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Paris

Paris

Local nameParis
CountryFrance
Name Variants
  • Barbès-Rochechouart
  • Batignolles
  • Bikini

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59051 results
  3. Carte autographe signée de Claude Farrère à un critique
    Claude FARRÈRE

    Carte autographe signée de Claude Farrère à un critique

    Paris n.d. (circa 1909)|8.90 x 5.70 cm|une carte recto verso
    Signed autograph card of Claude Farrère to a critic, written in black ink.
    Signature at the bottom of the letter.
    An ink stain on a word, "principium".

    Claude Farrère sends this card to thank a journalist for the article he wrote about him: "thank you for the minutes of joy you gave me this morning" . He compliments him especially for his knowledge and understanding of the models of Farrère he quotes in the letter: Virgil - "my god, from the day I read for the first time ab jove principium Musae ... " - and André Bellesort .
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  4. Jeanne d'Arc
    Jules MICHELET

    Jeanne d'Arc

    Librairie Hachette|Paris 1888|-|relié
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  5. Lettre autographe signée de Marcel Dommergues
    Marcel DOMMERGUES

    Lettre autographe signée de Marcel Dommergues

    Paris 7 janvier 1964|13.40 x 21 cm|2 pages sur une feuille
    Autograph letter signed by Marcel Dommergues, written in black ink.
    Date and place at the top of the letter, signature at the bottom of the letter.
    Central fold caused by mailing.

    Marcel Dommergues writes this letter in response to a letter from his correspondent. This one pointed out to him the lack of analysis on the way to present a sheet except for a work of Mr. Lebouc and proposed to him his method. He invites her to send it to him so that he reads "by sifting through a stern criticism" and asks him to come and see him in Paris to exchange with her.
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  6. Carte autographe signée de Henri Bergson à M. Turquem
    Henri BERGSON

    Carte autographe signée de Henri Bergson à M. Turquem

    Paris 12 novembre 1929|10 x 6 cm|une carte recto verso
    Signed autograph card of Henri Bergson to Mr. Turquem, written in black ink.
    Personal card of Henri Bergson, signature at the end of the letter, envelope attached.

    Sick since 1925, Henri Bergson nevertheless adds to his map a few handwritten lines for his addressee. He writes that his letter touched him and thanked him for it.
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  7. Lettre tapuscrite signée d'André Malraux à Noël B. de la Mort
    André MALRAUX (to Noël B. DE LA MORT)

    Lettre tapuscrite signée d'André Malraux à Noël B. de la Mort

    Paris 15 janvier 1936|13.50 x 21 cm|une page sur une feuille
    Typed letter signed by André Malraux at Christmas B. de la Mort, Malraux's signature at the bottom of the letter in black ink, envelope with typewritten address attached. Paper and NRF envelope.
    Fold of the letter caused by mailing.

    André Malraux informs Noël B. de la Mort that he transmitted the project of the latter and that he was promised an answer.
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  10. Lettre autographe signée adressée à Maurice Levaillant
    Marcel PROUST

    Lettre autographe signée adressée à Maurice LevaillantAutograph letter signed to Maurice Levaillant

    Paris Lundi [9 février 1920]|15.30 x 19.30 cm|7 pages sur 2 doubles feuillets et une enveloppe

    A very long, unpublished, signed autograph letter from Marcel Proust to Maurice Levaillant, written in black ink and with its envelope marked “personal” in Proust's hand. A humorous typo by the author on this same envelope, marking it “au Figao” [sic].
    A few underlinings in Proust's hand.
    On 10 December 1919, which is to say a few months before writing this letter, Proust completed his quest for the Holy Grail: In the Shadow of Young Girls in Flower won the Goncourt Prize. With six votes to four, the “old” writer pipped his young competitor Roland Dorgelès to the post, whose very promising Wooden Crosses was tipped as favorite. “The prize brought P

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  12. Lettre autographe de Jean Fontenoy à propos du Songe du Voyageur, "Il n'y a pas d'homme en soi"
    Jean FONTENOY

    Lettre autographe de Jean Fontenoy à propos du Songe du Voyageur, "Il n'y a pas d'homme en soi"

    Paris s. d. [circa 1939]|17.40 x 22.50 cm|4 pages sur 2 feuillets
    Letter autograph signed by Jean Fontenoy, written in blue ink on school paper with large squares.
    Calligraphic drawing "Tuesday" at the top of the letter, Paris address and telephone number of the writer in the margin of the last sheet.
    Several erasures and additions of the author's hand.

