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Gallimard (1911 - )

Gallimard (1911 - )

Fondées en 1911 par Gaston Gallimard, André Gide et Jean Schlumberger, les Editions de la Nouvelle revue française prirent en juillet 1919 le nom de Librairie Gallimard.

Languages

French

Pays

France

Birth

1911

Other names

Bibliothèque de La Pléiade (Collection)
Collection Métamorphoses (Collection)
Editions de la Nouvelle Revue Française
Editions de la nouvelle revue (other)
Editions de la revue (other)
Galerie de La Pléiade (Collection)
La Nouvelle Nrf (Periodical)
La Nouvelle Revue Française (Periodical)
Librairie Gallimard
Librairie de La revue française (other)
NRF
Nouvelle Revue Française (other)
Nouvelle librairie française (other)
Nrf (other)
Éditions Gallimard
Éditions de la Nouvelle revue francaise
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9697 results
  17. Les mouches
    Jean-Paul SARTRE
    Les mouches
    [The Flies]
    Gallimard|Paris 1943|12 x 19 cm|relié sous chemise et étui
    Gallimard | Paris 1943 | 12 x 19 cm | bound in morocco with custom slipcase and chemise
    First edition, one of 18 numbered copies on pur fil paper, the tirage de tête (deluxe copy).

    Jansenist red morocco, spine in six compartments, gilt date to foot of spine, pastedowns and endpapers in black morocco, covers and spine preserved, all edges gilt; half red morocco chemise, spine in six compartments, date in gilt at foot of spine, lined in black felt; slipcase edged in red morocco, lined in ochre felt, binding signed by Duhayon.

    A superb copy handsomely bound in a triple binding by Duhayon.
    €15,000
  22. Féerie pour une autre fois II - Normance
    Louis-Ferdinand CÉLINE
    Féerie pour une autre fois II - Normance
    Gallimard|Paris 1954|14 x 21 cm|relié sous chemise et étui
    First edition, one of 45 numbered copies on Hollande paper, the tirage de tête
    Autograph inscription from Louis-Ferdinand Céline to his friend Pierre Duverger, the only photographer to have taken color photographs of Céline
    Quality blueish paper covers, sunned (as is often the case)
    Ex libris pasted onto foot of half-title
    This copy has a half black morocco chemise, spine in six compartments, date to foot, and a slipcase edged in black morocco, both by Goy & Vilaine.
    €10,000
  28. Thomas l'obscur
    Maurice BLANCHOT
    Thomas l'obscur
    Gallimard|Paris 1941|14 x 20.50 cm|broché

    First edition, an advance (service de presse) copy.
    Handsome, fine autograph inscription from Maurice Blanchot to Gaston Gallimard on ffep: "On ne s'arrête plus aux tables des heureux, puisqu'on est mort. (Charles Cros) / A Gaston Gallimard, ce livre destiné à écarter tout lecteur [One doesn’t stop any more at the table of the joyous, for one is dead. (Charles Cros) / To Gaston Gallimard, this book destined to drive away every reader]."
    Two repaired tears to head of spine (slightly sunned), one tiny scratch to head of upper cover, paper yellowed at edges of some pages as usual, ffep repaired with small lack at foot. 

    €2,300
  29. Aminadab
    Maurice BLANCHOT
    Aminadab
    Gallimard|Paris 1942|14 x 20.50 cm|broché

    First edition, an advance (service de presse) copy.
    Handsome and attractive autograph inscription from Maurice Blanchot to Gaston Gallimard : "... ce livre qui lui doit deux fois l'existence. / Quand je contemplai ceci, je soupirai et dis en moi-même : certainement l'homme est un balai. Swift […this book that owes him its existence doubly./ When I think about that, I sigh and say to myself: man truly is foolish.” Swift]"
    Repaired tear to head of spine (lightly sunned), paper yellowed at edges of some pages, as usual.

