, La Gazette du Bon ton, 1914 n°3)
    Georges LEPAPE

    "Flore". Robe d'intérieur (pl.22, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print heightened in gold, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  46. L'Encens, le cinname et la myrrhe (pl.1, La Gazette du Bon ton, 1914 n°1)L'Encens, le cinname et la myrrhe (pl.1, La Gazette du Bon ton, 1914 n°1)
    Louis STRIMPL

    L'Encens, le cinname et la myrrhe (pl.1, La Gazette du Bon ton, 1914 n°1)

    Paris Janvier 1914|36.50 x 24 cm|une feuille

    Original double-page colour engraving heightened in gold, printed on laid paper, signed in the plate lower left. 

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €250
  47. Mes invités n'arrivent pas. Robe de soirée de Redfern (pl.6, La Gazette du Bon ton, 1913 n°11)Mes invités n'arrivent pas. Robe de soirée de Redfern (pl.6, La Gazette du Bon ton, 1913 n°11)
    Georges GOSE (John REDFERN)

    Mes invités n'arrivent pas. Robe de soirée de Redfern (pl.6, La Gazette du Bon ton, 1913 n°11)

    Lucien Vogel éditeur|Paris Septembre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  48. La Fumée noire. Robe du soir de Redfern (pl.29, La Gazette du Bon ton, 1914 n°3)La Fumée noire. Robe du soir de Redfern (pl.29, La Gazette du Bon ton, 1914 n°3)
    Louis STRIMPL (John REDFERN)

    La Fumée noire. Robe du soir de Redfern (pl.29, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  49. Le Bon Oncle. Costumes d'enfants (pl.2, La Gazette du Bon ton, 1914 n°1)Le Bon Oncle. Costumes d'enfants (pl.2, La Gazette du Bon ton, 1914 n°1)
    Charles-Emile CARLEGLE

    Le Bon Oncle. Costumes d'enfants (pl.2, La Gazette du Bon ton, 1914 n°1)

    Paris Janvier 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  50. Les Préparatifs de Noël. Robe d'après-midi de Redfern (pl.4, La Gazette du Bon ton, 1914 n°1)Les Préparatifs de Noël. Robe d'après-midi de Redfern (pl.4, La Gazette du Bon ton, 1914 n°1)
    Charles MARTIN, John REDFERN

    Les Préparatifs de Noël. Robe d'après-midi de Redfern (pl.4, La Gazette du Bon ton, 1914 n°1)

    Paris Janvier 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  51. La Pantoufle de vair. Danseur Louis XIV (pl.1, La Gazette du Bon ton, 1912-1913 n°4)La Pantoufle de vair. Danseur Louis XIV (pl.1, La Gazette du Bon ton, 1912-1913 n°4)
    André-Edouard MARTY

    La Pantoufle de vair. Danseur Louis XIV (pl.1, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €130
  52. Tiens !... Déjà de retour ! Pardessus d'après-midi (pl.1, La Gazette du Bon ton, 1913 n°12)Tiens !... Déjà de retour ! Pardessus d'après-midi (pl.1, La Gazette du Bon ton, 1913 n°12)
    Bernard BOUTET DE MONVEL

    Tiens !... Déjà de retour ! Pardessus d'après-midi (pl.1, La Gazette du Bon ton, 1913 n°12)

    Lucien Vogel éditeur|Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  53. Les deux nigauds. Robe de réveillon de Doeuillet (pl.7, La Gazette du Bon ton, 1914 n°1)Les deux nigauds. Robe de réveillon de Doeuillet (pl.7, La Gazette du Bon ton, 1914 n°1)
    André-Edouard MARTY (Georges DOEUILLET)

    Les deux nigauds. Robe de réveillon de Doeuillet (pl.7, La Gazette du Bon ton, 1914 n°1)

