Fantasy & Other Marvels

Rare first edition, illustrated with two vignettes: one on the title page and another at the head of the opening text leaf (cf. Backer & Sommervogel VII, 185, no. 58.)

See Brunet, "Recherches sur les imprimeries imaginaires, clandestines et particulières", p. 19.

Printed on the private presses of the Turin Court of Appeal, the work offers a detailed account of the miraculous phenomena reported in Rome between July 1796 and January 1797. The author rebuts, in particular, the sceptical reactions of the "fiers à bras du philosophisme".

Our copy is preserved in its original drab paper wrappers, the spine cracked, the covers soiled, a few spots, a pale dampstain at t

First French edition, illustrated by Arthur Rackham with 40 mounted colour plates on thick brown paper, each protected by a captioned tissue guard, along with 30 black-and-white line drawings within the text, one of the extremely rare 30 copies printed on japon, signed by Arthur Rackham on the limitation page; the deluxe issue.

Publisher’s Bradel binding in full vellum-style boards, smooth gilt-titled spine, upper board gilt-stamped with title and a tree design, top edge gilt; the silk tie on the lower board is lacking.

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Illustrated edition with compositions by Arthur Rackham, 13 in colour tipped in with captioned tissue guards, and 52 black-and-white illustrations in the text, one of 55 copies on japon, signed by Arthur Rackham on the limitation page, deluxe issue.

Publisher’s full vellum binding, flat spine gilt-lettered with gilt-stamped animals, upper cover gilt-stamped with the title and an illustration of animals, top edge gilt, uncut, lower cover silk ties preserved.

A fine copy

Second edition, largely original, as it is considerably expanded (cf. Caillet 2273).

This edition is not cited by Quérard. Not in Blake. NUC: 3 copies.

Rare copy preserved in its original pink wrappers with printed spine label, untrimmed; covers slightly worn with a few corner losses, spine splitting at foot.

The first edition, published anonymously and without publisher’s address, appeared in 1784 [i.e. 1785].

"C'est dans cet ouvrage que le marquis de Puységur fit connaître la découverte qu'il venait de faire (mai 1784) des phénomènes qu'il désigna sous le nom de somnambulisme artificiel. Plusieurs cures importantes minutieusement observées et dûment certifiée

Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.

Publisher’s full vellum binding, flat spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic c

Illustrated edition with 24 colour plates by Arthur Rackham tipped in with captioned tissue guards, 8 full-page black-and-white illustrations, together with numerous ornaments and vignettes in the text by Arthur Rackham, one of 300 copies printed on vélin à la forme, signed by Arthur Rackham on the limitation page.
Publisher’s Bradel binding in full bright white vellum, smooth spine lettered in gilt, upper cover gilt-stamped with the title and a design of fantastic animals within a vertical gilt rule, illustrated endpapers and pastedowns, top edge gilt, untrimmed edges preserved. 
A very well-preserved copy of Milton's baroque and Dionysian spectacl

First French edition of the 50 colour plates by Arthur Rackham, tipped in with captioned tissue guards, a black vignette on the title page, and a further black vignette hors texte by Arthur Rackham, one of 200 copies on Whatman paper.
Publisher’s full vellum, smooth spine gilt-lettered, upper cover gilt-stamped with the title and a gilt illustration of Rip Van Winkle, illustrated endpapers, top edge gilt, uncut, original silk ties preserved. Occasional light foxing.

A splendid copy, remarkably fresh, of Washington Irving’s fantastical tale profusely illustrated by Arthur Rackham.

Rare first edition (cf. Caillet 3017).

Full porphyry calf binding, smooth spine decorated in the grotesque style, small losses and rubbing at the foot of the spine, tan calf title label with a small loss and restoration, triple gilt fillet framing the boards, gilt rolls on the caps partially faded, marbled edges, contemporary binding.

An interesting dissertation written by President de Brosses (1709–1777) for the Académie des Inscriptions et Belles-Lettres, “on ancient myths, theurgy, magic, and secret cults.”

New edition of the French translation.

Half saffron percaline Bradel binding, smooth spine slightly sunned and decorated with a central gilt motif and double gilt fillet at foot, brown shagreen title label with a few scuffs, marbled "cat’s-eye" paper boards, preserved wrappers, lightly rubbed corners, contemporary binding.

A fine set of the first four volumes of the French intégrale edition, identical to the original American structure. Volume 1 is housed in a metal case with embossed lettering and a folding map of Westeros. It is a copy of the highly sought-after very first French collector's edition of the series published in 2012. Volumes 2 and 3 followed in 2013, and volume 4 in 2014. 

Each volume signed by George R.R. Martin on the title page. The signatures were obtained during the author's only public signing session for French reader

New "À la bannière" edition with bevelled boards, violet on a red background, illustrated with 154 drawings by Férat engraved by Barbant.