    €2,000
  30. Aminadab
    Maurice BLANCHOT
    Aminadab
    Gallimard|Paris 1942|14 x 20.50 cm|relié
    First edition, an advance (service de presse) copy.
    Elegant half dark red morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, gilt date to foot, marbled endpapers and pastedowns, covers and spine (sunned) preserved, top edge gilt.
    Fine and handsome autograph inscription signed from Maurice Blanchot to his brother René and his wife Inge : Un bonze demanda un jour au bonze Sozan Daishi : Qu'est-ce quiest le plus précieux au monde ? / N'importe quoi, une charogne, latête d'un chat mort, répondit Sosan Daishi. / Pourquoi ? ? Parcequ'on ne peut l'évaluer. Zenso Mondo. / Pour René et Inge en toute affection. Maurice. [A bonze asked bonze Sozan Daishi one day: “What is the most precious thing in the world?”/ “Whatever – a rotting carcass, the head of a dead cat,” replied Sosan Daishi./ “Why??” “Because it's priceless”. Zenso Mondo./ For René and Inge with all love. Maurice]”. A very good copy perfectly bound with a moving provenance.
    €2,800
  32. Faux pas
    Maurice BLANCHOT
    Faux pas
    Gallimard|Paris 1943|14 x 21 cm|relié
    First edition, a Service de Presse (advance) copy.
    Half red morocco binding, spine with five raised bands, date gilt at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved (a very pale stain on the first cover), top edge gilt, elegant binding signed by P. Goy & C. Vilaine.
    Precious and moving autograph inscription signed by Maurice Blanchot to his mother and sister: "Pour sa chère maman et sa vieille Marg avec l'amitié sans Faux Pas de Maurice." ["For his dear mama and his old Marg with friendship without False Steps from Maurice."]
    Marguerite Blanchot, renowned organist at Chalon cathedral, remained all her life in the family home, with her mother and aunt. "She would gradually become, for the family, like the memory of origins." Very close to Maurice, she corresponded regularly with the writer who showed her great gratitude for her devotion to their bedridden mother. While Blanchot's intense affection for his mother and sister shows through in his dedications, almost nothing is known of their relationships. In the only biographical essay on Blanchot, Christophe Bident reveals however: "Marguerite Blanchot venerated her brother Maurice. Very proud of him, (...) she attached great importance to his political ideas (...). She read a great deal (...) They telephoned each other, corresponded. At a distance, they shared the same natural authority, the same concern for discretion." Blanchot indeed sent her numerous works from his library, maintaining with her a continuous intellectual bond. As for Blanchot's passion for his mother, it is in the course of his work that we discover the most beautiful testimonies: "Perhaps the power of the maternal figure borrows its brilliance from the very power of fascination, and one could say that if the Mother exercises this fascinating attraction, it is because appearing when the child lives entirely under the gaze of fascination, she concentrates in herself all the powers of enchantment." Cultivating absolute discretion, Blanchot pushed the art of self-effacement even into his manuscript dedications, generally succinct and written almost systematically on cards attached to the rare works he gave to his close friends. In contrast, in these precious inscriptions to his mother and sister, Blanchot offers himself in all his fragility and reveals an intimacy hitherto unknown.
    Handsome copy with full margins perfectly established.
    €3,000
  53. L'espace littéraire
    Maurice BLANCHOT
    L'espace littéraire
    Gallimard|Paris 1968|11 x 16.50 cm|broché
    New pocket edition, an advance copy.
    Moving and precious signed autograph inscription from Maurice Blanchot to his sister Marguerite: "Pour ma très chère soeur, Marguerite, ce livre, prémisses peut-être de "la fin du livre" avec les tendres excuses de MB." ["For my very dear sister, Marguerite, this book, perhaps the premises of "the end of the book" with tender apologies from MB."]
    Marguerite Blanchot, a renowned organist at Chalon cathedral, remained all her life in the family home, with her mother and aunt. "She would gradually become, for the family, like the memory of origins." Very close to Maurice, she corresponded regularly with the writer who showed her great gratitude for her devotion to their invalid mother. While Blanchot's intense affection for his mother and sister shows through in his dedications, we know almost nothing of their relationship. In the only biographical essay on Blanchot, Christophe Bident reveals however: "Marguerite Blanchot revered her brother Maurice. Very proud of him, (...) she attached great importance to his political ideas (...). She read extensively (...) They telephoned each other, corresponded. At a distance, they shared the same natural authority, the same concern for discretion." Blanchot indeed sent her numerous works from his library, maintaining with her a continuous intellectual bond.
    A handsome copy.
    €700
  54. De Kafka à Kafka
    Maurice BLANCHOT
    De Kafka à Kafka
    Gallimard|Paris 1981|11 x 18 cm|broché
    The first edition published only in paperback format, of which there were no deluxe copies, one of the Service de Presse (advance) copies.
    Moving and precious signed autograph inscription from Maurice Blanchot to his sister Marguerite on a card mounted on the first endpaper: "Chère Marg, ce livre qui n'est pas un livre mais qui te dit en ces jours si sombres, ma fidèle, ma profonde affection. Maurice." ["Dear Marg, this book which is not a book but which tells you in these dark days, my faithful one, my deep affection. Maurice."]
    Envelope bearing Marguerite Blanchot's address written by her brother Maurice mounted on the half-title page. Marguerite Blanchot, renowned organist at the cathedral of Chalon, remained all her life in the family home, with her mother and aunt. "She gradually became, for the family, like the memory of origins." Very close to Maurice, she corresponded regularly with the writer who showed her great gratitude for her devotion to their invalid mother. While Blanchot's intense affection for his mother and sister shows through in his dedications, we know almost nothing of their relationship. In the only biographical essay on Blanchot, Christophe Bident reveals however: "Marguerite Blanchot venerated her brother Maurice. Very proud of him, (...) she attached great importance to his political ideas (...). She read a great deal (...) They telephoned each other, corresponded. At a distance, they shared the same natural authority, the same concern for discretion." Blanchot indeed sent her numerous works from his library, maintaining with her a continuous intellectual bond. A marginal crease at foot of first cover.
    Handsome copy.
    €1,200
  80. Conversions
    Harry MATHEWS
    Conversions
    Gallimard|Paris 1970|12 x 18.50 cm|broché
    First edition of the French translation, of which there were no deluxe copies, a Service de Presse (advance) copy.
    Precious autograph inscription signed by Harry Mathews in French to Maurice Blanchot "... avec toute ma gratitude pour l"'Arrêt de mort', pour ne pas nommer tous les autres accomplis et à venir" ["... with all my gratitude for 'Death Sentence', not to mention all the others accomplished and to come"].
    Handsome copy.
    €450
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