    Paris Janvier 1914|19 x 24.50 cm|une feuille

    Original colour print heightened in palladium, printed on laid paper and signed in the plate higher left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €150
  54. Ah ! Le bel oiseau ! Robe d'intérieur de Doucet (pl.9, La Gazette du Bon ton, 1913 n°12)Ah ! Le bel oiseau ! Robe d'intérieur de Doucet (pl.9, La Gazette du Bon ton, 1913 n°12)
    H. Robert DAMMY (Jacques DOUCET)

    Ah ! Le bel oiseau ! Robe d'intérieur de Doucet (pl.9, La Gazette du Bon ton, 1913 n°12)

    Lucien Vogel éditeur|Paris Octobre 1913|19 x 24.50 cm|une feuille

    Original color print, printed on laid paper, signed in the plate.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  55. Puis-je entrer ? Costume de chasse (pl.2, La Gazette du Bon ton, 1913 n°11)Puis-je entrer ? Costume de chasse (pl.2, La Gazette du Bon ton, 1913 n°11)
    Guy ARNOUX

    Puis-je entrer ? Costume de chasse (pl.2, La Gazette du Bon ton, 1913 n°11)

    Lucien Vogel éditeur|Paris Septembre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  56. Les Gants jaunes. Robe d'après-midi de Doucet (pl.6, La Gazette du Bon ton, 1912-1913 n°1)Les Gants jaunes. Robe d'après-midi de Doucet (pl.6, La Gazette du Bon ton, 1912-1913 n°1)
    Jacques DRESA (Jacques DOUCET)

    Les Gants jaunes. Robe d'après-midi de Doucet (pl.6, La Gazette du Bon ton, 1912-1913 n°1)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  57. A Chamonix. Costume d'homme et de femme pour les Sports d'hiver (pl.2, La Gazette du Bon ton, 1912-1913 n°2)A Chamonix. Costume d'homme et de femme pour les Sports d'hiver (pl.2, La Gazette du Bon ton, 1912-1913 n°2)
    Maurice TAQUOY

    A Chamonix. Costume d'homme et de femme pour les Sports d'hiver (pl.2, La Gazette du Bon ton, 1912-1913 n°2)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €170
  58. Le Soir tombe... Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°2)Le Soir tombe... Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°2)
    H. Robert DAMMY (Jacques DOUCET)

    Le Soir tombe... Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°2)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  59. L'Utile Recommandation. Robe de dîner, de Cheruit (pl.2, La Gazette du Bon ton, 1912-1913 n°1)L'Utile Recommandation. Robe de dîner, de Cheruit (pl.2, La Gazette du Bon ton, 1912-1913 n°1)
    Pierre BRISSAUD (Louise CHERUIT)

    L'Utile Recommandation. Robe de dîner, de Cheruit (pl.2, La Gazette du Bon ton, 1912-1913 n°1)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  60. La Coquette surprise. Robe du soir de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°3)La Coquette surprise. Robe du soir de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°3)
    André-Edouard MARTY (Charles-Frederick WORTH)

    La Coquette surprise. Robe du soir de Worth (pl.8, La Gazette du Bon ton, 1912-1913 n°3)

    Lucien Vogel éditeur|Paris 1912-1913|19 x 24.50 cm|une feuille

    Original color print gilt heightened, printed on laid paper and signed in the plate upper left.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    €130
  61. Mon pauvre gazon ! Robe de garden party de Chéruit (pl.8, La Gazette du Bon ton, 1913 n°11)Mon pauvre gazon ! Robe de garden party de Chéruit (pl.8, La Gazette du Bon ton, 1913 n°11)
    Pierre BRISSAUD

    Mon pauvre gazon ! Robe de garden party de Chéruit (pl.8, La Gazette du Bon ton, 1913 n°11)

    Lucien Vogel éditeur|Paris Septembre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era

    €80
  62. La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)
    Maggie SALCEDO

    La Jeune Maman. Robe de jardin pour l'automne (pl.3, La Gazette du Bon ton, 1913 n°11)

    Lucien Vogel éditeur|Paris Septembre 1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  63. Le Bel Eté. Robe de lingerie pour la campagne (pl.3, La Gazette du Bon ton, 1913 n°9)Le Bel Eté. Robe de lingerie pour la campagne (pl.3, La Gazette du Bon ton, 1913 n°9)
    Louis STRIMPL

    Le Bel Eté. Robe de lingerie pour la campagne (pl.3, La Gazette du Bon ton, 1913 n°9)

    Lucien Vogel éditeur|Paris Juillet 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  64. Les Travestis dans le parc (pl.1, La Gazette du Bon ton, 1913 n°11)Les Travestis dans le parc (pl.1, La Gazette du Bon ton, 1913 n°11)
    Pierre BRISSAUD

    Les Travestis dans le parc (pl.1, La Gazette du Bon ton, 1913 n°11)

    Lucien Vogel éditeur|Paris Septembre 1913|36.50 x 24 cm|une feuille

    Original double-page colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €180
  65. Il fait trop chaud. Chapeau d'été de Paul Poiret (pl.6, La Gazette du Bon ton, 1913 n°10)Il fait trop chaud. Chapeau d'été de Paul Poiret (pl.6, La Gazette du Bon ton, 1913 n°10)
    Georges LEPAPE (Paul POIRET)

    Il fait trop chaud. Chapeau d'été de Paul Poiret (pl.6, La Gazette du Bon ton, 1913 n°10)

    Lucien Vogel éditeur|Paris Août 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €100
  66. Le Goûter au jardin (pl.1, in La Gazette du Bon ton, 1913 n°10)Le Goûter au jardin (pl.1, in La Gazette du Bon ton, 1913 n°10)
    André-Edouard MARTY

    Le Goûter au jardin (pl.1, in La Gazette du Bon ton, 1913 n°10)

    Lucien Vogel éditeur|Paris Août 1913|36.50 x 24 cm|une feuille

    Original double-page colour engraving, printed on laid paper, signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €230
  67. Êtes-vous prêt ? Robe d'après-midi (pl.3, La Gazette du Bon ton, 1913 n°10)Êtes-vous prêt ? Robe d'après-midi (pl.3, La Gazette du Bon ton, 1913 n°10)
    Etienne DRIAN

    Êtes-vous prêt ? Robe d'après-midi (pl.3, La Gazette du Bon ton, 1913 n°10)

    Lucien Vogel éditeur|Paris Août 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  68. La Séance de portrait. Robe d'après-midi de Worth (pl.14, La Gazette du Bon ton, 1914 n°2)La Séance de portrait. Robe d'après-midi de Worth (pl.14, La Gazette du Bon ton, 1914 n°2)
    Bernard BOUTET DE MONVEL (Charles-Frederick WORTH)

    La Séance de portrait. Robe d'après-midi de Worth (pl.14, La Gazette du Bon ton, 1914 n°2)

    Paris Février 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  69. S'il ne vient pas nous serons treize. Robe de dîner de Doucet (pl.16, La Gazette du Bon ton, 1914 n°2)S'il ne vient pas nous serons treize. Robe de dîner de Doucet (pl.16, La Gazette du Bon ton, 1914 n°2)
    Jacques DRESA (Jacques DOUCET)

    S'il ne vient pas nous serons treize. Robe de dîner de Doucet (pl.16, La Gazette du Bon ton, 1914 n°2)

    Paris Février 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  70. Ta maman va bien ? Tailleur du matin et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1914 n°4)Ta maman va bien ? Tailleur du matin et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1914 n°4)
    Pierre BRISSAUD (Jeanne LANVIN)

    Ta maman va bien ? Tailleur du matin et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  71. Soyez discret ! Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°3)Soyez discret ! Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°3)
    Jacques DRESA (Jacques DOUCET)

    Soyez discret ! Robe du soir de Doucet (pl.4, La Gazette du Bon ton, 1912-1913 n°3)

