Gallimard (1911 - )

First edition, one of the copies on ordinary paper.

A pleasant copy despite a stain to the edge.

Signed presentation copy from Jorge Semprun to Françoise Giroud: "... ce nouvel exercice de mémoire..."

First edition of the French translation, one of 16 numbered copies on vellum of Arches, the only large paper copies.

Fine copy.

First edition, with no deluxe paper copies issued, and retaining the correct printer's colophon despite the spurious third edition statement.
The first edition of The Stranger was printed in 4,400 copies on 21 April 1942 and divided into eight fictitious "editions" of 550 copies each.
A small repaired tear at the head of the slightly toned spine, boards lightly and marginally soiled, small marginal tears to the rear cover.

First edition, one of 71 numbered copies on pure rag wove paper, the only deluxe paper copies apart from 61 copies on Holland paper.

A scarce and attractive copy.

First edition, one of 647 numbered copies on pure wove paper, the only deluxe paper issue after the 109 reimposed copies.

Printed bookplate (depicting Chinese ideograms) of Henry Bouillier, a specialist of Victor Segalen's work and a noted bibliophile.
A pleasing copy.

First edition, one of 85 numbered copies on pur fil paper, this one of 10 hors commerce lettered copies, the tirage de tête.
This copy is lettered “f”, specially printed for Raymond Queneau.
Handsome autograph inscription signed and dated by Youki Desnos to Raymond and Janine Queneau : "... La rue Lacretelle - le gras double du petit déjeûner...[…Rue Lacretelle – the double pleasures of breakfast…]", also with an inscription by René Bertelé : "... avec l'hommage bien amical du copiste...[with the copyist's best wishes]."
A very good copy.

First edition of the French translation, one of 21 numbered copies on pur fil paper, the only deluxe paper issue.

A fine copy.

First edition on ordinary paper.

Bradel binding, boards and spine covered in blue decorative paper, flat spine, title label in navy blue morocco bordered with a palladium fillet, title and authors stamped in palladium, original covers preserved with a skillful restoration to the outer margin of the front cover, elegant binding signed by Boichot. 
Precious presentation copy signed by Joseph Kessel on the front free endpaper: "A Charles Maurras qui nous reçut avec tant de touchante bienveillance, hommage de reconnaissante admiration" [To Charles Maurras, who welcomed us with such touching kindness, homage of grateful admiration] also signed and inscribed...

First edition, one of 647 numbered copies on pur fil paper, the only deluxe copies after 5 on Japan paper, 5 on Holland paper and 109 reimposed.

A handsome copy.

First edition of the French translation, one of 60 numbered copies on pur fil, head of the print run.

Preface by André Gide.

Rare and appealing copy.

First edition, one of the numbered copies on deluxe paper, the only large-paper issue after 109 reimposed copies.

Fine copy.

First edition, one of 894 numbered copies on pur fil paper, the only deluxe paper issue after 109 reimposed copies.

A fine copy.

First edition, one of the review copies.

A pleasing copy.

Signed presentation inscription from Paul Valéry to Germaine Fiévé : "... petit souvenir d'une collaboration sans mauvaises pensées et autres..."

First edition, one of the review copies.

Spine partially and lightly sun-faded without consequence, with a small restored nick at the head of the backstrip.

Author's signed presentation inscription from André Malraux to the diplomat and man of letters Pierre de Boisdeffre.

First edition of the French translation, one of 80 numbered copies on alfa paper issued in a special "du monde entier" wrapper, the only deluxe copies together with 35 on pur fil.

A handsome copy.

First edition of the French translation, for which no deluxe paper copies were issued.

A handsome copy, complete with its photographic dust jacket showing a tiny tear at the head of the spine, with illustrations.

Inscribed and signed by Julio Cortázar to the writer Christiane Baroche: "Pour toi, Chirstiane, avec toute mon amitié. Julio."

First edition on ordinary paper.

A vertical crease along the right margin of the upper cover, which also shows a tiny blemish at the head; a complete copy retaining its publisher’s wraparound band.

Fine presentation inscription signed by Pascal Quignard: "Pour Michel Tournier cette terrasse à Rome, avec mon meilleur souvenir. Pascal Quignard."

First edition, one of 1050 numbered copies on alfa paper.
Two very slight sunning without gravity to head of boards, handsome copy.
Paperboard binding after Mario Prassinos' original design.

First edition, with no deluxe paper issue.

A handsome copy, with the promotional leaflet loosely inserted; the verso is creased and shows a tear.

Fine dated and signed presentation inscription from Annie Ernaux to the writer Christiane Baroche: "Pour Christiane,qui m'a fait "naître" dans le bonheur il y a dix ans. Annie. 3/02/84."

First edition, one of the review copies.
Spine just lightly rubbed.
Inscribed and signed by Patrick Modiano to the writer Christiane Baroche.
 

First edition, with no deluxe paper issue.

A small stain to the upper-left margin of the front cover; an attractive copy nonetheless.

Fine dated and signed presentation inscription from Annie Ernaux to the writer Christiane Baroche : "Voilà Christiane, je ne pouvais réellement écrire autre chose... Avec amitié AErnaux 6/01/88."

First edition, with no deluxe paper issue.

A well-preserved copy.

Fine dated presentation inscription signed by Annie Ernaux to the writer Christiane Baroche: "Pour Christiane, avec notre vieille amitié, de tendre pensées 'fraternelles' AErnaux 16/01/92."