    Fontenoy writes this letter by putting himself in the place of a schoolboy: " I write to you on school paper because I seem to have returned to school ". He submits to his addressee the last modifications that he wishes to make to the manuscript of the Dream of the Traveler but also the text of presentation of the book. The author seems preoccu
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  13. Attestation autographe de Jacques Laurent (dit Cecil Saint Laurent)
    Jacques LAURENT

    Attestation autographe de Jacques Laurent (dit Cecil Saint Laurent)

    Paris 6 juillet 1986|20.90 x 13.60 cm|une page sur un feuillet
    Signed autograph letter of Jacques Laurent said Cecil Saint-Laurent to proclaim his powers to Mr. Jean the Merchant in the discussion with editions Je Sers.
    Date and place on the upper part of the letter.

    Jacques Laurent, novelist and journalist associated with the literary movement of hussars, writes this letter so that Jean Le Marchand, with whom he worked in the magazine Combat during the Second World War, can discuss on his behalf with Editions Je Sers. Jacques Laurent published in 1950 Do not touch the ax in the Oedipus collection of these editions. This letter dates from the year when Jacques Laurent was elected to the French Academy.
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  21. Odyssée
    Georges-Antoine ROCHEGROSSE, HOMÈRE

    Odyssée

    Ferroud|Paris 1930|22.50 x 30.50 cm|broché
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  22. Les Français peints par eux-mêmes
    Honoré de BALZAC, COLLECTIF

    Les Français peints par eux-mêmes

    Léon Curmer|Paris 1840-1842|18 x 26.50 cm|9 volumes reliés
    BALZAC Honoré de Les Français peints par eux-mêmes

    First edition, one of the de luxe copies with a double state of the illustrations: one in black and white on colored paper and one of the same plates heightened in colors in "colori gommé" on white paper, protected by yellow silk paper guards, a sign of the first printing. This copy complete with all its hors-texte illustrations as well as its frontispieces, of Napoleon on a horse after Horace Vernet and the double-page map of France in Volume III, Province [The Countryside]. The work also has more than 1,500 illustrations to text. Volumes I and II (Paris) are from 1840, while Volumes III and IV (Paris) and Volume
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  24. Lettre autographe signée (adressée à Gustave Geffroy)
    Romain ROLLAND

    Lettre autographe signée (adressée à Gustave Geffroy)

    s. l. • [Paris] S.d. (circa 1905)|12.50 x 17 cm|une page et deux lignes sur un feuillet remplié
    Letter autograph signed by Romain Rolland, one page and two lines, to Gustave Geffroy (whose name has been added in pencil), 10 lines in purple ink, without date and appropriately written in Paris.

    Traces of folds inherent to a letter slipped into an envelope.

    In this post, Romain Rolland gives appointment to Gustave Geffroy: "We are convened tomorrow evening 9am at the Revue d'Art dramatique" by requesting his presence that he considers important : "It would be necessary for you to be there for us lend your help against a government that is really too enthusiastic about our project. "
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  26. Lettre autographe signée (adressée à Daniel Giraud) "On ne fait pas d'articles sur Pythagore, sur Jésus, sur Gandhi ou sur Céline..."
    Henri MAHÉ, Louis-Ferdinand CELINE

    Lettre autographe signée (adressée à Daniel Giraud) "On ne fait pas d'articles sur Pythagore, sur Jésus, sur Gandhi ou sur Céline..."

    Paris 15 Février 1970|21 x 27 cm|une page et demie
    Signed autograph letter of Henri Mahé, painter, director and friend of Louis-Ferdinand Céline, a page and a half, (to Daniel Giraud he nicknamed the Homodivorous Autodestructor), 28 lines in black felt, dated 15 February 1970 and written from his home in Paris rue Greuze in the sixteenth arrondissement.

    Traces of central folds inherent to a letter slipped into an envelope.

