Kostia Téréchkovitch
Precious autograph inscription signed by Louis Cheronnet to Pierre Drieu la Rochelle.
Fascicle illustrated with 32 reproductions of the artist's works.
Some worming.
Precious relic.

When the dedicatee is prestigious, when the inscription itself is part of the writer's history or sheds new light on the work... an exceptional autograph bears witness to a major event: the work's encounter with History.
With 8 original etchings to text and hors-texte by Oscar Dominguez, one of 70 numbered copies on B.F.K. de Rives paper, the only printing with 4 on old Japon paper, variously enriched.
Autograph inscription from Robert Ganzo to a couple of his acquaintance on half title.
This copy is additionally enhanced with a manuscript quatrain signed by the author on the page opposite half-title.
Autograph signatures of the author and illustrator on the justification page.
Some slight small foxing mostly affecting the first leaves, a joint of the chemise cracked, with a tear almost all over it.
A rare copy in a chemise and flexible...
Seventh edition, first for some parts, as corrected and reviewed.
Contemporary half black shagreen over black paper boards, spine in five compartments with slender bands and double blindruled compartments, marbled pastedowns and endpapers.
Rare autograph inscription signed and dated by Alfred de Vigny to abbé Huc, who was one of the great missionaries to China and for whom Alfred de Vigny bore a great admiration: " témoignage de vénération et d'attachement / Alfred de Vigny [testimony of [my] veneration and attachment / Alfred de Vigny]."
A little light foxing.
Edition illustrated with original tailpieces and vignettes by Jean-Gabriel Daragnès engraved on wood, one of 250 numbered copies on Arches vellum, the only edition with 30 various Japan.
Publisher's binding in full flexible boards covered with watered paper, title vignette pasted on the front cover.
Precious and fine autograph inscription from J.-G. Daragnès to André Gide who signed twice (in black ink then in blue ballpoint pen).
A tiny lack at the foot of one joint, handsome copy.
First edition, one of 100 numbered advance (service de presse) copies on alfa du Marais paper.
Half brown morocco Bradel binding over marbled paper boards by P. Goy & C. Vilaine, gilt date to foot of spine, yellow paper endpapers and pastedowns , advertising band preserved and mounted on guards.
Light dampstain to foot of covers, a trace of folding to upper cover, foxing to covers and the first few leaves.
A nicely bound copy.
A rare and poetic autograph inscription from Aimé Césaire to the Pataphysician Maurice Saillet.
First edition on ordinary paper.
A vertical shadow along the entire length of the lower cover, otherwise a very good copy.
Illustrated wrapper with a drawing by Claude Cahun.
Precious signed autograph inscription from the author Georges Ribemont-Dessaignes to André Breton: "... au grand chanteur / à la sirène / au ........ hélas".
Complete autograph manuscript of the trilogy, partly unpublished, with additions, deletions and corrections in Jacques Benoist-Méchin's hand.
Three manuscripts written in green ink, of 135, 68 and 106 pages respectively, each with a calligraphed title. The manuscript of Coraux is illustrated with two drawings in red ink. The manuscript of Gaz I is housed in a kraft paper envelope bearing autograph annotations and the signature of Jacques Benoist-Méchin.
Some very minor tears and creases, a few leaves lightly browned and soiled; otherwise a very well-preserved set.
Provenance: personal archives of Jacques Benoist-Méchin.
Complete autograph manuscript, dated and signed, of this piece for choirs and pianos, bearing autograph additions, deletions and corrections by Jacques Benoist-Méchin to both the staves and the words of this work set to the early poems of Jules Supervielle.
The whole is housed in a board folder, with covers hand-lettered by the author. Blank folder soiled, with rubbing and tears.
Enclosed are three further documents relating to Jacques Benoist-Méchin: the contract assigning to the music publisher B. Roudanez the rights to his musical work for voice and piano based on poems by Jules Romains, and two letters addressed to him, with their envelopes.