    Paris 1912-1913|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  72. Les Soeurs de lait. Robe d'après-midi de Doeuillet (pl.17, La Gazette du Bon ton, 1914 n°2)Les Soeurs de lait. Robe d'après-midi de Doeuillet (pl.17, La Gazette du Bon ton, 1914 n°2)
    André-Edouard MARTY (Georges DOEUILLET)

    Les Soeurs de lait. Robe d'après-midi de Doeuillet (pl.17, La Gazette du Bon ton, 1914 n°2)

    Paris Février 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate higher right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  73. Il a été primé. Robe du soir (pl.21, La Gazette du Bon ton, 1914 n°3)Il a été primé. Robe du soir (pl.21, La Gazette du Bon ton, 1914 n°3)
    Francisco Javier GOSE

    Il a été primé. Robe du soir (pl.21, La Gazette du Bon ton, 1914 n°3)

    Paris Mars 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  74. En tenue de parade. Robe d'hiver pour la promenade (pl.13, La Gazette du Bon ton, 1914 n°2)En tenue de parade. Robe d'hiver pour la promenade (pl.13, La Gazette du Bon ton, 1914 n°2)
    Pierre BRISSAUD

    En tenue de parade. Robe d'hiver pour la promenade (pl.13, La Gazette du Bon ton, 1914 n°2)

    Paris Février 1914|19 x 24.50 cm|une feuille

    Original colour print, printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  75. Longchamp. Robe d'après-midi de Beer. Jaquette pour les courses, de Kriegck (pl.44, La Gazette du Bon ton, 1922 n°6)Longchamp. Robe d'après-midi de Beer. Jaquette pour les courses, de Kriegck (pl.44, La Gazette du Bon ton, 1922 n°6)
    BENITO (Gustave BEER)

    Longchamp. Robe d'après-midi de Beer. Jaquette pour les courses, de Kriegck (pl.44, La Gazette du Bon ton, 1922 n°6)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  76. Isabelle. Costumes du XVIIIème siècle par Doucet (pl.10, La Gazette du Bon ton, 1912-1913 n°4)Isabelle. Costumes du XVIIIème siècle par Doucet (pl.10, La Gazette du Bon ton, 1912-1913 n°4)
    Jacques DRESA (Jacques DOUCET)

    Isabelle. Costumes du XVIIIème siècle par Doucet (pl.10, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €90
  77. La Rivière. Costume de fantaisie (pl.3, La Gazette du Bon ton, 1912-1913 n°4)La Rivière. Costume de fantaisie (pl.3, La Gazette du Bon ton, 1912-1913 n°4)
    Charles-Emile CARLEGLE

    La Rivière. Costume de fantaisie (pl.3, La Gazette du Bon ton, 1912-1913 n°4)

    Lucien Vogel éditeur|Paris Février 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  78. La Cape écossaise. Cape pour le théâtre (pl.32, La Gazette du Bon ton, 1914 n°4)La Cape écossaise. Cape pour le théâtre (pl.32, La Gazette du Bon ton, 1914 n°4)
    José GARCIA-CALDERON

    La Cape écossaise. Cape pour le théâtre (pl.32, La Gazette du Bon ton, 1914 n°4)

    Paris Avril 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower left.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €70
  79. Le Secret joli. Robes de jeunes filles de Doeuillet (pl.4, La Gazette du Bon ton, 1913 n°9)Le Secret joli. Robes de jeunes filles de Doeuillet (pl.4, La Gazette du Bon ton, 1913 n°9)
    André-Edouard MARTY (Georges DOEUILLET)

    Le Secret joli. Robes de jeunes filles de Doeuillet (pl.4, La Gazette du Bon ton, 1913 n°9)

    Paris Juillet 1913|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €120
  80. Ah ! Le Beau Guignol... Robe d'après-midi de Doucet (pl.8, La Gazette du Bon ton, 1914 n°1)Ah ! Le Beau Guignol... Robe d'après-midi de Doucet (pl.8, La Gazette du Bon ton, 1914 n°1)
    Jacques DRESA (Jacques DOUCET)

    Ah ! Le Beau Guignol... Robe d'après-midi de Doucet (pl.8, La Gazette du Bon ton, 1914 n°1)

    Lucien Vogel éditeur|Paris Janvier 1914|19 x 24.50 cm|une feuille

    Original colour print printed on laid paper and signed in the plate lower right.