    In this letter, all imprint of Celinian verve but also modesty and independence, Henri Mahé refuses to write an article because: "We do not make articles on Pythagoras, on Jesus, on Gandhi or Celine ... " mocking his style :" You see it's bad, you're overestimating me! "
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  27. Lettre autographe signée (à Eugène Vallée) "Dites-moi par un mot s'il est dans les usages d'offrir un vol. avec dédicace à Alphonse Lemerre".
    Stanislas de GUAÏTA

    Lettre autographe signée (à Eugène Vallée) "Dites-moi par un mot s'il est dans les usages d'offrir un vol. avec dédicace à Alphonse Lemerre".

    s. l. • [Paris] s. d. [circa 1885]|11.50 x 18 cm|deux pages sur un feuillet
    Letter autograph signed by Stanislas de Guaita, two pages, addressed to Eugene Vallée who was a close friend of the family, of 27 lines in black ink, undated but probably written, from his Parisian home, shortly after the publication of his "Rosa mystica" in 1885 at Alphonse Lemerre.

    Traces of central folds inherent to a letter slipped into an envelope, foxing.

    In this letter with his crown of marquises, Stanislas de Guaita shows his gratitude and gratitude to his correspondent who has always been the benevolent protector of his mother and himself and to whom, as a thank you, he offers one of the very first copies of Rosa Mystica: "I bring you a copy of Rosa mys
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  28. Lettre autographe signée à André Suarès
    André MALRAUX

    Lettre autographe signée à André Suarès

    Paris s. d. [1928]|11.50 x 14 cm|une page sur un feuillet remplié
    Autograph signed by André Malraux, one page, envelope attached and bearing a postal stamp of May 18, 1928, André Suarès, 25 lines in black ink, and written in Paris.

    Traces of central folds inherent to a letter slipped into an envelope that we enclose to the letter and on which Andre Suares indicated in angle of the first board "Malraux".

    André Malraux agrees to honor an invitation he has received from André Suarès to come and visit him on a Saturday at the beginning of the afternoon at his Parisian home on rue Cassette: "... I will have the pleasure of go home, Saturday, about 2 hours 1/4 ".
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  29. Les combattants du petit bonheur
    Alphonse BOUDARD

    Les combattants du petit bonheur

    Le cercle du nouveau livre|Paris 1977|14 x 20 cm|reliure de l'éditeur
    Edition of the year of the original, one of the numbered copies.
    Publisher's binding in full purple fabric, smooth back slightly discolored in foot, nice copy.
    In-fine iconography.
    Fun autograph dedication signed by Alphonse Boudard to Lucienne de Rozier: "... wishing him a quick cure ... Frivolous fighters by way of FFiography ..."
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  30. J'étais un homme - Se questo è un uomo [Si c'est un homme]
    Primo LEVI, Michèle CAUSSE (trans.)

    J'étais un homme - Se questo è un uomo [Si c'est un homme]If This Is A Man

    Buchet-Chastel|Paris 1961|14 x 19 cm|broché
    LEVI Primo
    J'étais un homme - Se questo è un uomo
    [If This Is A Man]
    Buchet/Chastel, Paris 1961, 14 x 19 cm, original wrappers
    First edition of the French translation of one of the authoritative works on the Nazi concentration camp system.
    Exceptionally rare, this French translation of Primo Levi's first book would go as unnoticed as the original Italian edition that was published in 1947. It was only upon the suicide of its author in 1987 that a second French edition was published and this fundamental testimony on the Shoah became the emblematic work of concentration camp literature.
    Michèle Causse's translation reflects the difficulty of transcribing
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  31. Les celtes et les druides
    Gérard SERBANESCO

    Les celtes et les druides

    La ruche ouvrière|Paris 1968|13.50 x 19 cm|broché
    First edition.
    Small foxing on the guards.
    Iconography.
    Signed autograph dated Gérard Serbanesco to Mrs. J. Pochard
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  32. Sainte Monique
    Ambroise VOLLARD

    Sainte Monique

    Emile-Paul frères|Paris 1927|12 x 19 cm|broché
    First edition on current paper.
    Small foxing mainly affecting the slices.
    Autograph signed by Ambroise Vollard to miss Andrée Chariot.
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  33. Notes d'atelier & autres textes de la contre-allée
    Gérard TITUS-CARMEL

    Notes d'atelier & autres textes de la contre-allée

    Plon|Paris 1990|11.50 x 18.50 cm|broché
    First edition for which it was not drawn large papers.
    boards very lightly soiled without gravity in their margins.
    Signed autograph dedication of Gérard Titus-Carmel to his friends Janine and Jean-Jacques Prévost: "... news of the forge delivered with friendship ..."
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  34. Couleur du temps
    Léopold DAUPHIN