Publisher’s decorative cloth binding "à la bannière" of type 6 signed by Lenègre, upper cover plate signed by Souze, lower cover of type e1 with central medallion on a black ground, framed with geometric motifs.
Attractive upper cover, with glossy percaline and sharp gilt, small black spots on the spine, head- and tailcaps collapsed as usual, some occasional foxing, small dark and light stains on the lower cover.
L’Île mystérieuse is linked, though not a sequel, to two other novels by Jules Verne, Vingt mille lieues sous les mer

First French edition, no deluxe paper copies issued.

Minor, insignificant spotting to the edges.

A handsome copy.

Edition adorned with 65 original pochoir coloured illustrations by George Barbier, one of 877 numbered copies on Rives.
Bound in half navy blue morocco, spine in four compartments, gilt date at the foot, marbled paper boards, iridescent effect paper endpapers, wrappers and spine preserved, top edge gilt, binding signed Semet & Plumelle.
Pleasant, attractively set copy.

First edition with 46 illustrations by Harry Furniss.
Publisher's binding over flexible paper boards, discreet and light repairs on the
joints, all edges gilt.
Autograph inscription dated and signed by Lewis Carroll to Mrs Cole.

Rare first edition of this predominantly folkloric and literary work: the Forest of Bréchéliant, also known as the Forest of Paimpont, is traditionally identified in Breton folklore with the mythical Forest of Brocéliande from Arthurian legend.

Illustrated with 14 full-page plates in the first volume and 21 in the second.

Our copy was uniquely extra-illustrated at the time with 59 postcards and 2 original photographs mounted on thin cardboard and bound into the volumes.

Contemporary half black shagreen bindings, flat spines with gilt compartments and decorative gilt typographic motifs, marbled paper-covered boards, comb-marbled endpapers and pastedowns,

First edition. Bibliothèque des chemins de fer series. Quite scarce. The novel was previously serialized in the Moniteur universel from March to May 1857. 12-page Hachette catalogue bound in at the end.
Full early 20th-century tan morocco binding, signed at the foot of the inside front cover by A. J. Gonon, housed in a beige slipcase trimmed with morocco. Spine with raised bands, compartments decorated. Wide gilt fillet border on pastedowns. Untrimmed copy. Occasional foxing. Spine slightly sunned. Original wrappers preserved, spine portion missing. A good copy.

First edition, first issue, with every feature described by Cohen. The illustration includes a frontispiece, three dedication plates, four printed titles in red and black with engraved vignette, thirty vignettes, and a fine tailpiece concluding the final volume. In addition, there are 140 engraved full-page plates (including the frontispiece, numbered 2 to 140), by Boucher, Eisen, Gravelot, Leprince, Monnet, and Moreau, and engraved by Baquoy, Basan, Binet, Duclos, and de Ghendt - 48 in the first volume, 33 in the second, 37 in the third, and 22 in the last. The frontispiece, the fleurons in the first three volumes, and

First edition, accompanied by the original text with interlinear translation, grammatical analysis, and a Maya–French vocabulary, published by Count H. de Charencey.

A pleasant copy.

Contemporary full green cloth, flat spine slightly sunned, gilt title, marbled endpapers and pastedowns.

Grammatical and lexicographical study based on a short text in the Maya language written around 1562 by an indigenous chronicler named Nakuk-Pech.

From the library of the orientalist Emile Sénart, with his ink stamp and a printed presentation slip: "Avec tous les compliments de l'auteur. De Charencey".

First edition, one of 165 numbered copies on pur fil d'Arches, deluxe issue.

A fine copy.

First edition, first issue, illustrated with 21 original etchings by Jules Lalauze. Printed in a limited edition following 220 copies on deluxe paper. One of 20 copies on Wattman paper, no. 40. Title pages printed in red and black. A fine impression. An exceptional copy with the engravings in four states (sometimes bound further within the volume), whereas even the copies on Japan paper contain only three states, two of which are proofs on Japan paper. Volume IV is unfortunately lacking in this set. Original wrappers and spines preserved.
Contemporary half orange morocco binding, signed by Canaps on the upper flyleaf. Spine with raised bands, tooled with four crosses composed of four t

First edition on ordinary paper, with a mention of the fourth edition.
Bradel binding in green almond half percaline, smooth spine slightly faded and decorated, gilt fillet at foot, brown shagreen label, marbled paper boards, original wrappers preserved, extremities very slightly rubbed, contemporary binding.
Inscribed and signed by Guy de Maupassant to Paul Hervieu.
 

Original drawing in graphite and blue and pink colored pencils signed by Antoine de Saint-Exupéry, on a sheet of watermarked paper "Navarre". Horizontal fold.

One of Saint-Exupéry's quirky characters in a suit and bow tie, spawn from the baroque and overflowing imagination of the Little Prince's author. The writer-aviator-artist very rarely signed his graphic works.




 
 
 

First edition. 14 full-page plates including two folding, numerous illustrations in the text, as well as twelve pages of tables with hieroglyphic and Chinese characters.