    Original engraving produced for the illustration of La Gazette du Bon Ton, one of the most beautiful and influential fashion journals of the 20th century, celebrating the talent of French designers and artists at the height of the Art Deco era.

    €80
  81. Tableau historique des costumes, des moeurs et des usages des Ordres religieux et des Turcs, au moyen âgeTableau historique des costumes, des moeurs et des usages des Ordres religieux et des Turcs, au moyen âge
    Robert von SPALLART

    Tableau historique des costumes, des moeurs et des usages des Ordres religieux et des Turcs, au moyen âge[Historical Tableau of the Costumes, Manners, and Customs of Religious Orders and of the Turks in the Middle Ages]

    Veuve Devilly|Metz s. d. (ca 1830)|13.5 x 22 cm|Broché

    New edition illustrated with 47 engraved and hand-colored costume plates (cf. Colas 2784).

    This is a reissue, under the Metz imprint, of a portion (volume IV) of the Tableau Historique des costumes, des moeurs et des usages des principaux peuples de l'antiquité et du moyen âge, originally published in Paris and Metz between 1804 and 1809.

    Rare and attractive copy preserved in its original publisher’s wrappers, with the original plain waiting cover and a printed title label affixed at the head of the spine.

     

     

    €3,000
  82. 44 coloured plates of Breton costumes
    44 coloured plates of Breton costumes
    Costumes de la Bretagne - Album contenant 44 planches de costumes dessinés au crayon ou aquarellésCostumes de la Bretagne - Album contenant 44 planches de costumes dessinés au crayon ou aquarellés
    ANONYME

    Costumes de la Bretagne - Album contenant 44 planches de costumes dessinés au crayon ou aquarellés

    S.n. |s.l. s. d. (ca 1850)|30.5 x 40.5 cm|Relié

    Album comprising 44 plates of Breton costumes, the first two drawn in pencil, the others delicately watercoloured, mounted on heavy paper, some with captions, unsigned.

    Bound in contemporary half green sheep, spine decorated with gilt and black fillets, gilt garlands and fleurons, some rubbing to the spine, embossed cherry-red cloth boards, bumped corners, a few scuffs along the edges.

    A handsome album of Breton costumes in the manner of Hippolyte Lalaisse and his Galerie armoricaine of 1848.

    Particularly focused on the Breton-speaking departments (Western Morbihan and Finistère): 1. [Seated bagpipe player]. – 2. [Peasant dance]. – 3. Woman from the Auray area...

    €3,000
  83. Album des types et costumes de tous les peuples du monde d'après les documents authentiques et les voyages les plus récentsAlbum des types et costumes de tous les peuples du monde d'après les documents authentiques et les voyages les plus récents
    COLLECTIF

    Album des types et costumes de tous les peuples du monde d'après les documents authentiques et les voyages les plus récents

    Librairie générale|Paris 1869|15.5 x 26.5 cm|Relié

    Rare work illustrated with 199 in-text full-page costume plates, as stated in the table (not recorded by Colas. Hilaire p. 14).

    Contemporary binding in red half shagreen, spine with four raised bands, triple panels ruled in blind and decorated with gilt central floral tools, some rubbing to the spine, marbled paper boards, marbled endpapers, a few small tears to the edges; period binding.

    Two leaves have been restored (pages 51 and 147), one marginal tear, otherwise clean and fresh throughout.

    A sweeping illustrated survey of the peoples of the world, featuring a substantial section on Oceania.

    Among others, it depicts Russians from the Tver region, inhabitants of...