    Couleur du temps

    Léon Vanier|Paris 1899|11.50 x 18.50 cm|broché
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  35. Raisins bleus et gris
    Léopold DAUPHIN, Stéphane MALLARMÉ

    Raisins bleus et gris

    Léon Vanier|Paris 1897|11.50 x 18.50 cm|broché
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  36. Raisins bleus et gris
    Léopold DAUPHIN, Stéphane MALLARMÉ

    Raisins bleus et gris

    Léon Vanier|Paris 1897|11.50 x 18.50 cm|broché
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  37. Rhétorique N°12
    René MAGRITTE, COLLECTIF

    Rhétorique N°12

    Léon Vanier|Paris Août 1964|12 x 18 cm|agrafé
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  41. Odes funambulesques
    Théodore de BANVILLE

    Odes funambulesques

    Michel Lévy frères|Paris 1859|11.50 x 18.50 cm|broché
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  43. Oeuvres. Poésies 1865-1866
    SULLY PRUDHOMME

    Oeuvres. Poésies 1865-1866

    Alphonse Lemerre|Paris s. d. [circa 1870]|9.50 x 16 cm|relié
    New edition.
    Half chocolate brown shagreen binding with corners, spine with five fine raised bands set with gilt dots and decorated with double gilt compartments adorned with gilt decorative motifs, double gilt fillet frame on marbled paper boards, light scratches on first cover, marbled endpapers and pastedowns, top edge gilt, contemporary binding.
    Work illustrated with a frontispiece portrait of Sully Prudhomme.
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  44. La conversation des poètes
    Claude ROY

    La conversation des poètes

    Gallimard|Paris 1995|14 x 20.50 cm|broché
    First edition on current paper.
    Slight stains on the boards, otherwise nice copy.
    Autograph dedication signed by Claude Roy to Charles (Dobzynski): "To continue with Charles ..."
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  45. Locus solus
    Raymond ROUSSEL

    Locus solus

    Alphonse Lemerre|Paris s. d. [circa 1930]|12 x 19 cm|broché
    New edition, stated tenth edition.
    Spine lightly sunned with small tears and splits, two marginal lacks to front cover.
    Complete with its rare wraparound band.
    Sold
  49. Le vol d'Icare
    Raymond QUENEAU

    Le vol d'Icare

    Gallimard|Paris 1968|14 x 20.50 cm|broché
    First edition, one of the review copies service.
    Clear spots on the second board.
    Autograph dedication signed by Raymond Queneau to Jean-Marc Lambert.
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  51. Vision à New York
    Philippe SOLLERS

    Vision à New York

    Grasset|Paris 1981|13 x 20.50 cm|broché
    First edition on current paper.
    Nice copy.
    Precious autograph dated and signed by Philippe Sollers Jacques Lacan.
    Sold
  53. Jean Cocteau dessins. - Lucien Clergue photographies
    Lucien CLERGUE, Jean COCTEAU

    Jean Cocteau dessins. - Lucien Clergue photographies

    Galerie Bert|Paris 2012|21 x 15 cm|broché
    First edition of this exhibition plate held at the Galerie Bert from June 6 to September 30, 2012.
    Pleasant illustrated copy of works by Lucien Clergue and Jean Cocteau.
    Autograph signed and dated by Lucien Clergue to Joseph Brown.
    Sold
  54. Blèche
    Pierre DRIEU LA ROCHELLE

    Blèche

    Nrf|Paris 1928|12 x 19 cm|broché
    First edition, one of the review copies service.
    Insolated back with two tears in the head and foot.
    Signed autograph Pierre Drieu la Rochelle to Gaston Rageot: "... this novel is nothing romantic or even romantic ..."
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  55. L'univers illustré
    Alfred DES ESSARTS

    L'univers illustré

    Librairie Louis Janet|Paris 1850 (S.d.)|16 x 24 cm|relié
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  56. Plaidoirie de Henri Torrès au procès "Bonny-Gringoire" précédée du portrait de Henry Torrès par Henri Béraud et de la déclaration faite aux jurés par Horace de Carbuccia
    Henry TORRÈS, Henri BÉRAUD

