Garnier frères

First edition on ordinary paper.

Half red morocco binding, spine with five raised bands framed with gilt fillets and decorated with double gilt panels, gilt lettering at the foot of the spine reading "Ex. de Sainte-Beuve", double gilt fillets on the marbled paper boards, small black spots on the covers, comb-marbled endpapers and pastedowns, original wrappers preserved, gilt edges.

Scattered foxing.

Precious autograph inscription signed by Auguste Brizeux: "A Sainte-Beuve, au poète et à l'ami. A. Brizeux."

First edition illustrated with an engraved view of Oran by Fichot.

Only three records in the CCF (BnF, Troyes, Saint-Geniez). Not listed in Tailliart.

Contemporary half bottle-green cloth, smooth spine decorated with false raised bands and blind-stamped fillets, marbled paper boards, rubbed corners.

Some minor foxing, endpapers partly shaded.

Sole edition of this curious work composed by a "first-class engineer guard," intended to counter metropolitan prejudices against the Arabs of Algeria.

Illustrated edition by Grandville, engraved by Geoffroy, comprising 29 hand-coloured plates hors-texte in the first volume, and in the second, 23 hand-coloured plates hors-texte along with 2 black botanical plates illustrating the physiology of plants, "Horticulture des dames" and "Culture des fleurs." For this edition, the plates were re-coloured by Maubert, with fresher and more vivid tones, considered superior to the first edition. Accompanied by 3 pages of sheet music for the romance Le myosotis. 
Contemporary half blue shagreen bindings. Spines with raised bands decorated with three gilt panels. Some scattered foxing, title-page of volume 2 with spotting. A few leaves slightly...

First edition, published by order of the Imperial Government of Brazil and illustrated with a folding color map at the end of the volume (cf. Garraux 169. Borba de Moraes I, 478).

Some light foxing, minor rubbing to the spine, a pleasing and scarce copy.

Contemporary binding in red half morocco-grained shagreen, smooth spine ruled in gilt with quadruple fillets, gilt coat of arms at foot of spine, small losses to head and tailcaps, marbled paper boards, marbled endpapers and pastedowns, period binding.

Emmanuel Liais, then Director of the Imperial Observatory of Rio de Janeiro, had been entrusted by Emperor Pedro II with various expeditions throughout the Brazilian...

First edition. 262 engravings in the text representing the main assembled pieces of cuisine, pastry and ice creams.

Publisher's binding in full red grained cloth. Smooth spine decorated with a large black fleuron. Gilt title. Frame ornaments on the boards and a central vignette. Small lack of cloth to the upper joint at foot. Some soiling and traces of rubbing, but good copy with some scattered foxing.
One of the most important treatises on pastry-making of the 19th century. Sought after for its impressive plates. Garlin, famous chef from Tonnerre was first his father's pupil before training himself in embassies and various establishments. Le pâtissier moderne...

 Second issue of the first illustrated edition of Victor Hugo’s masterpiece, distinguished by the small bat vignette on the title-page.

Publisher’s neo-Gothic binding in full brown polychrome cloth, the smooth spine gilt-stamped with an allegory of Notre-Dame de Paris, the boards adorned with an extensive gilt and polychrome design (red, blue, and pink) depicting scenes from Notre-Dame de Paris, yellow endpapers and pastedowns, shaded white flyleaves, all edges gilt, a characteristic Romantic publisher’s cloth binding. Spine evenly faded. Minute split at the head of the upper joint. One leaf detached, two others working loose. Occasional marginal foxing.

Work embellished with...

 Second impression of the first illustrated edition of Victor Hugo's masterpiece.

Some light foxing.

Publisher's full black cloth binding, smooth spine decorated with a gilt allegory of Notre-Dame de Paris, covers adorned with elaborate gilt designs depicting scenes from Notre-Dame de Paris, yellow paper endpapers and pastedowns, shaded white flyleaves, all edges gilt. A fine example of the publisher's romantic binding.

Illustrated with plates by Charles François Daubigny, Valentin Foulquier, Thoedor Josef Hoffbauer, Tony Johannot, Aimé de Lemud, Ernest Meissonier, Célestin Nanteuil, Camille Roqueplan, Louis Henri de Rudder, and Louis Steinheil...

A splendid copy...