    €1,500
  84. The first French edition of Prince Soltykoff’s illustrated Journey through Persia
    The first French edition of Prince Soltykoff’s illustrated Journey through Persia
    Voyage en Perse Voyage en Perse
    Alexis SOLTYKOFF

    Voyage en Perse

    L. Curmer • V. Lecou|Paris 1850|18.2 x 27.8 cm|Relié

    Rare first French edition of the travel impressions of Prince Soltykoff, more an adaptation than a strict translation (cf. Vicaire, VII, 575. Schwab, 544. Only two copies listed in the CCF).

    Illustrated with a two-tone lithographed frontispiece and 20 tinted lithographic plates by Trayer and Émile Beau after drawings by the author.

    Contemporary green half-shagreen binding, flat spine decorated with double gilt fillets and broad blind-stamped fillets, dark green paper-covered boards, minor restorations and rubbing to head and foot of joints, marbled endpapers and pastedowns, period binding.

    Some superficial wear and very faint foxing, otherwise a pleasant copy in...

    €1,800
  85. One of the rarest and most beautiful illustrated albums on Algeria
    One of the rarest and most beautiful illustrated albums on Algeria
    Costumes, moeurs et usages des AlgériensCostumes, moeurs et usages des Algériens
    Robert JUNGMANN

    Costumes, moeurs et usages des Algériens

    J. Bernard|Strasbourg 1837|29 x 23.5 cm|Relié

    Very rare first edition illustrated with 40 lithographs (cf. Colas 1581, Mayfair, Algeria, 751, Tailliart, 1001, *Iconographie de l'Algérie*).

    A few minor spots of foxing; the front free endpaper is slightly creased at the margin, not affecting the text.

    The 40 plates, printed on 37 leaves, are arranged as follows: 37 black lithographs including one plan and one folding map (plates 11–12, [37–38], and [39–40] are printed on single leaves).

    Among the rarest and most beautiful illustrated albums devoted to Algeria, this edition comprises 40 lithographic plates printed in black across 37 leaves. The map of the Regency of Algiers and the views of Algiers and Constantine...

    €2,800
  86. [SOIERIE] Ordonnance du Roy sur le reiglement des usaiges de draps, toilles, passeme[n]ts & broderies d'or, d'argent & soye, & aultres habilleme[n]ts superflus : & encores sur la reformation des grosses chausses. Ensemble sur le transport des laines hors le Royaume[SOIERIE] Ordonnance du Roy sur le reiglement des usaiges de draps, toilles, passeme[n]ts & broderies d'or, d'argent & soye, & aultres habilleme[n]ts superflus : & encores sur la reformation des grosses chausses. Ensemble sur le transport des laines hors le Royaume
    ANONYME

    [SOIERIE] Ordonnance du Roy sur le reiglement des usaiges de draps, toilles, passeme[n]ts & broderies d'or, d'argent & soye, & aultres habilleme[n]ts superflus : & encores sur la reformation des grosses chausses. Ensemble sur le transport des laines hors le Royaume

    Robert Estienne|Paris 1563|11 x 16 cm|Broché

    Rare original edition of this work, not listed by Renouard.

    Disbound copy, internally well preserved.

    €950
  87. La Perse, ou Tableau de l'histoire, du gouvernement, de la religion, de la littérature, etc., de cet empire; des mœurs et coutumes de ses habitans. Ouvrage orné de gravures, faites d'après des peintures persanesLa Perse, ou Tableau de l'histoire, du gouvernement, de la religion, de la littérature, etc., de cet empire; des mœurs et coutumes de ses habitans. Ouvrage orné de gravures, faites d'après des peintures persanes
    Amable-Louis-Marie-Michel Bréchillet JOURDAIN

    La Perse, ou Tableau de l'histoire, du gouvernement, de la religion, de la littérature, etc., de cet empire; des mœurs et coutumes de ses habitans. Ouvrage orné de gravures, faites d'après des peintures persanes

    J.B. Imbert • Ferra|Paris 1814|8.7 x 14 cm|5 volumes reliés

    First edition illustrated with 39 aquatint engravings, 37 of which are hand-colored (cf Atabey, 624. Hage-Chahine, 2388.)