    Plaidoirie de Henri Torrès au procès "Bonny-Gringoire" précédée du portrait de Henry Torrès par Henri Béraud et de la déclaration faite aux jurés par Horace de Carbuccia

    Les Editions de France|Paris 1935|14.50 x 19 cm|broché
    First edition, one of 25 copies on Japan, head print.
    Wrinkled back with two small gaps.
    Signed autograph Henry Torres to his friend Gaudel: "... the most loyal, the bravest of the opponents, the fairest judge, the most chic of friends, in memory of five days together ..."
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  58. Le renard
    Wilhelm von KAULBACH, Johann Wolfgang von GOETHE

    Le renard

    Jules Hetzel|Paris 1867|24.50 x 32.50 cm|reliure de l'éditeur
    Edition translated by Edouard Grenier and illustrated with in-text drawings by Wilhelm von Kaulbach.
    Half red shagreen binding, smooth spine decorated with triple gilt fillets, marbled paper boards, marbled endpapers and pastedowns, one upper corner slightly bumped, contemporary binding.
    Some foxing.
    Sold
  60. Le peintre graveur illustré (XIXe et XXe siècles) Tome trente-et-unième. Jean Frélaut
    Jean FRELAUT, Loys DELTEIL

    Le peintre graveur illustré (XIXe et XXe siècles) Tome trente-et-unième. Jean Frélaut

    Chez l'auteur|Paris 1926|25.50 x 33 cm|relié
    First edition illustrated with 27 lithographs and 254 etchings of Jean Frélaut.
    Our copy is full of original etching taken separately and printed on laid.
    Binding to the bradel caramel half sheepskin, back with four nerves with some traces of friction, marbled paper plates, guards and contreplats of handmade paper.
    Nice interior state.
    Our copy is enriched with a watercolor full-page painter and engraver Jean Frelaut representing a beautiful unsigned marine and includes this autograph signed by his son Denis: "To my dear Denis, his dad, Sept. 42."
    The copy had previously been offered to Denis and bears this handwritten mention, above the watercolor,
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  61. Bridinette
    Jean PICART LE DOUX, Charles VILDRAC

    Bridinette

    Société universitaire d'éditions et de librairie|Paris 1935|16.50 x 19.50 cm|reliure de l'éditeur
    First illustrated edition of 72 original compositions by Jean Picart The Sweet.
    Publisher's binding, burgundy linen smooth back, glued head label on the back, apple green cardboard, blunt corners, some snags on the cuts.
    Nice interior state.
    Signed autograph from Charles Vildrac to Marie Gevers: "... this little sister of Milot ..."
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  62. Vers le travail Milot
    Henri MIRANDE, Charles VILDRAC

    Vers le travail Milot

    Société universitaire d'éditions et de librairie|Paris 1933|16.50 x 19.50 cm|reliure de l'éditeur
    First illustrated edition of 80 original compositions by Henri Mirande.
    Publisher's binder, smooth back of partially faded blue cloth, glued head label on the back, apple green cardboard, blunt corners.
    foxing on the guards, otherwise nice interior state.
    Signed autograph from Charles Vildrac to Marie Gevers: "... this story for school children ..."
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  63. Les yeux d'Elsa
    Louis ARAGON

    Les yeux d'Elsa

    Seghers|Paris 1969|11 x 17.50 cm|broché
    New edition.
    Two clear wettings at the top of the first board, upper edges slightly soiled.
    Signed autograph of Louis Aragon to Marie-Berthe Jehl: "... the eyes that I no longer have ..."
    Sold
  64. Carte blanche
    Jean COCTEAU

    Carte blanche

    Editions de la Sirène|Paris 1920|10 x 18 cm|broché
    Sold
  72. La cathédrale de Reims
    Étienne MOREAU-NÉLATON

    La cathédrale de Reims

    Librairie centrale des beaux-arts|Paris 1915|21 x 27.50 cm|relié
    Sold
  73. Les fleurs animées
    Jean Ignace Isidore Gérard GRANDVILLE, Alphonse KARR

