First edition, with no copies issued on deluxe paper.
Backstrip lightly creased, minor corner creases to the covers.
Inscribed, dated, and signed by Marguerite Duras to Yvonne Beaujour.
First edition, with no copies issued on deluxe paper.
Backstrip lightly creased, minor corner creases to the covers.
Inscribed, dated, and signed by Marguerite Duras to Yvonne Beaujour.
First edition of the French translation, of which no deluxe copies were printed.
Crease to the upper left corner of the lower cover and the last leaves.
Illustrations.
Precious inscribed copy to Bernard Kouchner: "To my dear friend Bernard always true to his beliefs and a great partner. With deep admiration and affection. Madeleine 15/11/03."
First edition, of which no copies were issued on deluxe paper.
Illustrated, complete with the two folding maps at the end of the volume.
Inscribed by René Grousset: "A monsieur Benoist-Méchin en témoignage de profonde reconnaissance" and additionally signed by Geneviève Grousset.
Accompanied by a one-page autograph letter signed by René Grousset to Jacques Benoist-Méchin, in which he thanks him for his interventions on behalf of his son-in-law and daughter, whom he saved.
First edition, one of 25 numbered copies on bouffant vellum paper from the Salzer mills, ours being No. 1, the only deluxe paper issue.
Handsome copy of this work awarded the Grand Prix du Roman of the Académie française.
First edition, an advance (service de presse) copy.
Some lacks to foot of spine, clear stains and scratches to head and foot of upper cover, tiny foxing to the endpapers, the last endpaper is covered with notes in pencil made by the dedicatee.
Autograph inscription from Irène Némirovsky to Michel Corday.
First edition, one of 20 numbered copies on vélin de cuve paper reserved for the “XX” bibliophile group, the tirage de tête.
A good copy complete with its double covers by Albin Michel and the “XX” bibliophile group.
Joints of chemise rubbed, modern slipcase, tiny insignificant worming to endpapers.
Signed by the author on justification page.
First edition, on ordinary paper, of the French translation.
A small tear restored at the foot of the spine, a pleasing copy.
Letter-preface by Jean Cocteau, preface by Somerset Maugham.
Illustrated cover with a portrait of the Aga Khan by Kees Van Dongen, with iconography.
Rare and precious signed autograph presentation from the Aga Khan to Madame Avrillier.
First edition, one of 25 numbered copies on Vélin du Marais, the only copies printed on deluxe paper.
A fine and rare copy.
First edition, one of 55 numbered copies on Rives vellum, the deluxe issue.
A fine copy with wide margins.
First edition of the French translation.
Illustrated with photographs by Erica Anderson, with text and captions by Eugène Exman.
Preface by Daniel Halévy.
Pleasing copy complete with its illustrated dust jacket, showing minor losses and angular tears to the spine, along with some marginal scuffing to the panels.
Bookplate affixed to the inside front cover.
Rare dated and signed presentation inscription by Albert Schweitzer on a blank flyleaf: "A monsieur Bernard Tessier en souvenir de son passage à Lambaréné le 1.9.1956, Albert Schweitzer."
First edition, one of 110 numbered copies on Marais vellum, ours unnumbered but duly justified at the foot of each spine "Marais" and watermarked, the only copies printed on deluxe paper.
A tear to the upper right corner of the rear cover of the last volume.
Handsome complete set in 6 volumes; the author deliberately halted the writing of this work, which deals as much with history as with military history and was originally intended to comprise ten volumes.
New edition, with mention of the print run.
Illustrated.
Two losses to the spine; complete with its illustrated dust jacket, which shows small chips and angular tears. One gathering poorly opened with minor marginal losses not affecting the text.
Bookplate affixed to the verso of the front cover.
Rare signed presentation inscription by Albert Schweitzer: "A monsieur et madame André Fontan en souvenir de leur passage à Lambarené le 2.6.1963, avec mes bonnes pensées. Albert Schweitzer."
First edition on ordinary paper.
Spine creased as often, otherwise a pleasant copy.
Illustrated.
Inscribed and signed by Jean Marais to Madame Romanini.
"It's war!" we shouted that night, over and over again. The terrible word brought us bad luck... It was 1913: the following year, we were packing our kits again. This time, for real. And not all the guests came back." p. 335
First edition, one of only 6 copies printed on Hollande, this being copy no. 1 of the deluxe issue.
Bound in navy blue morocco backed boards with corners, spine very lightly sunned with raised bands, gilt date at foot, marbled paper-covered boards and endpapers, edges untrimmed, top edge gilt, covers and spine preserved. Binding signed Lavaux.
A fine copy with wide margins, attractively bound.
Bookplate pasted to a flyleaf.
The author's own copy, profusely extra-illustrated, of this magnificent Montmartre chronicle. Tipped in is an original ink portrait of Roland Dorgelès by Gus Bofa, humorously captioned: "Monsieur Roland Dorgelès dans son uniforme de rédacteur à la petite semaine"
Alongside two original photographs, one depicting the famous Montmartre figure Francisque Poulbot in his Guignol theatre (Agence Rol, 1910), and the other a very rare photograph of the legendary “Fête des Dernières Cartouches” organised by Poulbot on 23 May 1913. We have located only one other known image of this event. The photograph shows the merry band of participants at Poulbot’s place on rue de l’Orient, dressed as soldiers from the Franco-Prussian War of 1870. The celebration, which created quite a stir, is recounted by Dorgelès in this book: