Original photographic portrait of Sigmund Freud, in silver print made later by Engelman from the original negative.
After the Night of Broken Glass, the young Jewish photographer Edmund Engelman (1907-2000) fled to the United States leaving behind his precious but compromising negatives of his clandestine photography. He did not recover them until after the Second World War, in 1952, from the psychoanalyst's daughter Anna Freud.
Handwritten inscription signed by photographer Edmund Engelman in the lower margin of the photograph: “à Nadine Nimier Cordialement Edmund Engelman” (“To Nadine Nimier Sincerely Edmund Engelman”).
Nadine Nimier was...
Rare and genuine posthumous first edition of the first six books of the Confessions, the remaining volumes not appearing until 1789. Several other editions were issued shortly thereafter, but the evidence provided by the commentary published in the June 1782 issue of the Journal Helvétique clearly establishes that this separately printed edition, known as the "large type" issue, is indeed the very first (F. Michaux, "L'Édition originale de la première partie des 'Confessions' de J.-J. Rousseau" in Revue d'Histoire littéraire de la France, 35th Year, No. 2 (1928), pp. 250-253).
Contemporary half calf bindings, flat spines tooled with gilt fillets and decorated...
First edition, posthumous, printed on Holland paper.
Contemporary full marbled brown calf binding, spine in compartments richly decorated, red morocco title label, black morocco volume label, a small loss to the lower joint at the foot, rubbing marks, surface abrasions to the upper cover with a small loss of leather, one corner bumped, marginal loss to the right corner on pages 247 and 257.
Paper generally fresh. This copy has been bound as a single volume, following the 1772 edition of Diderot’s Works in 6 volumes (Volume VI, II).
A good copy.
The introductory text, à la mémoire de Diderot, is by Jakob-Heinrich Meister, a friend of Necker and successor...
First edition, one of 30 numbered copies on Lafuma, the only copies on deluxe paper.
Very handsome copy despite a slight shadow on the half-title page.
First edition, of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
Spine slightly bowed, with a few tears and lacks to plastic film cover. Slight foxing in the margins of a few pages.
Handsome autograph inscription signed by Michel Foucault, at the time a young teacher, to Jean-Charles Varennes.
A very rare advance copy, which could be said to have taken the place of the grand papier (deluxe) copies.
First edition, one of 40 numbered copies on vélin pur fil paper, the tirage de tête (deluxe copies).
Full morocco, covers and spine preserved, slipcase, elegant binding signed by Semet & Plumelle.
Provenances: mostly from Robert Desprechins' library with his ex-libris drawn by Jean Cocteau, and by Louis de Sadeleer with his engraved ex-libris.
A very nice copy beautifully bound morocco signed by Semet & Plumelle.
First edition, one of 47 numbered copies on Vergé de Vizille, the only deluxe paper issue.
A fine copy.
First edition, quite rare; a counterfeit edition appeared on the same date in Amsterdam.
Contemporary full glazed and marbled blonde calf binding. Decorated smooth spines. Red morocco title and volume labels. A small lack at head of volume I. Five corners slightly bumped. Rubbing. Good copy.
Without doubt Bonnet's most ambitious and remarkable study which earned him the designation of father of modern biology. This work of theoretical biology drawing its source from multi-disciplinary reflection and its postulate from Leibniz (the immortality of the soul) claims that the Earth periodically suffers universal catastrophes which destroy almost all life and that...
New and improved enlarged edition (partly original), illustrated with a frontispiece, 12 unsigned figures, and 6 title vignettes (the title pages are entirely engraved). A fine printing. The original 1770 edition comprised only 3 volumes in-12.
Contemporary full mottled calf bindings. Smooth spines decorated with floral tools and multiple gilt rolls. Triple gilt fillet framing on covers. Blue sprinkled edges. Slight surface wear to the covers. A few wormholes to the joints, and some worming in the margin of volume I. Despite these minor flaws, a handsome, well-bound and fresh copy.