    Les fleurs animéesAnimated Flowers

    Garnier frères|Paris 1867|17 x 27.50 cm|2 volumes reliés
    KARR Alphonse & DELORD Taxile & Comte FOELIX
    illustrated by GRANDVILLE Jean-Jacques
    Les Fleurs animées [Animated Flowers]
    Garnier frères, Paris 1867, 17 x 27,5 cm, navy-blue half shagreen
    Edition illustrated by Grandville with 29 insert watercolor plates in the first volume, and 23 insert watercolor plates and 2 black plates in the second.
    Navy-blue half shagreen, spine divided into five compartments with curved fillets, gilt double fillets and floral motifs to compartments, marbled endpapers and pastedowns, one corner frayed. Occasional spotting, a transparent dampstain at the base of all leaves in the first volume.
    Text by Alph
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  74. Contes
    Louis MORIN, Christoph von SCHMID

    Contes

    Henri Laurens|Paris s. d. [circa 1930]|22 x 28.50 cm|reliure de l'éditeur
    Illustrated edition with black and color drawings by Louis Morin both in text and on plates.
    Publisher's full red cloth binding, smooth red cloth spine, illustrated front cover.
    Handsome copy.

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  75. Technique du coup d'état
    Curzio MALAPARTE

    Technique du coup d'état

    Grasset|Paris 1931|12 x 19 cm|broché
    First edition of the French translation, an advance (service de presse) copy.
    Spine sunned.
    Autograph inscription signed by Curzio Malaparte to Gaston Rageot.
    Sold
  76. L'amour la poésie
    Paul ÉLUARD

    L'amour la poésie

    Nrf|Paris 1929|12 x 19 cm|broché
    First edition, one of the review copies service.
    Back insolated, yellowed paper as generally.
    Signed autograph Paul Eluard Gaston Rageot.
    Sold
  77. Un soir chez Blutel
    Emmanuel BOVE, André DIGNIMONT

    Un soir chez Blutel

    Simon Kra|Paris 1927|14 x 18 cm|broché
    First edition on current paper.
    Illustrated book, frontispiece, a portrait of the author by Dignimont.
    Insolated back.
    Autograph dedication signed by Emmanuel Bove to Gaston Rageot.
    Sold
  80. Le roy soleil
    Georges TOUDOUZE, Maurice LELOIR

    Le roy soleil

    Boivin & Cie|Paris 1917|30 x 37.50 cm|reliure de l'éditeur
    Sold
  81. Gédéon en Afrique
    Benjamin RABIER, Maurice LELOIR

    Gédéon en Afrique

    Boivin & Cie|Paris 1928|23.50 x 31.50 cm|reliure de l'éditeur
    Sold
  84. Freud et Lacan
    Louis ALTHUSSER

    Freud et Lacan

    Editions des Grandes-têtes-molles de notre époque|Paris 1965|13.50 x 21 cm|agrafé
    Sold
  86. L'aéronautique militaire, maritime, coloniale et marchande
    COLLECTIF

    L'aéronautique militaire, maritime, coloniale et marchande

    M. & J. de Brunoff • Ministère de l'Air|Paris 1931|24.50 x 32 cm|reliure de l'éditeur
    First edition.
    Binding of the editor in full cream canvas, smooth back, title piece of blue cloth, first flat illustrated with an allegorical medallion on a gilded background, guards and contreplats of handmade paper, gilded head.
    Rich iconography.
    Nice copy.
    Autograph dedication signed by the publisher J. de Brunoff to Chief Engineer Harlaut: "... in memory of his precious collaboration ..."
    Sold
  87. La main tendue
    Philippe HÉRIAT

    La main tendue

    Denoël & Steele|Paris 1933|15 x 21 cm|broché
    Sold
  89. Agent secret
    Jean-Robert IPOUSTÉGUY

    Agent secret

    Editions de la Différence|Paris 2002|13 x 20 cm|broché
    First edition for which it was not drawn large papers.
    Nice copy.
    Signed autograph of Jean-Robert Ipoustéguy to the sculptor Raymond Mason.
    Sold
  90. Ipoustéguy, parlons !
    Jean-Robert IPOUSTÉGUY, Évelyne ARTAUD

    Ipoustéguy, parlons !

    Editions Cercle d'art|Paris 1993|15.50 x 22.50 cm|broché
    First edition for which it was not drawn large papers.
    Nice copy.
    Signed autograph of Jean-Robert Ipoustéguy to the sculptor (Raymond Mason) on a business card glued on the page of fake title.
    Sold
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