    Finely engraved and colored, the illustrations evoke the design of Persian miniatures: portraits (Fath Ali Shah, Abbas I, Nadir Shah), figures in costumes (Persian women, slave and eunuch from the harem, Persian rider…), views and ancient monuments (Tehran, ruins of Persepolis), scenes of daily life (Persian meal, village entertainments, writing master and his pupil, Persians in prayer…), musical instruments, etc.

    Half dark green shagreen bindings, smooth spine decorated with double gilt fillets, gilt friezes on the head and tail, cat’s-eye paper boards...

    €1,800
  88. George Barbier, “one of the fascinating figures of Art Deco” and “master of Indian ink” (Guillaume Garnier)
    George Barbier, “one of the fascinating figures of Art Deco” and “master of Indian ink” (Guillaume Garnier)
    5 compositions de mode pour La Vie Parisienne5 compositions de mode pour La Vie Parisienne
    George BARBIER

    Original ink drawing - 5 fashion compositions for "La Vie Parisienne"

    s. n.|No Location 1923|24.2 x 30.2 cm|Une feuille

    Five compositions in Indian ink signed and dated 1923 by George Barbier on a leaf of thick paper. Traces of paper pasted down at the four corners on the back, a few very faint traces of previous pencil inscriptions on the front.

    An exceptional ink drawing by the eminent fashion illustrator George Barbier for the “Elegances” section of the newspaper La Vie Parisienne, featuring four silhouettes at the height of 1920s fashion, with boyish haircuts, dressed in flowing, low-waisted tube dresses or wrapped in luxurious furs.

    €2,500
  89. Voyage pittoresque dans la Frise, une des sept Provinces-Unies Voyage pittoresque dans la Frise, une des sept Provinces-Unies
    Pierre-Joseph GAUTHIER-STIRUM

    Voyage pittoresque dans la Frise, une des sept Provinces-Unies

    X.T. Saunier|Auxonne 1837|10.5 x 17.2 cm|Relié

    Illustrated edition featuring 6 charming lithographs, including 5 costume plates, executed by Madame Veuve Jobard in Dijon.

    No copy listed in the CCF; not recorded by Vicaire or Colas.

    Contemporary half brown sheepskin binding, spine slightly faded, gilt double fillets and decorative gilt rolls at head and foot, marbled paper boards, sprinkled edges.

    Scattered foxing, small paper flaw on half-title.

    A rare, wide-margined copy in period binding.

    €650
  90. Handsome copy in a Romantic binding, complete with all 54 plates
    Handsome copy in a Romantic binding, complete with all 54 plates
    L'Espagne et le Portugal, ou Mœurs, usages et costumes des habitans de ces royaumes, précédé d'un précis historiqueL'Espagne et le Portugal, ou Mœurs, usages et costumes des habitans de ces royaumes, précédé d'un précis historique
    Jean Baptiste Joseph BRETON DE LA MARTINIÈRE

    L'Espagne et le Portugal, ou Mœurs, usages et costumes des habitans de ces royaumes, précédé d'un précis historique

    A. Nepveu|Paris 1815|8.5 x 13 cm|3 volumes reliés en 6

    Edition published in Paris by A. Nepveu in 1815, in six small octavo volumes, illustrated with 54 hand-coloured plates depicting twelve views, more than sixty different costumes, monuments and various picturesque scenes, including bullfights, most of them after drawings made in 1809 and 1810. Cf. Colas 439; Lipperheide 1214, the latter reference still requiring direct verification in the printed bibliography; Brunet I, 1226, no. 3; Quérard I, 506. The title itself calls for the 54 plates and records the recent origin of many of their designs.

     

    Contemporary half blond calf, spines with four false bands...

    €4,200
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