Beige calf binding, elaborately gilt spine, boards stamped with the arms of the Society of Writers to the Signet. Minor foxing. Spine, corners and spine-ends restored, some wear to spine and boards.

A rare copy of this abundantly illustrated treasure trove of esoteric science, serving as an initiation into the mysteries of Egypt through the study of hieroglyphics.

One of the rarest and most interesting works by Pierre Lacour, a painter, engraver and literary scholar who succeeded

Very elegant edition of Perrault's fairy tales, printed with the stereotype process invented by Louis-Etienne Herhan.

Illustrated with 5 full-text engravings (2 vignettes each) and a vignette on the engraved title, after the frontispiece by Antoine Clouzier for the first edition of Perrault's tales (Paris, Barbin, 1697).
Full roan binding, smooth spine framed in gilt and gilt motifs, black title label stamped in gilt, boards framed in gilt, inner dentelle, endpapers and pastedowns in caillouté paper, all edges gilt. Joints slightly split at head of spine, a small brown stain to title page and frontispiece, some spotting. 
Very rare edition, including Bluebeard, Little Red

Manuscript note by Philippe Soupault, 22 lines in mauve ink on a sheet, headed with this inscription: "Les séances", devoted to the famous "sleep" sessions conducted in André Breton's studio consisting of oneiric writings or texts dictated by a dreamer.
The manuscript notes contain three deletions and corrections.
Philippe Soupault considers his attempts questionable and even labels them as imposture, distancing himself from any active participation in these practices: "Neither Aragon nor I participated actively in the experiments called sleep sessions, while Breton accepted with great interest Crevel's suggestion to engage in experiments he had discovered among fri

First printing of the 109 colored wood miniatures by Henry Lemarié, one of the numbered copies on Rives laid paper for each of the volumes.
Small tear at foot of spine of the Bluebeard slipcase, very light rubbing without significance to the slipcases, two small tears at foot of second board of the silent wrapper encasing Cinderella.

We include the illustrated catalogue of Jean Porson editions as well as the catalogue, printed on Rives, announcing the collection of Charles Perrault tales illustrated by Henry Lemarié. This descriptive catalogue is decorated with the frontispiece of Sleeping Beauty in black, two vignettes and two in-text illustrations by Henry Lemarié

First edition, one of 50 numbered copies on vélin de renage, most limited deluxe issue.

A fine copy.

First French edition, translation by Roger Caillois and René L.F. Durand, one of 33 numbered copies on pur fil, the only deluxe paper issue.

Rare and very fine copy.

First edition, one of 50 numbered copies on Holland paper, being the only large paper issue.

Bradel binding with decorative paper featuring red and gold motifs, flat spine, small restorations to spine-ends and joints, brown shagreen title label with a corner skilfully restored, endpapers and pastedowns of blue paper with gilt motifs, soiled soiled covers and spine preserved, gilt top edge on deckle, contemporary binding.

Exceptional and precious presentation copy signed by Claude Farrère: "Pour Max-Anély que j'admire et pour mon ami Segalen. Claude Farrère." [For Max-Anély I admire and for my friend Segalen. Claude Farrère]

First edition of the French translation, issued without any large-paper copies.

A handsome copy, complete with its original promotional band: "Calvino et la préhistoire-fiction."

Inscribed, dated, and signed by Italo Calvino to Pascal Pia.

Rare and sought-after first edition.
 
Half-black shagreen binding, spine in four compartments, marbled paper boards, pebbled endpapers and pastedowns, speckled edges, contemporary binding.
Some occasional light foxing as usual.
 
Rare copy in strictly contemporary binding.

New edition, illustrated with 111 drawings by Neuville and Riou. 7 plates, some in color.
Publisher's gilt Globe binding, upper cover signed Blancheland, Engel relieur, spine with lighthouse motif, rear cover of Engel H type, publisher's Y catalogue at rear of volume.
Spine with minor discoloration, a few small stains to upper corner of front cover, endpapers discolored, corners slightly twisted, the engraving between pages 122-123 with small corner lacks, occasional light foxing mainly to edges.
Undoubtedly the most famous of Jules Verne's novels, featuring the mythical figure of Captain Nemo and his legendary submarine, the Nautilus.

First edition on ordinary paper.

Contemporary binding in half red morocco with corners, spine with five raised bands framed with black fillets, gilt date on tail, marbled paper boards, bouquet-patterned endpapers and pastedowns, original wrappers and spine preserved (small angular restoration to the foot of the first board), gilt head.

Binding signed by Léon Gruel, one of the most renowned bookbinders of the late 19th century.

Le Horla consists of thirteen short stories: Le Horla, Amour, Le Trou, Sauvée, Clochette, Le Marquis de Fumerol, Le Signe, Le Diable, Les Rois, Au bois, Une famille, Joseph, L'Auberge and Le Vagabond.

Precious